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This is pretty amazing: a guy making a 0.6mm screw for a watch using a very precise watchmaker’s lathe. It’s so small! I love that the hardest part is trying to find the impossibly tiny thing after it detaches from the high-RPM lathe. (thx, mick)
Well, I was not expecting the next video game to be turned into an edgy drama (an 80s Cold War techno-thriller, no less) to be Tetris, but here we are.
Taron Egerton stars in a new Apple Original Film inspired by the true story of how one man risked his life to outsmart the KGB and turn Tetris into a worldwide sensation.
If you’d have told me that this trailer was a Saturday Night Live sketch from 6 years ago, I would have believed you — and as it is, the release date of March 31 gives me pause.1 But I’ll give it a shot.
I don’t actually think this is an April Fools joke — Apple doesn’t usually go in for such nonsense.↩
A group of astronomers say they have evidence that links supermassive black holes at galactic centers with dark energy, the mysterious force that accounts for roughly 68% of the energy in the universe. Here’s the news release and the paper. From the Guardian:
Instead of dark energy being smeared out across spacetime, as many physicists have assumed, the scientists suggest that it is created and remains inside black holes, which form in the crushing forces of collapsing stars.
“We propose that black holes are the source for dark energy,” said Duncan Farrah, an astronomer at the University of Hawaii. “This dark energy is produced when normal matter is compressed during the death and collapse of large stars.”
The claim was met with raised eyebrows from some independent experts, with one noting that while the idea deserved scrutiny, it was far too early to link black holes and dark energy. “There’s a number of counter-arguments and facts that need to be understood if this claim is going to live more than a few months,” said Vitor Cardoso, a professor of physics at the Niels Bohr Institute in Copenhagen.
And here’s a short video explainer:
It’s a radical claim to be sure — it’ll be interesting to see how it shakes out in the weeks and months to come as other scientists interpret the results.
In the midst of the zaniness of Everything Everywhere All at Once is one of the funniest things I have seen in a movie theater in years: Raccacoonie. (If you know, you know.) Inverse talked to a bunch of people involved with the film about how Raccacoonie came about and what the folks at Pixar thought about the riff on Ratatouille. First off, here’s the initial mention of Raccacoonie in the movie:
The initial idea came from stories that producer Jonathan Wang would tell about his father messing up the names of American movies:
I think it’s pretty common when you have parents who are speaking English as a second language: They butcher movie titles. [My dad] would call James Bond “double seven” instead of “double-O seven.” He would just mess up movie titles all the time. My favorite one he would say was “Outside Good People Shooting” — that one is Good Will Hunting.
Costume designer Shirley Kurata added:
Being an Asian American and having parents where English isn’t their native language, I was used to hearing my parents mispronounce things. I had this memory when I was really young and I saw this word and I didn’t know what it said. I asked my mom. She was like, “Pin-oh-shee-oh.” I think both of us just laughed because we realized she totally mispronounced Pinocchio.
What did the folks at Pixar think? Of course, they loved it — because it’s great.
I never even thought about whether or not we would get a call from Disney or if Pixar was going to be mad. We did a tour of the Pixar campus and got to hang out with [animator/director] Domee Shi, and she’s so great. We were like, “Have you guys talked about, uh… us ripping off Ratatouille?” Everyone loves it there, and it seemed like no one was really upset. That was the only thing we thought of: Are we going to get flagged for this? But lawyers cleared it; everyone cleared it.
It’s worth reading the whole thing — I hadn’t realized they got Randy Newman to do a song for it.
DNA and RNA get all of the headlines, but it’s not difficult to argue that much of the glorious complexity and possibility of life is due to proteins. In the latest episode of Kurzgesagt, they explain the role of cellular proteins in creating life.
You are cells. Your muscles, organs, skin and hair. They are in your blood and in your bones.
Cells are biological robots. They don’t want anything, they don’t feel anything. They are never sad or happy. They just are, right here, right now. They are as conscious as a stone or a chair or a neutron star. Cells just follow their programming that has been evolving and changing for billions of years, molded by natural selection.
They are impossible machines and yet, here they are, driven entirely by the fundamental forces of the universe. The smallest unit of life, right at the border where physics becomes biology.
Sometimes, to get a truer understanding of how amazing something is, you need to hold your breath and dive in really deep. So, what are cells and how do they work?
