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kottke.org posts about photography

Some of the Oldest Photos You Will Ever See

In 1842, a French artist and scholar named Joseph-Philibert Girault de Prangey set out on a tour of the eastern Mediterranean to document sights and architecture via the brand new medium of photography. He started off in what is now Italy and continued on to Greece, Egypt, Turkey, Syria, and the Levant (which includes modern-day Lebanon, Israel, and Palestine). The daguerreotypes he took are the oldest surviving photos of those locations (aside from Italy). It’s incredible to time travel back 180 years to see what these places looked like. (via aeon)


Soap Bubble Worlds

the swirling rainbow surface of a soap bubble from close-up looks like a small planet

the swirling rainbow surface of a soap bubble from close-up looks like a small planet

Marveling at these macro images of soap bubbles by photographer Dave Bowman — he calls this series Other Worlds.

See also Are These Photographs of Moons or Pancakes? and frying pans that look like a Jovian moon.


The Winners of the 2023 Drone Photo Awards

aerial photo of a very tidy Polish playground

aerial photo of a surfer and crashing waves

aerial photo of a colorful abstract landscape

aerial photo of a border crossing between Haiti and the Dominican Republic

I am a sucker for aerial photography, so I had a lot of fun looking through all the winners and runners-up of the 2023 Drone Photo Awards. As usual, I picked out a few favorites and included them above. From top to bottom, photos by: Sebastian Piórek (a very tidy Polish playground), Brad Weiner (surfer), Gheorghe Popa (amazing abstract shot), and Matias Delacroix (a border crossing between Haiti and the Dominican Republic).


Stunning Photo of an Aurora Over an Icelandic Waterfall

the aurora borealis in the sky over an Icelandic waterfall

Astrophotographer Cari Letelier caught this amazing shot of the aurora borealis over the Goðafoss waterfall in Iceland. We live in a truly magical world — if science fiction authors made something like this up, you wouldn’t believe it’d ever be real. You can check out more of Letelier’s astrophotography on Instagram or on her website.

I found this via the Astronomy Picture of the Day site, a gem of the old school web that’s been sharing astronomy photos since 1995.


Will AI Change Our Memories?

Photographs have always been an imperfect reproduction of real life — see the story of Dorothea Lange’s Migrant Mother or Ansel Adams’ extensive dark room work — but the seemingly boundless alterations offered by current & future AI editing tools will allow almost anyone to turn their photos (or should I say “photos”) into whatever they wish. In this video, Evan Puschak briefly explores what AI-altered photos might do to our memories.

I was surprised he didn’t mention the theory that when a past experience is remembered, that memory is altered in the human brain — that is, “very act of remembering can change our memories”. I think I first heard about this on Radiolab more than 16 years ago. So maybe looking at photos extensively altered by AI could extensively alter those same memories in our brains, actually making us unable to recall anything even remotely close to what “really” happened. Fun!

But also, one could imagine this as a powerful way to treat PTSD, etc. Or to brainwash someone! Or an entire populace… Here’s Hannah Arendt on constantly being lied to:

If everybody always lies to you, the consequence is not that you believe the lies, but rather that nobody believes anything any longer. This is because lies, by their very nature, have to be changed, and a lying government has constantly to rewrite its own history. On the receiving end you get not only one lie — a lie which you could go on for the rest of your days — but you get a great number of lies, depending on how the political wind blows. And a people that no longer can believe anything cannot make up its mind. It is deprived not only of its capacity to act but also of its capacity to think and to judge. And with such a people you can then do what you please.

As I said in response to this quote in a post about deepfakes:

This is the incredible and interesting and dangerous thing about the combination of our current technology, the internet, and mass media: “a lying government” is no longer necessary — we’re doing it to ourselves and anyone with sufficient motivation will be able to take advantage of people without the capacity to think and judge.

P.S. I lol’d too hard at his deadpan description of “the late Thanos”. RIP, big fella.


Street Photographer Captures Perfectly Timed Scenes

photo of a mural with an angel that looks like it's picking something out of a garbage bin the foreground

a truck with two dolphins on the back is parked next to the ocean in such a way where it looks like the dolphins are leaping out of the actual water

a woman walks in front of an advertisement where it appears a person is taking something from her cart

a rainbow appears to emanate from a photographer's camera

Greek photographer Anthimos Ntagkas stalks the streets in search of visual coincidences to capture and put on his Instagram account. My Modern Met talked to Ntagkas about his process:

Nowadays, I don’t choose the place, but I make every location work for me. I combine people with elements everywhere I stand. Luckily the themes in this type of photography are endless, and I never lose interest.

