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Seán Doran strikes again. In this short flyover rendered in 8K resolution by Doran, we’re treated to a detailed look at a crater on Mars. The imagery is from the HiRISE camera onboard the Mars Reconnaissance Orbiter. Beautiful — worth taking a second or third pass to catch all the details.
From the Brick Technology YouTube channel, a demonstration on how to build a 5-speed manual transmission with Lego. It even has a gear stick and goes in reverse. Unloaded, 1st gear spins an axel at 384 rpm and 5th gear spins at 3000 rpm. Really impressive.
See also Designing a Lego Car to Cross Gaps and Engineering a Capable Climbing Lego Car.
Because of their relevance to social media, the algorithm has become an everyday concept. Why do we see the posts we see on Instagram or TikTok? Oh, it’s the algorithm. This video from BBC Ideas explains that the term has its roots in the work of 9th century Persian mathematician Muḥammad ibn Mūsā al-Khwārizmī, who also gave the world the word “algebra”. (via the morning news)
I had always heard that the engineering of Roman aqueducts was impressive, but as this video demonstrates, I didn’t know the half of it. The stuff about how precise the descending slope of the aqueducts were over several hundred miles is just incredible. (via open culture)
Is there a physical limit to how loud a noise can be? As you might imagine, the answer is somewhat complicated, even if you assume normal atmospheric conditions. In video, Benn Jordan discusses a few possible answers, as well as how we should think about the question in the first place. One possible answer is 194 decibels, although experiencing a sound that loud would probably kill you.
See also The World’s Loudest Sound, aka the sound generated by the Krakatoa volcanic eruption in 1883, which Jordan mentions in the video.
The Thin Blue Line got Randall Adams out of jail after 12 years. Blackfish almost bankrupted Seaworld and pressured them to end their orca breeding program. Making A Murderer almost got Brendan Dassey out of jail. But in this video essay, Eliz Mizon “argues that documentaries start conversations, but they can’t spark real change.”
I’ve featured storm chasing photographer Mike Olbinski’s work here on kottke.org pretty frequently. His latest video celebrates a decade of capturing haboobs (dust storms). Here’s a haboob primer:
Just how do haboobs form? When air is forced down and pushed forward by the front of a traveling thunderstorm cell, it drags with it dust and debris. Winds of speeds up to 60 mph can stir up dust and sand and create a blowing wall as high as 10,000 feet. Haboobs usually last only 10 to 30 minutes, but on rare occasions can last longer and create hazardous conditions for ground transportation systems, air traffic and motorists.
I have to admit: before watching this video, I was unaware that there were professional jump ropers. But of course there are, and Tori Boggs is perhaps the best one in the world. She’s won dozens of world championships and holds some impressive world records. And the tricks she can do with a rope…it’s a joy to watch someone who so obviously loves what they do perform at such a high level. (via the kid should see this)
In an uncompromising TED Talk from a few days ago, Garry Kasparov warns we must confront “true evil” in the world when we see it, in this case Vladimir Putin and his regime.
Actually, my first article of warning was published in “The Wall Street Journal” on January 4, 2001. I saw evil because I heard evil. Putin was telling us what he was. All we had to do was listen. When Putin said that there was no such thing as a former KGB agent, I knew Russia’s fragile democracy was in danger. When Putin said that the collapse of the Soviet Union was the greatest geopolitical catastrophe of the 20th century, I knew Russia’s newly independent neighbors were at risk. And when Putin talked at the Munich Security Conference in 2007 about a return to spheres of influence, I knew he was ready to launch his plan. It was the language from the Molotov-Ribbentrop Pact, 1939. The language Hitler and Stalin used to divide Europe. And a year later, in 2008, Putin invaded the Republic of Georgia. 2014, Ukraine.
It’s a paradox, isn’t it? Dictators lie about everything they have done, but often they tell us exactly what they’re going to do. Just listen. Anyone who is surprised at Putin’s war crimes in Ukraine must not be aware about his long record, beginning with the Second Chechen War in Grozny more than two decades ago. Vladimir Putin has been a war criminal from the start.
When he was talking about the problem with compromising with authoritarians, I was reminded of a phrase I’ve heard in a couple of different contexts recently: meeting a racist halfway on their views is still racism; meeting a fascist halfway on their views is still fascism. As Rebecca Solnit put it in an article about the 2020 election: “Who the hell wants unity with Nazis until and unless they stop being Nazis?” Meeting a brutal authoritarian halfway, Kasparov is arguing, is still tyranny.
