Two of my biggest childhood touchstones were Sesame Street and the Muppet Show. The creative spark behind both shows was Jim Henson, the subject of a forthcoming documentary directed by Ron Howard. From the press release:
Produced with the full participation and cooperation of the Henson family, “Jim Henson Idea Man” is an unprecedented, intimate look at Henson’s illustrious, revolutionary career and complex personal life. Using never-before-seen personal archival home movies, photographs, sketches, and Henson’s personal diaries, as well as interviews with those who knew him best, the film is the definitive portrait of one of the world’s most inspiring and iconoclastic creators.
From the SoundWorks Collection, this is a 30-minute featurette on the sound design of Dune, in which the film’s sound teams talks about how they created the sounds of the Arrakis desert, the sandworm, ornithopters, spice, and the voice of the Bene Gesserit.
That’s something which - I learned a trick from Lee Scratch Perry, who I worked with in Switzerland about 10 years ago. He’s the pioneer of dub reggae, which must be the genre of music with the most bass. And one of the tricks that he used was to record a bass line and then to play it back through a huge speaker in a room that’s resonant…and record that. So it enhances the resonance of the bass. You also hear something of the shaking of the room. So that was one of the tricks that we used to give a sort of a very tactile sense to this spiritual adventure that Paul’s going on.
San Francisco’s Arion Press still uses decades-old machines to make beautiful books by hand. They’re one of the few remaining presses in the world that do everything from start to finish — they even cast their own type.
Arion dwells in an almost extinct corner of the book world: Call it Slow Publishing. It produces only three books a year, each a unique art object reproduced in editions of less than 300. Art is so important, in fact, that the illustrators-art-world luminaries-drive the title selection process.
“We learned that the projects went a lot more smoothly when we said to the artist, ‘What do you want to do?’” Blythe said.
Anthony Bourdain visited Arion in 2015 for a online series called Raw Craft — it’s a great look at how and why they produce books this way:
Business Insider’s Still Standing series recently profiled Arion as well:
The Gyermekvasút (Children’s Railway) is a 7-mile-long rail line in Budapest that’s operated by children aged 10-14 (aside from the train’s driver).
Children’s Railway, Budapest is one of Budapest’s most unique attractions. Like any other railway, it has ticket offices, diesel locomotives, signals, switches and a timetable. Unlike other railways though, this one is run by children. The line stretches among the Buda hills from Széchenyihegy to Hűvösvölgy, crossing the Cogwheel Railway and serving Normafa as well as the highest point of Budapest: Jánoshegy.
The project, then called the Pioneer’s Railway, was started in 1947 as a part of a three-year Communist plan. This video shows how the railway operates and includes interviews with current workers as well as former workers from the Communist era:
Seems like all the kids are big train nerds…adorable.
Kurzgesagt is back with another video about black holes; it has the innocuous-seeming title of The Easiest Way To Build a Black Hole. But the main topic of the video is the speculation that universes (like ours!) might exist within black holes.
Black holes might create infinite universes while destroying time and space. Everything in existence could be black holes, all the way down. We might live inside a black hole that is inside a black hole, that is inside a black hole. But let’s start at the beginning and build a black hole out of air.
This one is a bit of a brain-bender. From the show notes:
The first part of the script is based on the empirical fact that, somewhat intriguingly, the observable universe seems to have the exact size and mass that would be required to make a black hole as big as the observable universe itself.
The second, completely independent proposal we explore is the idea that our Universe could be born from the singularity of a black hole, and that in turn the universe that contains that black hole could be born from a black hole itself. If so, universes in later generations of this process could be better fitted to produce an abundance of black holes, in a sort of “natural selection” towards efficient black hole production.
Jon Stewart is back on The Daily Show on a regular basis and the other day he took on the manufactured outrage that is cancel culture.
Nothing about the right wing reaction is surprising because the idea that there is an all pervasive, all powerful threat to free speech called cancel culture has become a central tenet of modern conservatism. They celebrate their being silenced at conferences. They celebrate their being silenced on podcasts and streaming outlets. They celebrate their being silenced with over 700 book titles about being canceled. Why are there so many of these fucking books?
Conservatives have an entire industry devoted to complaining about not being allowed to say the things they say all the time. Their victimhood is the entire brand.
And:
We are not censored or silenced. We are surrounded by and inundated with more speech than has ever existed in the history of communication.
