There are a few artists where you hear their name and “Tiny Desk” together and you think, well, that’s going to be great. David Byrne is one of those and his performance does not disappoint.
Though Byrne and his band do normally spread out across large stages, the set design for each show is almost completely bare, without any cables or amps, and the artists wear or carry compact, custom-made instruments to make it easier to move, almost like a marching band.
It’s cozy, but Byrne and his band, in matching, brilliant blue suits, squeeze behind the Desk to perform four songs, opening with the euphoric “Everybody Laughs,” followed by “Don’t Be Like That,” both from his new album. They also perform two Talking Heads songs: “(Nothing But) Flowers,” from the 1988 album Naked, and a show-stopping version of “Life During Wartime,” from 1979’s Fear of Music.
I am not generally a fan of rom-coms so I didn’t think I was going to post Evan Puschak’s newest video, but he’s so good at them. Puschak argues that rom-coms are compelling because they reflect the modern challenge of finding meaning as individuals.
In the modern day, we live in a world without a cosmic moral order, a framework of meaning to which everyone automatically subscribes. We had one for a while. But round about the year 1700, give or take a century, that framework started cracking, fragmenting, losing its authority, and the burden of finding meaning shifted onto individuals. We all became desperate seekers in a confusing and disjointed world.
It’s no coincidence that this shift roughly coincides with the emergence of the novel as a form of storytelling. In a profoundly new way, the novel concerned itself with individuals, ordinary individuals — their internal motivations, their inner lives, their ability to overcome obstacles to achieve a goal. Novels both reflected and shaped the way modern people saw their identities as narratives; as stories with a beginning, middle, and end; as quests for meaning.
And if that’s not interesting to you, turn down the sound and enjoy the kinetic pleasure of watching people — Tom Cruise, Meg Ryan, Dustin Hoffman, Renée Zellweger, Hugh Grant — sprinting in a great 4-minute supercut.
This is the trailer for an HBO documentary called Thoughts and Prayers about “the impact of the $3 billion active shooter preparedness industry on schools and communities across America”.
It’s tough to watch, as is this clip from the film in which a girl describes a bag of supplies that she carries in her backpack in case there’s a school shooting.
From David Ehrlich’s review in IndieWire:
Bulletproof desks that students can flip over at the first sign of trouble. A robot dog the size of a Pomeranian that jumps and yaps at the sight of an intruder. Inflatable body armor light enough for a first grader to blow up and hide behind. These are just a few of the more sensible products that are on display in the opening moments of Zackary Canepari and Jessica Dimmock’s utterly damning “Thoughts & Prayers” — the least farcical selection of props that contribute to America’s burgeoning active shooter defense industry, which now grosses more than three billion dollars per year.
Of course, that’s a small price to pay for the laughably transparent illusion that we’re taking any meaningful steps toward protecting our kids from being slaughtered in their classrooms. In a crumbling empire where common sense has been eroded by ideology, and the political will to solve a problem can’t hope to compete with the ghoulish impulse to profit from it, creating a new business sector might just be the only kind of healing that the richest country on Earth can afford.
It is totally and utterly and completely sickening that we choose to live this way in America.
Konnichiwa! I’m back from Japan and finally getting over my jetlag, which took much longer than I expected. Here’s a list of all the things I’ve been reading, watching, listening to, and experiencing over the past few months.1 Let us know what movies, books, art, TV, music, etc. you’ve been enjoying in the comments below!