As always, you can see a list of their sources and further reading for the video.
Riffing on a recent piece by Izzie Ramirez, Vo’x Kim Mas educates us on why the quality of consumer goods has dropped over the past several years.
Maybe you’ve noticed: In the past 10 years everything we buy from clothes to technology has gotten just a little bit worse. Sweaters are more likely to tear. Phones are more likely to break. Smart toasters and TVs burn out and die after only a few years. It might seem like consumer products just aren’t built to last anymore. What’s going on?
Unfortunately (and fortunately!), part of the problem is us. For decades, we’ve been conditioned to buy, buy, buy, and today it’s normal for many consumers to shop for new clothes at least once a month. In order to keep up, many companies have to prioritize making things in the fastest and least expensive way possible. To do that, they cut corners with materials and labor. In turn, quality suffers, which leaves consumers with a lot of crappy things.
So, here’s how they make vinyl records at Third Man Records in Detroit. As you might expect, the process is a bit less automated than what you’d imagine for digital music media — those records are human-handled dozens of times before they are finally placed into their jackets.
Vinyl is in the real world. It’s not something that exists only on your computer or your phone, it’s three-dimensional. Your nervous system is designed to take in the sound. It heals you. It’s a nutrient. It’s like vitamins. You feel it. It’s like getting a massage or eating a beautiful sandwich.
See also this slow-motion video of a vinyl record playing, recorded with an electron microscope. You can see how the soundwaves are encoded in the grooves. (via open culture)
I have never seen this before so maybe you haven’t either: a full-length video recording of Prince and the Revolution playing at First Avenue in 1983. This show marked the first time Prince played Purple Rain in public; it’s this recording of the song (lightly edited and reworked) that you hear on the album of the same name released the next year. From a piece in The Current about the show:
Before the 1984 blockbuster Purple Rain catapulted Prince on to the national stage, there was an Aug. 3, 1983 benefit concert for the Minnesota Dance Theatre at the recently re-branded First Avenue. It was there that the budding pop star debuted much of the Purple Rain album tracks, and recorded the versions of “Purple Rain,” “I Would Die 4 U” and “Baby I’m A Star” heard in the film and soundtrack.
“Those versions were almost exactly what he did live,” said longtime Prince producer David Rivkin, also known as David Z.
Since technology at the time couldn’t record wireless bass well, Rivkin said, Prince later added bass overdubs. He did some content edits, cutting the song down from about 14 to nine minutes.
“It was incredible; I mean little did I know it was gonna be that big of a recording,” Rivkin said. “Prince was really not a well-known figure back then. This is the kind of recording that launched him into super stardom.”
From Anil Dash’s piece on how Purple Rain came to be:
While Prince and the Revolution had been carefully rehearsing Purple Rain all summer, adjusting each detail of how the song was structured and played, Prince’s nearly-unequalled ability to spontaneously take a live performance to the next level was certainly on display that August night.
Exemplifying this ability is the repeated lilting motif that Prince begins playing on his guitar at 4:40 in the song. For all the countless times they’d practiced the song, even earlier on the same day as the First Avenue performance, Prince had never played this riff during Purple Rain before. In the original live show, it’s clear that Prince realizes he’s found something magical, returning again and again to this brief riff, not just on guitar but even singing it himself during the final fade of the song.
Just as striking is how this little riff shows the care and self-criticism that went into making the song Purple Rain. Like any brilliant 25-year-old guy who’s thought of something clever, Prince’s tendency when he thought of this little gem was to overdo it. In the unedited version of the song, Prince keeps playing the riff for almost another minute, pacing around the stage trying to will the audience into responding to it.
Update: From Louder, an oral history of Purple Rain and the night it was recorded.
After Melvoin’s opening acoustic chords, Bobby Z’s drums — mostly acoustic, and triggering Linn drums later added to in the mix — accompanied Prince’s singing for the first two minutes. “It’s just a back-beat and him from his guts,” Bobby says. “It’s just so raw for him. I remember those two minutes. Because the room is silent except for the pattern you’re playing. He was in the moment, and you’re in it with him, and it was a special place to be. It was a whole different planet.”
(via @peterbutler
Yesterday, Fox aired a very short, very good Rihanna concert, preceded and succeeded by a football game — you can watch it in its entirety on YouTube (possibly US-only). I caught this live and loved every second of it. The set design, choreography, costumes, the baby bump, and, of course, the music & singing: all pitch-perfect.