See also Eric Kogan’s photography, which has a similar vibe.


The Winners of the 2023 Audubon Photography Awards

a bright yellow and brown bird collects material for its nest

a small white and gray bird jumps back from a wave

an egret catches a fish

The National Audubon Society has announced the winners of the 2023 Audubon Photography Awards. I’ve highlighted a few of my favorites above (from top to bottom, photos by Sandra Rothenberg, Kieran Barlow, and Nathan Arnold). Oh, and don’t miss the pair of videos from Steven Chu…


Behind the Scenes of Wes Anderson’s Asteroid City

The other day I posted about how contemporary filmmakers, Wes Anderson in particular, use miniatures in their films. The model/prop maker featured, Simon Weisse, has worked with Anderson on several films, including his latest, Asteroid City. Weisse has been posting behind-the-scenes shots of his studio’s work on Asteroid City to his under-followed Instagram account and I thought a separate post highlighting some of those props and miniatures would be fun.

a model train in the desert

a vending machine that dispenses martinis

three asteroids of different sizes in cages

a model of an asteroid impact crater next to two model makers

a model maker inspects a model alien spaceship

This video shows a bunch more of the miniatures used in the movie:

I also ran across a few behind-the-scenes videos of the production if you’re in the mood to deep-dive (as I appear to be):

If you’re lucky enough to be in London in the next week and a half, you can go and see some of these props and sets and even eat at the diner at 180 Studios. Very. Jealous.


Book of Earth: A Guide to Ochre, Pigment, and Raw Color

Heidi Gustafson is the curator of Ochre Sanctuary, a collection of iron-based earths that are the oldest natural pigments used by humans. In her new Book of Earth, Gustafson details where these pigments come from and how to use them to create art. Here are a few images from the book and the Ochre Sanctuary:

a collection of differently colored pigments

a collection of differently colored pigments

a collection of mostly bluish pigments

Looks like a gorgeous book. Check out her Instagram for more colorful photos of ochres.


Enhanced Color Mars

an enhanced color photo of Mars

Using data from the ESA’s Mars Express probe, the German Aerospace Center has released an enhanced color image of Mars that shows off the planet’s geology and mineral content better than the usual dusty red photos do. Here’s part of what you’re seeing:

It is well known that most of Mars is reddish in colour, due to the high amount of oxidised iron in the dust on its surface, earning it the nickname the ‘Red Planet’. But it is also immediately noticeable that a considerable region of Mars is rather dark, appearing bluish in colour in image 1. These regions represent greyish-blackish-bluish sands, which are volcanic in origin and form large, dark sand layers on Mars. They were primarily piled up by the wind to form imposing sand dunes or enormous dune fields on the floor of impact craters. These unweathered sands consist of dark, basaltic minerals, of which volcanic lava on Earth is also composed. Basalt is the most widespread volcanic rock on Earth — and in the Solar System. Earth’s ocean floor is made of basalt, as are the extinct volcanoes of the Eifel, Mount Etna in Sicily and volcanoes of the Hawaiian archipelago.

In my mind, the best bit is how much clearer you can see the various geographical features of the planet. (via bad astronomy)


Apollo Remastered

lunar rover on the Moon

Earth rising over the surface of the Moon

boot foorprint on the Moon

NASA keeps the original film negatives from the Apollo program sealed in a frozen vault in Houston, TX and rarely grants access to them. As a result, nearly all of the photos we see of those historic missions were made decades ago or are copies of copies. Recently, the film was cleaned and digitally scanned at “an unprecedented resolution”.

Using these new high-res scans, image specialist Andy Saunders remastered each of the 35,000 photographs, resulting in this incredible-looking book, Apollo Remastered: The Ultimate Photographic Record. From the book’s website:

The photographs from the lunar surface are as close as we can get to standing on the Moon ourselves, and for the first time, we were able to look back at Earth from afar, experiencing the “overview effect” — the cognitive shift that elicits an intense emotional experience upon seeing our home planet from space for the first time. The “Blue Marble” photograph, taken as Apollo 17 set course for the Moon, depicts the whole sunlit Earth, and is the most reproduced photograph of all time. Along with Apollo 8’s “Earthrise,” which depicts Earth above the lunar horizon, it was a catalyst for the environmental movement that continues today.

Saunders is also selling prints of some of these remastered photos, which look absolutely stunning.