Deacon King Kong by James McBride. This was my first time reading anything by McBride and maybe I have a new favorite author? I love everything about this story and the way he tells it. (A+)
The Da Vinci Code. One of my go-to comfort movies. “Scientific” art history detective story? Yes, please. (A)
One Battle After Another. Great. Especially Sean Penn. And it reminded me of a Wes Anderson movie for some reason? Like one that he would have made had he followed the Bottle Rocket path instead of the Rushmore Path. (A+)
Meredith Dairy Marinated Sheep & Goat Cheese. All cheese is delicious, but this one particularly so. (A)
Fantastic Four. It was ok? Aside from a few things, I’m having trouble getting excited about post-Infinity Saga Marvel. There was just a special alchemy about that whole arc that is proving impossible to reproduce. (B)
The Age of Innocence by Edith Wharton. Fantastic right from the first page. Sharp writing about social mores, reminded me of Middlemarch & Price and Prejudice in that respect. One of my all-time favorites, I think. (A+)
The Gilded Age (season three). Still enjoying the hell out of this show. Total suspension of disbelief is a must. (A-)
Mission: Impossible. I haven’t seen this in maybe 20 years and I guess it holds up? Not my favorite of the series though. (B+)
Tinker, Tailor, Soldier, Spy. Great spy thriller. Gary Oldman is fantastic in this. Cold War? Spies? Britain? I will pretty much watch as many of this type of movie as you can make. (A)
Leaving America. This is a 12-part podcast on the logistics, benefits, and challenges of leaving the United States. Oh, no reason. (B+)
The Fellowship of the Ring (and TT & ROTK) by J.R.R. Tolkien. It’s been a while since I’ve read The Lord of the Rings books and wow, are they long. There’s entirely too much “and they travelled from here to there” logistics that drag on over several pages and descriptions of hilltops & ancient landmarks that you only hear about once. But Andy Serkis narrating the audiobook? So good. (A-)
The Lord of the Rings trilogy. After each audiobook, I watched the extended version of the corresponding film. My general feeling after 65+ hours of audiobook and 12+ hours of movie is that the books are too long and the movies too short. An 18-hour mini-series — perhaps three seasons of six episodes each? — seems like the sweet spot. (A)
Star Trek: Strange New Worlds (season three). Maybe didn’t enjoy this quite as much as the previous two season, but I love spending time with these people and look forward to doing more of that when season four drops. (B+)
Jaws. Got to see this in the theater when they released it for the 50th anniversary. Spielberg had such a strong style right from the jump. (A-)
Paradise. Just fine. But I feel like there are better apocalyptic shows out there. (B)
Downton Abbey: The Grand Finale. It was so nice to head to the theater to nestle myself into the low-stakes world of Downton Abbey for 2 hours. (B+)
Daft Punk Fortnite. Love anything with Daft Punk. (A)
The Heaven & Earth Grocery Store by James McBride. Right after finishing Deacon King Kong, I did something I almost never do: started in on a different book from the same author. Loved this one too. (A+)
Tron: Ares. It was a loud NIN music video on a huge screen, what’s not to like? Jared Leto was fine, but there were probably better casting options here that the audience would have been more excited about. And the direction could have been stronger…Gillian Anderson and Greta Lee were both surprisingly meh. (B+)
Tron: Ares soundtrack. Better than the movie. (A-)
Total Recall. First time! Maybe a little too Verhoeven/B-movie for me. (C+)
Cars. I’ve seen this movie several times and what I noticed this time around is how incredibly expressive the cars are. You can just tell they worked very hard on that aspect of the animation. (A-)
Shopkeeping by Peter Miller. This was recommended from a couple of different vectors — pretty sure one was Robin Sloan. Lots of resonance to my work here and how I think about it (and want to think about it). (A-)
Japan. Absolutely loved it. (A+)
Iyoshi Cola. Craft colas are often disappointing, but this one was absolutely delicious. Wish I could get it in the States for less than $14 a can. (A)
teamLab Borderless. Some of this was too “built for Instagram” but a couple of the rooms (the one where it felt like the whole room was moving & the cathedralish one with the light strings) were great. (A-)
The Sumida Hokusai Museum. Had to make the pilgrimage here. (A-)
In Praise of Shadows by Jun’ichirō Tanizaki. Read this book about Japanese aesthetics while visiting Japan — it provided an interesting context. (B+)
Hokusai at Creative Museum Tokyo. Fantastic show…there were hundreds and hundreds of prints and drawings that showed his evolution and influence. (A+)
Okunoin Cemetery. Had one of the strongest senses of place I have ever experienced. (A)
Konbini. The Japanese convenience stores really are as appealing as you’ve heard. (A-)
Awakening Your Ikigai by Ken Mogi. Perhaps a little over-simplifying when it comes to Japanese culture, but I appreciated the message of having a purpose. (B)
Sho-Chan Okonomiyaki. When I got to Hiroshima, I knew I had to try their version of okonomiyaki, so I went to Okonomimura, a multi-story building crammed with okonomiyaki restaurants. I picked one and had one of the most surprising meals of my trip. So good. (A)
Blue Planet Sky. I spent a lot of time sitting in this room by James Turrell. (A)
Kanazawa Phonograph Museum. Lovely little museum, and a good opportunity to observe how successful inventions move from technology to culture/fashion/commerce. (A)
Princess Mononoke. I saw this in the theater on my last full day in Tokyo; they recently released a 4K remaster. Absolutely breathtaking. (A+)
Butch Cassidy and the Sundance Kid. Redford and Newman are both total smokeshows in this. And I’d forgotten how goofy this movie is. (B+)
A House of Dynamite. A very tough watch, but I thought this was fantastic as a tour of some of the different kinds of people who hold the fate of every single person on the planet in their hands every damn day. They’re tired, stressed, distracted, at cross-purposes with themselves, set in their ways, more celebs than leaders, and mediocre. And none of them have ever seen Dr. Strangelove? (A)
Past installments of my media diet are available here. What good things have you watched, read, or listened to lately?
