Adam Sandler in a movie about space… I honestly didn’t know what to expect when I clicked play on the trailer for Spaceman this morning. Was I going to get Waterboy / Billy Madison Adam Sandler or Uncut Gems / Punch-Drunk Love Adam Sandler? Thankfully, it appears to be the latter. Spaceman is directed by Johan Renck (who directed the excellent Chernobyl) and is based on Jaroslav Kalfař’s 2017 novel Spaceman of Bohemia.
Six months into a solitary research mission to the edge of the solar system, an astronaut, Jakub (Adam Sandler), realizes that the marriage he left behind might not be waiting for him when he returns to Earth. Desperate to fix things with his wife, Lenka (Carey Mulligan), he is helped by a mysterious creature from the beginning of time he finds hiding in the bowels of his ship. Hanus (voiced by Paul Dano) works with Jakub to make sense of what went wrong before it is too late.
This is completely impractical for the home cook but I kinda want to try it anyway? The final step of frying the lasagna core sample in butter and serving it topped with a bunch of pecorino is some next-level deliciousness.
The other day I posted a quick note of appreciation for my trusty rice cooker. I have what you might call a fancy rice cooker — it has all sorts of different settings and “advanced Neuro Fuzzy logic technology” — and it cooks my rice perfectly, every time. I am sure it is an engineering marvel.
But this $20 one-button rice cooker also cooks rice perfectly, every time. And it does so using some very simple and clever engineering involving magnets:
This button thing is made of an alloy that has a Curie temperature just a bit higher than the boiling point of water. This allows it to function as a temperature-dependent kill switch. Thanks to the outer spring, it’s always held firmly in contact with the bottom of the pot, which ensures it and the pot are at nearly equal temperatures. So long as there’s liquid water sitting in that pot, the pot itself cannot get hotter than water’s boiling point.
This means that the button remains magnetic, and the magnet is able to overcome the force of the inner spring, so the device stays in cook mode. But, once the rice has absorbed all of the water (and/or once all the remaining water has boiled away) the energy being added to the pot by the heating element is no longer being absorbed as latent heat.
Now, the pot can quickly start to exceed the boiling point of water. And once it gets past the Curie point of that little sensing button, the magnet is no longer attracted to it, so the spring overcomes the magnet and… *click* the rice cooker switches back to the warming mode.
One of the many reasons that Ferris Bueller’s Day Off works so well as a film is that the music kicks ass *and* it meshes so well with the action. In the heyday of MTV, this was no accident — parts of the movie function almost as elaborate music videos. No scene illustrates this more than when Ferris is hurrying across backyards and through homes to beat his parents & sister back to the house. As good as that scene is, I think Todd Vaziri improved it by re-cutting it to music from Inception. So good!
In a video for the Royal Society, physicist Brian Cox explains the science of snowflakes, from how they form to where their shape and symmetry comes from. Plus this bombshell: “Snowflakes aren’t actually white.” (via aeon)
Labyrinth and its many variants generally consist of a box topped with a flat wooden plane that tilts across an x and y axis using external control knobs. Atop the board is a maze featuring numerous gaps. The goal is to move a marble or a metal ball from start to finish without it falling into one of those holes. It can be a… frustrating game, to say the least. But with ample practice and patience, players can generally learn to steady their controls enough to steer their marble through to safety in a relatively short timespan.
CyberRunner, in contrast, reportedly mastered the dexterity required to complete the game in barely 5 hours. Not only that, but researchers claim it can now complete the maze in just under 14.5 seconds — over 6 percent faster than the existing human record.
CyberRunner was capable of solving the maze even faster, but researchers had to stop it from taking shortcuts it found in the maze. (via clive thompson)
I’m still catching up from being blissfully away from the internet in December so apologies to those of you for which this is old news, but Furiosa: A Mad Max Saga looks %$&*#@ good. My expectations for this film couldn’t be any higher — Fury Road was one of my favorite films of the past 10 years. Crucially, the Furiosa production team includes editor Margaret Sixel and several other folks who won awards for Fury Road — that’s a great sign.
Vice News visited the Mountain View Correctional Facility in Maine, where incarcerated people eat food that they’ve grown and cooked themselves, augmented by other locally grown and raised food (beef, chicken, etc).
Mark McBride is the culinary director at Mountain View Correctional Facility, a 350-person prison where inmates don’t eat processed chicken fingers and sloppy joes.
“When I started 6 years ago, the majority of the food was processed foods, and I wanted to try to see if we couldn’t replicate more homestyle cooking - scratch cooking - using raw local ingredients. But the truth is, by taking these raw products from farmers and putting the work into breaking this down, we’re actually able to save money. In 2018, our two kitchens saved $142,000 off of their budget.