Vintage Analog Photo Booths

a vintage analog photo booth

a vintage analog photo booth

a vintage analog photo booth

FotoAutomat restores vintage analog photo booths and redeploys them around Europe, mostly in Paris.

There are less than fifty working analog photo booths remaining in the world now. Since 2007, FotoAutomat has been working to preserve this photographic heritage by restoring and maintaining the last original analog photobooths in Paris, Nantes and Prague, mainly in spaces dedicated to art and culture.

This is some primo Wes Anderson shit. (via meanwhile)


The 2023 Food Photographer of the Year Awards

a man in a white apron pulls taffy

overhead view of two farmers tending cabbages

a long table hosts a communal feast in war-torn Syria

an overhead view of three people packing fish

The Pink Lady Food Photographer of the Year awards have been announced for 2023 and there is lots of good work in more than a dozen categories. As usual, I’ve included a few of my favorites above (photographers from top to bottom: Zhonghua Yang, Md. Asker Ibne Firoz, Mouneb Taim, Khanh Phan Thi) but you should click through to see the rest. (via curious about everything)


The Best Photos of the Milky Way for 2023

the Milky Way shines brilliantly at night above the mountains and a layer of clouds

a composite view of the Milky Way combining how it looks in the night sky during the winter and summer

the Milky Way in the night sky over baobab trees in Madagascar

Capture the Atlas have announced their picks for the 2023 Milky Way Photographer of the Year competition. As usual, I’ve included a few of my favorites here — from top to bottom: Jakob Sahner’s photo from the Canary Islands, Mihail Minkov’s composite shot of the Milky Way as it looks in both the summer & winter, and Steffi Lieberman amongst the baobab trees in Madagascar. Here’s Minkov explaining his full-galactic view:

I’ve always wondered what the night sky would look like if we could see the two Milky Way arches from the winter and summer side by side. This is practically impossible, since they are part of a whole and are visible at different times of the day.

However, this 360-degree time-blended panorama shows us what they would look like. The two arches of the Milky Way represent one object in the starry sky, with part of it visible in winter and part of it in summer. Therefore, they are called the winter and summer arches. The winter arch includes objects that we can observe from October to March, primarily associated with the constellation Orion.

On the other hand, the summer arch features the Milky Way core, visible from March to September, which is the most characteristic and luminous part of the night sky, representing the center of our galaxy.


The Otherworldly Ice Caves of Iceland

a lone figure stands silhouetted in the entrance of a blue ice cave with the northern lights behind them

a lone figure silhouetted in the entrance of a blue ice cave, descending on a rope

Well, I don’t think these photos of Icelandic ice caves by Ryan Newburn need much explanation. Stunning. I found these photos via Colossal, which has more information about how they were taken.

Occupying such an ancient and always evolving space is an experience that’s difficult to photograph, Newburn shares, because the constant trickle of melting water, the roar of distant rivers, or even the unique interplay of light and glacier are impossible to depict entirely. “Underneath the ice, where the sun cannot penetrate,” he says, “your eyes slowly adjust from the bright sun to the glowing deep blue crystal walls of the ice cave. The more that your eyes adjust, the more saturated the blue gets. It’s a surreal visual experience that you cannot get from any photo of an ice cave.”

If you’d like to see some of these places for yourself, Newburn runs a tour company called Ice Pic Journeys.


Otherworldly Landscapes, Light Painted With Drones

a bright cylinder of light over a dark lake surrounded by mountains

a spiral of light around a castle tower

a circle of light over a salt flat

The three images above were created by long-exposure photography of the flight paths of drones with onboard bright lights.

The first image is from Jadikan’s new series, Phénomènes (Instagram), in which he uses fireworks to create brightly-lit cylindrical forms.

The second one is by Will Ferguson of Broadway Tower in the Cotswolds — you can see more of his aerial work here or on Instagram.

The third is from Reuben Wu (Instagram), whose work I’ve featured here for many years. IMO, Wu’s work is slightly more polished than Jadikan’s or Ferguson’s, but I enjoy experiencing all of it. (via petapixel)


Train Panoramas

several full-length images of trains

The robots are coming for trainspotters. A piece of software called Trainbot can watch a piece of train track, detect passing trains, and then stitch together panoramic images of the full-length trains.

