From the SoundWorks Collection, this is a 30-minute featurette on the sound design of Dune, in which the film’s sound teams talks about how they created the sounds of the Arrakis desert, the sandworm, ornithopters, spice, and the voice of the Bene Gesserit.
That’s something which - I learned a trick from Lee Scratch Perry, who I worked with in Switzerland about 10 years ago. He’s the pioneer of dub reggae, which must be the genre of music with the most bass. And one of the tricks that he used was to record a bass line and then to play it back through a huge speaker in a room that’s resonant…and record that. So it enhances the resonance of the bass. You also hear something of the shaking of the room. So that was one of the tricks that we used to give a sort of a very tactile sense to this spiritual adventure that Paul’s going on.
Hi, Edith here. This is the first in an interview series in which I talk to people about their media diets and habits. Jason seemed like a good person to start with as we figure out the format, although honestly his actual Media Diet series is more thorough. Look for the next installment in a few weeks!
So, have you seen or read anything good recently?
I saw Dune Two on opening weekend. And I went by myself, which I like to do. There are no IMAX screens in Vermont, but there’s a theater about 45 minutes from me with a screen called the T-Rex. It’s not quite IMAX, but it’s not bad either.
How was it?
Great. Better than the first one.
And it was definitely a movie that you want to see on the big screen. Like you could feel the bass, and at one particular moment it felt like the whole theater was vibrating.
I’m sure you’ve read Dune. Have you read it many times?
I have not read Dune, ever.
Really?!
I’m not sure the movie necessarily makes me want to read Dune, either, which is surprising, because usually when I see a movie based on a book, I’ll be like, “Oh I need to read that.” Like when I saw Oppenheimer, later I read the book it’s based on, which is this 600-page biography of Robert Oppenheimer. And it was good, but I think the movie was better.
You mentioned the other day that you haven’t been enjoying, or even reading, many books recently. Is that true?
Pretty much? For the last couple months, I’ve been working a lot, and that means spending a lot of time on a device – my computer, my phone. And generally I don’t want to read after I’ve been working a lot. TV is much more something I turn to. Also video games. Like I play Fortnite, which is something I started doing with my kids, but now I play more than they do, which is weird.
And so you’re playing against other strangers on the Internet?
Exactly.
Are you good?
I don’t think so. But I’ve gotten a lot better.
And I know you play some of the NY Times games too.
I do the crossword almost exclusively with a friend over FaceTime. She shares her screen, and we solve them together.
I wasn’t a crossword puzzle person beforehand – and I kind of hate Scrabble because at a certain level it’s all about strategy and memorization, which is boring to me. I felt similarly about crossword puzzles, but then she and I started doing them, and I was like, “Oh this is actually pretty fun,” and now we do maybe two or three a week.
And I don’t do Wordle, but I do play the Spelling Bee and Connections. And I’ll do the little mini crosswords on my phone. But a lot of that is just procrastinating about getting out of bed in the morning.
So they’re mostly morning experiences for you?
Yes. I will go back to Spelling Bee, though, if I didn’t do well in the morning.
What’s doing well?
I don’t get Genius every day, but I would like to. But sometimes I just don’t have the patience for the particular puzzle, and I’m like, I’m sorry, I don’t want to grind.
And I’m not judging others, but for me, if I’m spending too long on the Spelling Bee, it means I probably need to get up and move my body, or, you know, engage my brain in a different way.
You mentioned that you read Middlemarch last year. How did you squeeze that in? Because that’s a commitment. Middlemarch was wonderful. I loved it. When you take seven months off work, you can have time to relax, and my reading went crazy. I couldn’t get enough books, because I wasn’t reading anything online. I stopped cold turkey, basically. People would send me links, like, “Here’s an interesting New Yorker article,” and I’m like, nope. Not even news. Not gonna read it. I’m gonna read about Dorothea and Casaubon.
What were other highlights, book-wise, from that time?
Middlemarch was definitely the highlight. I don’t know if I’ll ever have another sabbatical like that. It was probably a once-in-a-lifetime thing.
Right now I’m listening to a good audiobook, though: Blood in the Machine, by Brian Merchant. It’s about the Luddites.
