Forrest Gump by Wes Anderson
By Louis Paquet, the opening titles of Forrest Gump if it were directed by Wes Anderson.
(via @kyledenlinger)
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By Louis Paquet, the opening titles of Forrest Gump if it were directed by Wes Anderson.
(via @kyledenlinger)
In a five part series called “emoji-nation”, Ukrainian Nastya Ptichek mixes the work of well-known painters with graphical elements of new media. In the second part of the series, the works of Edward Hopper are augmented with social media interface icons:

The first part finds emoji doppelgangers for works of fine art while the third part uses paintings as movie poster imagery for the likes of Kill Bill and Home Alone (paired with Munch’s The Scream). For part four, Ptichek places modal dialogs over art works:

And part five plays around with several Google interface elements:

Love this kind of thing. Feels like I’ve seen something like it before though. Anyone recall?
Denis Medri illustrates scenes from Star Wars as if Luke, Leia, Han, and the rest of the gang were teenagers in an 80s movie like Back to the Future, Karate Kid, or Breakfast Club.

Great Scott, the Force is strong in these two.
Jesse Hill made a music video for Beyonce’s Drunk in Love entirely out of emoji. Fantastic work.
Fist Eggplant! Poo! Surfbort! Oh man, that was fun.
I can’t stop watching this…watch Imperial AT-AT’s attack Olympic mogul skiers on Hoth:
Those skiers are not going to make it past the first marker. (via devour)
For his Classic Movies in Miniature Style series, Murat Palta illustrated scenes from movies using traditional Ottoman motifs. Here’s A Clockwork Orange and Kill Bill:


Great stuff. (via @pieratt)
Mario Wienerroither takes music videos, strips out all the sound, and then foleys back in sound effects based on what people are doing in the video. You’ll get the gist after about 6 seconds of this Jamiroquai video:
Great stuff. He’s also done Nirvana’s Smells Like Teen Spirit, Prodigy’s Firestarter, and Queen’s I Want to Break Free. (via @faketv)
The first installment was a classic, but this second video of NFL players and coaches overdubbed with alternate dialogue is pretty great as well.
(via devour)
Rino Stefano Tagliafierro took more than 100 paintings (from the likes of Reubens, Caravaggio, Rembrandt, and Vermeer) and set them in motion to music to form a slow motion oil painted dreamland.
Lots of boobs, butts, penises, and even the occasional hint of sexual gesture in this one β the motion sometimes fills in the blanks on all of those frolicking nymph-type paintings, making them seem to modern eyes even more sexist and outdated than the static paintings. There are some definite porny moments, is what I’m saying. So yeah, probably NSFW.
And for those looking to supplement their GIF collections, this page contains links to an animated GIF for each painting represented in the video. (via digg)
Covers for The Parisianer, an imaginary version of the New Yorker set in Paris.
Cartoonist Mike Holmes occasionally draws himself and his cat in the style of other cartoonists. He calls them Mikenesses. Here’s Holmes in the styles of Chris Ware, Aardman, and Berke Breathed:



(via @H_FJ)
In a masterfully edited video, David Ehrlich presents his 25 favorite films of 2013.
Fantastic. This video makes me want to stop what I’m doing and watch movies for a week. It’s a good year for it apparently…both Tyler Cowen and Bruce Handy argue that 2013 is an exceptional year for movies. I’m still fond of 1999… (via @brillhart)
In a video analogue of Alvin Lucier’s I Am Sitting in a Room, this YouTube video is uploaded and then downloaded 1000 consecutive times until the image becomes all artifacts.
(via digg)
James Murphy (LCD Soundsystem) remixed David Bowie’s Love is Lost in the style of minimal music composer Steve Reich. Here’s the video for it by Barnaby Roper:
The video is NSFW, although most of the NS-ness is of the watching scrambled Cinemax on your uncle’s cable in 1985 variety (aka datamoshing).
Roland Deschane took a few paintings by cheeseball artist Thomas Kinkade and incorporated Star Wars characters into them.

(via @Coudal)
I’m not sure that the bad lip reading of NFL players will ever be topped, but this dubbing of Game of Thrones with alternative dialogue is pretty great too.
(via devour)
A very pretty but almost completely useless circular map of the NYC subway.