Update: I took out the embedded video because for some dumb reason the NFL doesn’t allow embeds on that video.
The Greek government and activists have long been calling for the return of the Parthenon Marbles from the British Museum to Greece. But how did the marbles get to Britain in the first place?
In the early 19th century, a British lord named Elgin removed a significant portion of the remaining marble decoration and statuary from The Parthenon in Athens and brought it back to Britain. To cover his debts, he sold the marbles to the British government and they eventually made their way into the British Museum. In the video above, Evan Puschak provides more detail about how it all went down.
For its part, the British Museum isn’t budging, although their official stance on the matter seems defensive, almost like they know they’re on thin ice, morally speaking. It’s long past time the marbles were repatriated and they should just get it over with already.
Update: This is interesting from David Allen Green: the return of the Parthenon Marbles isn’t up to the British Museum.
The fourth point is that the current legislation does make it difficult-to-impossible for the museum to dispose (to use the legal word) of the marbles as it wishes, either by returning them to Greece or otherwise.
An elaborate legal basis could, perhaps be provided, but — on balance — one suspects an English court would rule such a disposal as unlawful.
This means this is not a matter solely for the trustees of the museum (as I explain here).
For the marbles to be returned properly to Greece would require a change in primary legislation, which in turn means it has to have government support (or at least no government opposition).
(via someone I can’t remember but thank you!)
From comments made by Knives Out and Glass Onion director Rian Johnson, it doesn’t seem likely that a Benoit Blanc mystery movie with the Muppets or a Muppet movie with Benoit Blanc will ever happen. So, we’ll have to settle for this mashup of Blanc and The Great Muppet Caper made by Nerdist:
I dunno Johnson, that works pretty well…
Leave it to The Kid Should See This for finding this gem of a video, featuring the hatching and early life of a tiny zebra finch.
This is the smallest bird I’ve ever hatched. After a little Finch had lost her partner, I was asked if she could stay in my big Aviary. When I returned home after picking her up, on the way back she had laid an egg in the little transport box! Birds only do this when they have an egg that needs to be laid. I knew there was only a small chance she would accept and hatch this egg in an actual nest herself, but I wanted to try before I set plan B in motion…
The mother bird didn’t accept the egg, it was moved to an incubator, and after a couple of weeks the tiniest bird you’ve ever seen hatches. The birth and first feeding were absolutely riveting — I was on the edge of my chair! What weird little alien creatures baby birds are. (via the kid should see this)
Last night, in the third quarter of an eventual loss to the Oklahoma City Thunder (a team name that didn’t even exist when James made his NBA debut), LA Lakers forward LeBron James broke the once-untouchable all-time NBA scoring record, formerly 38,387 points and held by the great Kareem Abdul-Jabbar. Afterward, James had this to say about the moment:
Everything just stopped. It gave me an opportunity to embrace it and look around and seeing my family, the fans, my friends. It was pretty cool. I probably can count on my hands how many times I have cried in 20 years, either in happiness or in defeat. So that moment was one of them when I kind of teared up a little bit. It was ‘I can’t believe what’s going on’ tears.
The Athletic liveblogged the occasion as it happened and detailed how James was able to break the record.
James’ path to the all-time scoring record will look much different than his predecessor, and it’s quite obvious why: 3-pointers.
The impact of long-range shooting within the NBA has grown since the league embraced 3-pointers during the 1979-80 season. How has that affected James’ path to the top of the NBA’s scoring list? During Abdul-Jabbar’s final season in 1988-89, NBA teams averaged 6.6 3-point attempts per game. This season, James is averaging 6.7 3-point attempts on his own.
But let’s pause for a tribute to man James passed for the record: Kareem Abdul-Jabbar Is Greater Than Any Basketball Record.
Guided by the footsteps of Jackie Robinson and Bill Russell, Abdul-Jabbar pushed forward, stretching the limits of Black athlete identity. He was, among other qualities, brash and bookish, confident and shy, awkward, aggressive, graceful - and sometimes an immense pain to deal with. He could come off as simultaneously square and the smoothest, coolest cat in the room.
In other words, he was a complete human being, not just the go-along-to-get-along, one-dimensional Black athlete much of America would have preferred him to be.