Chindōgu is the Japanese practice of inventing things that are not exactly useful but neither are they useless; they’re more unuseless, a term coined by chindōgu’s originator Kenji Kawakami. Some examples are tiny umbrellas for shoes, chopsticks with a tiny fan on them to cool your noodles before you slurp them, a flu headset (basically a roll of toilet paper you wear as a hat), and onion chopping glasses that have little fans that blow the onion fumes away from your eyes so you don’t start crying. This video explains chindōgu and provides some examples:
This is a great explainer as well, with lots of images and videos of examples, like this one:
Chindōgu have to be made. If you design the invention on paper and don’t make it, it doesn’t qualify. It’s a piece of paper with a bad invention on it. Bring the invention into the physical world so humankind can experience how truly almost useless it is.
Related: How the selfie stick was invented twice.
Vanity Fair sat down with Harrison Ford and asked him to identify which of his lines he’d said in which movie, mostly as a way of getting him to talk about his career. A few observations:
- I love that they trolled him with The Star Wars Holiday Special…and he knew the line! “I’ve never seen it, which explains it. But I was there, though.”
- Harrison Ford was in Apocalypse Now? And George Lucas, when he saw the film (post-Star Wars), didn’t recognize Ford?
- On Blade Runner: “I like any cut without the narration.”
The story he tells about his first role with lines, in a film called Dead Heat on a Merry-Go-Round, is a good one.
Variety has done a bunch of these videos with actors & directors like Kate Winslet, Greta Gerwig, Carol Burnett, Jeffrey Wright, and Gary Oldman.
So I’ve been watching Breaking Bad creator Vince Gilligan’s Pluribus on Apple TV and this review from Inkoo Kang resonated with me (emphasis mine):
Millions of offscreen casualties aside, it’s clear that Gilligan is aiming for a lighter — and stranger — outing than his two previous series. (For all that “Pluribus” delights in eerie atmospherics, the Southwestern sunniness keeps things from getting too dark.) The uncanny scenarios he conjures are a source of humor, intrigue, and genuine unease. But the show never adds up to more than the sum of its parts. Carol makes for a maddeningly tunnel-visioned protagonist — one with a shocking lack of curiosity about the entity that’s overtaken the Earth, or even about what the infected do all day when they’re not offering to cater to her whims. Her one-note sullenness means that Seehorn, who was heartbreaking as the repressed Kim on “Saul,” is squandered as the lead of her own show. The contentment and coöperativeness of the hive mind are similarly tough to dramatize.
It was somewhere around the middle of episode two when I started asking myself if I was supposed to care about Carol and what was going to happen to her, which is never a good sign. I like plenty of shows with unlikable protagonists (like Succession & Seinfeld) but I often can’t get past stubborn & incurious ones — it just seems fake to me and breaks my willing suspension of disbelief.
The show has a 99% rating on Rotten Tomatoes. Pluribus fans, what am I missing here? The premise is good and I want to like it. Presumably many of the critics have seen the whole season and so maybe it picks up as it goes on?
Goro Obata went to the woods because he wished to live deliberately, to front only the essential facts of life, and see if he could not learn what it had to teach, and not, when he came to die, discover that he had not lived.
In the mountains of Hokkaido, Goro Obata traded city rules for freedom, backcountry skiing, fly fishing — and a café that sometimes closes on sunny days. Watch his story of choosing lifestyle over convention, and discover what “Higashikawa style” really means.
Obata in the video (bold mine):
From then I thought, life is fast. Death comes so easily. If I just drift, in no time I’ll be an old man. I want to build a fun lifestyle. That’s what I thought. I want to build it.
(With apologies to Henry David Thoreau.)
