Set on an island off the coast of New England in the summer of 1965, MOONRISE KINGDOM tells the story of two twelve-year-olds who fall in love, make a secret pact, and run away together into the wilderness. As various authorities try to hunt them down, a violent storm is brewing off-shore -- and the peaceful island community is turned upside down in more ways than anyone can handle.
Girl Walk // All Day is a feature-length dance music video set in NYC...the soundtrack is Girl Talk's All Day. Kickstarter is hosting a premiere for the film (+ dance party) on December 8 at the Brooklyn Masonic Temple...and it's free (you just need to RSVP). Here's the trailer:
The husband-and-wife team of Charles and Ray Eames are widely regarded as America's most important designers. Perhaps best remembered for their mid-century plywood and fiberglass furniture, the Eames Office also created a mind-bending variety of other products, from splints for wounded military during World War II, to photography, interiors, multi-media exhibits, graphics, games, films and toys. But their personal lives and influence on significant events in American life -- from the development of modernism, to the rise of the computer age -- has been less widely understood. Narrated by James Franco, Eames: The Architect and the Painter is the first film dedicated to these creative geniuses and their work.
The Secret World of Arrietty, the latest film from Studio Ghibli (Ponyo, Princess Mononoke, Howl's Moving Castle), came out in Japan last year and will be in US theaters in February 2012. Here's the English trailer:
The screenplay was adapted from Mary Norton's The Borrowers. (thx, david)
I was going to make a joke about how this is Scorsese's first movie without Leonardo DiCaprio in like 20 years, but it's actually his first DiCaprio-free film in 12 years. (via stellar)
Here's a four-minute teaser trailer for In Time, a sci-fi action thriller directed by Andrew Niccol (Gattaca) and starring Justin Timberlake and Amanda Seyfried.
In the late 21st century, time has replaced money as the unit of currency. At 25 years old, aging stops and each person is given one more year to live. Unless you replenish your clock, you die.
Pixar's not involved -- DisneyToon Studios is making it -- but a direct-to-video Cars spin-off that features airplanes will go direct-to-video in spring 2013.
This movie is mostly a commercial for the inevitable billion-dollar toy/theme park tie-ins, but in general I am in favor of any kids movie that features White Zombie in the trailer. (via devour)
ps #1: This is probably going to get yanked from YT pretty quick. Sorry.
ps #2: My 3-yo son calls the main character in Cars "Lightening the Queen". That would be an interesting movie.
Produced by Peter Jackson and directed by Steven Spielberg, it looks like an all-CGI adventure. I got sort of a Polar Express vibe from the trailer though, which is not encouraging.
Linotype: The Film is a feature-length documentary film centered around the Linotype typecasting machine invented by Ottmar Mergenthaler. Called the "Eighth Wonder of the World" by Thomas Edison, the Linotype revolutionized printing and society, but very few people know about the inventor or his fascinating machine.
The Linotype completely transformed the communication of information similarly to how the internet is now changing it all again. Although these machines were revolutionary, technology began to supersede the Linotype and they were scrapped and melted-down by the thousands. Today, very few machines are still in existence.
Writer/director Sofia Coppola reunites with the film company with which she made the Academy Award-winning hit "Lost in Translation." Her new film is an intimate story set in contemporary Los Angeles; Johnny Marco (Stephen Dorff) is a bad-boy actor stumbling through a life of excess at the Chateau Marmont Hotel in Hollywood. With an unexpected visit from his 11-year-old daughter (Elle Fanning), Johnny is forced to look at the questions we must all confront.
As one of the few people who enjoyed Marie Antoinette, I'm of course looking forward to this. (via df)
Babies is a documentary that follows the lives of four newborn babies for the first year of life...in Namibia, Mongolia, Japan, and San Francisco. (via clusterflock)
If you must watch. I'm not supposed to giggle when Liam Neeson says "I love it when a plan comes together" in a sorta-American sorta-Irish accent, right?
The Cove is a 2009 documentary film documenting the annual killing of more than 2,500 dolphins in a cove at Taiji, Wakayama in Japan. The film was directed by former National Geographic photographer Louis Psihoyos, and was filmed secretly during 2007 using underwater microphones and high-definition cameras disguised as rocks.
Dave Eggers has written a young adult novel called The Wild Things that is based loosely on Maurice Sendak's Where the Wild Things Are and the screenplay he co-wrote with Spike Jonze for the movie version. The New Yorker published an excerpt of the book this week.
Max left the room and found Gary lying on the couch in his work clothes, his frog eyes closed, his chin entirely receded into his neck. Max gritted his teeth and let out a low, simmering growl.