James has run with the branding concept that he is “More Than an Athlete.” Fifty-plus years ago, Abdul-Jabbar, basketball’s brightest young star, was already living that ideal.
From The Ringer, How LeBron James Broke the All-Time Scoring Record:
Just how long has James been playing in the NBA at a high level? Long enough to face nine father-son duos in games.
LeBron James opened his NBA career on Oct. 29, 2003, scoring 25 points in 42 minutes in a loss to the Sacramento Kings. On the Kings’ bench sat Jabari Smith, a 6-foot-11 center in his third year who wouldn’t remove his warmups that night.
Nineteen years, two months and 18 days later, James would be reminded of that matchup by another Smith, Jabari Smith Jr., a rookie with the Houston Rockets who is Jabari Smith’s son.
“Hey, you played against my dad in your first NBA game ever,” the rookie told LeBron.
“Why you do that to me,” a chuckling James said, to which Smith responded, “You feel old, don’t you?”
From The NY Times, How LeBron James Outscored Kareem Abdul-Jabbar and All the N.B.A. Greats:
James had a head start on catching Abdul-Jabbar because he was drafted out of high school, which wasn’t allowed in Abdul-Jabbar’s day. Then known as Lew Alcindor, Abdul-Jabbar first spent four years at U.C.L.A., where he was one of the most dominant college basketball players in the country.
James, at 38, is one of the oldest players in the league and in his 20th season. When Abdul-Jabbar was 38, he was in just his 17th professional season. By the time he hit his 20th year, he was no longer as dominant as he had been. James, with the good timing of being able to start this journey at 18 years old, is still proving every day just how much he has left, scoring 40 points on several nights this season and almost reaching 50 in a January game against Houston. He could be the first player to score 40,000 points.
On a personal note, I’ve never been that excited about LeBron James. I don’t hate him, but I didn’t really root for him or enjoy watching him play. Part of my aversion was no doubt due to many people trying, far too early, to place James on the GOAT throne, ahead of the player I grew up watching and rooting for, Michael Jordan. If I were in charge of drafting players for an all-time team, I’d still select Jordan first — his unique combination of drive, athleticism, and skill is still, IMO, the best in the game, ever. But with his versatility and longevity, LeBron James has more than earned the status of the NBA’s greatest player of all time.
James Cameron is not one for half-measures. When making Titanic, he used every image and description of the ship he could lay his hands on to build accurate sets & models and financed 12 dives to the ship’s actual wreckage on the bottom of the ocean floor to gather footage to use in the film. For the mega-blockbuster’s 25th anniversary, Cameron has returned his attention to Titanic, to scientifically test the fan theory that there was enough room on the door for Jack at the end of Titanic (see the video above).
In order to reexamine Jack’s final moments, Cameron enlisted help from a team of scientists and two stunt people to test four different scenarios to examine whether two people could have shared the door.
“Jack and Rose are able to get on the raft, but now they’re both submerged in dangerous levels of freezing water,” Cameron explains as the stunt people prove it.
Meanwhile in another example, Cameron details, “Out of the water, violent shaking was helping him and projecting it out, he could’ve made it pretty long, like hours.”
If you can stand the forced-cheer morning show banter, there’s a bit more footage of Cameron and the testing from Good Morning America:
Cameron’s ultimate conclusion: “Jack might’ve lived, but there’s a lot of variables.”
The European Space Agency has released a gobsmacking deep field image of thousands of galaxies taken by the James Webb Space Telescope.
A crowded field of galaxies throngs this Picture of the Month from the NASA/ESA/CSA James Webb Space Telescope, along with bright stars crowned with Webb’s signature six-pointed diffraction spikes. The large spiral galaxy at the base of this image is accompanied by a profusion of smaller, more distant galaxies which range from fully-fledged spirals to mere bright smudges. Named LEDA 2046648, it is situated a little over a billion light-years from Earth, in the constellation Hercules.
I know we’ve seen deep field images from the Hubble, but I don’t know how you can tire of looking at actual images created by human technology that shows thousands of galaxies, billions of years, trillions of stars, quadrillions of planets, untold numbers of potential intelligences & civilizations, and who really knows what else. It boggles the mind, every time.
You can download/view a massive high-res copy of this image right here.
Update: Here’s a video that zooms in from a wide view of the Milky Way all the way into galaxy LEDA 2046648 pictured above.
