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Meg woke up at 1:30am the night we saw Zodiac, unable to sleep because she couldn’t get a stabbing from the movie out of her head. To get back to sleep, she convened an impromptu cutest baby animal tournament in her head. Kittens were cuter than puppies, baby pandas beat out kittens, and so on until she eventually was able to fall back to a stab-free sleep. Just putting that out there for whenever O’Reilly gets around to releasing their Sleep Hacks book.
How to think about the scale of human history: “Arthur M. Schlesinger, Jr., one the United States’ great historians, is less than two lifetimes removed from a world where the United States did not exist. Through Mr. Schlesinger, you’re no more than three away yourself. That’s how short the history of our nation really is. Not impressed? It’s only two more life spans to William Shakespeare. Two more beyond that, and the only Europeans to see America are those who sailed from Greenland. You’re ten lifetimes from the occupation of Damietta during the fifth crusade. Twenty from the founding of Great Zimbabwe and the Visigoth sack of Rome. Make it forty, and Theseus, king of Athens, is held captive on Crete by King Minos, the Olmecs are building the first cities in Mexico, and the New Kingdom collapses in Egypt.”
Trailer for Grindhouse, a film consisting of two separate movies, one by Robert Rodriguez and the other by Quentin Tarantino.
A suggested entry for New York City for Conservapedia, a Wikipedia without the liberal bias. “The city’s population is often reported by the mainstream media to be as high as 8 million — but a rigorous count of actual Americans, using the methods of Adjusted Freedom Demography pioneered by Smorgensen in the Patriot Census of 2005 (i.e., excluding immigrants, Jews, ivory-tower communists, and nonrepresentational artists, and counting only three-fifths of descendants of African slaves, as originally intended by the Framers), reveals that New York City’s population of legitimate Americans is actually only 312.”
Regarding the hypermiling business from last week, a question on Ask MetaFilter: Does a truck work extra to pull a drafting car?
A group of people who are interested in preserving video games as culturally and historically important artifacts has chosen their list of the top 10 most important video games of all time: Spacewar!, Star Raiders, Zork, Tetris, SimCity, Super Mario Bros. 3, Civilization I/II, Doom, Warcraft series and Sensible World of Soccer. Sensible World of Soccer?
For the past five years, artist Jackie Sumell has been helping Herman Wallace, who has been in solitary confinement at the Louisiana State Penitentiary for the last 34 years, design his dream house, a house that will probably never be built. “Traces of a prison mindset crop up. When the placement of his computer meant his back would face the office door, Ms. Sumell said that he asked that a mirror be installed above, so he could see anyone entering the room. A sense of security is important to him, she explained. The master bedroom sits safely above the very center of the house. A wraparound porch adds a layer of perimeter, as does the surrounding garden. There is even a special door leading to an underground bunker, equipped with its own water supply.” A book on the project is available for a $20 donation and this PDF gives a good overview of the project.
Simlish is the fictional language spoken in the Sims games. Several music artists have recorded songs sung in Simlish.
Quentin Tarantino talks about his success in the movie business. The bit about just doing something and not having to ask permission is great: “Here’s the thing: they can write a mean letter, they can write a mean memo, but these guys don’t have any real fight in them. If you’re an artist, as opposed to a careerist, and your movie is more important to you than a career in this town, they can never beat you. You have a loaded gun, and you know you’ve got what it takes to put it in their faces and blow their heads off.”
Daniel Coyle travels to Russia’s top tennis player factory in search of how to grow a super-athlete. “Deliberate practice means working on technique, seeking constant critical feedback and focusing ruthlessly on improving weaknesses.” The article starts off a bit slow but gets interesting a few paragraphs in.
Expectations of Adolescence is a series of photographs of two cousins as they grow up, seen periodically only at large family gatherings. “We see them as they grow up, become more and more themselves, chafing perhaps at the obligations implied by required attendance in surroundings of upper-crust comfort that remain unchanged and constant.”
The world’s biggest passenger ship is like a floating casino/hotel/mall…you thought Las Vegas was tacky. (Oh, and if Stormtroopers doing pelvic thrusts is your thing, don’t miss the Geek Army logo at the top.)
Dance Dance Immolation is a lot like Dance Dance Revolution except that if you miss a step, you get a flamethrower right to the face. (via wonderland)
Why do we feel suspense, surprise, or delight when watching a movie we’ve seen before? “But later you watch Notorious a second time. Strangely, you feel suspense, moment by moment, all over again. You know perfectly well how things will turn out, so how can there be uncertainty? How can you feel suspense on the second, or twenty-second viewing?”