It’s heartening to see an American prison that takes seriously the well-being and rehabilitation of the people in its care. (via neatorama)
Origin chronicles the tragedy and triumph of Pulitzer Prize winning journalist Isabel Wilkerson as she investigates a global phenomenon of epic proportions. Portrayed by Academy Award nominee Aunjanue Ellis-Taylor (“King Richard”), Isabel experiences unfathomable personal loss and love as she crosses continents and cultures to craft one of the defining American books of our time. Inspired by the New York Times best-seller “Caste,” ORIGIN explores the mystery of history, the wonders of romance and a fight for the future of us all.
I’m intrigued! Origin is set for a wide release in theaters on Jan 19th.
I always look forward to David Ehrlich’s annual love letter to cinema and his favorite films of the year. So put this thing on the biggest screen you can find, slap on some headphones, and get ready to put a bunch of excellent films on your must-watch list. This year in conjunction with the video, Ehrlich is raising money for the Palestine Children’s Relief Fund.
I’ve posted more than a few size comparison videos here over the years — Powers of Ten is the obvious one — but this one from Kurzgesagt is one of the best, showing how big everything in the universe is compared to humans, who seemingly find themselves smack in the middle. This video does an excellent job illustrating the similarity of structures and interdependency across different scales — how blood vessels are like city streets for instance or how very tiny proteins can affect the entire Earth.
Mark Rober puts an octopus he bought from a pet store through an underwater maze to see if it can solve a bunch of puzzles to reach a motherlode of tasty shrimp at the end. This video paired well with a book I recently read, Ray Nayler’s Mountain in the Sea: “Humankind discovers intelligent life in an octopus species with its own language and culture, and sets off a high-stakes global competition to dominate the future.”
As for the name Rober gives the octopus… Sashimi? Really? Bros gotta bro, I guess. 🙄
This is an absolute delight: a pair of videos of David Byrne teaching us how to do a few dance moves. The first video shows more moves; the second one was recorded for “a social distance dance club” during the pandemic:
The dance club was open for 2 weeks in April 2021 and allowed for people to come together to dance however they wanted while masked and a safe distance from each other. It played a variety of music (including a couple of David Byrne and Talking Heads songs), and people who signed up to attend were encouraged to use this video to learn this routine in advance so that everybody could dance in sync for the final song of each hour session.
In a video for Bon Appétit, the judges from the Great British Bake Off weigh in on a host of American snacks, from the Snickers bar to Thin Mints to Ruffles potato chips to Combos. I’ll excuse them for eliminating my favorite Reese’s Peanut Butter Cups in the first round (even though their holiday-themed eggs, trees, and pumpkins are better) because their finalists were correct. Some of their reactions:
Tomohiro Okazaki has perfected a very specific skill: stop-animating matchsticks in more ways than you could possibly imagine. When I last wrote about his work, I said that I wished that the 7.5 minute movie were longer and, well, I got my wish: this new one runs for an hour and 17 minutes. I’ not going to sit here and tell you that I watched the whole thing, but I did watch for longer than I perhaps should have on a day with lots to accomplish. (via colossal)
13-year-old Blue Scuti is now the best Tetris player in the world after becoming the first human player to beat the NES version of the game by playing until reaching the kill screen. The feat took him 38 minutes (as well as who knows how many thousands of hours of practice) and also resulted in a new high score, new level & lines records, and something called a “19 Score world record”. Skip to the 38:00 mark to watch his last few lines and what happens when he wins.
I had no idea this existed: back in 2015, rapper Warren G and saxophonist Kenny G came together to perform Warren G’s Regulate. Now, I’m not sure the smooth jazz saxophone improves the song at all, but I love that some mad genius was like, we need to get the two Gs together and then made it happen.
In this video from his YouTube channel “about anything”, Posy demonstrates a video filtering technique called motion extraction. A commenter calls this video “a tutorial, a demonstration, and a work of art”, all rolled into one. It’s really lovely and informative. My jaw actually dropped at the “how can you tell which stones were disturbed on the path” part.
After posting a video (almost always an elaborate, well-produced and well-researched one) to his YouTube channel every week for ten years, Tom Scott is stepping back for a break.
I’ve been throwing stuff at the internet since 1999. And for many, many years, that stuff went almost nowhere. I had occasional bits of success, but could never make any of them last long-term. I remember thinking, so many times during all those years… will any of this stuff I’m making ever work?
Well, this did.
I didn’t know that, back when I was filming the first videos for the series that was then called Things You Might Not Know, I just held out my phone at arm’s length and talked into it for 90 seconds with almost no research! I really don’t like those videos now. But the first of them was published exactly ten years before this one. To the minute. 4pm, January 1st, 2014.
For the first month of that format, I was publishing a video almost every day, and then I settled down: one video a week. Mostly on location, near windswept infrastructure, although there’s computer science and linguistics in there too, and occasional green-screen animated videos. I experimented with other formats on other days, but the rule I set myself was: Monday, 4pm, something interesting.