As part of the fascist war on “woke”, tens of thousands of books have been pulled from the shelves of libraries around the country over the past few years. On the front line are the nation’s librarians, “first responders in the fight for democracy and our First Amendment rights”. The Librarians is a documentary film about this latest wave of censorship & persecution of librarians; here’s the trailer:
From a review on RogerEbert.com:
“The Librarians” is a documentary about the hysterical, unfounded, personal, and sometimes violent attacks on librarians. It is also about their unwavering commitment to making facts, literature, and inspiration available to anyone.
And:
The film has some indelibly searing moments, linking these efforts to Senator Joseph McCarthy’s Red Scare, to Nazi propaganda minister Joseph Goebbels’ burning books by Jewish authors, and to the Twilight Zone episode “The Obsolete Man,” with Burgess Meredith as a librarian sentenced to death. There is a quote from President Eisenhower: “Don’t think you’re going to conceal faults by concealing evidence they ever existed. Read every book.”
The Librarians is out in theaters now but not very widely, so you’ll have to check the list of screenings on their web site.
Dark chocolate is very serious business. That’s why this ad for Bournville dark chocolate, which takes aim at dark chocolate snobbery, is so funny.
This one is so intense. It comes with a list of side effects.
Mine comes with a therapist.
To the uneducated palette, this tastes like burnt tire.
This one captures bitterness, astringency, and resentfulness. The taste is so grown up.
Oh, mine’s massively grown up.
This is only available under the counter of a pet store with no address.
This sugar was used by the Aztecs as currency.
Some believe this one’s haunted.
Mine’s flammable.
In an interview lasting for more than an hour, classicist Mary Beard shares her knowledge & experience about how the picture of Rome we might have in our heads, inherited from Hollywood movies like Gladiator, is incomplete (and just plain wrong in some cases) and what the reality was, gleaned from Roman sources.
We’ve inherited the history of Ancient Rome through movies, ruins, and shallow stories. The truth is far messier, says classicist Mary Beard. The hidden side of Roman life that screens rarely capture is chaotic; crowded streets teeming with Romans whose everyday lives were shaped by social hierarchies and familial obligations.
Mary Beard unpacks what archaeology, literature, and even shoes tell us about the Romans’ daily lives. From the role of slaves in dressing elites to the rowdy crowds at chariot races, she shows how we’ve underestimated their complexity.
(via open culture)
A Japanese experimental music group called Open Reel Ensemble plays reel-to-reel tape recorders from the 70s & 80s as musical instruments (give it a sec to get going):
Brilliant! A YouTube commenter notes: “Very cool, looks like you’re fishing for sound waves.” Here’s another video of them playing…this one’s like a reel-to-reel version of DJing with turntables:
I went looking for information about how they’re producing these sounds and found this profile of the group from 2018.
Over the years, the group has developed new techniques. As Motherboard explains, each member can now “program” sounds directly on to the recorders, creating a strange blend of digital and analog technology. With multi-track recorders, Open Reel Ensemble is able to switch individual tracks on and off, too. Sometimes they’ll record blocks of sustained noise, at various pitches, to be triggered and disabled like notes on a guitar. These allow the band to play intricate chords and melodies on stage. “We’re finding new techniques every day,” Wada said, “exploring rotation and movements, and the relationship between magnetics and sound.”
I bet they are amazing to see live.
Stress in pre-modern times was a “biological superpower” that helped humans hunt for food and survive in harsh environments and situations. But our bodies can’t easily tell the difference between the stress of encountering a lion in the jungle and a worrying email from your boss.
Our world has changed so quickly and profoundly that our biology couldn’t keep up. Stress is still the same it was fifty thousand years ago: Sense a stressor. React immediately and with full force. Prioritize present moment survival, make sacrifices if necessary.
That works well when you have to jump out of the way of a car. But most stressors we encounter nowadays are abstract, acute and more numerous, often intangible, persist for much longer and usually don’t even require physical action. The tigers of the past are now angry emails, deadlines, online dating, rush hour traffic or doom scrolling the news and social media.
Note: Watching this video might actually stress you out, at least until you get to the solutions part of it.
Caveat: In places with a lot of economic insecurity & few social safety nets, like the US, the solutions presented by this video may not be super helpful. Slowing down, disconnecting, and taking time for mindfulness can be difficult under the best of conditions and nearly impossible if you’re working two jobs as a single mother to just make ends meet.
Socials & More