The Face2Face Project takes similar photographs of Palestinians and Israelis and displays them together in pairs. “After a week [in Israel and Palestine], we had a conclusion with the same words: these people look the same; they speak almost the same language, like twin brothers raised in different families. It’s obvious, but they don’t see that. We must put them face to face. They will realize.” (via 3qd)
The first rule of Global Warming Deniers Club is: don’t talk about the polar bears losing their habitat.
The National Portrait Gallery has a nice online gallery of photographs of “twentieth-century America’s famous and influential women”. p.s. it’s International Women’s Day today.
No new nukes. Lawrence Livermore National Laboratory has won a competition to build America’s first new nuclear warhead in 20 years.
Not sure why I’m surprised, but when Apple came up with the idea for their Apple Stores, they appoached the design of the stores like they would any other product: they built a prototype first:
“One of the best pieces of advice Mickey ever gave us was to go rent a warehouse and build a prototype of a store, and not, you know, just design it, go build 20 of them, then discover it didn’t work,” says Jobs. In other words, design it as you would a product. Apple Store Version 0.0 took shape in a warehouse near the Apple campus. “Ron and I had a store all designed,” says Jobs, when they were stopped by an insight: The computer was evolving from a simple productivity tool to a “hub” for video, photography, music, information, and so forth. The sale, then, was less about the machine than what you could do with it. But looking at their store, they winced. The hardware was laid out by product category - in other words, by how the company was organized internally, not by how a customer might actually want to buy things. “We were like, ‘Oh, God, we’re screwed!’” says Jobs.
But they weren’t screwed; they were in a mockup. “So we redesigned it,” he says. “And it cost us, I don’t know, six, nine months. But it was the right decision by a million miles.” When the first store finally opened, in Tysons Corner, Va., only a quarter of it was about product. The rest was arranged around interests: along the right wall, photos, videos, kids; on the left, problems. A third area - the Genius Bar in the back - was Johnson’s brainstorm.
Lots of other great stuff in the article as well. Sounds like the Apple Store is an underrated piece of Apple technology.
For its Spring 2007 haute couture collection, Givenchy had only 29 customers. Price: if you have to ask, you probably can’t afford it. (via fashionologie)
The New Yorker redesign just went live. Not sure if I like it yet, but I don’t not like it. Some quick notes after 15 minutes of kicking the tires, starting with the ugly and proceeding from there:
The New Yorker’s archives are not yet fully available online. The full text of all articles published before May, 2006, can be found in “The Complete New Yorker,” which is available for purchase on DVD and hard drive.Not sure if this is the only case or if the all longer articles from before a certain date have been pulled offline. This also is not good.
Thanks to Neil for the heads up on the new site.
Tom Hodgkinson has given up on email. “At the weekend I set up one of those auto-reply messages, informing my correspondents that I would no longer be checking my emails, and that instead they might like to call or write, as we used to in the olden days.”
Update: Stanford computer science professor Don Knuth stopped using email more than 15 years ago. (thx, dan)
A man outfitted his family minivan with high-precision cesium clocks to demonstrate to his kids that they gained 22 nanoseconds of vacation time on their mountain camping trip than they would have at a lower altitude.
The must-see link for today is Social Explorer. Jump right to the maps section or to the New York City % White 1910-2000 and the the New York City % Black 1910-2000 slideshows. Running the shows forward, you can see blacks settling into Harlem, Brooklyn, and Queens and then spreading out from there. I wish it were slightly easier to make slideshows, but it’s still really fun to play around with all the maps. (via vsl)
Photos of people sleeping. Each series of photos depcits a full night’s sleep. (via cyn-c)
My friends Zach and Youngna are in the NY Times this morning in an article about how difficult it is for “senior beauty analysts” and “vice presidents for global marketing” to produce and market products to twentysomethings who wouldn’t even trust a “senior beauty analyst” to watch their bag while they went for a pee. The Times also had to draw a distinction between Mr. Klein, Calvin and Mr. Klein, Zach: “no relation”.
Video of a live performance of Creep by a Radiohead quite different than today’s version.
This is a movie that looks like a home run but ends up being a mishit single just over the shortstop into shallow left field. The concept is fantastic — that of a future world populated by brand-driven idiots — and the satire in that direction is solid, but the plot is weak and acts like an anchor on the rest of the movie. Not the great followup to Office Space that everyone was expecting for Mike Judge, but still worth a look for the concept and the graphic design.
