Seinfeld Theme Slowed Down
If you slow down the Seinfeld theme by 1200%, it sounds like the soundtrack to a bad 80s sci-fi movie.
You may also enjoy Justin Bieber at 800% slower.
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If you slow down the Seinfeld theme by 1200%, it sounds like the soundtrack to a bad 80s sci-fi movie.
You may also enjoy Justin Bieber at 800% slower.
DJ BC took the Beastie Boys and mashed them up with The Beatles.
He did more than 40 songs…get them all here. (via ★glass)
This is great…Daft Punk’s Get Lucky as it would have sounded in every decade from the 1920s to the 2020s.
This is what singles should be from now on…you get the original song, a 30s jazz version of the song, a 1800s classical version, an 80s new wave version, and so on.
[SORTA MAD MEN SPOILERS! but not really] I don’t know if Ken Crosgrove dancing on the latest episode of Mad Men is the best thing that’s ever been on the show, but it’s definitely in the top 10. And it might be even better with a little Daft Punk.
And it might be best with the Crazy in Love cover from Gatsby…just load up that this YT video while watching the animated GIF and you’re all set. (This is how Millennials watch TV, BTW…it’s all animated GIFs with YouTube video soundtracks. Civilization is gonna be juuuuuuust fine.)
Daft Punk + goats who yell like people = not the funniest thing you’ve seen in your life but it hits a certain spot, that’s for sure.
(via @thebakerruns)
We all know that art forgeries are just cheap rip-offs of real art. What Jonathan Keats’ new book presupposes is, maybe they’re not?
Forgers are the foremost artists of our age.
I’m not talking about the objects they make. Their real art is to con us into accepting the works as authentic. They do so, inevitably, by finding our blind spots, and by exploiting our common-sense assumptions. When they’re caught (if they’re caught), the scandal that ensues is their accidental masterpiece. Learning that we’ve been defrauded makes us anxious — much more so than any painting ever could — provoking us to examine our poor judgment. This effect is inescapable, since we certainly didn’t ask to be duped. A forgery is more direct, more powerful, and more universal than any legitimate artwork.
See also Uncreative Writing, fake is the new real, even if it’s fake it’s real, and this paragraph from Joe Posnanski’s piece on pitching phenoms:
You have to understand that to a boy of the 1970s, the line between comic books and real life people was hopelessly blurred. Was Steve Austin, the Six Million Dollar Man, real or fake? Fake? Well, then, how about Evel Knievel jumping over busses on his motorcycle? Oh, he was real. The Superman ads said, “You will believe a man can fly,” and Fonzie started jukeboxes by simply hitting them, and Elvis Presley wore capes, and Nolan Ryan threw pitches 102 mph, and Roger Staubach (who they called Captain America) kept bringing the Cowboys back from certain defeat, and Muhammad Ali let George Foreman tire himself out by leaning against the ropes and taking every punch he could throw. What was real anyway?
You know the drill: it’s a new mixtape from The Hood Internet:
Downloads, tour details, and more info on their site.
Update: I made a playlist on Rdio of the songs The Hood Internet used in Mixtape Volume Seven…sifting through their sources is a great way to discover new and previously overlooked music.
There are maybe 3-4 songs I couldn’t find on Rdio…they are either unreleased or mixes from Soundcloud. Enjoy.
Update: And here’s the same playlist for Spotify. (via @Afterschool)
What if each member of the Bluth family made an album? The album covers might look something like these.
(via @aaroncoleman0)
For his Alpha Beauties project, artist Nazareno Crea retouches paintings and sculpture from throughout history, a process which normalizes each period’s ideal of female beauty to that of the present day. That is, much skinnier, with smaller noses, higher cheekbones, and larger breasts.
Similar projects: Venus and Eye of the Beholder.