Gary opened his eyes and rubbed them.
"Uh, hey, Max. I'm baggin' a few after-work Z's. How goes it?"
Max looked at the floor. This was one of Gary's typical questions: Another day, huh? How goes it? No play for the playa, right? None of his questions had answers. Gary never seemed to say anything that meant anything at all.
"Cool suit," Gary said. "Maybe I'll get me one of those. What are you, like a rabbit or something?"
But while I was working on the book, it was funny, because I started going in new directions, different from any of the screenplay versions, pushing it into some territory that was personal to me. So in a way the movie is more Spike's version of Maurice's book, and this novel is more my version.
In "Extract," writer/director Mike Judge returns to the fertile territory of the American workplace, rotating his perspective away from the white collar cubicle warriors of "Office Space" and towards a blue collar boss -- a small business owner -- who employs an odd cast of losers, loners and misfits in his flavor extract factory.
It is the story of a teenage girl who, after being brutally raped and murdered, watches from heaven as her family and friends go on with their lives, while she herself comes to terms with her own death.
Jackson personally purchased the film rights to the book and from the trailer, it seems like this is a return to his Heavenly Creatures days, with a bit of the LOTR fantasy and special effects sprinkled in. Looking forward to this one.
Wonder no more what an animated Wes Anderson movie might look like: the trailer for Fantastic Mr. Fox is out. Scroll a bit for the HD links. This looks *great*. (thx, dain)
The September Issue is the much-anticipated documentary that follows Anna Wintour and her staff at Vogue through the process of creating the magazine's September issue, AKA the world's thickest magazine issue.
An apt demonstration that an editor/curator's main job is saying no to almost everything.
The world of the movie is one in which everyone tells the truth all the time...until Gervais invents lying. It also stars every other Hollywood actor and comic in the world, including Jennifer Garner, Jason Bateman, Patrick Stewart, Jeffrey Tambor, Tina Fey, Christopher Guest, Rob Lowe, Louis C.K., and John Hodgman. (You know it's quite an august list when you have to stick "and John Hodgman" on the end of it.)
IFC lists the 50 greatest trailers of all time. Trailers are like episodes for Law & Order for me -- ten minutes after viewing and I can't remember a thing about them -- so I don't really have any favorites, but this list seems like a solid collection.
Errol Morris, Werner Herzog and over 30 of today's top documentary filmmakers provide an in-depth look at non-fiction filmmaking and the steps to making a documentary. These masters of the craft reflect upon the nature of documentary as a form of storytelling and offer insight into their approach to the 'truth.'
The trailer for Ponyo, the latest animated feature film from Hayao Miyazaki (Princess Mononoke, Spirited Away, etc.). The film opened in Japan last year and made more than $150 million at the box office. The American version is dubbed and I don't know if a subtitled version will made it to theaters in the US or not. There was a theatrical release of a subtitled Mononoke but that was a long time ago.
As a follow-up to the excellent Band of Brothers, HBO, Steven Speilberg, and Tom Hanks have teamed up to make The Pacific, a 10-part miniseries about the fighting in the Pacific during WWII from the perspective of a group of US Marines. The first trailer for the series has been released:
Update: So of course HBO made YouTube remove the video of the trailer. But they put up a smaller crappier version on their own site so it's all ok, right? (Why do media companies not like people spreading their advertising around? That's the fucking goal, yes?) Anyway, in the meantime I changed the link to the video above with a new one that hasn't been removed yet. And if that one gets removed, you can probably find the newest ones here. (thx, greg)
She was a librarian. Her husband was a postal worker. They lived on his salary and bought art with hers. Both are now retired. They have no children. "We bought art we could afford and that would fit into the apartment," they say. Water from the fish tank once splashed a Warhol they owned. It later had to be restored.
Woody Allen + Larry David + the process for making a feature-length film - all but about 2 minutes of the footage = the trailer for Whatever Works.
An eccentric New Yorker played by Larry David abandons his upper class life to lead a more bohemian existence. He meets a young girl from the south and her family and no two people seem to get along in the entanglements that follow. This is a comedy also starring Ed Begley Jr., Patricia Clarkson, Conleth Hill, Michael McKean, Evan Rachel Wood, and a number of other amusing types.
The trailer for District 9 looks interesting. I particularly like the way the alien's face is pixelated out in the interview, both for privacy in the world of the film and to not spoil the reveal for movie goers.
I can't figure out if Meryl Streep is almost nailing her Julia Child impression or completely blowing it. Also, Streep is ~5'7"....I don't know what they're doing in the movie to make her look so tall, but it doesn't work.
