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Using data from the Correlates of War Project and the Stockholm International Peace Research Institute, this bar chart race shows the annual military spending of the world’s top spending countries from the start of WWI in 1914 to 2018. See also military spending info from Our World in Data.
Ok, take a look at this short video of a Lego structure. Whaaaaat kind of sorcery is this?!
The top part of the structure appears to be floating, held aloft by plastic chains seemingly incapable of supporting the load. This is an example of a tensegrity sculpture, in which tension (and not compression) is used to carry weight.
If you want to build your own, the instructions and parts list are available and you can watch this tutorial as well:
(via colossal)
Of the various cuts of Blade Runner done over the years, Blade Runner - The Lost Cut is perhaps the oddest. Billed by creator Leon Chase as “a radical re-envisioning of Ridley Scott’s 1982 sci-fi classic”, this cut boldly includes footage from other films like The French Connection, Star Wars, The Jerk, and The Blues Brothers. A few of the films whose footage was used, including the Coen brothers’ Fargo, were released well after Blade Runner came out.
Daring! But does this cut go too far? Or not too far enough?
It’s unfortunate that places like the Brooklyn Botanic Garden need to be closed during this stressful time, because the cherry blossoms are in bloom right now and what a balm that would be to so many souls. Luckily, cinematographer Nic Petry was granted access to the garden a couple of weeks ago to capture a relaxing and meditative walk through the Japanese Garden.
The historic garden is one of the oldest extant Japanese gardens in the United States, and its collection of cherry cultivars was in lovely bloom during filming. Petry, a specialist in moving camera techniques, conceived the piece as a way to recreate the meditative experience of walking through the garden on a glorious, early spring day.
(via laura olin)
Update: See also Gothamist’s photos and drone video of the cherry blossoms this year.
Update: Now that more cherry trees are in blossom at the garden, they have uploaded a video of a walk through the esplanade.
From director Robert Bingaman, a video interpretation of a timely passage from John Donne’s Devotions upon Emergent Occasions, which was written by Donne in 1623 while recovering from a serious illness. The passage is from Meditation XVII and is paired in the video with images of businesses and public places emptied out by the pandemic.
No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend’s or of thine own were: any man’s death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bell tolls; it tolls for thee.
Using crowd-sourced clips sent in from all over the world, filmmakers Ivan Cash and Jacob Jonas made a poignant short film called A Social Distance about how things are going as people shelter in place at home.
In the self-submitted videos, people dance, play music, take us on a tour of their refrigerator, and introduce us to their pets. Edited together, these intimate moments create a synchronicity of humanity — a feeling of togetherness that’s difficult to conjure when you’re sequestered at home.
The score for the film is by Steve Hackman, who I previously featured for his mashups of pop & classical music:
Hackman, the film’s composer, wrote sheet music that he distributed to musicians across the world. When he received their recordings, Hackman combined the performances to create an original score.
See also Living Through Coronavirus Around the World. (via colossal)
In partnership with PBS Nature, Ze Frank (narrating as the Earth) presents The Earth Day 2020 Awards to a deserving group of fascinating animals, including the decorator crab (Best Dressed) and the salmon (Best Travel Story). I am upset on behalf of the planet’s plants though. WHERE ARE THE PLANTS ZE? Did a dandelion bully you as a kid or something?
See also The Atlantic’s photo essay on the 50th anniversary of Earth Day.
This short film profiles a small company in Somerset, England called Two Rivers Paper. Using water power, the company makes paper by hand for artists and designers, and they have a healthy appreciation for the unpredictability of their product.
Anything that’s made by a craftsman is imperfect. So, a hand-forged nail will be imperfect — every one will be slightly different. Handmade paper — every sheet is slightly different. So if you want perfection, if you want uniformity, then it has to be done by a machine. I often tell people that we sell imperfection, that’s what we do.
Two Rivers Paper operates one of the few remaining hand-mills in Europe.
The mill is over 400 years old and still retains much of the ancient wooden milling machinery. It’s been restored over the last 15 years to a working water-powered traditional paper mill, using a 100 year old metal wheel from Wales and an 1841 Hollander Rag-Breaker.
The wheel itself is a 10ft overshot wheel weighing two and a half tons and standing eleven foot high. In combination with the rag breaker, Two Rivers will be the only place in the UK where water power is used to make paper from old rags. Showing a continuing commitment to manufacturing using environmentally appropriate methods, a full array of solar panels were fitted to the mill roof in 2011. Electrical heating is used to gently dry our paper in the mill loft.