A nascent trend on YouTube is to take contemporary dramas and imagine what their 1995-style opening credits sequences might look like. The first one appears to be this Walking Dead one, followed by Breaking Bad, which is the best of the bunch:
The Game of Thrones one is pretty great as well:
These seem to be a variation on the recut trailers meme, e.g. The Shining as a romantic comedy or Toy Story as a horror film. (via @aaroncoleman0)
Weird day (fuck, weird week) but this totally totally made it. Some genius took Carly Rae Jepsen’s Call Me Maybe and mashed it up with Nine Inch Nails’ Head Like a Hole:
Totesally amazingballs. Way way better than I expected. (via the verge)
The third episode of the first season of Charlie Brooker’s Black Mirror was called The Entire History of You, in which many people have their entire lives recorded by implants. Brooker’s take on the self-recorded future and Google’s rosier view meet in this video:
Black Mirror is currently in its second season in the UK, with no US release on the horizon. Here’s what one of the season two episodes is about:
A CG character from a TV show is jokingly put forward to become a member of Parliament. The actor behind the character is uneasy about this new political world he’s found himself in, and as the character’s popularity among voters increases things begin to take a turn for the worse.
See also The real Google Glasses.
The Gameological Society’s Joe Keiser went shopping for video games in Nairobi and found a ton of PlayStation 2 knockoffs. Like Grand Theft Auto: San Andreas: Kirk Douglas:
Full disclosure: this article exists so I can tell you all about Grand Theft Auto: San Andreas: Kirk Douglas. Just look at it! It’s exquisite. The game itself is as grand as the cover. It is San Andreas, with the load screens replaced by EXTREME closeups of Kirk Douglas-and occasionally his son Michael Douglas, because hey, close enough, right? In the game, the main character appears to be a rough approximation of Kirk Douglas. Oh, and all the missions have been removed, so there’s nothing to do.
And RoboCop:
I do not doubt RoboCop’s commitment to Sparkle Motion.
Take footage of NFL players, coaches, and officials talking, dub it poorly with alternate dialogue, and you get a bit of genius.
Let’s not beat around the bush: this is the best thing ever. (via @gavinpurcell)
Jonason Pauley and Jesse Perrotta reshot all 80 minutes of Toy Story in live action — with a Woody doll, a Mr. Potatohead, human actors, and the like.
The pair say that folks at Pixar gave them their approval (sorta kinda) to post it online.
CHARLIE: Have you spoken to Pixar and what have they said? Followup question: Are there unmarked black sedans with dudes in suits outside your house right now?
JESSE: We just got back from visiting Pixar a few days ago. We weren’t invited inside, but we were allowed to pass out DVD’s of our movie to Pixar employees. We have spoken to one of the lead guys at Pixar on Twitter a little bit, and his attitude was positive towards the whole thing. We never got an official word on if it was okay to put it on Youtube though. And about the sedans… haven’t seen them yet, haha!
JONASON: Jesse pretty much covered it. Some of the Pixar employees that we talked to asked if it was online, so I took that as “it should be online” We put it off for a long time because we wanted to make sure it would be alright.
(via @faketv)
These are all so perfect but I’m having a hard time deciding which is the most perfect….the Mrs Patmore tabby or the Dowager Countess Sphynx?
Prints are $22 a pop on Etsy and likely to go quickly. (via @mathowie)
For his Super Hero series, Agan Harahap inserts the likes of Superman, Batman, and Darth Vader into historical photos. Here’s Spidey helping out during World War II:
And some Stormtroopers paying their respects to Chairman Mao’s body:
More images from the series are sprinkled throughout this gallery.
REWORK_ is an album of Philip Glass’s music remixed by the likes of Beck, Amon Tobin, and Nosaj Thing. There is also an interactive iOS app that lets you play around and remix your own Glass compositions.
REWORK_ features eleven “music visualizers” that take the remixed tracks and create interactive visuals that range from futuristic three-dimensional landscapes to shattered multicolored crystals, and vibrating sound waves. People can lean back and enjoy REWORK_ end to end, or they can touch and interact with the visualizers to create their own visual remixes.
In addition to the visualizers, the app includes the “Glass Machine” which lets people create music inspired by Philip Glass’ early work by simply sliding two discs around side-by-side, almost like turntables. People can select different instruments - from synthesizer to piano, and generate polyrhythmic counterpoints between the two melodies.
The app was made by Scott Snibbe’s studio…I fondly recall his Java applets. (BTW, “fondly recall his Java applets” is neither a euphemism nor something that anyone will understand 5-10 years from now.)
The Infinite Jukebox analyzes the self-similarity of music to create neverending and everchanging versions of songs.