The software for running your own trainbot is available on Github and “should work with any video4linux USB cam, or Raspberry Pi camera v3 modules”. (via nelson)


Architecture in Music

interior view of a piano

interior view of a piano

interior view of a clarinet

Charles Brooks takes photographs of the insides of musical instruments like pianos, clarinets, violins, and organs and makes them look like massive building interiors, enormous tunnels, and other megastructures. So damn cool. Some of the instruments he photographs are decades and centuries old, and you can see the patina of age & use alongside the tool marks of the original makers. Prints are available if you’d like to hang one of these on your wall.

And if you liked those, don’t miss these Dreamy Cave-Like Photos Taken Inside Musical Instruments. (via moss & fog)


Fractured Ice Sheet Portraits

fractured portrait of a person on sheets of ice

fractured portrait of a person on sheets of ice

During the course of my online travels, I see a lot of cool and interesting things, but this one really stopped me in my tracks. David Popa uses natural pigments to draw large format portraits on fractured sheets of ice and then photographs them from above. Wow, wow, wow. From a profile of Popa’s work at Colossal:

Because many of his works are destined to melt and be reabsorbed, Popa opts for natural materials like white chalk from the Champagne region, ochres from France and Italy, and powdered charcoal he makes himself — the latter also plays a small role in purifying the water, leaving it cleaner than the artist found it. Most pieces take between three and six hours to complete, and his work time is dependent on the weather, temperature, and condition of the sea. “The charcoal will sink into the ice and disappear from a very dark shade to a medium shade, so it has to be created very quickly and documented. No to mention the work on the ice will just crack and drift away completely, or the next day it will snow and be completely covered,” he says. “I’m really battling the elements.”

I love these so much — they remind me of self-portraits taken in shattered mirrors or fragmented mirrored surfaces, a practice I apparently engage in with some regularity.


In Anxious Anticipation

three eggs, just before they fall onto a piece of marble

What I like about the still image above, along with the rest of the images in a project called In Anxious Anticipation by Aaron Tilley & Kyle Bean, is that it makes a noise. It’s so cool how your brain sees what’s about to happen and then you hear eggs smashing on a hard surface — splat, splat, splat. More still art should make noise! (via moss & fog)


The Smithsonian’s Collection of Online Public Domain Images Swells to 4.5 Million Objects

Back in 2020, the Smithsonian Institution placed 2.8 million high-resolution images and 3D models of objects in their collection into the public domain via their Open Access initiative. Over the past three years, that collection has grown to 4.5 million images, an absolutely immense trove of objects that people are free to use and remix however they wish.

black & white photo of Harriet Tubman

detail of Charlie Parker's saxophone

the Inverted Jenny postage stamp

an old poster that says 'A woman here has registered to vote thereby assuming responsibility of citizenship'

a mechanical crawling baby

the mailing wrapper for the Hope Diamond

That last image is the mailing wrapper from when jeweler Harry Winston sent the Hope Diamond (currently valued at $200-350 million) to the Smithsonian through the regular US Mail.

Mailed on the morning of November 8 from New York City, the item was sent by registered (first class) mail — considered the safest means of transport for valuables at that time. The total fee was $145.29 (see the meter machine tapes). Postage only amounted to $2.44 for the package which weighed 61 ounces. The remainder of the fee ($142.85) paid for an indemnity of about $1 million.

(via my modern met)


The “Disturbing Beauty” of Shattering Porcelain Statues

a pair of shattering porcelain statues caught a fraction of a second after hitting the floor

I posted a link to these the other day from the broken plates post (and first posted about them more than 15 years ago), but I love these photographic sculptures by Martin Klimas so much that I wanted feature them in a proper post.

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty, more than the sum of its parts. Temporary sculptures made visible to the human eye by high-speed photography. The porcelain statuette bursting into pieces isn’t what really captures the attention; the fascination lies in the genesis of a dynamic figure that seems to stop/pause the time and make time visible itself.

See also Klimas’ Flowervases (“Flawlessly arranged flower vases are shot by steel bullets and captured at the moment of their destruction”) and Sonic Sculptures (“Klimas begins with splatters of paint in fuchsia, teal and lime green, positioned on a scrim over the diaphragm of a speaker — then, the volume is turned up”).


Edward Burtynsky’s African Studies

aerial view of a colorful landscape

aerial view of a colorful landscape

aerial view of a colorful landscape

I’ve long been a fan of Edward Burtynsky’s photographic surveys of humanity’s impact on our environment, so I was eager to explore his newest project, African Studies.