The port of Amsterdam is one of the busiest seaports in Europe. But it gets really busy when there are tall ships from all over the world and everyone wants to get out on the water to see them. This is a time lapse video taken at the 2015 SAIL maritime festival that shows the port absolutely teeming with ships and boats of all shapes and sizes.
Building on the lessons of World War II, Ukrainians are trying to save their art and other important cultural artifacts from destruction during Russia’s invasion. When an invader repeatedly tries to deny the cultural distinction of a people for decades and even centuries, like Russia has done with Ukraine, saving buildings and statues and paintings can be of great importance.
Because under the 1954 convention, “damage to cultural property means damage to the cultural heritage of all mankind”. So attacks on cultural heritage are a considered war crime. But treaties can only do so much. In the years since, conflicts around the world have rendered immeasurable damage to cultural heritage. A lot of it intentional. Like the Taliban’s destruction of the Bamiyan buddhas. And Isis’ attacks on ancient sites all over Syria.
“That cultural heritage is not only impacted, but in many ways it’s implicated and central to armed conflict. These are things that people point to that are unifying factors for their society. They are tangible reflections of their identity.”
And Putin has made it clear that identity is at the ideological center of Russia’s invasion: “I would like to emphasize again that Ukraine is not just a neighboring country for us. It is an inalienable part of our own history, culture, and spiritual space.”
“He thinks that we don’t really exist and they want to destroy all the signs of our identity.”
BTW, regarding the destruction of the museum that housed works by Maria Prymachenko at the start of the video: according to the Ukrainian Institute, the works were saved from burning by local residents.
When you think about TV shows about the workplace, The Office is likely top of mind. So, cutting an intro to new workplace darling Severance to match the visual style of The Office intro with The Office theme song was going to happen eventually…and here it is. Nicely done.
Dean Fleischer-Camp and Jenny Slate are turning the subject of their series of short films into a feature length movie. Marcel The Shell With Shoes On, shot in a mockumentary style, features the titular character searching for his family. The trailer is very cute. Here’s the original short, from 2010. (via cool stuff ride home)
In the early 1930s, desiring the bountiful wheat harvests of its farmlands to sell to Europe and wanting to subjugate its people, Soviet dictator Joseph Stalin carried out a genocide in Ukraine that killed millions and hid it behind the guise of food shortages. It’s known as the Holodomor.
In Ukraine, it’s become known as “the Holodomor,” meaning “death by starvation.” It was a genocide carried out by a dictator who wanted to keep Ukraine under his control and who would do anything to keep it covered up for decades.
In the 1930s, Soviet leaders under Joseph Stalin engineered a famine that killed millions as they sought to consolidate agricultural power. In Ukraine, they used additional force as they sought to clamp down on a burgeoning Ukrainian national identity. There, at least 4 million died. As hunger spread among residents, Stalin spearheaded a disinformation campaign to hide the truth from other Soviet citizens and the world. So many Ukrainians died that officials had to send people to resettle the area, setting off demographic shifts that last to this day.
A new video from Kurzgesagt is designed to provide a little hope that humans can figure a way out of the climate crisis, without being overly pollyannish.
And so for many the future looks grim and hopeless. Young people feel particularly anxious and depressed. Instead of looking ahead to a lifetime of opportunity they wonder if they will even have a future or if they should bring kids into this world. It’s an age of doom and hopelessness and giving up seems the only sensible thing to do.
But that’s not true. You are not doomed. Humanity is not doomed.
There’s been progress in the last decade, in terms of economics, technology, policy, and social mores. It’s not happening fast enough to limit warming to 1.5°C, but if progress continues, gains accumulate, people keep pushing, and politicians start to figure out where the momentum is heading, we can get things under control before there’s a global apocalypse.
I don’t know why I thought that chefs at really high-end restaurants cut onions the same way I do at home (except perhaps more carefully), but it turns out that they absolutely do not. The rationale behind the fussiness makes sense: the pieces need to be small enough to “melt away” when you’re making sauces. (via digg)
If you’ve seen a superhero film in the past 10-15 years, chances are that when you see a character wearing a suit, what you’re seeing is almost 100% computer generated. Sometimes the character on the screen is motion-captured but sometimes it’s completely animated. It’s amazing how much these movies are made like animated movies — they can make so many different kinds of changes (clothes, movements, body positioning) way after filming is completed. (via @tvaziri)
I have been really in my feelings lately — about relationships, work, parenting, the general state of the world, and my own bullshit — and well, this video meditation by Hank Green was really lovely to watch with my emotional thermostat turned up to 11. He called the video “I Don’t Have a Good Title for This Video” and I don’t really have a good way to describe it either, so maybe just take 4 minutes and watch it? (via waxy)
This drone fly-through of Tesla’s new factory in Berlin is amazing. I’ve never seen anything quite like this — the drone flies through the robotic machinery in between cycles of stamping out parts and also through the cars as they are being assembled. A uniquely effective how-things-are-made video.
