In 1587, Urbano Monte made the largest known early map of Earth. The map consists of 60 panels that were meant to be assembled into a planisphere (a circular map that rotates about a central axis) measuring 10 feet across. The David Rumsey Map Center recently acquired a manuscript of Monte’s map and digitally assembled all 60 pieces into the full map (inlined above but click through to zoom/pan).
Of great interest is the attempt Monte makes to make his map not just a geographical tool but to show climate, customs, length of day, distances within regions — in other words, to create a universal scientific planisphere. In his dedication on tavola XL he specifies how to arrange the sheets of the mappamondo and makes it explicit that the whole map was to be stuck on a wooden panel 5 and a half brachia square (3.25m) so that it could be revolved around a central pivot or pin through the north pole.
The individual map panels looked like this:
Of course, once the image is digital you can map it into all sorts of different projections like Mercator or Ortelius oval projection.
Mario Royale (now renamed DMCA Royale to skirt around Nintendo’s intellectual property rights) is a battle royale game based on Super Mario Bros in which you compete against 74 other players to finish four levels in the top three. Here’s what the gameplay looked like when it was still Mario-branded:
And because Mario Royale is partially a race, there are all sorts of ways to play. Do you try to get items and destroy the competition? Do you speedrun through levels? Do you take it steady and win through careful progress? These are all viable options. There’s a silliness here that makes each option a wacky spectacle, even as each option is also a worthwhile strategy. It only takes a handful of minutes to play a match, but you always walk away with a cool story.
This is gold β a perfect 30 seconds of entertainment. I have watched this at least 10 times and Pee-Wee rolling around on the ground at the end cracks me up every time.
Here is a video of Donald Trump, Vladimir Putin, Barack Obama, Kim Jong Un, and other world leaders lip-syncing along to John Lennon’s Imagine:
Of course this isn’t real. The video was done by a company called Canny AI, which offers services like “replace the dialogue in any footage” and “lip-sync your dubbed content in any language”. That’s cool and all β picture episodes of Game of Thrones or Fleabag where the actors automagically lip-sync along to dubbed French or Chinese β but this technique can also be used to easily create what are referred to as deepfakes, videos made using AI techniques in which people convincingly say and do things they actually did not do or say. Like this video of Mark Zuckerberg finally telling the truth about Facebook. Or this seriously weird Steve Buscemi / Jennifer Lawrence mashup:
Or Bill Hader’s face morphing into Arnold Schwarzenegger’s face every time he impersonates him:
The draft bill, a product of several months of discussion with computer scientists, disinformation experts, and human rights advocates, will include three provisions. The first would require companies and researchers who create tools that can be used to make deepfakes to automatically add watermarks to forged creations.
The second would require social-media companies to build better manipulation detection directly into their platforms. Finally, the third provision would create sanctions, like fines or even jail time, to punish offenders for creating malicious deepfakes that harm individuals or threaten national security. In particular, it would attempt to introduce a new mechanism for legal recourse if people’s reputations are damaged by synthetic media.
I’m hopeful this bill will crack down on the malicious use of deepfakes and other manipulated videos but leave ample room for delightful art and culture hacking like the Hader/Schwarzenegger thing or one of my all-time favorite videos, a slowed-down Jeff Goldblum extolling the virtues of the internet in an Apple ad:
“Internet? I’d say internet!”
Update: Here’s another Bill Hader deepfake, with his impressions of Tom Cruise and Seth Rogen augmented by his face being replaced by theirs.
Still lifes of fruits and vegetables arranged on tables and in baskets & bowls have been a staple of Western art for centuries. Spanish creative studio Quatre Caps has brought the still life into the supermarket age with their project Not Longer Life. The project was conceived to call attention to wasteful plastic packaging of fruits and vegetables, but as this post points out, packaged and pre-cut foods can be easier to eat for disabled people.
As a person with limited hand dexterity, I look at this and see an easier way to eat healthy food. I actively avoid eating oranges, not because I dislike them (they are definitely tasty) but because I have so much difficulty peeling them. Any attempt to peel an orange is likely to result in an unappetizing mess because I’ve squeezed the orange to hard while trying to maneuver it for peel removal.
I don’t have access to peeled oranges from my grocery store though I’d probably take advantage of them if I did. I do buy precut vegetables all the time because it is more convenient and safer for me to do so.