In Edward Burtynsky’s recent photographs, produced across the African continent, the patterns and scars of human-altered landscapes initially appear to form an abstract painterly language; they reference the sublime and often surreal qualities of human mark-making. While chronicling the major themes of terraforming and extraction, urbanization and deforestation, African Studies conveys the unsettling reality of sweeping resource depletion on both a human and industrial scale.

You can check out more photos from the series here and here as well as in his forthcoming book (Amazon). (via colossal)


The Beautiful Skyscrapers of Early 20th Century America

photo of the top of the Union Ferry Depot in San Francisco

photo of the top of the Emerson Tower in Baltimore

photo of the top of the Eastern Columbia Building in Los Angeles

Using drones, a team led by photographer Chris Hytha has been traveling around the country capturing images of the tops of some of America’s most beautiful and notable early 20th century skyscrapers.

The prosperity of early 20th century America resulted in a boom of skyscrapers that still tower over cities across the country today. Focusing on the character and craftsmanship on display at the top of these landmark buildings in a way that can’t be seen from street level, the Highrises Collection reveals fascinating details and stories of these distinctly American icons.

They’ve done almost a hundred of them so far and are planning on adding about 100 more to the tally before they are finished. Hytha recently shared some of his favorite Art Deco buildings from the project. (via @mwilkie)


Henri Cartier-Bresson’s Forgotten Photographs of New Jersey

black and white photo of kids running across the street in 70s New Jersey

black and white photo of a big box truck under a bridge

In 1975, famed French photographer Henri Cartier-Bresson traveled, at the behest of a public television station, to the US to take photographs of New Jersey.

The photographer felt that New Jersey’s anywhere-ness, its density and diversity, was “a kind of shortcut through America.” With that prompt, Evans assembled an itinerary. Cunningham picked up Cartier-Bresson in Manhattan around sunrise each day for three weeks and headed for the bridges and tunnels. They embedded with ambulance drivers in Newark and chicken farmers in West Orange. They visited suburban sprawl, horse country, pine barrens, swamps, seashore, beauty parlors, labs, nuclear facilities, jails, mansions. They once stayed overnight in a South Jersey motel, and Cartier-Bresson insisted that they flip a coin to determine who got the bed.

It was one of his final photo projects and because his photos were cropped for use on television (“a practice Cartier-Bresson viewed as sacrilege”), the project was not included in most catalogues of his work and was almost forgotten.

You can watch the resulting TV program from 1975 at the American Archive of Public Broadcasting.


The Everlasting Storm in the “Most Electric Place on Earth”

Almost 300 days out of every year, there are thunderstorms over Venezuela’s Lake Maracaibo. Called Catatumbo lightning“Catatumbo means ‘House of Thunder’ in the language of the local Barí people” — the phenomenon is caused by the unique confluence of warm air and water from the Caribbean Sea with the cold air flowing down from the Andes, which nearly surround the lake. The result is near-nightly storms with the world’s highest density of lightning and up to 200 flashes in a minute. It sounds, literally, awe-some.

The short video above is a profile of photographer Jonas Piontek, who has captured some amazing photos and video of the Catatumbo lightning. The NY Times featured some of his photos in this piece about the lightning.

Less than half an hour after the first cloud forms, it starts to flash. It does this faster and faster - 200 flashes a minute is not uncommon. After that, the cloud becomes a giant bulb that lights up the night.

“You can read a newspaper in the middle of the night because it’s so bright,” said Jonas Pointek, a photographer who has documented the storms.

(via open culture)


The Sun, In All Its Glory

astounding image of the Sun

detail of an astounding image of the Sun

Good morning, sunshines! Well, amateur astrophotographer Andrew McCarthy has done it again. Collaborating with Jason Guenzel, he has produced this absolutely gobsmacking image of the Sun.

The aptly named “Fusion of Helios” is a fusion from the minds of two astrophotographers, Andrew McCarthy and Jason Guenzel. Using a custom-modified hydrogen alpha solar telescope, the combined data from over 90,000 individual images was jointly processed to reveal the layers of intricate details within the solar chromosphere. A geometrically altered image of the 2017 eclipse as an artistic element in this composition to display an otherwise invisible structure. Great care was taken to align the two atmospheric layers in a scientifically plausible way using NASA’s SOHO data as a reference.