Incredible. Scott has one of the few Weird Internet Careers that I am truly envious of — it just looks like so much fun getting to do all of that stuff and then telling people all about it.
Congratulations, Tom Scott — I hereby induct you into the Internet Hall of Fame! 👏 👏 👏 👏
Over the past few months, I’ve had some time away from the computer and have taken several very long plane trips and some shorter car rides, which means a bit more reading, TV & movie watching, and podcast listening than usual. Oh, and holiday movies.
Anyway, here’s my recent media diet — a roundup of what I’ve been reading, watching, listening to, and experiencing over the past few months.
The Killer. The excellent Michael Fassbender portrays a solitary, bored, and comfortable killer for hire who has a bit of a midlife crisis in fast forward when a job goes wrong. (A-)
Fortnite OG. I started playing Fortnite in earnest during Chapter 3, so it was fun to go back to Chapter 1 to see how the game worked back then. (B+)
Edge of Tomorrow. Speaking of video games… Still love this under-appreciated film, despite a third act that falls a tiny bit flat. (A)
The Vaster Wilds by Lauren Groff. I did not enjoy this quite as much as Matrix — especially the last third — but Groff is one hell of a writer. (B+)
New Blue Sun. Good on André 3000 for not doing the expected thing and instead releasing an instrumental album on which he plays the flute. (A-)
Songs of Silence. I can’t remember who clued me into this lovely instrumental album by Vince Clarke (Erasure, Depeche Mode), but it’s been heavily in the rotation lately. (B+)
Trifecta. A.L.I.S.O.N.’s Deep Space Archives is a favorite chill work album for me and this one is nearly as good. (B+)
Shoulda Been Dead. I had no idea that Kevin Kelly appeared on an early episode of This American Life until someone mentioned it offhand on our Thailand walk. What a story…listen all the way to the end. (A)
Train Dreams by Denis Johnson. Oh the writing here is exquisite. (A)
The Mountain in the Sea by Ray Nayler. Are AGI robots intelligent? Are octopuses? Are humans? This novel plays entertainingly with these ideas. (A-)
Myeongdong Kyoja. I stumbled upon this place, extremely cold and hungry, and after a brief wait in line, I was conducted to an open seat by the no-nonsense hostess running the dining room. The menu only has four items, conveniently pictured on the wall — I got the kalguksu and mandu. The hostess took my order and then, glancing at my frozen hands, reached down and briefly gave one of them a squeeze, accompanied by a concerned look that lasted barely half a second before she returned to bustling around the room. A delicious meal and a welcome moment of humanity in an unfamiliar land. (A)
Barbie. Second viewing. Entertaining and funny, but this is a movie that has Something To Say and I still can’t figure out what that is. (B+)
Emily the Criminal. There were a few hiccups here and there, but I largely enjoyed this Aubrey Plaza vehicle. (A-)
Midnight in Paris. Not going to recommend a Woody Allen movie these days, but this is one of my comfort movies — I watch it every few months and love every second of it. (A)
Gran Turismo. Extremely predictable; they could have done more with this. (B)
The Rey/Ren Star Wars trilogy. I have lost any ability to determine if any of these movies are actually good — I just like them. 🤷♂️ (B+)
Loki (season two). This was kind of all over the place for me but finished pretty strong. Glorious purpose indeed. (B)
Home Alone. First time rewatching this in at least a decade? This movie would have worked just as well if Kevin were 15% less annoying. (B+)
The Grinch. My original review stands: “I wasn’t expecting to sympathize so much with The Grinch here. The social safety net constructed by the upper middle class Whos totally failed the most vulnerable member of their society in a particularly heartless way. Those Whos kinda had it coming.” (B+)
Past installments of my media diet are available here. What good things have you watched, read, or listened to lately?
The entire episode of Pee-wee’s Playhouse Christmas Special (1988) is on YouTube, fully remastered in 1080p HD. Special guests include Annette Funicello, Zsa Zsa Gabor, Whoopi Goldberg, Magic Johnson, Grace Jones, Little Richard, and Joan Rivers. From a Vulture piece on the special:
Christmas at Pee-wee’s Playhouse, the 1988 primetime CBS special from comedian and actor Paul Reubens, is one of the strangest, most glorious, most improbable, most confident pieces of entertainment to appear on television. Thirty-five years after it aired, and in a period of reconsideration after Paul Reubens’s death, the Pee-wee Herman Christmas special still looks like one of the major pinnacles of Reubens as an artist, full of silly delight and winking subversion, all framed inside the relative safety of a big sparkly Christmas extravaganza.