For an ad campaign running in the United Arab Emirates, Ikea recreated the famous TV living rooms from three shows using only Ikea furniture and housewares. See if you can guess which shows these are from…
Ok, that was more than a couple. But there are so many more on his website and Instagram (including work-in-progress stuff)…check them out!
Naddeo recently shared his process for making these paintings with Colossal:
Naddeo tells Colossal that he starts with a loose sketch by hand. He then uses 3D software to help define a plausible shape for his imagined constructions, and creates a reference composition in Photoshop. After years of practice, Naddeo shares that he is able to recreate the texture, color, and shadows of various building materials like brick and concrete from memory. He uses reference photos to help flesh out small detail items, which are similarly rendered in watercolor.
A prime example of Robin Sloan’s concept of the flip-flop.
It turns out that the fourth track off of Philip Glass’ soundtrack for Koyaanisqatsi matches up pretty well to the dancers in this clip from Soul Train.
Not only the coast lines are reversed in this world. Also, the relief is consistently the opposite of reality. So the deepest parts of the oceans are in the Tibetan and Himalayan troughs in the southern part of the Asian Ocean. And the highest peaks, around eleven kilometer, are found in the Mariana Mountains in the west of the continent Pacifica.
Japanese illustrator Takumi made these illustrations of characters from Avengers: Endgame in the style of Ukiyo-e prints. As Johnny Waldman notes at Spoon & Tamago, the artist took care in translating the the Marvel characters into the proper style:
The artist spent a lot of time thinking about the unique patterns and kanji names for each character. Thor is pronounced tooru in Japanese, so he assigned the Japanese equivalent, which is εΎΉ(γ¨γγ). Thanos’ 6 infinity stones served as the inspiration behind that name, which references the 6 realms of Buddhism.
The sound effects mostly represent actions the protagonist Link takes like the “sword slash”, things that happen to him like a grunt when he gets hurt, or the status of the game like the low health alarm that beeps when Link has only half a “heart container” left and can only take one or two more hits before he dies and the game is over. The goal of this project is to create a piece of audio that sounds like a typical playthrough of the game and also accurately tells the story of Nixon’s fall as represented by the data.
What a cool example of using the familiar to explain or illustrate the unfamiliar. If you’ve ever played Zelda, you can clearly hear Nixon doing more and more poorly as the track goes on β he’s taking damage, the dungeon boss sound chimes in right around when Watergate is ramping up, and he’s gaining fewer hearts. It’s like he’s a novice player armed only with the wooden sword trying to defeat the level 3 dungeon without a potion…the end comes pretty quickly.
Earlier today, Grace and trailer editor Jeff Yorkes uploaded a trailer they created for all 10 movies in the Star Wars franchise: the originals, the prequels, the two new ones, and the Star Wars Stories (Solo and Rogue One). As a trailer, it leaves a lot out, but the pair still make a few connections explicit that the casual fan may have overlooked in the midst of all the light saber & fighter duels.
A site called The Colors of Motion makes single image timelines of the use of colors in movies. They sample frames at regular intervals, choose the average color of each frame, and stack them up. Here’s their representation of Blade Runner 2049:
If you click through on specific films, you can see the actual screencaps used for sampling and buy prints.
The Moviebarcode Tumblr pre-dates The Colors of Motion, although they appear to use a slightly different technique: each scene is smooshed into a single vertical line. Here’s Mad Max: Fury Road:
I love the aesthetic of Paper Mario Bros, a hand-drawn stop motion animation of World 1-1 of Super Mario Bros. The artist, @KisaragiHutae6, drew the world in their notebook and shared some behind-the-scenes techniques on Twitter…how they crumpled the paper for stomped-on Goombas, etc.
Cignature Films is showing the first episode of Mad Men in its entirety but with all of the cigarettes replaced with kazoos. Here’s a short clip (watch the whole thing here):
Though smoking in movies was a staple element of old Hollywood, the Center for Disease Control and Prevention found that tobacco has had a resurgence in recent years on the big screen. It has been reported that 44% of adolescents who start smoking do so because of smoking images they have seen in the movies. Cignature Films wants to change this statistic for the better.