This short video segment from the BBC provides a closer look at how their paper is made. You can get yourself some Two Rivers paper from their online shop.
See also 700-Year-Old French Mill Still Cranking Out Handmade Paper and this short film on how marbled paper is made.
If you listen to more than 20 seconds of any song by Ella Fitzgerald, you can instinctively tell how amazing a singer she was. But taking a closer look reveals just how special. In this episode of NPR’s Jazz Night in America, they took a look at Fitzgerald’s 1960 performance of Mack the Knife (where she forgot half the words and improvised the rest) and her talent for referencing other songs while improvising, creating live “mix tapes” of popular songs using just her voice.
By 1960, Fitzgerald had become a global sensation. That February she gave an unforgettable performance in West Berlin for an audience of thousands. On the set list was “Mack The Knife,” a huge hit first made popular by Bobby Darin and Louis Armstrong. Fitzgerald sang the song flawlessly until about halfway through, when she forgot the lyrics. But she didn’t stumble — instead, she playfully freestyled her way to the end with nonsense syllables and improvised words — the singular jazz style called scatting. This unforgettable and Grammy Award-winning performance demonstrated her masterful grace under pressure.
You can listen to her Grammy-winning version of Mack the Knife on Spotify:
I love how confidently she sings “Oh, what’s the next chorus…” — Fitzgerald belts it out like those are the right lyrics. Her self-assurance sells it. (via the kid should see this)
Forced to cancel performances due to the pandemic, the members of Chicago Sinfonietta (“North America’s most diverse orchestra”) gathered together via video for a lively virtual performance of Leroy Anderson’s Plink, Plank, Plunk!, which is played primarily by plucking string instruments. Tag yourself…are you bored triangle lady or clarinet banana?
For the next several Mondays, Michelle Obama will read a favorite children’s book in partnership with PBS Kids. The first reading (of The Gruffalo) is already in the can and archived on YouTube:
(via barry)
Working under the direction of The Edmond J. Safra Center for Ethics at Harvard University, a bipartisan group of experts in public health, economics, technology, and ethics have produced a plan for a phased reopening of public life in the United States through testing, tracing, and supported isolation. The video above summarizes the plan and here’s the full plan in the form of a 56-page PDF.
“Roadmap to Pandemic Resilience: Massive Scale Testing, Tracing, and Supported Isolation (TTSI) as the Path to Pandemic Resilience for a Free Society,” lays out how a massive scale-up of testing, paired with contact tracing and supported isolation, can rebuild trust in our personal safety and re-mobilize the U.S. economy.
Among the report’s top recommendations is the need to deliver at least 5 million tests per day by early June to help ensure a safe social opening. This number will need to increase to 20 million tests per day by mid-summer to fully re-mobilize the economy.
From the paper, here’s a quick overview:
What we need to do is much bigger than most people realize. We need to massively scale-up testing, contact tracing, isolation, and quarantine-together with providing the resources to make these possible for all individuals.
Broad and rapid access to testing is vital for disease monitoring, rapid public health response, and disease control.
We need to deliver 5 million tests per day by early June to deliver a safe social reopening. This number will need to increase over time (ideally by late July) to 20 million a day to fully remobilize the economy. We acknowledge that even this number may not be high enough to protect public health. In that considerably less likely eventuality, we will need to scale-up testing much further. By the time we know if we need to do that, we should be in a better position to know how to do it. In any situation, achieving these numbers depends on testing innovation.
Between now and August, we should phase in economic mobilization in sync with growth in our capacity to provide sustainable testing programs for mobilized sectors of the workforce.
The great value of this approach is that it will prevent cycles of opening up and shutting down. It allows us to steadily reopen the parts of the economy that have been shut down, protect our frontline workers, and contain the virus to levels where it can be effectively managed and treated until we can find a vaccine.
We can have bottom-up innovation and participation and top-down direction and protection at the same time; that is what our federal system is designed for.
This policy roadmap lays out how massive testing plus contact tracing plus social isolation with strong social supports, or TTSI, can rebuild trust in our personal safety and the safety of those we love. This will in turn support a renewal of mobility and mobilization of the economy. This paper is designed to educate the American public about what is emerging as a consensus national strategy.