Wow. (via @cparnot)
If you’ve ever wondered what HBO and the producers of The Last of Us might do with some slightly different source material, Pedro Pascal and the cast of Saturday Night Live took a crack at a gritty adaptation of Mario Kart. I mean, I would 100% watch this.
This is a delightfully early-80s clip about how electronic music legend Suzanne Ciani created the soundtrack and sound effects for the Xenon pinball game. Xenon was the first talking Bally pinball game and the first pinball game voiced by a woman.
The idea of using the short grunts and groans came to me when I watched people playing the game — the way that people expressed their frustrations or their involvement with the game — and I wanted the game to do that back. I wanted it to talk back to the people playing.
Here are two other videos from the 80s of her explaining her work: on PBS’s 3-2-1 Contact (I *loved* that show) and on The David Letterman Show. According to her Wikipedia page, Ciani created the Coca-Cola “Pop ‘n Pour” sound logo as well as other sound logos for Energizer and ABC.
In 2013, Ciani was inducted into the Pinball Expo Hall of Fame for her pioneering work on the game. (thx, caroline)
With soooo much TV these days, everyone has their own pick for The Best Show on TV Right Now and my pick, aside from the excellent & underrated My Brilliant Friend, is Succession. Since the middle of the first season, I have eagerly looked forward to each episode and I’ve been jonesing for season four since about 2 seconds after the final episode of season three aired. Plus, the opening credits are unskippable. Succession starts up again on HBO Max on March 26.
Here’s Kurzgesagt on the deceptively simple way we can make changes in our life: build new routines and turn them into habits.
If you are like most people, there is a gap between the person you are and the person you wish to be. There are little things you think you should do and big things you ought to achieve — from working out regularly, eating healthy, learning a language, working on your novel, reading more or simply actually doing your hobby instead of browsing Reddit.
But it can seem that to achieve your goals, you have to become a different person. Someone who is consistent, puts in more effort, has discipline and willpower. Maybe you have tried your hardest to be like that. And it worked! For a while. Until you find yourself slipping back into your old ways. In the end, you always seem to fail. And with every failed attempt, you become more and more frustrated and annoyed with yourself.
If you believe “success and hustle” internet, it is all your own fault: if you don’t succeed, you just didn’t want it enough and the failure is all you. But change is actually hard. But as with most things in life, understanding why makes things easier.
Jonathan Mehring’s short documentary Walls Cannot Keep Us From Flying follows two young Palestinians who have found freedom in skateboarding while surrounded by walls & barbed wire and facing harassment from Israeli authorities and their own families & communities.
What do I feel when I skate? What do I imagine? I imagine there’s no occupation, there’s no wall. I feel freedom.
With every new trick, it’s like you become aware of a new life, new ideas. It’s not something that I can describe, it’s something you feel in your heart. It’s like when something has been missing and you’re looking for it and slowly you find it.
According to one of the young skaters in the film, when a new skatepark opened in the West Bank, the Israeli army came and fired tear gas. And no wonder — when oppressed people start doing things like skateboarding and begin to feel like they are free, authoritarian regimes can’t have that — they’ve got to crack down.
In the course of making his Oscar-winning documentary about basketball star Lusia Harris, director Ben Proudfoot became interested in how Title IX, the federal civil rights law that prohibits sex-based discrimination in any educational program that receives federal funding, was passed. And that led him to former US Representative Patsy Mink, who was the first woman of color elected to Congress and a key advocate in the fight for Title IX.
As the first woman of color elected to Congress, Ms. Mink — and her path to office — was influenced by the discrimination she experienced in her personal and professional lives. Many doors were closed to her as a Japanese American woman, and she became an activist and later a politician to change the status quo.
As I learned more about the early history of Title IX in the 1970s, I found that lobbyists and legislators mounted a formidable campaign to dilute and erode the law. This effort would culminate in a dramatic moment on the House floor, where Ms. Mink was pulled away during a crucial vote on the future of the law.
Magnets are cool. Full stop. The Magnetic Games channel has a ton of videos about all the neat stuff you can do with them.
I can’t be the only person who, after watching this, wants to spend a significant amount of money on neodymium magnets and magnetic putty? Some people do puzzles, others do Lego — maybe I could be a magnet guy?