BLDGBLOG is teaming up with Materials & Applications to curate an architectural film festival. “The obvious caveat is that your film has to be about architecture, landscape, and/or the built environment - or, at least, it has to involve architecture, landscape, and/or the built environment, and in a way that isn’t just backdrop. Even more specifically, we’d love to show a whole bunch of architectural machinima, site animations, project fly-throughs, or other cinematic spaces.” Entry deadline in April 6.
Close-up photography of bugs that have splattered on cars and windshields. Way less gross than you’d think.
Wikipedia has a series of maps showing the political and social boundries of the world in 2000 BC, 1000 BC, 500 BC, 323 BC and so on.
Partial shot of a Waffle House grill cook’s cheat sheet. The placement of various condiments on the plate denote what the cook should be making at any given time.
Innovation timeline 1900-2050, from corn flakes to something called quiet paint.
The Golden Ratio and its appearance in the music of Nintendo’s Zelda games.
Remembering a physics conference that took place in NYC 20 years ago about high-temperature superconductors. One session, the “Woodstock of Physics”, lasted until 3:15 in the morning; “it was like the Texas chili cook-off or the Iowa State Fair apple pie bake-off.” The conference was such a big deal at the time that physicists with conference badges were immediately ushered into a nightclub in Chelsea for free by the bouncers.
Photographer Alec Soth has a response to the Richard Avedon essay regarding his portrait of Henry Kissinger. “While Avedon is correct that the subject is sometimes ‘implicated in what’s happening,’ more often than not the photographer holds all of the cards.” (thx, jen)
This has had a profound effect on how we interact with people. We realize now that the cocoons of our cars kept us well insulated from the people around us. Our genuine interactions were with family and coworkers, the only people who saw us stripped of the metal that clothed and protected us. Our neighbors, we discovered, were virtually strangers. Now, we stand face-to-face with people in our building’s elevators, at our corner hangouts, and on the sidewalks. We chitchat and pet our neighbors’ dogs. We exchange ‘good mornings’ with the people we pass everyday on our way to work. We’ve developed friendships with several proprietors and servers at our favorite restaurants.
(via a.whole)
In 1940, an ultra orthodox Jewish group known as the Lubavitchers bought a building at 770 Eastern Parkway in Brooklyn. The building became so well-known and revered within the community that other “770s” have been built around the world and subsequently captured by photographers Andrea Robbins and Max Becher. (via paks)
Dysgraphia is a condition that causes difficulty with the ability to write, independent of reading ability. I happened upon this word this morning in a forum about car racing. A guy posted an articulate answer to someone else’s question except that many of the words were spelled phonetically and his signature said, basically, “don’t give me any crap for my bad spelling, I’m dysgraphic”.
Richard Avedon on photographing Henry Kissinger: “A photographic portrait is a picture of someone who knows he’s being photographed, and what he does with this knowledge is as much a part of the photograph as what he’s wearing or how he looks. He’s implicated in what’s happening, and he has a certain real power over the result.” Here’s the photo that Avedon is referring to. (via personism)
Photo galleries of old ABA uniforms and pennants. (thx, jim)
David Chang of Momofuku and Ssam tells us about the “money piece”, the ticket in the kitchen of a restaurant that gets randomly upgraded to VIP (or soigné) treatment for the evening. Nice idea.
Some other Zapruder films include Nancy Reagan Fells a Deer and Ricky Zapruder’s Birthday Party.
Mark Pilgrim’s The Dogs of Flickr posters illustrate the problem of sourcing and giving credit in the remix age….the credits take up much more room than the work itself. Imagine if he had to get permission for all that and you’ve got some idea of how difficult it is to make documentary films these days. See also: the ending credits for The Return of the King (full story).
The most enjoyable and interesting thing I’ve read in a week has to be this article about Wayne Gerdes (via bb). Gerdes is a hypermiler — a person who drives in an obsessive fashion in order to increase his vehicle’s fuel efficiency — and strikes me as someone that Errol Morris would be quite interested in doing a short documentary about. He’s refined his driving technique over the years to wring 59 MPG out of a plain Honda Accord and clocked over 180 MPG with a hybrid Honda Insight. Here’s a taste of how he drives:
“Buckle up tight, because this is the death turn,” says Wayne. Death turn? We’re moving at 50 mph. Wayne turns off the engine. He’s bearing down on the exit, and as he turns the wheel sharply to the right, the tires squeal-which is what happens when you take a 25 mph turn going 50. Cathy, Terry’s wife, who is sitting next to me in the backseat, grabs my leg. I grab the door handle. As we come out of the 270-degree turn, Cathy says, “I hope you have upholstery cleaner.”
