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kottke.org posts about Will Ferrell

Winning Time: The Rise of the Lakers Dynasty

From executive producer Adam McKay (who also directed the first episode) comes a glitzy HBO series about the Lakers’ NBA dynasty in the 80s called Winning Time. It’s based on Jeff Pearlman’s book, Showtime: Magic, Kareem, Riley, and the Los Angeles Lakers Dynasty of the 1980s. The casting looks great โ€” Adrien Brody as Pat Riley is particularly fitting.

Winning Time was also the last straw in the disintegration of the creative partnership between McKay and Will Ferrell. From a recent profile of McKay in Vanity Fair:

McKay had been making an HBO limited series about the Los Angeles Lakers basketball team in the 1980s based on the book Showtime and Ferrell, a huge Lakers fan, had his heart set on the role of Jerry Buss, the legendary ’80s-era team owner. After Gary Sanchez dissolved, however, the Lakers show moved under McKay’s new production banner, Hyperobject Industries. And Ferrell, it turns out, was never McKay’s first choice. “The truth is, the way the show was always going to be done, it’s hyperrealistic,” he says. “And Ferrell just doesn’t look like Jerry Buss, and he’s not that vibe of a Jerry Buss. And there were some people involved who were like, ‘We love Ferrell, he’s a genius, but we can’t see him doing it.’ It was a bit of a hard discussion.”

The person McKay wanted for Buss was John C. Reilly, who looks more like the real thing, and who is Ferrell’s best friend. McKay hesitated. “Didn’t want to hurt his feelings,” he says flatly. “Wanted to be respectful.”

In the end he cast Reilly in the role anyway-without telling Ferrell first. Ferrell was infuriated. “I should have called him and I didn’t,” says McKay. “And Reilly did, of course, because Reilly, he’s a stand-up guy.”

Winning Time debuts in March 2022.


Face Mashups

YouTuber Chase creates short videos where the faces of celebrities are swapped for other celebrity faces. The results are weird and often hilarious. The best one is probably the most recent video of Natalie Portman and Will Ferrell:

This quick Nicholson/Cruise clip from A Few Good Men is pretty good too:

Co.Create did an interview with the creator.

“When picking the celebrities, I am mainly considering two things. Their relevance and popularity, as well as the availability of unique, high-quality footage in which the actor is looking mostly towards the camera,” Chase says. “Mashing up footage in which the characters are constantly looking side to side is much more difficult and usually results in a less convincing final product.” He adds. “There have a been a few After Effects sessions that ended up in the recycle bin because of this.”

(via @daveg)


A lot of sweat goes into every bottle.

A lot of sweat goes into every bottle.

(thx, aaron)


Do you love Will Ferrell? Do you sweat?

Do you love Will Ferrell? Do you sweat?


Whoops! I’m a bad blogger, sorry to

Whoops! I’m a bad blogger, sorry to skip out. Had to go see the new Will Ferrell movie (“Semi-Pro”) this morning, which means, well, don’t ever let your freelance writer friends claim they have a rough life. Yeah, poor me, I had to go to a funny movie on a Friday morning instead of filling out TPS reports. I’d rarely say anything about a movie this far in advance (it opens February 29) so as not to totally enrage the movie’s publicists, so, in short: freakin’ hilarious. Made me love Will Ferrell all over again. (My Ferrell top five performances, in case anyone ever needs to know, in order: Stranger Than Fiction, The Producers, Anchorman, Zoolander, Talladega Nights.) And I don’t even usually like the current strain of all-boy, comedy-star, period-shtick set-up movies mostly because, well, I like actual live women in my movies.


Talladega Nights: The Ballad of Ricky Bobby


Stranger Than Fiction