Drei Klavierstücke op. 11 is a set of pieces written for the piano by Arnold Schoenberg in 1909, some of the first western music to written in an atonal style. Cory Arcangel took a bunch of YouTube videos of cats playing the piano and fused them together into a performance of op. 11.
This project fuses a few different things I have been interested in lately, mainly “cats”, copy & paste net junk, and youtube’s tendency in the past few years to host videos that are as good and many times similar to my favorite video artworks. I think all this is somehow related.
Cory’s no-bullshit statements about his art are just as entertaining as the work itself:
So, I probably made this video the most backwards and bone headed way possible, but I am a hacker in the traditional definition of someone who glues together ugly code and not a programmer. For this project I used some programs to help me save time in finding the right cats. Anyway, first I downloaded every video of a cat playing piano I could find on Youtube. I ended up with about 170 videos…
Next, deconstruct everything and separate them into separate plates: french fries, onion rings, fried clams, beef patties, buns, cheese, bacon, and chicken. Using a paper towel, squeeze and dab each bun dry of its oil and ketchup. Then place all the buns on a baking sheet and bake them for ten minutes in a pre-heated oven at 400° F.
Meanwhile, using a food processor, blend the french fries into a pulp with a little water. Do the same with the beef (no water necessary) until it’s ground and moldable. Hand-roll the ground beef into meatballs, then pan-fry them until they start to brown.
The 8-Bit Fatalities project presents the abstract killing in pixelated video games (Pac-Man eating the ghosts, Dig Dug blowing up his enemies) as realistic illustrations.
Recently a number of efforts have been made at re-imagining the packaging for movies, books, video games, and other media, mostly mashups and in the illustration style of typical of Saul Bass’ movie posters or Penguin Classics book covers. I’ve collected several examples below.
In his I Can Read Movies series, spacesick imagines Penguin-like book covers for movies like Close Encounters of the Third Kind, Sixteen Candles, and Back to the Future.
Imagine Finding Me is a project by Chino Otsuka where she inserts her adult self into photos taken of her as a child. More examples at Wallpaper. See also Ze Frank’s Youngme / Nowme and those neat half-kid, half-adult photos that I can’t find a link to right now…little help? (via waxy)
I am offering large printable files to anyone interested at no cost. Computer files are the most easily reproducible information on the planet. In this particular case I see no reason to imbue a false sense of preciousness on the work. The information I gathered to create the collages is publicly availaibe, and the collages themselves are no different.
Two competitors will swap a file back and forth in real-time, adding to and embellishing the work. Each artist gets fifteen minutes to complete a “volley” and then we post it to the site live. A third participant, a writer, provides play-by-play commentary on the action, as it happens. A match lasts for ten volleys.
In the past week, both Joshua Schachter and Matt Haughey published articles that were excerpted in the Voices section of All Things Digital, a web site owned by Dow Jones and run by Kara Swisher and Walt Mossberg of the WSJ. Each excerpt was accompanied by a link to the original articles. Schachter and Haughey both reacted negatively to All Things Digital’s posting of their work. Andy Baio has collected responses from Schachter, Haughey, All Things Digital’s Kara Swisher, other writers whose stuff has been excerpted in the Voices section, and a couple other long-time online writers. Merlin Mann’s comment on Twitter sums up what the independent writers seem to be irritated with:
Republishing online work without consent and wrapping it in ads is often called “feed scraping.” At AllThingsD, it’s called “a compliment.”
It does suck that ATD’s linking technique makes it appear as though Schachter and Haughey are in the employ of Dow Jones and that DJ has the copyright on what they wrote. ATD should make the lack of affiliation more clear. Other than that, is the ATD post really that bad? In many ways, All Things Digital’s linking technique is more respectful of the author of the original piece than that of a typical contemporary blog. For comparison purposes, here are screenshots of Schachter’s original article as linked to from a typical blog (in this case, Boing Boing) and by All Things Digital.
Go read both posts (ATD, BB) and then come back. With its short excerpt and explicit authorship (i.e. there’s no doubt that Joshua Schachter wrote those words), the ATD post is clearly just an enticement for the reader to go read the original post. On the other hand, BB’s post summarizes most of Schachter’s argument and includes an extensive excerpt of the juiciest part of the original piece. The post is clearly marked as being “posted by Cory Doctorow” so a less-than-careful reader might assume that those are Doctorow’s thoughts about URL shorteners.
[Metaphorically speaking, the ATD post is like showing the first 3 minutes of a movie and then prodding the viewer to go see the rest of it in a theater while BB’s post is like the movie trailer that gives so much of the story away (including the ending) that you don’t really need to watch the actual movie.]