This is such a wild story. Two men, Thomas James Cobden-Sanderson & Emery Walker, founded the Doves Press in London in 1900. They made a typeface called Doves Roman:
During its short life early last century, the Doves Press printed and bound some of the finest books ever produced in England and its approach to typography and printing subsequently exerted a major influence over book design in Europe and the United States. Many of Cobden-Sanderson’s ideas would, decades later, find expression or adaptation in both Traditionalist and Modernist circles respectively.
The partnership busted up and Cobden-Sanderson eventually took all of the lead type and dumped it in the Thames River. No more typeface.
The thought of ‘his’ typeface being used by anyone else, and in a manner beyond his control, prompted Cobden-Sanderson’s now infamous course of action. Only the Doves Press, run exclusively by him, could be bestowed the honour of printing his type. And so the mission to destroy it, beginning with the punches and matrices on Good Friday 1913, began. On an almost nightly basis from August 1916 the ailing septuagenarian dumped the type into the Thames, wrapped in paper parcels and tied with string; “bequeathed to the river” as he put it in his personal diary. Every piece of this beautiful typeface, more than a ton of metal, was destroyed in a prolonged ritual sacrifice.
Type designer Robert Green, working from printed materials, made a digital facsimile font of Doves Roman. In a bid to improve the font, he set out to find the lead type dumped in the river, aided by Cobden-Sanderson’s diary entries of the type-destroying mission. He found a few of the metal sorts (i.e. pieces of lead type) and with assistance from the Port of London Authority’s diving team, ended up retrieving 151 metal sorts in all, “out of a possible 500,000”.
Here’s a short film about the recovery of the type:
In this video, pianist David Bennett explains three pieces composed by Johann Sebastian Bach that show how much of a musical genius he was. Two of the compositions are puzzle canons, “a piece of music where the performer has to decode what the composer wants in order to perform the music”.
Well this is delightful: Vanity Fair set up Ayo Edebiri with a selection of personal beefs and several gavels (and maybe there’s a meat tenderizer in there, I don’t know), she listened to both sides of each argument, and then passed judgment. Listen until at least the second case before you pass judgment on watching the whole thing (verdict: you should)…it involves someone stealing a french fry from a room service tray.
I don’t know how to tell you this…but your father has murdered people before. There are bodies in the ground. ‘I don’t know what she’s so upset about. It’s a victimless crime. Nobody’s gonna miss that fry. Nobody’s gonna miss THAT KID!’
From Business Insider’s series Still Standing, a look at La Maison du Pastel, a 300-year-old French company that makes pastels for artists by hand. Back in its golden age, the company supplied the likes of Monet & Degas but fell into neglect near the end of the 20th century. The newest generation of ownership has restored the company and they now offer over 1,900 different pastel colors.
Seriously, take a look at their online shop…there’s all sorts of amazing stuff in there. Like this antique watercolors set — get a load of these color names: Violet Lake, Burnt Lake, Carmine, Venice Red, Vermilion, Orange Chrome, Gamboge, Zinc White, Yellow Ochre, Burnt Umber, Van Dyck Brown, Lamp Black, Payne’s Gray, Indigo, Celestial Blue, Blue Ash, Prussian. You can even order a full set of their pastels for only €29,450.00 (the set comes with a custom-made chest of drawers).
I am not at all an artist but these colors all look so amazing that I’m eyeing one of the smaller sets for myself… (thx, caroline)
Queendom is a documentary film by Agniia Galdanova about queer Russian activist and performance artist Jenna Marvin and her unusual form of protest against the war in Ukraine and Russia’s treatment of LGBTQ+ people. From a short review in the Guardian:
When Russia invaded Ukraine in February last year, some brave souls took to the streets of Moscow to voice their horror at the war, and were met with batons and police brutality. Radical queer performance artist Gena Marvin took a different approach. Wearing platform boots, body paint and wrapped in barbed wire, she walked the streets of Moscow in a stark, silent statement against the war. To call Gena a drag artist fails to capture just how subversive and courageous are her public “performances”. Her otherworldly costumes, created from junk and tape, show the influence of Leigh Bowery; her fearlessness evokes the punk provocation of Pussy Riot.
