Wooper
Wooper is a Robot Chicken parody of Looper, in which cartoon characters like Elmer Fudd are sent back in time to be killed because they can’t show guns in children’s cartoons anymore.
(via @gruber)
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kottke.org posts about remix
Taylor Swift’s Nine Inch Nails
If you take the vocals from The Perfect Drug by Nine Inch Nails and match them to the beats from Taylor Swift’s Shake It Off, you get this little bit of magic:
Update: I totally forgot I’d previously featured this awesomeness: NIN’s Head Like a Hole vs. Carly Rae Jepsen’s Call Me Maybe. Also of note: Mark Romanek directed the videos for Shake It Off and The Perfect Drug. (via ★interesting, @sarahmakespics, and mark)
Replacement Suns
From the Russian Space Agency, a video of what the sky would look like if the Sun were replaced by some other stars. It starts off with the binary star system of Alpha Centuri, but watch until the end for Polaris, which has a radius 46 times that of the Sun.
See also the view from Earth of different planets replacing the Moon and imagining Earth with Saturn’s rings.
Richard Scarry’s Business Business Town
What if the Busy Busy Town Richard Scarry wrote about was Silicon Valley circa 2015? Meet the fine citizens of Business Town. Great stuff, but did someone forget to credit Ruben Bolling’s comic strip Richard Scarry’s 21st Century Busy Town Jobs for the inspiration?
8-bit Guardians of the Galaxy
There a lots of videos of movies reimagined as 8-bit video games out there (Kill Bill, The Matrix, Pulp Fiction), but I’m posting the Guardians of the Galaxy one because of the excellent chiptune rendition of the Awesome Mix Vol. 1 soundtrack.
Hooked on a Feeling, beep beep doot doot… (via devour)
Soderbergh’s edit of 2001
So. Steven Soderbergh has cut his own version of Stanley Kubrick’s 2001: A Space Odyssey. Like, !!!1
I haven’t had a chance to watch this yet, so I don’t know what’s different about it aside from the shorter runtime of 1h50m. If someone watches it and wants to report in about the differences, let me know. Soderbergh also guessed that Kubrick would have liked shooting on digital:
let me also say i believe SK would have embraced the current crop of digital cameras, because from a visual standpoint, he was obsessed with two things: absolute fidelity to reality-based light sources, and image stabilization. regarding the former, the increased sensitivity without resolution loss allows us to really capture the world as it is, and regarding the latter, post-2001 SK generally shot matte perf film (normally reserved for effects shots, because of its added steadiness) all day, every day, something which digital capture makes moot. pile on things like never being distracted by weaving, splices, dirt, scratches, bad lab matches during changeovers, changeovers themselves, bad framing and focus exacerbated by projector vibration, and you can see why i think he might dig digital.
See also Soderbergh’s B&W edit of Raiders of the Lost Ark. (via @fengypants)
Update: Reader and 2001 fan Dan Norquist watched Soderbergh’s edit and reported back via email:
I love everything Soderbergh does and I love the fact that he cut this film. It’s fun to see it in a more concise form. Really, there’s no choppy edits or anything that doesn’t make sense (except the whole movie of course!). I did miss some of my favorite parts. I love when the father is talking to his daughter on the video phone. Also, if you weren’t around in 1968 it’s really hard to describe how scary the Cold War was. There was always this thing hanging over our heads, that the Russians really had the means to destroy us with nuclear weapons. So you really need the full scene where the American meets the Russians (Soviets). The forced, unnatural politeness is so brilliant and helped to give the film context in its time.
All the important stuff is there — the apes, the monolith, HAL turning evil, astronaut spinning away, the speeding light show (shortened?), old man pointing at space child — and it’s all recut by a master.
Finally, there is something about the full length of the original film that is part of its strength as a piece of art. There is no hurry, no cut to the chase. It’s almost as if you have to go through the entire journey before you can earn the bubble baby at the end.
No surprise that he tightened it up into something less Kubrickian and more Soderberghish. Dan closed his email by saying he would recommend it to fans of the original. (thx, dan)
Update: I’ve seen some comments on Twitter and elsewhere about the legality of Soderbergh posting the 2001 and Raiders edits. The videos are hosted on Vimeo, but are private and can’t be embedded on any site other than Soderbergh’s. But any enterprising person can easily figure out how to download either video. The Raiders video has been up since September, which means either that Paramount doesn’t care (most likely in my mind) or their lawyers somehow haven’t caught wind of it, even though it was all over the internet a few months ago (less likely). We’ll see if whoever owns the rights to 2001 (Time Warner?) feels similarly.
An interesting wrinkle here is that Soderbergh has been outspoken about copyright piracy and the Internet. From a 2009 NY Times article about a proposed French anti-piracy law:
In the United States, a Congressional committee this week began studying the issue. In a hearing Monday before the Foreign Affairs Committee of the House of Representatives, Steven Soderbergh, the film director, cited the French initiative in asking lawmakers to deputize the American film industry to pursue copyright pirates.