The whole-earth nature documentary space is quickly becoming crowded. We've got:
The Blue Planet, 2001
Deep Blue, 2003
Planet Earth, 2006
Earth, 2009
Nature's Great Events, 2009
Oceans, 2010
The last one on the list is from Disney. If you watch the trailer, the company is attempting to say, "Planet Earth? Ha! Disney was down with nature all along!" Pfft. A point in Disney's favor however is that Oceans is being done by Jacques Perrin, the man responsible for Microcosmos and Winged Migration. Points against: the film has cost $75 million so far (for a documentary!), the footage in the trailer looks like it was lifted directly from The Blue Planet and Planet Earth, and no David Attenborough narration.
Update: I added Earth to the list, also from Disney. Here's the trailer. BBC and Discovery are listed as partners so it's likely that the footage in the film is from Planet Earth. (thx, @gjdsalinger)
I am hoping that Moon will be awesome and not just a mashup of 2001 and Solaris. The score is by Clint Mansell, who has scored all of Darren Aronofsky's movies, most notably Requiem for a Dream. Moon opens on June 12 in NYC and LA. (via sarahnomics)
How to Take a Beloved Children's Classic Book and Screw It All Up, Exhibit A: based on the trailer, Cloudy With a Chance of Meatballs. Except for the food falling from the sky, they changed everything else. But it's IN 3-D!!! *pffft*
Trailer for a new film called Guest of Cindy Sherman. It's a documentary about a man who becomes romantically involved with the famous artist, only to find that his ego can't handle her fame. I wonder if we actually get to see the real Sherman in the film...the trailer is very teasing about it.
Vendela Vida, Dave Eggers, Sam Mendes, John Krasinski, Maya Rudolph, Jeff Daniels, Maggie Gyllenhaal, Allison Janney, Catherine O'Hara. Movie. Trailer.
In this trailer for Terminator Salvation -- more like salivation, which is what I'm doing waiting for this movie to come out, amiright? -- we're led to believe that perhaps Christian Bale turns out to be a Replicant or a Mecha. (via fimoculous)
During the closing credits of the Academy Awards, a clip was shown previewing some movies that will open in 2009. None of them look like they'll win any Oscars so I presume this was paid advertising and not editorial on the part of the program. Fun though! (via /film)
Tarantino's latest film is about Nazi-killing American soldiers and stars Brad Pitt. I can't decide if this movie is going to completely suck or be really great. Vampire movies notwithstanding, Quentin always gets the benefit of the doubt from me so great it is.
With the exception of the two animated films and Year One, all of the above are either sequels or remakes. And Hulu, in a stroke of highly irritating genius, has inserted advertising before each of the trailers linked above. Advertising *in* advertising...the 20th century has officially ended. Welcome to the future.
Update: I've switched out the Hulu links for ones at Apple; they're higher quality and can be seen outside of the US. I wish the Apple trailers would have been live last night; it would have made for a lot less whining in my inbox. I just go where the links take me, folks. Oh, and I added the GI Joe trailer. (thx, david)
Back in the late '80s, Randy "The Ram" Robinson (Mickey Rourke) was a headlining professional wrestler. Now, twenty years later, he ekes out a living performing for handfuls of diehard wrestling fans in high school gyms and community centers around New Jersey. Estranged from his daughter (Evan Rachel Wood) and unable to sustain any real relationships, Randy lives for the thrill of the show and the adoration of his fans.
Rourke looks great in this and Aronofsky appears back on form. I'm not saying that The Fountain was bad...but it probably was. (thx, kabir)
Never before has a date in history been so significant to so many cultures, so many religions, scientists, and governments. '2012' is an epic adventure about a global cataclysm that brings an end to the world and tells of the heroic struggle of the survivors.
It is the eleventh Star Trek film and features the main characters of the original Star Trek series, who are portrayed by a new cast. It follows James T. Kirk enrolling at Starfleet Academy, his first meeting with Spock, and their battles with Romulans from the future, who are interfering with history.
I'm not a proponent of the idea that any Trek is good Trek so I really want to hate this movie but it looks kind of awesome. At least f'ing McG didn't direct.
The trailer for Synecdoche, New York, the first film directed by Charlie Kaufman, who wrote Being John Malkovich, Adaptation, and Eternal Sunshine of the Spotless Mind. A.O. Scott liked it at Cannes. The film will be out in limited release (NY & LA?) on Oct 24. Say sih-NECK-duh-kee...kinda like Schenectady. (via crazymonk)
Update: I removed the embedded video...I didn't know it came with all that extra cruft around it.