The plan seems consistent with what economist Paul Romer has been saying — Without More Tests, America Can’t Reopen (And to make matters worse, we’re testing the wrong people) — and with the approach Hong Kong has been taking — Test and trace: lessons from Hong Kong on avoiding a coronavirus lockdown. See also the 4 plans to end social distancing, explained.
Unfortunately for this plan and for all of us, I have a feeling that the first true step in any rational plan to reopen the United States without unnecessary death and/or massive economic disruption that lasts for years is the removal of Donald Trump from office (and possibly also the end of the Republican-controlled Senate). Barring that, the ineffectual circus continues. (via @riondotnu)
A group in South Africa called WildEarth is broadcasting live safaris on YouTube twice a day, once at sunrise and again at sunset. The safaris take place in Greater Kruger National Park, run for about three hours each, and are archived online. Here’s a sunrise safari from last week:
Here’s their daily schedule:
The Sunrise Safari starts at 06:00 local time, which means start times of 00:00 PM ET, 21:00 PM PT, 04:00 in the UK [GMT], 05:00 in Central Europe, and 15:00 Sydney time.
The Sunset Safari starts at 15:30 CAT local time, 09:30 AM ET, 06:30 AM PT, 14:30 in the UK [BST], 15:30 in Central Europe, and 00:30 Sydney time.
Check out the safari archive for past shows and this playlist for some of the highlights. (thx, philip)
As part of the One World: Together at Home fundraiser organized by the WHO, Global Citizen, and Lady Gaga that raised $127.9 million for Covid-19 relief efforts, the members of the Rolling Stones, each in their own home, got together via video to perform You Can’t Always Get What You Want. It’s a lovely messy & spare performance and the choice of song is timely — plenty of people around the world are definitely not getting what they want right now, but hopefully we will eventually end up getting what we need.
With the help of Billie Eilish, Finneas O’Connell, the Jonas Brothers, and Chance the Rapper, John Krasinski threw a virtual prom for the nation’s high school students who are stuck at home because of the pandemic. This show is such a gift. Don’t miss Brad Pitt doing the weather report and a brief segment from the International Space Station.
In the Before Times, Netflix let teachers stream their programming in the classroom. With schools not in sessions due to the Covid-19 pandemic, Netflix has decided to put some of their educational programming on YouTube for free (full playlist here). For instance, they’ve put all 8 episodes of David Attenborough’s nature series Our Planet online in their entirety. Here’s the first episode:
The Our Planet website also has tons of educational information for schools and kids.
13th is a feature-length documentary by Ava DuVernay about how racial inequality in America drives our high incarceration rates:
13th is currently rated 97% on Rotten Tomatoes and NY Times reviewer Manohla Dargis called it “powerful, infuriating and at times overwhelming”. Here’s a discussion guide.
Eight full episodes of the first season of Abstract: The Art of Design are also available on YouTube (discussion guide). Here’s the episode featuring illustrator Christoph Niemann:
Several episodes of Vox’s series Explained are included, like this one on the racial wealth gap:
Also included are The White Helmets & Period. End of Sentence. (which each won an Oscar for Best Documentary Short Subject) as well as Knock Down The House, the documentary on the 2018 Congressional campaigns of four women (including Alexandria Ocasio-Cortez). See the full list of included shows and the full playlist on YouTube.
The Short of the Week this week stars Rachel Dratch as a history teacher struggling to find a spark in her life as a widow. Fitness classes aren’t working, so Dratch’s character tries something new: a introductory class on female domination.
From the premise alone, most might think that Kennelly is using BDSM as the butt of the joke, a cheap way to trigger laughs. Yet, she subverts those expectations but steering clear of a farcical approach. Instead, she plays with different levels of sensitivity and empowerment while remaining very respectful towards every single one of her characters, sourcing the comedy elements from a more genuine place, the awkwardness and practicality of the situations Marcy finds herself in.
Dratch is great in this — yet another comedic performer who excels at more serious roles — and I found the whole thing surprisingly tender and poignant, at its core a simple story of people looking for meaning and connection in their lives.
I’d say this is NSFW, but with many of you currently working from home, perhaps that’s not really a thing right now? (via @christopherjobs)
From Retro Report, a short video about how epidemics, past and present, have been represented in music. Blues musicians sang about the 1918 flu pandemic and pop stars wrote songs about HIV/AIDS.
