kottke.org posts about remix
The Infinite Jukebox analyzes the self-similarity of music to create neverending and everchanging versions of songs.
The app works by sending your uploaded track over to The Echo Nest, where it is decomposed into individual beats. Each beat is then analyzed and matched to other similar sounding beats in the song. This information is used to create a detailed song graph of paths though similar sounding beats. As the song is played, when the next beat has similar sounding beats there’s a chance that we will branch to a completely different part of the song. Since the branching is to a very similar sounding beat in the song, you (in theory) won’t notice the jump. This process of branching to similar sounding beats can continue forever, giving you an infinitely long version of the song.
Love this idea. How could I not with disclaimers like this?
you can get stuck in a strange attractor at the end of Karma Police for instance
Try it out with Call Me Maybe, Scary Monsters and Nice Sprites, or Little Fluffy Clouds. (via waxy)
Finally, the answer to the question “what if Wes Anderson directed Star Wars”.
Some genius paired 50 Cent’s In Da Club with a video put out by the Jehovah’s Witnesses to encourage deaf people not to masturbate.
(via stellar)
One of my favorite “memes” of all time is Drunk Jeff Goldblum. The first video, a slowed-down ad for Apple from 1999, is still the best. “In ter net?! I’d say In ter net.”
But this new one about PayPal is pretty great too.
“Buying a chair… while sitting in a chair…” (via ★interesting)
Last week Aaron linked to Kanye Wes. Turns out there is also Arrested Westeros (Arrested Development quotes + Game of Thrones scenes):
Man, I wish Kanye Westeros were better. (via @JoshMorrison)
Kanye Wes Anderson is a Tumblr posting screencaps of Wes Anderson moves mashed with Kanye West lyrics resulting in a good time for all. Plus, Kanye and Wes totally hang out.
(via @ryansholin)
The final song from Koyaanisqatsi, remade in 8-bit audio (aka chiptune).
Philip Glass works pretty well in chiptune.
There’s not a whole not more to this radio than what it looks like, but I will forever have a soft spot for things that mimic the London tube map.
Now, if it contained vacuum tubes or something…
A trailer for 2001: A Space Odyssey cut to make the movie seem like a big summer blockbuster.
For the next two weeks, Christian Marclay’s 24-hour supercut of clocks from movies will be on display at Lincoln Center. The Clock shows Tue-Thu from 8am to 10pm and continuously over the weekend.
The Clock is a spectacular and hypnotic 24-hour work of video art by renowned artist Christian Marclay. Marclay has brought together thousands of clips from the entire history of cinema, from silent films to the present, each featuring an exact time on a clock, on a watch, or in dialogue. The resulting collage tells the accurate time at any given moment, making it both a work of art and literally a working timepiece: a cinematic memento mori.
Admission is free, the space air-conditioned, and the couches only slightly uncomfortable. Seating capacity is 96, so the venue is posting updates on Twitter about how long the line is. I popped in earlier today expecting to wait 20 minutes or more and walked right in…quicker than the Shake Shack. I think the MoMA is supposed to be showing it in the next year or two and that is sure to be a complete mob scene so this is your chance to check it out with relative ease.
Earlier this year, Daniel Zalewski profiled Marclay for the New Yorker about how the artist created the film.
Marclay had a dangerous thought: “Wow, wouldn’t it be great to find clips with clocks for every minute of all twenty-four hours?” Marclay has an algorithmic mind, and, as with Sol LeWitt’s work, many of his best pieces have originated with a conceit as straightfoward as a recipe. The resulting collage, he realized, would be weirdly functional; the fragments, properly synched, would tell the time as well as a Rolex. And, because he’d be poaching from a vast number of films, the result would offer an unorthodox anthology of cinema.
There were darker resonances, too. People went to the movies to lose track of time; this video would pound viewers with an awareness of how long they’d been languishing in the dark. It would evoke the laziest of modern pleasures-channel surfing-except that the time wasted would be painfully underlined.
Well, everyone knows Clinton played sax on the Arsenio Hall Show. What this video presupposes is… maybe he played M83?
Watch at :30 to see the hand claps sync. (★Interesting)
Swedish artist Anders Ramsell has recreated about twelve minutes of Blade Runner using 3285 different watercolor paintings. Wow.
See also Stamen’s watercolor maps. (via ★thefoxisblack)
A series of drawings by Adam Watson that imagine Star Wars characters drawn in the style of Dr. Seuss.
I sense a presence
which I know to be
the old Jedi,
Obi-Wan Kenobi
I sense his presence
I know he’s near
but I can’t find him
there or here!
(via @followSol)
PBS teamed up with Symphony of Science’s John Boswell for this remix, “the first in a series of PBS icons remixed.” I’ve listened to this 5 times.
