Greatest movie drug scenes
Without even looking, you could probably guess that scenes from Pulp Fiction and Requiem for a Dream would make a list of film’s greatest drug scenes. But there are 28 other worthy scenes on there as well.
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kottke.org posts about movies
Bill Murray as other Wes Anderson characters
Man, what if Spike Jonze had made Being Bill Murray instead? Casey Weldon did a series of paintings of Bill Murray as characters from Wes Anderson’s movies…but non-Murray characters like Max Fischer, Margot Tenenbaum, and the Baumer.
Prints are available. And these were a part of a show called Bad Dads, consisting of art inspired by various Anderson films. Again, prints are available.
Avatar sequels
James Cameron has announced that there will be not one but two sequels to Avatar, scheduled for 2014 and 2015.
Gorgeous Black Swan movie posters
That one is the best of the lot, but the others are great as well. (via matt)
The Hobbit is moving forward
Alright, the film adaptation of The Hobbit is moving forward. After Guillermo Del Toro stepped down as director a few months ago, I heard that Jackson was set to direct and that’s what’s happening. They’ve also cast the perfect Bilbo: Martin Freeman. Freeman was Tim on The Office, Arthur Dent in the Hitchhiker’s movie, and John Watson in the excellent new Sherlock series.
Memorable movie quotes extinct?
Writing for the NY Times, Michael Cieply argues that the golden age of quotable movie lines is over. The likes of “go ahead, make my day”, “you had me at hello”, and “you talking to me?” are becoming more rare…Cieply’s most recent example was Daniel Plainview’s “I drink your milkshake” from There Will Be Blood and even that wasn’t that widespread.
I have a poor memory for movie quotes, but what about the Joker’s “Why so serious?” in the Dark Knight, Jack Twist’s “I wish I knew how to quit you” in Brokeback Mountain, and the “fucking Merlot” line in Sideways?
The complete Metropolis
If you’re in NYC, they’re showing the restored version of Fritz Lang’s Metropolis (including 25 minutes of recently discovered footage) at the Ziegfeld on West 54th from Oct 22 - Nov 4.
If you’re not in NYC, the complete Metropolis is out on Blu-ray and DVD on Nov 16.
Inception Blu-ray/DVD pre-order
Inception is available for pre-order at Amazon in Blu-ray and DVD formats. Release date is December 7th.
The making of The Empire Strikes Back
Vanity Fair has excerpts (photos mostly) of a new book on the making of The Empire Strikes Back.
This is right before Luke fell to his death sleep. (via df)
Powers of Ten
There’s finally a stable copy of Charles and Ray Eames’ seminal Powers of Ten video available online, courtesy of the Eames Office YouTube account.
Powers of Ten takes us on an adventure in magnitudes. Starting at a picnic by the lakeside in Chicago, this famous film transports us to the outer edges of the universe. Every ten seconds we view the starting point from ten times farther out until our own galaxy is visible only a s a speck of light among many others. Returning to Earth with breathtaking speed, we move inward — into the hand of the sleeping picnicker — with ten times more magnification every ten seconds. Our journey ends inside a proton of a carbon atom within a DNA molecule in a white blood cell.
Core77 and Eames Office are holding a competition to see who can make the best 2-minute video response to Powers of Ten.
True Grit by the Coen brothers
Coming this Christmas from the Coen brothers, a remake of the John Wayne classic, True Grit. Here’s the trailer:
(via devour)
Five best movie villains of the 2000s
Anton Chigurh from No Country for Old Men is on the list…click through for the rest. (via @tcarmody)
A movie that tells time
Christian Marclay is working on a 24-hour film called The Clock.
“The Clock” is a montage of clips from several thousand films, structured so that the resulting artwork always conveys the correct time, minute by minute, in the time zone in which is it being exhibited. The scenes in which we see clocks or hear chimes tend to be either transitional ones suggesting the passage of time or suspenseful ones building up to dramatic action. “If I asked you to watch a clock tick, you would get bored quickly,” explains the artist in remarkably neutral English. “But there is enough action in this film to keep you entertained, so you forget the time, but then you’re constantly reminded of it.”