Deputizing the film industry to police piracy sounds a little too much like putting the fox in charge of the henhouse. I wonder if Soderbergh feels like these edits are legal to post publicly, if they are fair use for example. Or rather if he feels it’s not but he can get away with it because he is who he is. (thx, @bc_butler)
Update: Soderbergh has removed his cut of 2001 from his site “AT THE REQUEST OF WARNER BROS. AND THE STANLEY KUBRICK ESTATE”. So, that answers that question. (via @fengypants)
I also found out that apparently I had jury duty last week on the same day in the same room as Soderbergh. Total embarrassing fanboy meltdown narrowly avoided. ↩
The Terminator Paradox
Finally, courtesy of the Auralnauts, we get the Terminator trailer that we deserve. Time travel is hilarious.
I wish we could send you back with pants, but the technology just isn’t there yet. So as soon as you hit the ground, you’re going to want to find some pants. I know you can do it…because you already did it.
Like the old wives’ tale says, if you want to fix the future, just keep sending Terminators back in time. (via @mouser_nerdbot)
The Muppets cover Hip Hop Hooray
Kermit the Frog, Fozzie Bear, and guests cover Naughty By Nature’s 1993 classic Hip Hop Hooray.
See also The Muppets covering The Beastie Boys, Kanye, and M.O.P.
George Lucas’ Special Edition of the Star Wars: Episode VII Trailer
What if George Lucas was making the new Star Wars movie instead of JJ Abrams? This recut trailer offers a glimpse of the cheesy CG madness.
So so good.
_____ and Julia
Nora Ephron’s movie Julie & Julia is based on a book by Julie Powell about her making every recipe in Julia Child’s Mastering the Art of French Cooking. Some genius took the movie and cut all the Julie parts out of it, leaving just a movie about the life of Julia Child starring Meryl Streep.
Update: Well, that was fast…got taken down already.
Update: Looks like someone did a similar cut three months ago, Julia Sans Julie:
Let’s see how long this one lasts. (via ★interesting & @ChadwickSevern)
With A Little Help From My Fwends
With A Little Help From My Fwends is The Flaming Lips full-length cover of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band. NPR has a first listen to it. ft. Foxygen, Miley Cyrus, Moby, Tegan And Sara, and others.
Last year’s pulverizing and strangely pretty The Terror was often punishingly uncompromising, but With A Little Help From My Fwends tackles its impossible task with a comparatively light touch. That lightness is clear from the title alone, and yet The Flaming Lips’ audaciously playful streak (required in order to cover Sgt. Pepper’s in the first place) still gets undercut with moments of abrasiveness, aggression and detours down strange side roads.
Malkovich? Malkovich, Malkovich, Malkovich. Malkovich!
From photographer Sandro Miller, in collaboration with the actor himself, recreations of iconic photographs with John Malkovich in place of the original subjects.
Star Wars Episode II: The Friend Zone
Amidala friendzones Anakin, Obi-Wan hunts for drugs, and Jango Fett pumps the bass in this hilarious Auralnauts reimagining of Star Wars: Attack of the Clones.
You may have also seen their recent video of the Throne Room scene at the end of Star Wars without John Williams’ score (reminiscent of these musicless musicvideos) or Bane’s outtakes from The Dark Knight Rises. Still champion though: bad lip reading of NFL players. (via @aaroncoleman0)
Apocalypse Pooh
The internet is full of remixes of movies and trailers these days: Wes Anderson’s Forrest Gump, The Shining as a romantic comedy, Toy Story 2 mashed up with Requiem for a Dream, Toy Story meets The Wire, and so on. But before all of that, from 1987, perhaps the first mashup of its kind, Apocalypse Pooh:
Todd Graham made this short film with VCRs and film nerds passed around copies on VHS tapes. (via @johankugelberg)
Muppets version of So What’cha Want by the Beastie Boys
As far as these things go, this video of the Muppets singing So What’cha Want by the Beastie Boys is pretty near perfect.
See also The Muppets singing Kanye West’s Monster and the Sesame Street gang doing the Beastie Boys’ Sure Shot. Oh, and the classic Bert & Ernie Ante Up rap video:
(via subtraction)
Hood Internet Mixtape Vol. 8
New mixtape from The Hood Internet, the eighth in a hopefully infinite series. You know what to do.
Little Starbucks on the Prairie
Over at McSweeney’s, Gary Almeter reimagines episodes of the Little House on the Prairie TV show to reflect the presence of a Starbucks in Walnut Grove.
Charles inherits the entire estate of a wealthy uncle. Within 24 hours, the Ingallses, who are seemingly rich, suddenly become Harriet Oleson’s best pals. They are pressured to make various contributions throughout the community, and they even receive newspaper article offers to chronicle this tremendous change in their lives. Things get even worse when this newfound fortune threatens the family’s relationships with their real friends. Meanwhile, Nellie Oleson, to avenge a barista who broke Nellie’s doll, replaces the cinnamon at the Starbucks condiments bar with cayenne pepper while Mr. Edwards finally accepts the idea that coffee can be iced.