You can grow ideas in the garden of your mind. (via sly oyster)
This is amazing…a trailer for a musical version of The Wire done by Funny or Die. Featuring real cast members from the show like Michael K. Williams as Omar, Felicia Pearson as Snoop, and Andre Royo as Bubbles.
(via @monstro)
Fabian Ciraolo does illustrations that mash up old and new pop culture. My favorite is Frida Kahlo rocking a Daft Punk t-shirt:
Here are a few others I particularly like:
As a tribute to Adam Yauch of the Beastie Boys, James Winters and his family made this parody of the video Sabotage with kids playing all the roles.
Charming, although I might have gone with squirt guns instead of the more realistic item.
(via @moth)
Taxi Driver reimagineered to portray Travis Bickle as obsessed with Mickey Mouse.
(via waxy)
At McSweeney’s, John Peck whips up some bandwiches.
Bjork: Sliced narwhal, mustard, whole wheat bread.
Grateful Dead: Lemon verbena sorbet, peanut butter, clarified hemp butter, deep-fried brownie bites, M&Ms, stale focaccia.
Sex Pistols: Deep-fried Frank Sinatra LP, Russian mustard, spackle, tacks, stale rye bread.
John Cage: Silence, warmth, indirect sunlight, the memory of lettuce, the idea of bread.
The Jimi Hendrix Experience: Bacon-double cheeseburger, mescaline pesto, sourdough bread.
Wooooo! The Hood Internet has just released the sixth installment of their Mixtape series. You can listen to the whole thing here:
or download it here. Their five previous Mixtapes are some of the most-played music in my collection…I’m listening to volume five right now actually.
A Super Mario Summary is a abbreviated version of the original Super Mario Bros game in which each of the levels has been squeezed into one screen. For instance, here’s World 1-1:
(via waxy)
As Allen Fuqua travels around, he looks for movie locations and attempts to duplicate scenes from them. For instance, here’s Allen and a friend reenacting a scene from Drive:
(thx, stephen)
If you’ve never seen the early seasons of The Simpsons, a good way to catch up might be to watch this:
Just a quick hack to experiment what happens if you watch a lot of The Simpsons episodes at the same time. It just took 10 lines of code and a few hours of processing.
About the video:
-Top to bottom: each row shows a season (from season 1 to season 10)
-Left to right: each column shows an episode (from episode 1 to episode 13)
A total of 130 episodes is displayed, framerate is 25fps, thumbnails have been captured at 80x60px
I also enjoyed this minimalist representation of the Simpson family in Lego:
(via @TrevorBaum)
For her project My Pie Town, Debbie Grossman modified Depression-era photos to depict all-female families.
Joan Myers’ biography of Doris Caudill (Doris is in many of the pictures), Pie Town Woman, describes her husband, Faro, as less than helpful on the homestead. I had downloaded a portrait of Doris and Faro from the Library of Congress website, and because it was so high-resolution, it occurred to me that I had enough pixels to work with that I could alter the image. I removed Faro, and I loved the opportunity to look at Doris on her own and imagine a different life for her. I thought it would be fun to remake the whole town in a way that reflected my own family, and I imagined a Pie Town filled with women.
The main reason for doing so was to give us the unusual experience of getting to see a contemporary idea of family (female married couples as parents, for example) as if it were historical. But I am also very interested in using Photoshop to create imaginary or impossible images-this is something I have done in other work as well.
(via @riondotnu)
According to Peter Sciretta at Slashfilm, Topher Grace has made an 85-minute cut of Star Wars episodes I, II, and III where Jar Jar appears only briefly, midichlorians are not mentioned, and Jake Lloyd is not seen or heard from.
Whats most shocking is that with only 85 minutes of footage, Topher was able to completely tell the main narrative of Anakin Skywalker’s road from Jedi to the Sith. While I know the missing pieces and could even fill in the blanks in my head as the film raced past, none of those points were really needed. Whats better is that the character motivations are even more clear and identifiable, a real character arc not bogged down by podraces, galactic senates, Jar Jar Binks, politics or most of the needless parts of the Star Wars prequels. It not only clarifies the story, but makes the film a lot more action-packed.
Sadly, it was a one-time screening for friends. (via ★interesting links)
Mari0, the Super Mario Bros + Portal mashup I posted about last August, is now finished and available for download for Windows, OS X, and Linux.
Your favorite Star Trek characters, all daguerreotyped up.
By the same guy, I also really like this Reservoir Dogs take:
Daft Punk already sort of sounds like they make their music using vintage video game systems but Da Chip is what that would actually sound like. Better than I expected. (via @shauninman)
This is so perfectly in the kottke.org wheelhouse that I can’t even tell if it’s any good or not: a mashup of Jay-Z and Kanye’s N***as in Paris and Woody Allen’s Midnight in Paris.
(via ★davidfg)
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