Alexander Chen made a version of the NYC subway map that plays music as the trains intersect routes.
At www.mta.me, Conductor turns the New York subway system into an interactive string instrument. Using the MTA’s actual subway schedule, the piece begins in realtime by spawning trains which departed in the last minute, then continues accelerating through a 24 hour loop. The visuals are based on Massimo Vignelli’s 1972 diagram.
In the Seahawks/Saints game over the weekend, Seahawks running back Marshawn Lynch made an improbable game-winning touchdown run. So, I can’t decide which one of these videos is better. Marshawn Lynch’s Tecmo Bowl Run:
It’s called 01 and 10…ok, it’s not really a lost album. But apparently if you take the first five songs from OK Computer (from 1997) and the first five songs from In Rainbows (from 2007) and alternate them, the songs fit together musically and lyrically to form a coherent album.
Consider that In Rainbows was meant to complement OK Computer, musically, lyrically, and in structure. We found that the two albums can be knit together beautifully. By combining the tracks to form one playlist, 01 and 10, we have a remarkable listening experience. The transitions between the songs are astounding, and it appears that this was done purposefully.
The lyrics also seem to complement each other. There appears to be a concept flowing through the 01 and 10 playlist. Ideas in one song is picked up by the next, such as “Pull me out of the aircrash,” and “When I’m at the pearly gates, this will be my videotape.”
Some gloriously crazy person took clips from 270 films that were out in 2010 and mixed them together into a coherent narrative:
This year’s movies have legitimately transformed my idea of what is creatively possible. To commemorate, I’ve remixed 270 of them into one giant ass video.
Cleveland’s response to LeBron James’ boner of a Nike commercial has more heart, but this mash-up of the LeBron commercial with a previous Michael Jordan Nike commercial is an absolute masterpiece.
Take the world’s largest country: Russia. It would be taken over by its Asian neighbour and rival China, the country with the world’s largest population. Overcrowded China would not just occupy underpopulated Siberia - a long-time Russian fear - but also fan out all the way across the Urals to Russia’s westernmost borders. China would thus become a major European power. Russia itself would be relegated to Kazakhstan, which still is the largest landlocked country in the world, but with few hopes of a role on the world stage commensurate with Russia’s clout, which in no small part derives from its sheer size.
Canada, the world’s second-largest country, would be transformed into an Arctic, or at least quite chilly version of India, the country with the world’s second-largest population. The country would no longer be a thinly populated northern afterthought of the US. The billion Indians north of the Great Lakes would make Canada a very distinct, very powerful global player.
The full map is here. Interestingly, four countries stay in the same positions: the US, Ireland, Yemen, and Brazil.
Jonathan Safran Foer’s new book is called Tree of Codes and he constructed it by taking his favorite book, The Street of Crocodiles by Bruno Schulz, and cut out words to form a completely new story.
It’s a rare novel that’s blurbed by Olafur Eliasson:
[A]n extraordinary journey that activates the layers of time and space involved in the handling of a book and its heap of words. Jonathan Safran Foer deftly deploys sculptural means to craft a truly compelling story. In our world of screens, he welds narrative, materiality, and our reading experience into a book that remembers it actually has a body.
Mosaic collages like this one โ where each “pixel” is a tiny self-contained image โ are fairly common but I haven’t seen too many like these before:
Lovely effect; they’re fun to look at zoomed in or out. (via matt)
Man, what if Spike Jonze had made Being Bill Murray instead? Casey Weldon did a series of paintings of Bill Murray as characters from Wes Anderson’s movies…but non-Murray characters like Max Fischer, Margot Tenenbaum, and the Baumer.
“The Clock” is a montage of clips from several thousand films, structured so that the resulting artwork always conveys the correct time, minute by minute, in the time zone in which is it being exhibited. The scenes in which we see clocks or hear chimes tend to be either transitional ones suggesting the passage of time or suspenseful ones building up to dramatic action. “If I asked you to watch a clock tick, you would get bored quickly,” explains the artist in remarkably neutral English. “But there is enough action in this film to keep you entertained, so you forget the time, but then you’re constantly reminded of it.”
Love that Marclay. Back when I was still doing 0sil8 โ man, what a time capsule that is โ one of the projects that I started working on but never got close to finishing was a clock made up of photographs…1440 photographs, one for each minute of the day.
The Dallas Observer has collected a few clips from movies where the music has been replaced by Cee-Lo’s Fuck You. The Dirty Dancing one is probably the best:
I wonder how the slow-dance scene at the end of Rushmore would work. Or the Enchantment Under the Sea Dance in Back to the Future. Audio NSFW. (via @erikmal)
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