Love that Marclay. Back when I was still doing 0sil8 — man, what a time capsule that is — one of the projects that I started working on but never got close to finishing was a clock made up of photographs…1440 photographs, one for each minute of the day.
And on the sixth day, Lucas created Chewbacca
Ok, so this is about how George Lucas came up with idea of Chewbacca (hint: he basically stole it from someone else) and yes it’s a bit inside-baseball but it’s also a great illustration of how the creative process works and the difficulty of explaining how the magic happened even after the fact.
And that’s what this post it about; the creative process. Cultural touchstones like Star Wars might seem to have sprung fully formed from the minds of their lauded creators, but as in all creative endeavours, movie making, web design or this very post, nothing could be further from the truth. Creation is a process, and strangely, by looking at how everyone’s favority plush first-mate sprang into existance, we can learn a lot about any collaborative creative endeavour.
Also, the name of Lucas’ dog was Indiana.
Roger Ebert talks with Errol Morris
Roger Ebert recently sat down with Errol Morris to talk about his new movie, Tabloid, and a bunch of other stuff. The interview is presented as a series of eight YouTube videos. In this one, he talks about how he got started writing his blog for The NY Times and how that helped him get over his 30-year struggle with writer’s block:
He’s working on a seventeen-part article about a murder case for the blog. Seventeen parts!
Morris and Herzog in conversation
Errol Morris and Werner Herzog both had films premiere at the Toronto Film Festival. To mark the occasion, they sat down and had a conversation with each other.
That’s just part one…Ebert has the rest of it on his blog.
Ebert relaunches At the Movies
The new show will appear on PBS and feature Elvis Mitchell & Christy Lemire as the main hosts.
“I believe that by returning to its public roots, our new show will win better and more consistent time slots in more markets,” added Ebert. “American television is swamped by mindless gossip about celebrities, and I’m happy this show will continue to tell viewers honestly if the critics think a new movie is worth seeing.”
Stars January 2011.
Logorama
If you’ve never seen the excellent Oscar-winning short film Logorama, it’s available in its entirety on Vimeo:
The uploading party did the music and sound design for the film, so hopefully it won’t get yanked down. (thx, @matthiasrascher)
100 great movie moments
A collection by Roger Ebert from 1995. The moments include:
Samuel L. Jackson and John Travolta discuss what they call Quarter Pounders in France, in “Pulp Fiction.”
Jack Nicholson trying to order a chicken salad sandwich in “Five Easy Pieces.”
“I love the smell of napalm in the morning,” dialogue by Robert Duvall, in “Apocalypse Now.”
1980 Ebert interview with Jodie Foster
From 1980, Roger Ebert interviews Jodie Foster, who is on the cusp of entering college. Here’s an anecdote about Taxi Driver at Cannes:
The movie had been controversial. The president of the festival jury, Tennessee Williams, already had vowed that it would win a prize only over his dead body (it won the Grand Prix; Williams lived). The key people at the press conference were Martin Scorsese, the film’s director, and Paul Schrader, who wrote it. The French critics were lobbing complex philosophical questions at them in French, and then the English-language translators were wading in, and everyone was getting nicely confused.
Someone finally condescended to ask a question of the little girl down at the end of the table - the one, you might assume, who’d been brought along to France as a treat, along with all the ice cream she could eat. The translator grabbed for the microphone, but Jodie Foster waved him off and answered the question herself, in perfect French. There was an astonished round of applause: At last, an American who spoke French! And less than 5 feet tall!
Napoleon Dynamite opening title sequence
The Art of the Title Sequence interviews Napoleon Dynamite director Jared Hess about how the film’s instant-classic title sequence came about.
We actually had Jon Heder placing all the objects in and out [of frame], and then showed it to Searchlight who really liked it and thought it was great, but some lady over there was like “There are some hangnails, or something — the hands look kinda gross! It’s really bothering me, can we re-shoot some of those? We’ll send you guys a hand model.” We were like “WHAT?!” This of course was my first interaction with a studio at all, so they flew out a hand model a couple weeks later, who had great hands, but was five or six shades darker than Jon Heder. So we reshot, but they’re now intermixed, so if you look there are like three different dudes hands (our producer’s are in there too.) It all worked our great though and was a lot of fun.