While reviewing some old film footage of a 1970 teacher’s strike stored in the archives of WCCO in Minneapolis, a production manager stumbled across an amazing artifact: a brief interview with Prince. I love when they show the clip to his childhood friends for confirmation that it’s actually him. (via, who else, anil)
Update: The NY Times did a piece on the discovery of the video.
Short as the interview is, it gives context to the causes Prince would later support, such as public education, labor rights and fair compensation for artists, said Elliott H. Powell, a professor of American Studies at the University of Minnesota who teaches a course on Prince.
The interview with the young Prince was conducted in north Minneapolis, a predominantly Black part of the city where young activists led uprisings in the 1960s protesting police brutality, the harassment of young Black people in white-owned businesses, and commercial development that was decimating the neighborhood, Professor Powell said.
“Prince is growing up in that environment and seeing the impact of Black youth activists,” he said.
Francis Ford Coppola, a legendary filmmaker no matter how you slice it, sat down recently to talk through his most notable films: The Godfather films, The Conversation, Apocalypse Now, and a new movie he’s working on called Megalopolis. I really enjoyed this. Some tidbits:
And this is a great way to think about creative projects:
Learning from the great Elia Kazan, I always try to have a word that is the core of what the movie is really about — in one word. For “Godfather,” the key word is succession. That’s what the movie is about. Apocalypse Now,” morality. “The Conversation,” privacy.
(via open culture)
After hearing a buzz from my social circle about Severance on Apple+, I’ve been catching up on it for the past couple of weeks. Here’s the series synopsis:
Mark leads a team of office workers whose memories have been surgically divided between their work and personal lives. When a mysterious colleague appears outside of work, it begins a journey to discover the truth about their jobs.
I’m going to reserve judgment on the show for my next media diet post, but let’s talk about the opening credits sequence by Oliver Latta. It’s fantastic, an instant addition to the Unskippable Intros Hall of Fame. Mashable talked to Latta about his process and you can see a few behind the scenes images at Behance. And check out Latta’s other animations…you can definitely see where some of the imagery in the title sequence came from.
Now, back to the Unskippable Intros Hall of Fame. For me, the opening title sequences that I never ever push the “skip intro” button on are Succession (that music!), Stranger Things (again, that music!), Halt and Catch Fire, The Wire, The Simpsons (gotta catch that couch gag), Transparent, Six Feet Under, Doctor Who, Game of Thrones, and The Muppet Show. What would you add to the mix?
Update: Composers of TV themes lament the rise of the “skip intro” button.
Yet there’s one thing that annoys softly spoken Britell: the “Skip intro” facility on streaming services, which was brought in five years ago and lets viewers bypass a show’s opening credits. “I am very against it,” says Britell. “TV theme music is incredibly important. It’s almost a show’s DNA identifier. It serves as an overture to bring you in and sets the tone. I think that formal entrée is crucial.”
Robust words from the man whose Emmy-winning, earwormy Succession work, with its gothic strings, cascading piano and skittering beats, is helping to revive TV theme tunes.
Update: From the excellent Art of the Title, an interview with Latta and designer Teddy Blanks on the Severance opening credits.
This is very cool: Tom Scott (who you may remember from The Giant Chainmail Box That Stops a House From Dissolving) visits an underground storage facility operated in a working salt mine by a company called Deepstore.
DeepStore was set up in the 1990s because we’ve got the perfect atmosphere down here to store items. The salt creates a naturally occurring dry atmosphere. And of course with the racking, nothing actually comes into contact with the salt. Because this is relatively a shallow mine — we’re around 150 metres, 400-500 feet — and because of the salt bed, it has created this natural ambient temperature of 14-15° along with a relative humidity of 53-55%, which anybody in the archive and storage world knows, naturally occurring, that is absolutely fantastic.
I would love to see more video of just riding through the tunnels in that cavernous place…gonna have to poke around on YouTube to see what I can uncover.
Update: Some more mine storage video here and here. (thx, @four_sides & @zakmahshie)
Let’s listen in on a support group for recovering conspiracy theorists.
Hi, my name’s Terry and I believe that Matt Damon runs a network of underground tunnels beneath a pizza parlor in Washington DC to secretly vaccinate 5G towers.