The Odyssey YouTube channel is a trove of documentaries about the ancient world, “from the dawn of Mesopotamia to the fall of Rome”. Several of their videos about Rome are presented by classicist Mary Beard, perhaps the best-known Roman scholar in the world and the author of SPQR: A History of Ancient Rome, which you couldn’t enter a bookstore in the late 2010s without seeing. I’ve embedded her videos on The Ancient Origins Of The Roman Empire and Why Did The Roman Empire Collapse above and you can head to YouTube to watch several more hours of Beard explaining Rome: Who Were The Citizens Of Ancient Rome?, How Did The Ancient Roman World Work?, The Meteoric Rise And Fall Of Julius Caesar, What Was Normal Life Like In Pompeii Before Its Destruction?, and Caligula And Corruption In Imperial Rome. (via 3 quarks daily)
Self-described “maker of things” Evie Bee has made a cool thing indeed: an e-bike with a frame constructed mostly from sustainably sourced poplar and birch plywood called the Electraply.
Here’s a video of the bike in action:
The design of the bike was inspired by my love for the cafe racer and scrambler motorcycles of the past (the Great Escape anyone?) and the desire to honour and continue this iconic design through a modern interpretation.
Bee has released a pair of PDFs (one, two) to guide you through the entire process of building your own plywood e-bike. (via design milk)
From steel scrap to testing the final product with a ton of water pressure, here’s how Japanese manhole covers are made. The video is perhaps a little long in parts, so I would not blame you for skipping ahead to ~12:10 to see how some of the covers are hand-painted in brilliant color.
See also Japanese Manhole Covers Are Beautiful.
The length of winter near the northern 45th parallel requires events to look forward to in order to feel like you’re not forever adrift in cold and dark. Big things like vacations and reunions with friends & family as well as small things like getting outside in the afternoon, having something delicious planned for dinner, or just, like, getting to the end of the day having consumed enough water.
One of the things I am looking forward to in the early spring is March 1st because a) the sun will set at an almost respectable 5:38pm instead of the current 4:40pm, and b) season three of The Mandalorian starts. This is the way.
Based in Dubai, video artist André Larsen spends a lot of time shooting the Burj Khalifa which, at 2,722 feet and 163 floors, is the world’s tallest building. In this video, a drone piloted by Larsen dives the entire height of the building…and it’s kind of astounding just how much of it there is. Floors whiz past by the dozen and still there’s so far to go.
The Art of the Title, Print magazine, Slashfilm, and Salon have each compiled their picks for the best film and TV opening title sequences for 2022. There’s quite a bit of overlap, with the opening titles for Severance (which I added to the Unskippable Intros Hall of Fame earlier this year), The White Lotus, Peacemaker, and Pachinko making multiple lists. I haven’t seen After Yang yet, but I love that title sequence. Always a fan of lots of creativity and expression packed into small times and spaces.
This video is a simulation of a rogue wave 58 feet tall recorded by a buoy off the coast of Vancouver Island in 2020.
For centuries, rogue waves were considered nothing but nautical folklore. It wasn’t until 1995 that myth became fact. On the first day of the new year, a nearly 26-meter-high wave (85 feet) suddenly struck an oil-drilling platform roughly 160 kilometers (100 miles) off the coast of Norway.
At the time, the so-called Draupner wave defied all previous models scientists had put together.
Since then, dozens more rogue waves have been recorded (some even in lakes), and while the one that surfaced near Ucluelet, Vancouver Island was not the tallest, its relative size compared to the waves around it was unprecedented.
Scientists define a rogue wave as any wave more than twice the height of the waves surrounding it. The Draupner wave, for instance, was 25.6 meters tall, while its neighbors were only 12 meters tall.
In comparison, the Ucluelet wave was nearly three times the size of its peers.
Watching the video is surprising…the wave you think is the tall one isn’t and when it comes, you’re like, ok, WOW. (via damn interesting)
This is such a trip to see the familiar original version of Nintendo’s The Legend of Zelda being played as a VR first-person shooter. You only get one screen at a time with the top-down 2D view, but in this version, you get as much of the map as you can see - it looks like it stretches off into the distance for miles.
I just went to Wikipedia to look at the release date for Zelda and it came out February 21, 1986. I remember getting Zelda for my birthday that year, which means I somehow waited seven whole months to play that game and, boy was it worth it. I have a Switch now and still fire up the original Zelda sometimes, just to make sure the ol’ reflexes still work. (via digg)
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