The interview also addresses Pablo Ferro’s involvement and the Napoleon Dynamite animated series currently in development.
Fermat’s Last Theorem
This 45-minute documentary on Andrew Wiles’ proof of Fermat’s Last Theorem is surprisingly powerful and emotional. Give it until 1:45 or so and you’ll want to watch the whole thing. The film is not really about math; it’s about all of those movie trailer cliches — “one man!”, “finds the truth!”, “fights the odds!”, etc. — except that this is actually true and poignant.
Movies scenes + Cee-Lo’s Fuck You
The Dallas Observer has collected a few clips from movies where the music has been replaced by Cee-Lo’s Fuck You. The Dirty Dancing one is probably the best:
I wonder how the slow-dance scene at the end of Rushmore would work. Or the Enchantment Under the Sea Dance in Back to the Future. Audio NSFW. (via @erikmal)
Tron sex
Somehow it became NSFW day here at kottke.org. So we’re rolling with it, in the hay. Here’s the Tron version of the Kama Sutra. It is so very NSFW even though everyone stays fully clothed in glowing blue garments.
Francois Truffaut’s last interview
The New Yorker has published an interview with Francois Truffaut conducted before his death in 1984.
Cardullo centers the conversation around Truffaut’s first feature film, “The 400 Blows,” the overwhelming success of which, in 1959, was a key moment in the launching of the French New Wave. As such, he gets Truffaut to talk about what went into the beginning of his career and how his filmmaking process was influenced by his years of work as a film critic and his lifelong obsession with watching movies.
Freakonomics trailer
The movie comes out on iTunes first (Sept 3) and then in theaters a month later.
Black Swan trailer
The first trailer for Darren Aronofsky’s Black Swan is out. Natalie Portman plays an out-of-control ballerina.
Kalle Fucking Fincher
I totally didn’t know that David Fincher was directing an American version of The Girl with the Dragon Tattoo with Daniel Craig as Blomkvist. First the Facebook movie and now this. Fincher’s career continues to develop in a curious fashion.
Asexuality documentary
Over on Kickstarter, Angela Tucker is trying to raise the last $1500 she needs to edit her documentary on asexuality.
In 2000, David Jay came out to his parents. But they were surprised by what he told them. He was asexual. David knew he was not alone in his feelings. He bought the url for asexuality.org and soon, the forum he created for people to talk about their experiences as asexuals was abuzz around the globe online and on talk shows like The View. Inspired by the LGBT movement of the 1960s, Jay is growing the asexual movement. Other members of his community are skeptical that they are a part of the LGBT community. But Jay and experts, like Dan Savage, agree that asexuals are a sexual minority and therefore eligible. But are members of the sex-positive PRIDE march going to accept a group that has rejected sex?
Live from February 1996
Roger Ebert just tweeted:
Terry Gross is re-running an interview with Gene Siskel and me on NPR’s “Fresh Air” today.
The episode isn’t up on NPR’s site yet, but a search of the archives turns up only one hit for Gene Siskel on Fresh Air:
Film Critics GENE SISKEL and ROGER EBERT join Terry Gross on stage in Chicago for a “live” audience version of Fresh Air. This was recorded in February 1996. The duo began their TV collaboration in 1975 on Chicago Public Television station WTTW. After two successful season, the program became a national PBS show. In 1981 it moved to commercial television.Their show is now known as “Siskel and Ebert” and is heard in 180 markets. Gene Siskel is film colmnist for the Chicago Tribune, and Roger Ebert is critic for the Chicago Sun-Times. “Siskel and Ebert” has been nominated for five national emmy awards. Ebert has recieved a Pulitzer Prize for film criticism.
I don’t know how people in the industry feel, but for me, the internet is the best thing that ever happened to radio.
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