Hi, Terry.
So, it’s been six days since I last posted anything on Facebook about lizards running the world.
But even the most hardcore members of the group don’t believe one of the most durable conservative tenets of American capitalism…
At the Oscars last night, The Queen of Basketball won the award for best documentary short. The film is about Lusia Harris, the only woman to officially be drafted by an NBA team. Here’s what I wrote about Harris and the film back in August:
Before this morning, I had never heard of Lusia Harris and now she’s one of my favorite basketball players. Playing in the 1970s, before the enforcement of Title IX in athletics, the 6’3” Harris dominated in high school, led a small university to three consecutive national basketball championships in the first 5 years of the program (while averaging 25.9 points and 14.5 rebounds per game), scored the first basket in Olympics women’s basketball history, is the only woman ever officially drafted by an NBA team, and was inducted into the National Basketball Hall of Fame.
Great to see this film win, but also bittersweet because Harris died only two months ago at the age of 66. The director is Ben Proudfoot, whose stuff I have been posting about since 2011. Really fun to see him be rewarded for his talent.
This is another great episode of James Payne’s Great Art Explained on the work of Claude Monet, specifically the massive water lily canvases he completed before his death, created as “a war memorial to the millions of lives tragically lost in the First World War”.
Claude Monet is often criticised for being overexposed, too easy, too obvious, or worse, a chocolate box artist. His last works, the enormous water lily canvasses are among the most popular art works in the world.
Yet there is nothing tame, traditionalist, or cosy about these last paintings. These are his most radical works of all. They turn the world upside down with their strange, disorientating and immersive vision.
Monet’s water lilies have come to be viewed as simply an aesthetic interpretation of the garden that obsessed him. But they are so much more.
These works were created as a direct response to the most savage and apocalyptic period of modern history. They were in fact conceived as a war memorial to the millions of lives tragically lost in the First World War.
I’ve seen these paintings at the Musée de l’Orangerie — amazing to see them exactly the way in which the artist intended them to be seen.
See also Film of Claude Monet Painting Water Lilies in His Garden (1915) and Monet’s Ultraviolet Vision.
For the radio program CBS Radio Workshop that premiered in January 1956, Aldous Huxley read a one-hour dramatization of his 1932 dystopian1 science fiction novel Brave New World. You can listen to it here or at Internet Archive:
A contemporary review in Time magazine noted the extensive production work that went into the production:
It took three radio sound men, a control-room engineer and five hours of hard work to create the sound that was heard for less than 30 seconds on the air. The sound consisted of a ticking metronome, tom-tom beats, bubbling water, air hose, cow moo, boing! (two types), oscillator, dripping water (two types) and three kinds of wine glasses clicking against each other. Judiciously blended and recorded on tape, the effect was still not quite right. Then the tape was played backward with a little echo added. That did it. The sound depicted the manufacturing of babies in the radio version of Aldous Huxley’s Brave New World.
In addition to Huxley’s book, CBS Radio Workshop dramatized for radio the work of Sinclair Lewis, Edgar Allan Poe, James Thurber, and Mark Twain — you can listen to the entire run of the show here. (via open culture)
In the introduction to the dramatization, Huxley himself calls the world of the book a “negative utopia”.↩
You might have noticed that the two families in Succession and Arrested Development share some similarities — business-focused, rich, dysfunctional, sibling rivalry. Luís Azevedo explored the likeness with this video of scenes from Succession with music & Ron Howard’s voiceover from Arrested Development. So good. Also worth a look: scenes from Arrested Development with the music from Succession.
See also The Simpsons Parody of Succession and The Succession Theme Works Over Any TV Show Title Sequence.
You know what they say: if you build a better screwdriver, the world will beat a path to your door. Or something like that. With their All-in-One Screwdriver, Yanko Design believes they have done just that.
This all-in-one screwdriver not only provides you with all the bits you’ll ever need, it also makes twisting and spinning feel more like play than work. An innovative ball bearing lets your fingers do the talking, while a spinner wheel makes short work of bigger problems with bigger screws. And when your muscle strength fails, a hexagon bit holder lets an electric screwdriver take over without missing a beat.
It looks like a very well-designed tool, but at $99 the price is more than a lot of these recommended electric screwdrivers, which address many of the same challenges (different bits, torque). (via clive thompson)
What happens inside a dishwasher when it’s running? How does it get your dishes clean? Warped Perception decided to find out by placing a couple of cameras (a GoPro and a 360-degree camera) inside the machine and running the full wash cycle. (via digg)
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