And after declaring “This special is one of the gayest things I’ve ever seen”:
What’s so brilliant about it as a piece of queer art is that it is presented so earnestly, and the iconography they’re playing with is Americana. It plays as camp to our modern view of over-the-top earnestness. But it’s a mix of camp aesthetic and an alternative comedy aesthetic of laughing at bad jokes, like the series of fruitcake jokes, which were at the time a cliché, that fruitcake was bad. Why are we going to make this joke about fruitcake over and over again? Because it’s stupid!
{Hyperventilating slightly} They’re making a World of Goo 2 15 years after the original one was released?! Holy smokes! I loved World of Goo back in the day and I can’t wait to play this sequel. (via waxy)
I linked to this in the recent David Bowie post, but it’s worth pulling out separately: the 100 greatest BBC musical performances. This is an incredible trove of late 20th and early 21st century musical greatness. Some selections just off the top of my head:
Blondie – Atomic/Heart of Glass (The Old Grey Whistle Test, 1979):
Talking Heads – Psycho Killer (OGWT, 1978):
Daft Punk – Essential Mix (Radio 1, 1997):
Hole – Doll Parts/He Hit Me (And It Felt Like A Kiss)/Violet (Later, 1995):
Joy Division – Transmission (Something Else, 1979):
The performance launched Bowie to stardom. Thursday 6th July, 1972, is said to be ‘the day that invented the 80’s’ as so many musicians who went on to be household names saw the performance and it changed their lives. Those watching that night included U2’s Bono, The Cure’s Robert Smith, Boy George, Adam Ant, Mick Jones of the Clash, Gary Kemp of Spandau Ballet, Morrissey and Johnny Marr of the Smiths, Siouxsie Sioux, Toyah Willcox, John Taylor and Nick Rhodes of Duran Duran, Dave Gahan of Depeche Mode and many more.
“It’s deceptively easy to forget that in the summer of 1972 David Bowie was still yesterday’s news to the average Top of the Pops viewer, a one-hit wonder who’d had a novelty single about an astronaut at the end of the previous decade,” writes Nicholas Pegg in The Complete David Bowie. But his taking the stage of that BBC pop-musical institution “in a rainbow jumpsuit and shocking red hair put paid to that forever. Having made no commercial impact in the two months since its release, ‘Starman’ stormed up the chart.” As with “Space Oddity,” “the subtext is all: this is less a science-fiction story than a self-aggrandizing announcement that there’s a new star in town.”
Wow, what a lovely, inspiring story this is: in 2022, Gary McKee ran a marathon every single day. On weekdays, he got up early and completed his run before work. And along the way, he inspired a bunch of people to join him (one work colleague ran 92 marathons w/ him) and raised £1 million for Macmillan Cancer Support.
This video from MoMA follows master printer Jacob Samuel as he makes his final print before he retires.
As he inks, hand wipes, and rolls his final print through the press, he reflects on his philosophy. “My goal is to leave no fingerprints,” he says. All you see is the artist’s work. I’m just another pencil. I’m just another brush. But I want the pencil to be sharpened really well. I want the brush to be sable. And to do that and be completely spontaneous, I trust the materials.”
This is probably the weirdest thing you’ll see all week: Bobby Fingers (who you might remember from his diorama of Michael Jackson on fire) made a rowboat shaped like the head of Jeff Bezos. The head is super-realistic and the head/boat is big enough to hold at least one person. What a delightfully odd mixture of exacting craftsmanship, performance art, comedy, and just plain WTF. Slightly NSFW (hairy butt cheeks). (via waxy)
In their latest video, Kurzgesagt takes a break from their more serious topics to consider a scenario from the realm of science fiction: interstellar combat. Using technology that is theoretically available to us here on Earth, could a more advanced civilization some 42 light years away destroy our planet without any warning? They outline three potential weapons: the Star Laser, the Relativistic Missile, and the Ultra-Relativistic Electron Beam.
Here’s what I don’t understand though: how would the targeting work? In order for an alien civilization to hit the Earth with a laser from 42 light years away, it has to not only predict, within a margin of error of the Earth’s diameter, precisely where the Earth is going to be, but also have a system capable of aiming across 42 light years of distance with that precision. Is this even possible? How precisely do we know where the Earth is going to be in 42 years? And if you’re aiming at something 42 light years away, if you move the sights a nanometer, how much angular distance does that shift the the destination by? And how much does the gravity of matter along the way shift the trajectory and is it possible to accurately compensate for that? Maybe this should be their next video…
Philip Glass is coming out with a new album early next year called Philip Glass Solo. It was recorded during the early days of the pandemic at Glass’s home on his piano.
This is my piano, the instrument on which most of the music was written. It’s also the same room where I have worked for decades in the middle of the energy which New York City itself has brought to me. The listener may hear the quiet hum of New York in the background or feel the influence of time and memory that this space affords. To the degree possible, I made this record to invite the listener in.
The video above is a lovely clip of him, in his home, playing one of the songs off the album.
Stay Connected