They also have plans to do the same with Fight Club, The Godfather, and Stranger Things. I’m wondering how long this is gonna stay up though…a clip or two is perhaps covered under fair use but I can’t see studios allowing entire movies and episodes to be shown without some kind of legal action. (via rob walker)
For this video, freelance animator Nick Murray Willis took the audio from football commentators and made these little animated vignettes to go along with each line. Here’s a sample:
For more than a year now, Jon Lefkovitz has been making short videos of iconic scenes from films backed by the same musical score, a short clip of “Canis Lupus” from Alexandre Desplat’s Fantastic Mr. Fox score. Here’s Groundhog Day, 2001: A Space Odyssey, Jurassic Park (featuring a great example of the Spielberg Face), and the beautiful 2-minute shot from Big Night:
Some of my earliest memories of the place had to do with the trippy feeling of my eyes and mind trying to make sense of the scale. I had seen many mountain ranges and vistas, including some on the way, but the vast negative space played havoc with my perception of magnitude. I’ve felt it a few times since, but never like that first Grand Canyon overlook.
I wondered, then, if flipping the Grand Canyon into a Grand Mountain might in some way help me make sense of its scale. I’m much more accustomed to seeing the mass of something rather than the massive void of something. So, here’s what that looks like.
For reference, the depth at the deepest part of the canyon is ~6000 feet and the top of the canyon is between 6000 and 8000 feet above sea level, so the highest point of the Grand Mountains would be somewhere between 12,000 and 14,000 feet, in the ballpark of the Rocky Mountains. It would be fun to see what an inverted Kola Superdeep Borehole would look like: a 9-inch spire rising 40,000 feet into the air from a starting point very close to sea level, more that 10,000 feet higher than Everest.
The tradition of fans recutting trailers and clips of movies and TV shows into different genres β like Toy Story as a horror film and The Shining as a romantic comedy β has been around almost as long as YouTube itself. But I think this trailer by 20th Century Fox is the first official effort I’ve seen. Die Hard has become an unlikely holiday favorite so I guess they figured, hey, let’s put out a trailer that explicitly recasts the it as a Christmas film. Merry Christmas Hans!
Sleepy Skunk took audio and footage from dozens of trailers of movies that came out in 2018 and mashed them together into one mega movie trailer. And it’s actually coherent! Or at least as coherent as trailers for blockbuster movies typically are. I dunno, I’d watch this movie.
From Neil Cicierega, who you may remember from this hilarious recap of J.R.P.G. Torkelson’s Lorne of the Rings trilogy, comes this short guide to the film career of Tom Hanks, including his best-known works like Tuber & Hoonis, Sadness in the Saddle, and You’ll Get Soil. I woke up feeling a little blah this morning, but this cheered me right the hell up.
Using 3D rendering software, Yeti Dynamics made this video that shows what our sky would look like if several of our solar system’s planets orbited the Earth in place of the Moon. If you look closely when Saturn and Jupiter are in the sky, you can see their moons as well.
the moon that flies in front of Saturn is Tethys. It is Tiny. but *very* close. Dione would be on a collision course, it’s orbital distance from Saturn is Nearly identical to our Moon’s orbit around Earth
Taking advantage of the fact that puzzle manufacturers typically use the same cut patterns to make many different puzzles, Tim Klein uses the interchangeable pieces to create surrealist mashups of puzzles.
I seemingly cannot get enough of contemporizing old paintings and works of art. Here, from Rodrigo Pinheiro, are some familiar young people hanging out with modern beverages.
Some of our favourite song choices are the ones which require you to think a little harder about connections, such as Space Oddity (David Bowie) which signposts Cape Canaveral, After the Gold Rush (Neil Young) which references Sutter’s Mill, and Homecoming (Kanye West) which is placed near the rapper’s home town of Chicago.
The map is accompanied by a Spotify playlist of most of the songs used…over 61 hours of music in total.
Koyaanisqatsi is a 1982 experimental film by Godfrey Reggio with a soundtrack from Philip Glass. The movie has no dialogue or narrative and mainly features slow motion and time lapse footage of nature, technology, and cities.
Rico Monkeon has built a tool called Gifaanisqatsi that constructs the trailer for Koyaanisqatsi using a random assortment of slow motion and time lapse animated GIFs from Giphy. The trailer you get is different each time. You can compare it to the actual trailer.
I wondered how easy it would be to make an internet version using random Giphy ‘gifs’ which have been tagged as slow motion or time-lapse, playing them along with the Philip Glass soundtrack.
I *love* this and have watched at least 5 or 6 different trailers now…the slow motion cats and dogs are best. I recorded one of the trailers it generated for me:
I miiiiight just want to watch a feature-length version of this accompanied by the full soundtrack.
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