Marvin’s performances can be intense — check out this video from Paris in 2022. France had just advanced into the semifinals of the World Cup and she went out on the streets dressed in an all-black costume straight out of Alien or Pan’s Labyrinth:
Queendom opens in theaters and will available on streaming on June 14.
Watching these videos about Tetris (and also Super Mario Bros), what strikes me most is how clearly you can see, over and over again, how innovation works:
This is a great illustration of innovation in action. There’s a clearly new invention, based on prior effort (standing on the shoulders of giants), that allows for greater capabilities and, though it’s still too early to tell in this case, seems likely to shift power to people who utilize it. And it all takes place inside a small and contained world where we can easily observe the effects.
And it’s a credit to Summoning Salt and other video producers that this process is so clear to the viewer:
In the video analysis of this speedrun, if you forget the video game part of it and all the negative connotations you might have about that, you get to see the collective effort of thousands of people over more than three decades who have studied a thing right down to the bare metal so that one person, standing on the shoulders of giants in a near-perfect performance, can do something no one has ever done before. Progress and understanding by groups of people happens exactly like this in manufacturing, art, science, engineering, design, social science, literature, and every other collective human endeavor…it’s what humans do. But since playing sports and video games is such a universal experience and you get to see it all happening right on the screen in front of you, it’s perhaps easier to grok SMB speedrun innovations more quickly than, say, how assembly line manufacturing has improved since 2000, recent innovations in art, how we got from the flip phone to iPhone X in only 10 years, or how CRISPR happened.
I was talking to my son about this video yesterday and of course he’d already seen it — “I love Summoning Salt’s videos” — and I loved his take on the way in which the NES version of Tetris was unwittingly challenging these players beyond what the game’s makers had ever envisioned. Where the designers may have just kept increasing the speed of the game as the levels got higher (boring!), the game glitches and throws all these interesting challenges at players: tile colors you can barely see, game-ending kill screens that you can pick your way around, a level with 810 lines, and the game resetting after hundreds of levels. So instead of players just having to get faster (which they have definitely done), they’ve had to navigate all of these other obstacles as well. (thx, nathan)
Danny MacAskill is known ‘round these parts for his jaw-dropping trials riding (I first posted about him 15 years ago) but this ride is a little bit different. MacAskill and four friends take to the local mountain bike trails around Inverness, Scotland on ebikes and have a grand old time. For me, listening to the banter was just as entertaining as watching the riding — it’s obvious they’re just out there having a blast.
P.S. I was also trying to calculate how fast I would die if I tried riding some of that stuff and the answer is “almost immediately”. Yiiiikes.
I am apparently one of the few people who really liked the first season of the Lord of the Rings prequel series, The Rings of Power. I mean, it had its rough spots and maybe there was a little too much table-setting, but in general it left me wanting to see what was going to happen next. The trailer for season two just dropped and it looks pretty action-packed and stocked with characters & events that would be familiar to those who have read the main book series. Here’s the synopsis:
Sauron has returned. Cast out by Galadriel, without army or ally, the rising Dark Lord must now rely on his own cunning to rebuild his strength and oversee the creation of the Rings of Power, which will allow him to bind all the peoples of Middle-earth to his sinister will. Building on Season One’s epic scope and ambition, the new season plunges even its most beloved and vulnerable characters into a rising tide of darkness, challenging each to find their place in a world that is increasingly on the brink of calamity. Elves and dwarves, orcs and men, wizards and Harfoots… as friendships are strained and kingdoms begin to fracture, the forces of good will struggle ever more valiantly to hold on to what matters to them most of all… each other.
And they also released a behind-the-scenes look at the production of season two:
The second season of The Rings of Power premieres on August 29 on Amazon Prime.
Francis Ford Coppola has been making Megalopolis since 1983 and has self funded it “in part by the sale of a significant portion of the director’s wine empire”. But the trailer is finally here and it premieres at Cannes in two days’ time. Here’s a synopsis shared by Coppola himself:
A man balances precariously on a ledge high above a once-grand city in the opening scene of Francis Ford Coppola’s MEGALOPOLIS, and the movie that follows is — at least in part — about an entire civilization teetering on a similarly precarious ledge, devouring itself in a whirl of unchecked greed, self-absorption, and political propaganda, while a few bold dreamers push against the tide, striving to usher in a new dawn. The man is called Caesar (Adam Driver), like the Roman general who gave rise to the Roman Empire, Cesar the labor leader who organized California’s farm workers in the 1960s, and a few other notably great men of history. But he is also clearly an avatar of Coppola himself — a grand visionary witnessing a once-great thing (call it cinema if you must) withering before his very eyes and determined to revivify it. And, after decades of planning, MEGALOPOLIS the movie is the powerful elixir he has produced: a sweeping, big-canvas movie of provocative ideas and relentless cinematic invention that belies its maker’s 84 years of age.