Don LaFontaine, the voice of countless movie trailers, is dead at 68. I liked this tribute from the Washington Post:
In a world of people who all have some sort of private omniscient voice-over running things inside their heads, sometimes God, sometimes Mom, and sometimes Don LaFontaine...
In a world where marketing is far more important than content...came one man...with a Voice.
The second trailer for Hancock, the Will-Smith-as-apathetic-superhero movie due out this summer, is up on Apple Trailers. I believe this is the same one I linked to on YouTube a month ago, but watch it again anyway. I am hoping against hope that this one isn't going to be as stupid as I think and instead will be as awesome as I hope.
I've got Will Smith action hero fatigue, but HOLY CRAP does Hancock look awesome. I am into apathetic superheroes. There's a second trailer available on YouTube...and its quality is surprisingly good. (You can tell I don't make it out to the movies a lot these days...the first trailer has been out since December.)
Here's the trailer for Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb.
It was done by a fellow named Pablo Ferro; it was his first movie trailer. Steven Heller writes:
After seeing Ferro's commercials, Kubrick hired him to direct the advertising trailers and teasers for Dr. Strangelove and convinced him to resettle in London (Kubrick's base of operations until he died there in March 1999). Ferro was inclined to be peripatetic anyway, and ever anxious to bypass already completed challenges he agreed to pull up stakes on the chance that he would get to direct a few British TV commercials, which he did. The black and white spot that Ferro designed for Dr. Strangelove employed his quick-cut technique -- using as many as 125 separate images in a minute -- to convey both the dark humor and the political immediacy of the film. At something akin to stroboscopic speed words and images flew across the screen to the accompaniment of loud sound effects and snippets of ironic dialog. At a time when the bomb loomed so large in the US public's fears (remember Barry Goldwater ran for President promising to nuke China), and the polarization of left and right -- east and west -- was at its zenith, Ferro's commercial was not only the boldest and most hypnotic graphic on TV, it was a sly subversive statement.
Kubrick wanted to film it all using small airplane models (doubtless prefiguring his classic space ship ballet in 2001: A Space Odyssey). Ferro dissuaded him and located the official stock footage that they used instead. Ferro further conceived the idea to fill the entire screen with lettering (which incidentally had never been done before), requiring the setting of credits at different sizes and weights, which potentially ran counter to legal contractual obligations. But Kubrick supported it regardless. On the other hand, Ferro was prepared to have the titles refined by a lettering artist, but Kubrick correctly felt that the rough hewn quality of the hand-drawn comp was more effective. So he carefully lettered the entire thing himself with a thin pen. Yet only after the film was released did he notice that one word was misspelled: "base on" instead of "based on". Ooops!
If you want that hand-lettered look for yourself, Pablo Skinny is a font by Fargoboy that closely duplicates Ferro's handwriting.
Update: According to this Wikipedia article, the work of Canadian avant-garde filmmaker Arthur Lipsett caught the eye of Stanley Kubrick after an Oscar nomination for his short film, Very Nice, Very Nice and, more importantly for our business here, that Kubrick directed the Strangelove trailer himself in Lipsett's style after Lipsett refused to work with Kubrick on it:
Stanley Kubrick was one of Lipsett's fans, and asked him to create a trailer for his upcoming movie Dr. Strangelove. Lipsett declined Kubrick's offer. Kubrick went on to direct the trailer himself; however, Lipsett's influence on Kubrick is clearly visible when watching the trailer.
The two are stylistically similar for sure, but Ferro is credited with having designed the main title sequence (according to the titles themselves). That passage doesn't appear to have been derived from any particular source, so I looked for something more definitive. From a 1986 article by Lois Siegel
After his Academy Award nomination, he received a letter from British filmmaker Stanley Kubrick. The typewritten letter said, "I'm interested in having a trailer done for Dr. Strangelove." Kubrick regarded Lipsett's work as a landmark in cinema -- a breakthrough. He was interested in involving Lipsett. This didn't happen, but the actual trailer did reflect Lipsett's style in Very Nice, Very Nice.
Kubrick described Very Nice, Very Nice (1961) as "one of the most imaginative and brilliant uses of the movie screen and soundtrack that I have ever seen." Kubrick was so enthused with the film he invited Lipsett to create a trailer for Dr. Strangelove (Stanley Kubrick, 1965) an offer Lipsett refused. Stanley Kubrick, letter to Arthur Lipsett, Arthur Lipsett Collection, Cinematheque québécoise Archives, Montreal, May 31, 1962.