We glide for over a mile with the engine off, past a gas station, right at a green light, through another green light — Wayne is always timing his speed to land green lights — and around a mall, using momentum in a way that would have made Isaac Newton proud. “Are we going to attempt that at home?” Cathy asks Terry, a talkative man who has been stone silent since Wayne executed the death turn in his car. “Not in this lifetime,” he shoots back.
At PopTech last year, Alex Steffen of WorldChanging told the crowd that cars with realtime mileage displays get better gas mileage. Turns out that’s how Gerdes got really interested in hypermiling:
But it was driving his wife’s Acura MDX that moved Wayne up to the next rung of hypermiler driving. That’s because the SUV came with a fuel consumption display (FCD), which shows mpg in real time. As he drove, he began to see how little things — slight movements of his foot, accelerations up hills, even a cold day — influenced his fuel efficiency. He learned to wring as many as 638 miles from a single 19-gallon tank in the MDX; he rarely gets less than 30 mpg when he drives it. “Most people get 18 in them,” he says. The FCD changed the driving game for Wayne. “It’s a running joke,” he says, “but instead of a fuel consumption display, a lot of us call them ‘game gauges’” — a reference to the running score posted on video games — “because we’re trying to beat our last score — our miles per gallon.”
If people could see how much fuel they guzzled while driving, Wayne believes they’d quickly learn to drive more efficiently. “If the EPA would mandate FCDs in every car, this country would save 20 percent on fuel overnight,” he says. “They’re not expensive for the manufacturers to put in — 10 to 20 bucks — and it would save more fuel than all the laws passed in the last 25 years. All from a simple display.”
Competition, even with yourself, can be a powerful motivator. I’m not convinced, however, that FCDs would improve gas mileage across the board. There are other games you can play with the display — the how-much-gas-can-I-waste game or the how-close-can-I-get-to-18-MPG game — that don’t have much to do with conserving fuel consumption. Still, next time I’m in a car with a mileage display, I’ll be trying out some of Gerdes less intensive driving techniques, including the ones he shares on this Sierra Club podcast (Gerdes’ interview is about 2/3 of the way through).
I could read interviews with David Remnick all day long. “In many ways, the magazine that we’re publishing every week reflects what I want to read or what the people around me - this group of editors - find amusing or deep, or funny, or intelligent or whatever.” (thx, emdashes)
Following up on an earlier post, MUJI’s first proper store in the US and NYC will be located in the new NY Times building near Times Square. 5000 square feet, open in time for the holidays. (thx, cap’n)
Advertising Age reports (via gulfstream) that despite having spent as much as a reported $100 million on advertising and promotion, the (RED) campaign has raised only $18 million to fight AIDS in Africa. (RED) CEO Bobby Shriver responds by saying that the amount will soon be $25 million, they’re in it for the long haul, and that there are non-monetary benefits to all of the advertising — “A phenomenal benefit is that Gap, Apple, Sprint and other sales people are meeting Americans and explaining that 5,500 Africans dying daily of AIDS is preventable”.
The (RED) campaign strikes me as part of a larger trend in the US (and perhaps elsewhere too): the idea that if you, the consumer, spend normally (or even increase your spending), it is possible to break the law of conservation of energy and somehow save more money or lives. Other examples of the spend-to-save trend include the Discover Card Cashback Bonus program, the Bank of America Keep the Change program, and hundreds of retail promotions where, golly, if you spend another $20 on something you don’t need, you get a free something that you really don’t need.
It seems to me that if The Gap really cared about stopping HIV/AIDS in Africa, they would just donate the $7.8 million they spend on (RED) advertising to the Clinton Foundation. If Discover really cared about saving you money, they’d lower their APR to prime + 1.
I realize that the entire US economy is a house of cards kept standing by the escalation of spending and credit card debt by American consumers, but the sad fact is that to save money, you need to cut spending or increase income. And if you really want to help fight AIDS in Africa, instead of buying that (RED) Gap t-shirt for which Gap will donate 50% of its profit to The Global Fund, buy a cheaper one at American Apparel and send the $13 difference to the Global Fund yourself.
A dad sings NWA’s Fuck The Police to his young son using some creative realtime censorship. “‘Cause he’ll tickle you ‘til you’re giggling.” (via the grumpiest)
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