Coppola seems to have been born-again by a strike of filmic lightning, and the movie — no, the experience (complete with in-theater “live cinema”) — that has emerged feels at once the work of a film-school wunderkind unbowed by notions of convention, but also the work of a wizened master who knows much about life and the ways of the world. To paraphrase Coppola himself speaking decades ago about his APOCALYPSE NOW, MEGALOPOLIS isn’t a movie about the end of the world as we know it, it is the end of the world as we know it. Only, where APOCALYPSE left us in a napalm-bombed fever-dream haze, MEGALOPOLIS, surprisingly and movingly, bestows on us a final image glowing with hope for the future.
You should also watch this clip of the film shared by Coppola, which reveals another aspect of the story:
This is either going to be amazing or a beautiful disaster, but either way I’m excited to see it…if they can find someone to distribute the film.
We’re going to use the movie as a sort of primer to help explain what patriarchy actually is, what it isn’t, and how it ends up harming everyone, including men. To have any kind of productive conversation, we have to get over that defensiveness that so many men feel whenever they they come across the word “patriarchy”. Contrary to popular belief, patriarchy is not a synonym for men, nor is it a code word for masculinity, and it certainly has nothing to do with hating men.
The bibliography in the description of the video lists three books if you’d like to do some reading on the topic:
P.S. While I was watching this video, YouTube removed it after Warner Brothers “blocked it on copyright grounds”. The channel is challenging the takedown and has uploaded it to Patreon and archive.org in the meantime. (I’m leaving the embed in case it comes back to life.) This bullshit is so irritating — Google just totally letting massive media corporations decide what’s copyright infringing without recourse. And Warner (and Gerwig & Robbie too to some lesser extent)…you made the fucking movie to get a message across and to get people talking and someone posts a thoughtful video essay about the central issue of the film and you fucking take it down?
The movies begin with the camera located nearly 400 million miles (640 million kilometers) away, with the black hole quickly filling the view. Along the way, the black hole’s disk, photon rings, and the night sky become increasingly distorted — and even form multiple images as their light traverses the increasingly warped space-time.
In real time, the camera takes about 3 hours to fall to the event horizon, executing almost two complete 30-minute orbits along the way. But to anyone observing from afar, it would never quite get there. As space-time becomes ever more distorted closer to the horizon, the image of the camera would slow and then seem to freeze just shy of it. This is why astronomers originally referred to black holes as “frozen stars.”
At the event horizon, even space-time itself flows inward at the speed of light, the cosmic speed limit. Once inside it, both the camera and the space-time in which it’s moving rush toward the black hole’s center — a one-dimensional point called a singularity, where the laws of physics as we know them cease to operate.
“Once the camera crosses the horizon, its destruction by spaghettification is just 12.8 seconds away,” Schnittman said. From there, it’s only 79,500 miles (128,000 kilometers) to the singularity. This final leg of the voyage is over in the blink of an eye.
Here are a couple newish lyric videos that share a nice spirit of “Good riddance!!!”-ness. I learned of the Chappell Roan video from a comment in a post from earlier this week (comment of the week?? by my standards, anyway), and I love it. (Here’s Roan’s awesome Tiny Desk Concert, by the way.) And the Miranda Lambert reminds me of a specific situation in my own life and makes me smile. 🔥👖
Rupert Friend, Jason Schwartzman, and Wes Anderson star in an Anderson-directed commercial for Montblanc pens. You know the drill: it’s twee, it’s charming, it’s art-directed to within an inch of its life. Me personally? I love it.
I don’t think I’ve ever seen a skate video like this before: a group of riders skating the smooth, flowing rocks on the Maltese island of Gozo (site of Calypso’s cave in the Odyssey). Skateboarding has always been such an urban-coded sport — surfing on concrete, reliant on the human-made infrastructure against which it rebels — that it’s a little bit of a mindbend to see it out in nature like this.