A disease that killed tens of millions of people, more than the number who died in World War I, might not seem like a promising subject for a song, but the legendary Texas bluesman Blind Willie Johnson didn’t see it that way. In Dallas in 1928, Johnson recorded “Jesus Is Coming Soon,” an intense chronicle of the ravaging influenza pandemic of 1918-1919. In a growl that conveyed the horror of the illness, as well as its scarifying ubiquity, Johnson declared that the “great disease was mighty and the people were sick everywhere / It was an epidemic, it floated through the air.”
Other lines seem as if they could have been written yesterday: “Well, the nobles said to the people, ‘You better close your public schools / Until the events of death has ended, you better close your churches, too.’”
Stuck at home during the pandemic, filmmaker Nicolas Heller decided to hold a contest on Instagram to find the person with the best New York accent.
It would be impolitic to say that the New York accent is the signature American accent. You could argue, though, that the New York accent is the accent of the current crisis. It’s there in the burly roundness of the words coming out of Gov. Andrew Cuomo’s mouth, or the acidity in the tone of Dr. Anthony Fauci, or the way President Trump scrapes all of his syllables together. (Senator Bernie Sanders’s howling woof counts here, too.)
For New Yorkers, that’s made the conversation around the coronavirus feel as local as the pandemic’s actual impact. Watching the news can feel like watching quarrels between grouchy neighbors.
In this climate, the #BestNYAccent challenge was even more reassuring. A reminder of local resilience and stubbornness in the face of global trauma. A monument to history and place standing firm against titanic winds. A middle finger to life’s cruel dice roll.
Using traditional instruments, a Japanese Buddhist monk named Kossan performs delightfully earnest covers of rock songs. So far, he’s done Queen’s We Will Rock You, Yellow Submarine by the Beatles — both embedded above — Teenage Lobotomy by the Ramones, and a song by Japanese punk bank The Blue Hearts. The Queen one is my favorite, I think. (via open culture)
Directed by Halina Dyrschka, Beyond the Visible: Hilma af Klint is a new feature-length documentary on the groundbreaking abstract artist Hilma af Klint.
Before Kandinsky, Mondrian, and Klee made a name for abstraction in visual art, another artist had already beat them to their discovery. But until very recently, her name was absent from the history books. Swedish artist Hilma af Klint (1862-1944) painted her first abstract canvas in 1906, four years before Wassily Kandinsky, originally thought to be the movement’s pioneer. It would be more than a century before she would receive the same acknowledgment and acclaim as her male peers.
The film follows the recognition af Klint’s work received due to the 2018 show at the Guggenheim, which was one of my favorite exhibitions from the past few years.
The trailer is above and the film opens “in virtual theaters” in the US on April 17 through Kino Marquee — check for your local theater here. (via colossal)
Yet another gem from the Kid Should See This: a performance of Sergei Prokofiev’s Peter and the Wolf that combines live action, animation, and creative typography.
Aided by Toshi Omagari, who wrote Arcade Game Typography, Vox’s Estelle Caswell explores the origins and history of 8-bit arcade fonts. From the description of the book:
Video game designers of the ’70s, ’80s, and ’90s faced color and resolution limitations that stimulated incredible creativity. With each letter having to exist in a small pixel grid, artists began to use clever techniques to create elegant character sets within a tiny canvas.
As the creator of a tiny pixelated typeface, I find this stuff infinitely fascinating.
YouTube channel Great Big Story (which is a frequent source of videos for kottke.org) recently asked eight filmmakers in eight different countries to report in on how they, their families, and their communities are doing during the pandemic.
Our daily routines have been disrupted, and many of us have been separated from friends, family and work. We checked in on eight households to see how they are feeling, how they are passing the time, how they are keeping connected to others, and what they are looking forward to in a post-pandemic world. From Beijing, China, to Mashhad, Iran, to Melbourne, Australia, here’s how we’re all working through this thing, one day at a time, together.
They’re asking viewers to donate to the UN’s COVID-19 Solidarity Response Fund for the World Health Organization. Google is matching $2 for every $1 donated, so please join me in donating if you are able.
See also Pandemic Stories from Around the World, sent in by kottke.org readers.
This public service announcement from the Ohio Department of Health contains an outstanding simple visualization of how social distancing can help prevent the spread of Covid-19 using ping pong balls and mouse traps.
