I’m still trying to wrap my mind around it all. There seems to be a correlation between how Alejandro’s work was absorbed and referred to by subsequent filmmakers and how his work was ingested and metabolized by computer programming. But these two things are not the same. I want to say that influence is not the same thing as algorithm. But looking at these images, how can I be sure?
It’s hard to find many shortcomings in the software. It can’t render text. And like many painters and sculptors throughout history, it has trouble getting hands right. I’m nitpicking here. The model contains multitudes. It has scanned the collected works of thousands upon thousands of photographers, painters and cinematographers. It has a deep library of styles and a facility with all kinds of image-making techniques at its digital fingertips. The technology is jaw-dropping. And it concerns me greatly.
Illustrator Tom Stults imagines what the posters of popular movies would look like in an alternate universe…if they’d been made earlier or later or in a different setting. He’s done dozens of these…the latest “What If…” set is here with links you can follow to his past sets. I could caption these but they’re pretty self-explanatory.
Somehow it became NSFW day here at kottke.org. So we’re rolling with it, in the hay. Here’s the Tron version of the Kama Sutra. It is so very NSFW even though everyone stays fully clothed in glowing blue garments.
This is a mashup of Daft Punk with scenes from Tron and Tron Legacy by Electric Method. Let’s see… Daft Punk? Check. Tron? Check. I’m CERTAIN it is relevant to the interests of a lot of you.
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