The app works by sending your uploaded track over to The Echo Nest, where it is decomposed into individual beats. Each beat is then analyzed and matched to other similar sounding beats in the song. This information is used to create a detailed song graph of paths though similar sounding beats. As the song is played, when the next beat has similar sounding beats there’s a chance that we will branch to a completely different part of the song. Since the branching is to a very similar sounding beat in the song, you (in theory) won’t notice the jump. This process of branching to similar sounding beats can continue forever, giving you an infinitely long version of the song.
Love this idea. How could I not with disclaimers like this?
you can get stuck in a strange attractor at the end of Karma Police for instance
Try it out with Call Me Maybe, Scary Monsters and Nice Sprites, or Little Fluffy Clouds. (via waxy)
Finally, the answer to the question “what if Wes Anderson directed Star Wars”.
Some genius paired 50 Cent’s In Da Club with a video put out by the Jehovah’s Witnesses to encourage deaf people not to masturbate.
(via stellar)
One of my favorite “memes” of all time is Drunk Jeff Goldblum. The first video, a slowed-down ad for Apple from 1999, is still the best. “In ter net?! I’d say In ter net.”
But this new one about PayPal is pretty great too.
“Buying a chair… while sitting in a chair…” (via ★interesting)
Last week Aaron linked to Kanye Wes. Turns out there is also Arrested Westeros (Arrested Development quotes + Game of Thrones scenes):
Man, I wish Kanye Westeros were better. (via @JoshMorrison)
Kanye Wes Anderson is a Tumblr posting screencaps of Wes Anderson moves mashed with Kanye West lyrics resulting in a good time for all. Plus, Kanye and Wes totally hang out.
(via @ryansholin)
The final song from Koyaanisqatsi, remade in 8-bit audio (aka chiptune).
Philip Glass works pretty well in chiptune.
There’s not a whole not more to this radio than what it looks like, but I will forever have a soft spot for things that mimic the London tube map.
Now, if it contained vacuum tubes or something…
A trailer for 2001: A Space Odyssey cut to make the movie seem like a big summer blockbuster.
For the next two weeks, Christian Marclay’s 24-hour supercut of clocks from movies will be on display at Lincoln Center. The Clock shows Tue-Thu from 8am to 10pm and continuously over the weekend.
The Clock is a spectacular and hypnotic 24-hour work of video art by renowned artist Christian Marclay. Marclay has brought together thousands of clips from the entire history of cinema, from silent films to the present, each featuring an exact time on a clock, on a watch, or in dialogue. The resulting collage tells the accurate time at any given moment, making it both a work of art and literally a working timepiece: a cinematic memento mori.
Admission is free, the space air-conditioned, and the couches only slightly uncomfortable. Seating capacity is 96, so the venue is posting updates on Twitter about how long the line is. I popped in earlier today expecting to wait 20 minutes or more and walked right in…quicker than the Shake Shack. I think the MoMA is supposed to be showing it in the next year or two and that is sure to be a complete mob scene so this is your chance to check it out with relative ease.
Earlier this year, Daniel Zalewski profiled Marclay for the New Yorker about how the artist created the film.
Marclay had a dangerous thought: “Wow, wouldn’t it be great to find clips with clocks for every minute of all twenty-four hours?” Marclay has an algorithmic mind, and, as with Sol LeWitt’s work, many of his best pieces have originated with a conceit as straightfoward as a recipe. The resulting collage, he realized, would be weirdly functional; the fragments, properly synched, would tell the time as well as a Rolex. And, because he’d be poaching from a vast number of films, the result would offer an unorthodox anthology of cinema.
There were darker resonances, too. People went to the movies to lose track of time; this video would pound viewers with an awareness of how long they’d been languishing in the dark. It would evoke the laziest of modern pleasures-channel surfing-except that the time wasted would be painfully underlined.
Well, everyone knows Clinton played sax on the Arsenio Hall Show. What this video presupposes is… maybe he played M83?
Watch at :30 to see the hand claps sync. (★Interesting)
Swedish artist Anders Ramsell has recreated about twelve minutes of Blade Runner using 3285 different watercolor paintings. Wow.
See also Stamen’s watercolor maps. (via ★thefoxisblack)
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