What ends up happening is that blogs like Boing Boing — and I’m very much not picking on BB here…this is a very common and accepted practice in the blogosphere — provide so much of the gist and actual text of the thing they’re pointing to that readers often don’t end up clicking through to the original. To make matters worse, some readers will pass along BB’s post instead of Schachter’s post…it becomes, “hey, did you see what Boing Boing said about URL shortening services?” And occassionally (but more often than you might think) someone will write a post about something interesting, it’ll get linked by a big blog that summarizes and excerpts extensively, and then the big blog’s post will appear on the front page of Digg and generally get linked around a lot while the original post and its author get screwed.
So I guess my question is: why is All Things Digital getting put through the wringer receiving scrutiny here for something that seems a lot more innocuous than what thousands of blogs are doing every day? Shouldn’t we be just as or more critical of sites like Huffington Post, Gawker, Apartment Therapy, Engadget, Boing Boing, Buzzfeed, Lifehacker, etc. etc. etc. that extensively excerpt and summarize?
Update: I’m pulling a couple of quotes up from the comments so that the opinions of the people involved aren’t misrepresented.
Joshua Schachter:
I really just objected to the byline on the ATD thing. It made it appear that there was a relationship when there wasn’t. If there is curation, the curator should be the one noted as making the choices.
Andy Baio:
All the complaints stem from the affiliation issue. Running ads and having comments on an excerpt are only an issue if it’s presented as original content, instead of curation. Put an editor’s name on there, remove the author photos, throw it in a blockquote, and all these complaints go away.
This was true for me, at least, while I was making these; Hand erasing buildings through SoHo, TriBeCa, and the LES was an eery experience as I tried to imagine what these places would really look like if my brush was a bulldozer.
The Very Hungry Caterpillar was one of my favorite books when I was a kid and I’ve loved reading it to Ollie over the past few months. So of course, Google’s logo today is aces.
Famous directors takes on famous comedy routines. Wes Anderson does Who’s on First, Michael Moore does The Ministry of Silly Walks, and Tarantino does the I’m Crushing Your Head bit (the best one).
Thru You is a site that showcases remixed YouTube videos…the singing from one video combined with the drums from another and the piano from a third and so on. I was skeptical but these are really well done. Do I even need to say that this reminds me of Christian Marclay’s Video Quartet? (via sfj)
Harry Potterybarn.com
Il Huffington Postino
Slumdog Millionaire Dollar Homepage
Behind Enemy Bloglines
Schindler’s Craigslist
Charlotte’s WebCrawler
Freecreditreport.com Willy
And while not strictly adhering to the form, I also chuckled at “Bone Thugs & eHarmony”. The best I could come up with for kottke.org is Girls Gone Wild: Kottke West, which is not so good.
Update: Duh, I totally forgot about Koyaaniskottke. Also: kottke.orgazmo, The Kottke Horror Picture Show, and Kottke Balboa. (thx, andy & charley)
For all of the talk that Shepard Fairey is just a plagiarist, I think that the clearest indication that his art is above board and adding something new to the world is that until a few days ago, no one knew who had taken the photo of Obama that became the basis of the iconic Hope poster, not even Fairey or the photographer who took it.
Reuters are understandably somewhat put out on their own and Young’s behalf, but like it or not, Fairey’s use of the picture are well within the parameters of “fair use”. His transformative use of the image - both in flipping and re-orienting it, adding jacket and tie and the “O” Obama logo, and converting it to his block print style make it consistent with all legal precedents for use.
Things Our Friends Have Written On The Internet 2008 is a newspaper compiled and printed by a pair of fellows from the UK that is just that…a bunch of stuff that they liked reading on the web last year. I *love* this. And hate it (a little bit).
The hate part first. TOFHWOTI is almost precisely the thing I’ve been wanting to do for years now…take the very best of the best links of the year and bundle them up into a printed artifact of some sort. So seeing it done first and so expertly was a bit of a punch in the nose. Of course, ideas are so cheap and plentiful these days that “I thought of it first” has no value without follow through, something that my schedule for the past few years hasn’t allowed for. This year, *for sure*, dammit! (I’m also pissed that I didn’t get around to ordering a copy for myself until this morning and found that they’re all sold out! Gah! Like I said, no time.)
But damn, is that thing beautiful or what? You don’t even need the physical artifact to see that much. The simple but playful design is just right. Getting it printed super-cheap on newsprint fits nicely with the concept and content. All the little details are accounted for; I wouldn’t change a thing. More like this, please.
“Don’t forget…” is a street art project that consists of Photoshop palettes pasted over heavily airbrushed advertising in a metro station in Berlin. (thx, phil)
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