In an episode of Doctor Who from 2010, the Doctor and his companion Amy take Vincent van Gogh, who was not a commercially successful artist in his own lifetime, to the Musée d’Orsay to see an entire room filled with his paintings. The resulting scene is unexpectedly touching.
Back in February, Smug Mode chose Americancounterparts for all of Doctor Who’s past incarnations. We’re talking Dick Van Dyke as the 2nd Doctor, Gene Wilder for the 4th Doctor, and Donald Glover as the 11th Doctor. Here’s a nicely done faux 50th anniversary video celebrating those Doctors:
The Between the Pages blog tracked down the original set of five pitch documents for Doctor Who. It wasn’t until the fourth document, the Tom Baker of the group, that Doctor Who was explicitly mentioned by name.
The Secret of Dr. Who: In his own day, somewhere in our future, he decided to search for a time or for a society or for a physical condition which is ideal, and having found it, to stay there. He stole the machine and set forth on his quest. He is thus an extension of the scientist who has opted out, but he has opted farther than ours can do, at tne moment. And having opted out, he is disintegrating.
[Handwritten note from Sydney Newman: “Don’t like this at all. Dr Who will become a kind of father figure — I don’t want him to be a reactionary.”]
One symptom of this is his hatred of scientist, inventors, improvers. He can get into a rare paddy when faced witn a cave man trying to invent a wheel. He malignantly tries to stop progress (the future) wherever he finds it, while searching for his ideal (the past). This seems to me to involve slap up-to-date moral problems, and old ones too.
In story terms, our characters see the symptoms and guess at the nature of his trouble, without knowing details; and always try to help him find a home in time and space. wherever he goes he tends to make ad hoc enemies; but also there is a mysterious enemy pursuing him implacably every when: someone from his own original time, probably. So, even if the secret is out by the 52nd episode, it is not the whole truth. Shall we say:
The Second Secret of Dr. Who: The authorities of his own (or some other future) time are not concerned merely with the theft of an obsolete machine; they are seriously concerned to prevent his monkeying with time, because his secret intention, when he finds his ideal past, is to destroy or nullify the future.
Ms Derbyshire was well-known for favouring the use of a green metal lampshade as a musical instrument and said she took some of her inspiration from the sound of air raid sirens, which she heard growing up in Coventry in the Second World War.
This video has so much goodness in it: a short Bollywood-esque production featuring Daleks and the Tardis and then Kevin Smith arriving at an event flanked by a bunch of Stormtroopers, Boba Fett, and Anakin Skywalker. “Stormtroopers, keep it tight, we gotta move.” I wonder if he always travels that way and if so, does he fly business class while the Stormtroopers are stuck in coach? (I assume Boba Fett has miles and can upgrade most of the time.)
Update: I really like the idea that the Stormtroopers, after the fall of the Empire in Return of the Jedi, are this giant unemployed workforce who occasionally find work chauffeuring Kevin Smith about.
Interviewer: Ok, tell me about your past work experience.
Stormtrooper: Most recently, I flanked Kevin Smith.
Good. What else?
Um, I was in the room when Lord Vader choked an Admiral.
Wow! Right next to Vader?
Well, no. He choked him over the video screen and I was in the room with the Admiral. But it was still pretty cool.