This ad shows that Ohio’s relatively early response to the pandemic was not a fluke and that the state is still taking it seriously.
Starting today and continuing weekly, a little musical band you have never heard of called Radiohead is putting classic live shows up on YouTube. First up and embedded above is a concert they performed in Ireland in October 2000. Here’s the setlist in case you want to skip around a little. The band says they’ll be putting shows up every week until “either the restrictions resulting from [the] current situation are eased, or we run out of shows”.
I went to a show of theirs in Oxford in 2001 and I would love to see it again. They played Creep for the first time in ages after an equipment failure 86’d whatever song they were supposed to play — and the crowd went fricking bananas.
Update: You can find all of the live shows they’ve uploaded in the At Home with Radiohead playlist. They include Bonnaroo 2006, Buenos Aires 2009, Berlin 2016, and Coachella 2012. Tomorrow’s show will be Summer Sonic 2016 (streaming begins at 9am ET).
I do not know if hearing about other people’s quarantine experiences makes going through one yourself any easier, but the story of how NASA sequestered the returning Apollo 11 astronauts away from the rest of the world for 21 days is interesting for other reasons as well. The worry was that some sort of “moon bug” or “lunar plague” was going to make its way from the Moon to the Earth in the spacecraft or the astronauts’ bodies.
From the moment the Apollo 11 astronauts arrive back on earth from their epochal visit to the moon, they will be treated not as heroes but as bearers of the most virulent, devastating plague the world has ever known.
So NASA quarantined Armstrong, Aldrin, and Collins in a series of specially designed suits and environments until August 10, 1969. At one point, the three of them lived in a modified Airstream trailer in which the air pressure was lower on the inside than outside so if there was a leak, air would rush into the trailer, not out. Armstrong even celebrated a birthday in quarantine.
After Apollo 11, NASA did similar quarantines for 12 and 14 but abandoned them after that because they figured it was safe.
Oh, and if you were curious about the Soyuz launch yesterday that sent three astronauts to the ISS and how they were going to mitigate the chances of sending any SARS-CoV-2 up there, crews on all missions are subject to a mandatory 2 week quarantine before they leave (according to this press release).
As someone who a) thinks Dr. Dre was an amazing producer, and b) read Dr. Seuss’s Fox in Socks to his children roughly 1 million times (enough to be able to, eventually, get through the entire book at a comically high rate of speed w/o any tongue twisting slip-ups), I thought Wes Tank’s video of himself rapping Fox in Socks over Dre’s beats was really fun and surprisingly well done.
Tank has also done Green Eggs and Ham (over the beats from Forgot About Dre) and The Lorax. (thx, andrew)
The James Dyson Foundation has designed a set of 44 challenges related to science & engineering specifically for kids (ages 7 & older), which are perfect for these at-home learning times. The challenges include making an air-powered car out of a balloon, strong bridges out of spaghetti, and a cardboard chair strong enough to hold a person:
Here’s the PDF with all 44 challenges. What I like about these projects is that they’re hands-on, you can do them with stuff you already have around the house, and they’re educational in the best way: there’s no “teaching” really…the challenges are designed to appeal to the natural curiosity of kids.
Reading through these, the one that blew my mind was that you can determine the speed of light by melting a chocolate bar in the microwave.
That’s so cool! (via open culture)
From Ken Burns and Dr. Siddhartha Mukherjee, The Gene: An Intimate History, a series about the history of genetics based on Mukherjee’s book of the same name. Here’s a trailer:
The series tells the story of the rapid evolution of genetic science from Gregor Mendel’s groundbreaking experiment in the 19th century to CRISPR, and the hope that newfound powers to alter DNA with pinpoint precision will transform the treatment of some of the world’s most complex and challenging diseases. The series also tackles the daunting ethical challenges that these technologies pose for humankind.
This looks great, especially if this clip about Nancy Wexler’s crusade to find a cure for Huntington’s disease is representative of the whole:
In 1968, Nancy Wexler’s mother was diagnosed with a rare genetic disease - Huntington’s. Facing a 50-50 chance of contracting Huntington’s herself, Wexler — a non-scientist — began an odyssey to find the gene that causes the disease. For three decades, Wexler searched for treatments but chose not to get tested. As time passed, she noticed changes in the way she moved. Finally, in early 2020, Wexler decided to face her fears.
Part 1 of the series is now streaming on PBS with part 2 set to premiere next week.
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