It's not clear what the connection is between Lipsett's work and the trailer that Ferro ended up producing for Strangelove, but several sources (including Heller) say that Ferro developed his quick-cut style directing commercials in the 1950s, work that would predate that of Lipsett.
Lipsett more clearly influenced the work of another prominent filmmaker, George Lucas. Lucas found inspiration in Lipsett's 21-87 in making THX-1138 and borrowed the concept of "the Force" for the Star Wars movies. Lucas' films are littered with references to Lipsett's film; e.g. Princess Leia's cell in Star Wars was in cell #2187. (thx, gordon)
I hate cynicism. I wipe it from me. I don't like cynical people. I don't like cynical movies. Cynicism is very easy. You don't have to justify it. You don't have to fight for it.
Movie trailer for Untraceable, which features a serial killer who live-broadcasts his murders online so that his victims are killed faster as more people visit the site. From the looks of it, the movie features every single bad computer-related movie cliche all in one neat package. Either that or it's a clever metaphor for what the web is doing to our culture. (via fimoculous)
Two more movies on my horizon, both about outsiders in the music business:
The trailer for Young @ Heart that nearly brought me to tears last night can't yet be found online, and the clip available at Channel4, where the film originally aired in the UK is a bit dry. Instead, you'll find info on the film and two great clips at The Documentary Blog, including a heart-wrenching performance of the Young @ Heart chorus of elderly people (average age 80) performing Coldplay, part of a repertoire including The Clash, The Ramones, and Sonic Youth.
Great World of Sound is an Altmanesque comedy about two normal southern guys who get caught up in a record industry talent scout scheme. The trailer at Apple looks promising.
Now that the trippy stills have whetted your appetite, feast your eyes on the trailer for Speed Racer, in freaking HD no less. The race courses remind me of those in Mario Kart: Double Dash, particularly Rainbow Road, Dry Dry Desert, and especially Wario Colosseum. (thx, askedrelic)
It's a cruel trick to confront people with the cold reality of the past. Despite that, some enjoy being in the film and claim it as a thing to treasure; others take part under sufferance, persuaded that the films are unique and we should finish what we started. I thank them all for their generosity and courage in making these films possible.
I missed the trailer for Be Kind Rewind, Michel Gondry's upcoming film starring Mos Def and Jack Black, when it came out back in August...perhaps you did too? The gist of the film: two video store clerks find all the tapes in the store are blank and set out to refilm all of the movies themselves.
Wall-E is Pixar's next movie, to be released in June 2008. A new teaser trailer is due to be released today at 8pm ET, although a French site has jumped the gun and is displaying it now (much better HD version). Does it make sense even if you don't speak French? Yes, because the movie isn't going to have any dialogue. Says director Andrew Stanton: "I'm basically making R2-D2: The Movie". At least it's not in Aramaic. And talkies are overrated anyway, right?
Pixar has also launched a promotional web site for the film. The site was formerly just a placeholder but is now faux-corporate brochureware for Buy n Large, maker of the Wall-E robot. The site is full of ridiculous corporate-speak like "by visiting the Buy n Large web site you instantaneously relinquish all claims against the Buy n Large corporation and any of its vendors or strategic partners." Check out the Nanc-E under Robotics/Robot Models for a chuckle. (thx, david)
Update: The English trailer is now available at Yahoo in HD (480p, 720p and 1080p).
Trailer for In the Shadow of the Moon, a documentary that "brings together for the first, and possibly the last, time surviving crew members from every single Apollo mission that flew to the Moon along with visually stunning archival material re-mastered from the original NASA film footage". BOY HOWDY! Here's a review of the film from Ad/Astra, the magazine of the National Space Society.
Newish trailer for Transformers (the "exclusive trailer" at the top of the list). This movie may actually kick ass. Or, as with every other Bay movie I've seen, the reaction will probably be, "that movie really could have kicked ass if it wasn't so stupid." I also have a theory that the robots in the film are too much toward the realistic end of Scott McCloud's iconic abstraction scale to be effective, but that post is for another time.
Wired profile of Darren Aronofsky and his new film, The Fountain, which will finally be coming out on November 22. The special effects in the film are non-CGI: "No matter how good CGI looks at first, it dates quickly. But 2001 really holds up. So I set the ridiculous goal of making a film that would reinvent space without using CGI." Trailer is here.
The trailer for 49 Up, the latest in a series of documentary films in which the same group of people (from varying socio-economic backgrounds) are interviewed every seven years. The first movie, Seven Up!, was released in 1964 when the participants were seven years old. "The premise of the film was taken from the Jesuit motto 'Give me a child until he is seven and I will give you the man.'"