The Water Lilies paintings that French impressionist Claude Monet is most known for were all painted in the garden of his house in Giverny. Pay a relaxing visit to the set of the MBU (Monet Botanical Universe) with this leisurely video. Here’s another tour of the gardens with music.
Since the early 70s, the Native Youth Olympics have showcased the traditional games of the Alaska Native people:
Our Alaska Native ancestors developed traditional games in order to test and prove crucial abilities that governed everyday life. Competition was created with each other to hone their ability to hunt and fish for daily survival in the traditional way of life. The creators of the NYO Games wanted an opportunity to demonstrate their favorite traditional Native contests of their forefathers.
I found out about this via a highlight reel on Instagram — here’s last year’s competition highlights:
One-foot High Kick: “In many cultures, the One-Foot High Kick was used for signaling a successful hunt.”
Indian Stick Pull: “The Indian Stick Pull represents grabbing a slippery salmon, and was used traditionally to develop hand and arm strength.”
Kneel Jump: “Historically, the Kneel Jump was a game used to strengthen the leg muscles for jumping from ice floe to ice floe, and for lifting prey after a successful hunt.”
Seal Hop: “The Seal Hop is a variation of the Inuit Knuckle Hop, and used traditionally as a game of endurance and stamina, and for sneaking up on a seal, mimicking the mammal’s movement on the ice.”
Two-foot High Kick: “The Two-Foot High Kick was historically used to communicate the success of a spring hunt.”
I love these events. I think my favorite is a reintroduced event for the 2024 games (just concluded): the Toe Kick, which returned after a 10-year hiatus. Here’s how you do it:
Here’s a short documentary about the NYO and athlete Autumn Ridley from 2013 — her event is the Alaskan High Kick, perhaps the most impressively athletic event:
This is a powerful public service announcement about mental health from Norwich City FC and Samaritans (note the content warning at the start of the video). That’s all I’m going to say about it — just watch it.
This is great: a 25-minute interview with legendary animator Chuck Jones as he sits and draws some of his iconic characters (Bugs Bunny, Porky Pig, Daffy Duck). He told this anecdote about how Steven Spielberg and George Lucas were both influenced by a particular space-themed cartoon of his:
Porky was just a kind of a little third-string Boy Scout and was not very interesting to me. And then when I put him in a picture called Duck Dodgers in the 24th and a Half Century. Spielberg used that picture in Close Encounters the Third Kind - when his kids were watching television in the picture, they were watching Duck Dodgers in the 24th and a Half Century. And Lucas told me that he saw that picture when he was 12 years old and when when he opened Star Wars in San Francisco he told them they couldn’t have Star Wars in San Francisco unless they ran Duck Dodgers in the 24th and a Half Century.
Here is a pleasantly painful trailer for a new movie from the filmmaker Joanna Arnow. It opens this Friday, April 26, at IFC and Lincoln Center in NYC. I don’t know if I’m going to watch it, but I couldn’t really look away.
Arnow also stars as…
an emotionally detached young Brooklynite drifting through unremarkable days and nights. Neither her on-again-off-again BDSM relationship with a mildly disinterested older dom, nor her nondescript corporate job, appear to bring her any satisfaction.
And yet “she finds a core of poignant truth about the ways people search for … emotional happiness and sexual gratification” (per the Lincoln Center summary). It’s currently at a 100% on Rotten Tomatoes, FWIW. (This bit also made me laugh out loud.)
I love this: The Pudding ran an online experiment where they started with a shape (like a straight line or circle) and asked people to trace, as best they could, the tracing of the person before them. This resulted in a series of “flipbook” animation of how the shapes evolved over time — invariably, a squiggle.
One thing I noticed right away was how all the squiggles ended up squished over on the right side of the screen. The Pudding team had a theory on why that happened (the 3:20 mark in this video):
I found this study from like 35 years ago - they were trying to figure out why people kept missing their targets on touch screens. They found people tended to touch below their target and people tended to touch closer to the edges of the screen. And so I figure if it’s like right-handers who are missing, you’re going to be missing to the right. We probably had about half the users on mobile and 90% of the those half are probably going to be right-handed so it would make sense that it would gradually go to the right.
Go read the rest of the post — they also did an experiment about people’s inclination to draw penises on “any free-form drawing project on the internet”. (via waxy)
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