I’ve included the full image and my favorite crop (the solar tornado the height of 14 Earths was a close second) above, but do yourself a big favor and check out the largest image available (which is still way smaller than the 140 megapixel final image they produced). If you’re curious about the process, here’s how McCarthy gets his Sun photos:

So how do I resolve atmospheric details, like spicules, prominences, and filaments? The trick is tuning the telescope to an emission line where these objects aren’t drown out by the bright photosphere. Specifically, I’m shooting in the Hydrogen-alpha band of the visible spectrum (656.28nm). Hydrogen Alpha (HA) filters are common in astrophotography, but just adding one to your already filtered telescope will just reduce the sun’s light to a dim pink disk, and using it without the aperture filter we use to observe the details on the photosphere will blind you by not filtering enough light. If you just stack filters, you still can’t see details. So what’s the solution?

A series of precisely-manufactured filters that can be tuned to the appropriate emission line, built right into the telescope’s image train does the trick! While scopes built for this purpose do exist (look up “coronado solarmax” or “lunt solar telescope” I employ a heat-tuned hydrogen alpha filter (daystar quark) with an energy rejection filter (ERF) on a simple 5” doublet refractor. That gives me a details up close look at our sun’s atmosphere SAFELY. I’ve made a few custom modifications that have helped me produce a more seamless final image, but am not *quite* yet ready to share them, but just the ERF+Quark on a refractor will get you great views.

Photography has always been a combination of technology, artistry, and wrangling whatever light you can get to best express the feeling that you’re going for — astrophotography certainly dials that wrangling up to 11.

Prints of this image (and some digital downloads) are available in various sizes from McCarthy and Guenzel.


A Prelude to a Supernova

The luminous, hot star Wolf-Rayet 124 (WR 124) is prominent at the center of the James Webb Space Telescope's composite image combining near-infrared and mid-infrared wavelengths of light from Webb's Near-Infrared Camera and Mid-Infrared Instrument

Folks, I told you that this was going to become a JWST fan blog and if you didn’t hear me the first time, consider yourself notified. NASA’s newest space telescope is still stretching its legs, but even back in its early days last summer, it captured this breathtaking near-infrared and mid-infrared image of a star preparing to go supernova.

The 10 light-years-wide nebula is made of material cast off from the aging star in random ejections, and from dust produced in the ensuing turbulence. This brilliant stage of mass loss precedes the star’s eventual supernova, when nuclear fusion in its core stops and the pressure of gravity causes it to collapse in on itself and then explode.

Images like these are useful for studying dust, which sounds a little boring but actually is fascinating (italics mine):

The origin of cosmic dust that can survive a supernova blast and contribute to the universe’s overall “dust budget” is of great interest to astronomers for multiple reasons. Dust is integral to the workings of the universe: It shelters forming stars, gathers together to help form planets, and serves as a platform for molecules to form and clump together — including the building blocks of life on Earth. Despite the many essential roles that dust plays, there is still more dust in the universe than astronomers’ current dust-formation theories can explain. The universe is operating with a dust budget surplus.

Currently imagining a sci-fi office dramedy about the dust budget surplus — someone over at HBO Max or Apple+ get on this.


Aerial Autumnal Views of the Bavarian Forest

an autumnal forest from above

an autumnal forest from above

Living in Vermont, I have a special appreciation for all the amazing colors that trees turn in the fall. So I very much enjoyed looking at Bernhard Lang’s series of aerial photos of the Bavarian Forest. Says Lang of the series:

Most of the topics of my Aerial Views project, which I have been following since 2010, deal with the intervention and often also the destruction of our environment by humans.

This new aerial photo series about the Bavarian Forest, the first Nationalpark in Germany founded in 1970, shows nature that is largely left to its own devices again, true to the park’s motto “NATUR NATUR SEIN LASSEN”.

The nature zone of the Bavarian Forest National Park is thus one of the very few places in geographically divided and densely populated Germany where, in the sense of human non-intervention, at least secondary wilderness should be possible again, especially in spite of the age of the Anthropocene, in which there is no completely uninfluenced nature anymore.

Lang has lots of other great aerial projects to peruse on his website. (via colossal)


Alien Worlds - Macro Photos of Fungi and Slime Molds

a slime mold with white globules on a black stalk

an orange slime mold

a spikey fungus with a mushroom cap

When you look at these incredible close-up shots of fungi and slime molds by photographer and amateur mycologist Max Mudie, you realize that we don’t have to go looking for bizarre alien life on other planets: there’s plenty of it in our forests. (See also coral reefs, tbh.) Check out more of Mudie’s work on Instagram.

I’m almost positive I’ve featured the photograph at the top of the post before (but can’t find where), but I love it so much I’m featuring it again.

See also Alison Pollack’s work. (via colossal)