It was painted as an anti-technology movement in the early 19th century, but the book recontextualizes it as a labor movement. Rich factory owners were introducing new technologies, and people were getting laid off. Workers were angry and would go into the factories to smash machines, but they would only smash the ones that were, like, driving people out of work. The machines that actually helped the laborers do their jobs, those were kept.
And he relates it to what’s going on these days with AI and the current anti-tech movement. I’m enjoying it.
How did you hear about it?
I’d seen it on some “best of” lists at the end of 2023, and then Casey Johnston recommended it on Blue Sky. She was like “this book is great,” and so I was like, Okay, that’s good enough for me.
Do you listen to things most of the time while you’re driving?
Maybe half the time. I also use driving time to think. Like if there’s some work thing I need to think over, I’ll put on music without words, and just, you know, spin the wheels.
But when I don’t feel like doing that, I’ll listen to an audiobook or podcast.
What kinds of music do you listen to?
The music thing is embarrassing because I don’t listen to a lot of, like, new music. André 3000’s flute album is maybe the newest thing I’ve listened to recently.
I can’t write when the music has lyrics, so when I’m working I play a lot of classical and soundtracks. Also videos on YouTube. One of my favorites is just basically an ice breaker idling in the Arctic during a storm.
I also listen to a lot of electronic music, at varying levels of, uh, what would be considered good? And when I’m programming or designing, I listen to a lot of upbeat house, club, and techno.
Anything you’ve seen recently that just wasn’t for you?
Rebel Moon on Netflix was bad. Not even “not for me.” Just objectively terrible.
And something you loved? The Zone of Interest. I saw it a few weeks ago and have thinking about it ever since, especially the sound design.
Anyway, it’s coming out in February and the main build is a 1369-piece model of the Atreides Royal Ornithopter with “fold-out, flappable wings, deployable landing gear and an opening cockpit”. Baron Harkooooooooooooonnen. I can’t stop! I, uh, may have pre-ordered this the second I saw it. (via polygon)
Ok, here’s the first trailer for second part of Denis Villeneuve’s Dune. Time to get hyped! It comes out on November 3 — we have until then to decide what “Timothée Chalamet rides the worm” is a euphemism for.
I’ve never read or seen any of the Dunes (Herbert’s book, David Lynch’s movie, or even Jodorowsky’s Dune) but I have very fond memories of the video game Dune II and will watch anything that Denis Villeneuve makes, so I’m definitely going to check this out when it’s released…let’s see….on December 18, 2020 in theaters? WTF?
Ok, so just watch the trailer if that’s what you’re here for, but I remain baffled that movie theaters are a) currently open (Tenet was showing in 2810 US theaters last weekend) and b) slated to still be open in December in a country trapped in a pandemic death spiral. Easy testing w/ quick results and contact tracing, the twin keys to controlling the virus, are still a mess. A safe & tested vaccine that’s distributed widely by the end of the year? I wouldn’t hold my breath. And you’re going to put a bunch of people who are laughing and gasping together in a room for two-plus hours with a virus that’s airborne1 and assume they’re going to stay properly masked up (except for when they are eating popcorn and nachos!) and properly distant from each other? (Have you met Americans?!) Even if you assume that movie theater screening rooms are huge & well-ventilated (some definitely are not) and capacity is restricted, I repeat: What The Fuck? And in terms of societal trade-offs, reopening places where people gather indoors for entertainment is more important than ensuring our kids can safely go to school? *extreme hair-tearing-out noise*
Update: Aaaaand the Dune release has been delayed until Oct 2021. Between the Trump debacle2 and the CDC acknowledging that the virus may spread through aerosols, I feel like people are coming around to the idea that indoor gatherings, entertainment, and dining are going to be problematic for several more months.
Along with the lack of testing and tracing, the evidence that the virus can be transmitted through aerosols is the important bit here. Most people and organizations are still acting as though it’s not airborne because the measures would be different if they were taking that into account. See this expert’s advice about movie-going for example — there’s not a single mention of aerosols in the entire piece, so it’s tough for me to take it seriously.↩
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