There have been several other porn films inspired by Kubrick’s oeuvre, including Spermacus, 2002: A Sex Odyssey, Thighs Wide Shut, and A Clockwork Orgy.
One of the best ways to watch the Olympics is to chase down all the references made by NBC’s commentators on YouTube and watch them in addition to (or instead of) the regular telecast. Here are some of the ones I’ve found.
Olga Korbut’s uneven parallel bars routine from the 1972 Olympics (above). Love that dismount! The skills done on the bars today are so much more athletic but Korbut’s routine was a magical flowing performance. At the rate the women today are going, the uneven parallel bars will soon be replaced by the high bar used in the men’s competitions…they barely use the bottom bar anymore.
My recollection of the men’s 4x100m relay at the 1984 Olympics involves the US team trailing after three legs when Carl Lewis (still my favorite Olympian) seizes the baton from Calvin Smith and thunders down the last 100 meters, singlehandedly winning the race and smashing the world record. The reality was somewhat different. The American team was way ahead when Lewis got the baton but it still is amazing to watch him pull away from the rest of the field like that. Bolt-like, innit?
A similar pulling away occurred in 1996 by Michael Johnson in the 200 meters. No one even came close to threatening his world record for 12 years until the emergence of Usain Bolt.
In 1988, Greg Louganis hit his head on the board on his third-to-last dive in the preliminaries of the men’s springboard. He returned to qualify for the next round and eventually won the gold medal in the event.
Speaking of tear-inducing performances, Kerri Strug hobbled up to the vault runway on a bum ankle and hit a 9.712 on her final vault in the team competition at the 1996 Games, landing more or less perfectly on one foot, clinching a victory for the US team. Or so the story goes. As with all mythology, the truth is present but not entirely adhered to. As it turned out, the US team had enough of a lead on the Russian team that Strug’s last vault was unnecessary. But it hardly dimishes the moment for Strug. At the time, she thought she had to do the vault for the medal and she went out there and stuck it.
The top ten psychology videos includes footage of the Stanford Prison Experiment and Jill Boyte Taylor’s TED talk about having a stroke. Surely this 45-min video about The Milgram Experiment should have been on the list.
Dennis Crowley and myself spent all day doing 5 different Olympic Events: 100m freestyle, 100m dash, 110m hurdles, long jump and the rings (in gymnastics) and compared ourselves to Olympic athletes.
Update:The Mechanical Olympics project is leveraging the Amazon Mechanical Turk workforce to make videos of ordinary people competing in all the Olympic events. Here’s an example video. (thx, michael)
If you’re hesitant about whether to watch the series or not, check out this two-minute appetizer of perhaps the meatiest tidbit in the book: the oak beam replacement plan for the dining hall of New College, Oxford.
Update:An old version of the New College web site says that the oaks were not planted specifically for the replacement of the ceiling beams even though they were used for that purpose. (thx, emily, david, and phil)
Update: Google Video is no more, so I updated the video links to YouTube. (via @atduskgreg)
This, this free-for-all has doubled their business, Larry and Barry figure. They end up seeing a side of people that, honestly, changes how you feel about everybody. You really wish you never saw it.
Trap-jaw ants use their powerful jaws to propel themselves several inches into the air. The jumping is used both as an attack and to flee from predators.
It’s no wonder, then, that O. bauri ants can launch themselves into the air with a mere snap of their jaws, achieving heights up to 8.3 centimeters and horizontal distances up to 39.6 centimeters. That roughly translates, for a 5-foot-6-inch tall human, into a height of 44 feet and a horizontal distance of 132 feet, an aerial trajectory likely to be the envy of circus acrobats and Olympic athletes.
Everything had been prepared in advance. Everything was ready. The models launched themselves into space. There is nothing false in these scenes. These moments really occurred. There is no fiction, no retouching or special effects. Photographed in the courtyards of buildings or in streets in the 19th arrondissement of Paris, in Nanterre and in Biarritz, these young people were just being themselves, simply performing jumps in a modern urban setting. And the photographer shot the images, intervening only to give a few guidelines as to their movements. However, at the moment of the leap, chance and gravity also intervened.
From what i understand, it went through my left hand holding the camera, crossed my back and exited out of my right hand holding onto the metal railing. No entry or exit wounds, just a really good zap!
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