There’s a London Tube version too.
YouTuber Chase creates short videos where the faces of celebrities are swapped for other celebrity faces. The results are weird and often hilarious. The best one is probably the most recent video of Natalie Portman and Will Ferrell:
This quick Nicholson/Cruise clip from A Few Good Men is pretty good too:
Co.Create did an interview with the creator.
“When picking the celebrities, I am mainly considering two things. Their relevance and popularity, as well as the availability of unique, high-quality footage in which the actor is looking mostly towards the camera,” Chase says. “Mashing up footage in which the characters are constantly looking side to side is much more difficult and usually results in a less convincing final product.” He adds. “There have a been a few After Effects sessions that ended up in the recycle bin because of this.”
(via @daveg)
I still can’t get enough of their latest Mixtape and here comes another one. The Hood Internet has done a 54-minute mix for Frank & Oak. You can listen to it below, on Soundcloud, or download by liking Frank & Oak on Facebook.
I’m 27 minutes in and so far so good.
What if William Shakespeare wrote Star Wars?

Boing Boing has an excerpt.
If you slow down the Seinfeld theme by 1200%, it sounds like the soundtrack to a bad 80s sci-fi movie.
You may also enjoy Justin Bieber at 800% slower.
DJ BC took the Beastie Boys and mashed them up with The Beatles.
He did more than 40 songs…get them all here. (via β glass)
This is great…Daft Punk’s Get Lucky as it would have sounded in every decade from the 1920s to the 2020s.
This is what singles should be from now on…you get the original song, a 30s jazz version of the song, a 1800s classical version, an 80s new wave version, and so on.
[SORTA MAD MEN SPOILERS! but not really] I don’t know if Ken Crosgrove dancing on the latest episode of Mad Men is the best thing that’s ever been on the show, but it’s definitely in the top 10. And it might be even better with a little Daft Punk.
And it might be best with the Crazy in Love cover from Gatsby…just load up that this YT video while watching the animated GIF and you’re all set. (This is how Millennials watch TV, BTW…it’s all animated GIFs with YouTube video soundtracks. Civilization is gonna be juuuuuuust fine.)
Daft Punk + goats who yell like people = not the funniest thing you’ve seen in your life but it hits a certain spot, that’s for sure.
(via @thebakerruns)
We all know that art forgeries are just cheap rip-offs of real art. What Jonathan Keats’ new book presupposes is, maybe they’re not?
Forgers are the foremost artists of our age.
I’m not talking about the objects they make. Their real art is to con us into accepting the works as authentic. They do so, inevitably, by finding our blind spots, and by exploiting our common-sense assumptions. When they’re caught (if they’re caught), the scandal that ensues is their accidental masterpiece. Learning that we’ve been defrauded makes us anxious β much more so than any painting ever could β provoking us to examine our poor judgment. This effect is inescapable, since we certainly didn’t ask to be duped. A forgery is more direct, more powerful, and more universal than any legitimate artwork.
See also Uncreative Writing, fake is the new real, even if it’s fake it’s real, and this paragraph from Joe Posnanski’s piece on pitching phenoms:
You have to understand that to a boy of the 1970s, the line between comic books and real life people was hopelessly blurred. Was Steve Austin, the Six Million Dollar Man, real or fake? Fake? Well, then, how about Evel Knievel jumping over busses on his motorcycle? Oh, he was real. The Superman ads said, “You will believe a man can fly,” and Fonzie started jukeboxes by simply hitting them, and Elvis Presley wore capes, and Nolan Ryan threw pitches 102 mph, and Roger Staubach (who they called Captain America) kept bringing the Cowboys back from certain defeat, and Muhammad Ali let George Foreman tire himself out by leaning against the ropes and taking every punch he could throw. What was real anyway?
You know the drill: it’s a new mixtape from The Hood Internet:
Downloads, tour details, and more info on their site.
Update: I made a playlist on Rdio of the songs The Hood Internet used in Mixtape Volume Seven…sifting through their sources is a great way to discover new and previously overlooked music.
There are maybe 3-4 songs I couldn’t find on Rdio…they are either unreleased or mixes from Soundcloud. Enjoy.
Update: And here’s the same playlist for Spotify. (via @Afterschool)
What if each member of the Bluth family made an album? The album covers might look something like these.

(via @aaroncoleman0)
For his Alpha Beauties project, artist Nazareno Crea retouches paintings and sculpture from throughout history, a process which normalizes each period’s ideal of female beauty to that of the present day. That is, much skinnier, with smaller noses, higher cheekbones, and larger breasts.


Similar projects: Venus and Eye of the Beholder.
A nascent trend on YouTube is to take contemporary dramas and imagine what their 1995-style opening credits sequences might look like. The first one appears to be this Walking Dead one, followed by Breaking Bad, which is the best of the bunch:
The Game of Thrones one is pretty great as well:
These seem to be a variation on the recut trailers meme, e.g. The Shining as a romantic comedy or Toy Story as a horror film. (via @aaroncoleman0)
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