(via @tadfriend)
Even more Awake
Com Truise remix of Tycho’s Awake? Yes please.
Now get Kygo to remix the remix and we’ll have the perfect kottke.org sleepy beats trifecta.
Kill Bill as an 8-bit video game
If you took all the fight scenes from Quentin Tarantino’s Kill Bill movies and turned them into a Double Dragon-esque video game, this is what it would look like:
(via devour)
Harry Potter by Ayn Rand
What if Ayn Rand had written Harry Potter? It might go a little something like this.
Professor Snape stood at the front of the room, sort of Jewishly. “There will be no foolish wand-waving or silly incantations in this class. As such, I don’t expect many of you to appreciate the subtle science and exact art that is potion-making. However, for those select few who possess, the predisposition…I can teach you how to bewitch the mind and ensnare the senses. I can tell you how to bottle fame, brew glory, and even put a stopper in death.”
Harry’s hand shot up.
“What is it, Potter?” Snape asked, irritated.
“What’s the value of these potions on the open market?”
“What?”
“Why are you teaching children how to make these valuable products for ourselves at a schoolteacher’s salary instead of creating products to meet modern demand?”
“You impertinent boy-“
“Conversely, what’s to stop me from selling these potions myself after you teach us how to master them?”
“I-“
“This is really more of a question for the Economics of Potion-Making, I guess. What time are econ lessons here?”
“We have no economics lessons in this school, you ridiculous boy.”
Harry Potter stood up bravely. “We do now. Come with me if you want to learn about market forces!”
The students poured into the hallway after him. They had a leader at last.
Star Wars prequels, recut
So, this showed up on Vimeo last night and will likely be pulled soon (so hit that “download” button while you can), but here’s the deal. In 2012, actor Topher Grace showed an edit he’d done of episodes I-III of Star Wars to a bunch of friends, trimming the 7 hours of prequels down into 85 action-packed minutes of pure story. This Vimeo edit is longer (2:45) and is “based on the structure conceived by actor Topher Grace”, which you can read about here.
Grace’s version of the film(s) centers on Anakin’s training and friendship with Obi-Wan, and his relationship with Queen Amidala (Natalie Portman). Gone are Trade Federation blockades, the Gungan city, the whole Padmé handmaiden storyline, the explanation of midichlorians, the galactic senate and the boring politics, Anakin’s origins (a backstory which never really needed to be seen in the first place), the droid army’s attack on Naboo, and Jar Jar Binks (Ahmed Best) appears only briefly for only one line of dialogue, used as a set-up to introduce us to the Queen.
(via @bursts)
Forrest Gump by Wes Anderson
By Louis Paquet, the opening titles of Forrest Gump if it were directed by Wes Anderson.
(via @kyledenlinger)
Old Masters, New Media
In a five part series called “emoji-nation”, Ukrainian Nastya Ptichek mixes the work of well-known painters with graphical elements of new media. In the second part of the series, the works of Edward Hopper are augmented with social media interface icons:
The first part finds emoji doppelgangers for works of fine art while the third part uses paintings as movie poster imagery for the likes of Kill Bill and Home Alone (paired with Munch’s The Scream). For part four, Ptichek places modal dialogs over art works:
And part five plays around with several Google interface elements:
Love this kind of thing. Feels like I’ve seen something like it before though. Anyone recall?
Star Wars High
Denis Medri illustrates scenes from Star Wars as if Luke, Leia, Han, and the rest of the gang were teenagers in an 80s movie like Back to the Future, Karate Kid, or Breakfast Club.
Great Scott, the Force is strong in these two.
Beyonce emoji
Jesse Hill made a music video for Beyonce’s Drunk in Love entirely out of emoji. Fantastic work.
Fist Eggplant! Poo! Surfbort! Oh man, that was fun.
The mogul skiers of Hoth
I can’t stop watching this…watch Imperial AT-AT’s attack Olympic mogul skiers on Hoth:
Those skiers are not going to make it past the first marker. (via devour)
Classic Movies in Miniature Style
For his Classic Movies in Miniature Style series, Murat Palta illustrated scenes from movies using traditional Ottoman motifs. Here’s A Clockwork Orange and Kill Bill:
Great stuff. (via @pieratt)
Musicless Music Videos
Mario Wienerroither takes music videos, strips out all the sound, and then foleys back in sound effects based on what people are doing in the video. You’ll get the gist after about 6 seconds of this Jamiroquai video:
Great stuff. He’s also done Nirvana’s Smells Like Teen Spirit, Prodigy’s Firestarter, and Queen’s I Want to Break Free. (via @faketv)
More hilarious bad lip reading of NFL players
The first installment was a classic, but this second video of NFL players and coaches overdubbed with alternate dialogue is pretty great as well.
(via devour)
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