kottke.org posts about photography
NASA has made available more than a dozen mobile wallpapers of photos taken during the Artemis II mission for free download. Basic Apple Guy has made some wallpapers of his own (that are slightly larger than NASA’s and better for iPhones). I have also made a few of my own: Earth Rising Over the Moon With the Orion Capsule in the Foreground, A Sliver of Earth Over the Moon, and Kubrickian Earth.
Here are a few of my favorites:



Interstitial tip: if you’re using an iPhone with iOS 26, tap the Spatial Scene button when you’re editing your wallpaper and the phone will turn any of these images into a 3D-ish scene that moves when you move your phone. Works best with images containing multiple objects (like the Earthrises). Makes you feel a little bit more like you’re there. (This is also an amazing setup.)






These are all real photos, cropped from the originals shared by NASA on Flickr and their website.
I also went back and looked at some of the images from the Artemis I mission, which sent an Orion capsule around the Moon without a human crew. Here are a few wallpapers made from photos from that mission: Earth Moon Capsule, Lens Flare Trio, and Lunar Surface.



Again, these three are from the Artemis I mission in late 2022. The first one works especially well with the Spatial Scene mode on iOS 26.

This shot from Artemis II of the Moon eclipsing the Sun is one of the most breathtaking astronomical photos I’ve ever seen. Holy shit.
Captured by the Artemis II crew during their lunar flyby on April 6, 2026, this image shows the Moon fully eclipsing the Sun. From the crew’s perspective, the Moon appears large enough to completely block the Sun, creating nearly 54 minutes of totality and extending the view far beyond what is possible from Earth.
Thanks to KDO reader Scott for pointing me to NASA’s Flickr account, which is possibly the easiest way to look at photos taken by the Artemis II mission. Like this one:

And this one — then maybe I’ll stop (maybe):

P.S. If you need some Artemis II wallpapers for your phone, right this way.


In a period of four years, Belgian photographer Barbara Iweins took a photo of every single thing in her house, “from my daughters torn sock to my sons Lego, but also my vibrator, my anxiolytics… absolutely everything. 12,795 photos of 12,795 objects.” You can explore the entire archive here, indexed and classified by color, material, frequency of use, room, and “what I would save in a fire”. (via @steveportigal.bsky.social)

The commander of NASA’s Artemis II mission to the Moon, Reid Wiseman, took this photo of the Earth as the spacecraft speeds away our planet.
There are two auroras (top right and bottom left) and zodiacal light (bottom right) is visible as the Earth eclipses the Sun.
That is so cool. Worth clicking through to see the high-resolution image.

Photographer and drone pilot Pio Andrea Peri captured this overhead photo of a Sicilian city called Centuripe. Perched atop hilltops, the city looks like a person from above — even on Google Maps. (via daily overview)
Oh wow, I love these photographs of “big tusker” elephants by Johan Siggesson.


I didn’t even know big tuskers were a thing — and they may not be for much longer:
The term “Big Tusker” refers to an elephant with tusks so large they scrape the floor. Unfortunately, the opportunities for witnessing a big tusker in its natural habitat are slim. As of today, there are approximately 25 individuals left in the world, most of which reside in the Tsavo Conservation Area. It is vital that we make every effort to protect what is arguably the last viable gene pool of “Big Tuskers” remaining.
You can see just how large these elephants’ tusks are compared to those of other elephants in this photo. A great find via Colossal.
Siggesson’s Instagram is worth a look as well…the starkness of the stripes in this zebra photo!


The Library of Congress houses an online collection of 48 color photographs of Rome taken in the 1890s. The prints were created using the photochrom process:
The prints look deceptively like color photographs. But when viewed with a magnifying glass the small dots that comprise the ink-based photomechanical image are visible. The photomechanical process permitted mass production of the vivid color prints. Each color in the final print required a separate asphalt-coated lithographic stone, usually a minimum of six stones and often more than ten stones.
If you look at the individual items from the collection (like the shot of the Colosseum), you’ll notice that the photographers were uncredited:
The names of individual photographers are rarely identified on the photochrom prints. Initials on the original negatives and entries in the Detroit Publishing Company ledgers at the Colorado Historical Society sometimes reveal the image creator.
(via open culture)

During the recent annular solar eclipse on February 17, the ESA’s PROBA-2 satellite captured this great shot of the Moon passing in front of the Sun. Cue up the Johnny Cash.
Alan Taylor has shared a bunch of photos of the just-concluded Winter Olympics “featuring infrared imaging, vintage cameras, optical filters, digital composites, unusual angles, unexpected subjects, and more”. Two of my favorites:


The first photo is of a curling match taken by Ryan Pierse with a vintage camera. Taylor:
Images in this series were captured using vintage Graflex cameras, paying tribute to the type of camera that would have been used 70 years ago when Cortina previously hosted the games in 1956. In a modern twist, these cameras have been adapted to record images on smartphones, enabling live transmission of the content captured.
The second is a composite image of the women’s snowboard halfpipe final by Hector Vivas, a technique popularized in recent years by Pelle Cass.
See also photos of the Winter Olympics using thermal imaging cameras.
During her time aboard the International Space Station, NASA astronaut Loral O’Hara took a series of photos of the Earth from directly overhead. Seán Doran has stitched those images together into a gorgeous 4K video of a journey across North America, from San Diego to cloud-covered Quebec.
The footage is a simulation, converting an image sequence into video footage using image processing and animation. In reality this journey from California to Quebec took 11 minutes to traverse. In order to better appreciate the view this film slows that speed by a factor of 4.
Along the way, we’re treated to views of Joshua Tree National Park, the Grand Canyon, and the Rocky Mountains. Even the clouds are mesmerizing.


A New Winter is a project from Colombian-American photographer Sofia Jaramillo that seeks to
This project revisits the early depictions of skiing, which often portrayed Eurocentric ideals and a narrow vision of who belongs on the slopes. By reimagining the first images of skiing in the United States, A New Winter challenges the stereotypes and exclusive culture perpetuated by these initial depictions, inviting us to expand our understanding of winter sports and celebrate its evolving culture. It seeks to disrupt traditional narratives, challenge stereotypes and promote representation in winter sports by placing people of color at the center of these images.
Several of the images were featured in Outside magazine, where Jaramillo says, “I’m doing this for all the young Black and brown girls and boys out there who don’t see themselves when they walk into a ski resort.”






For his project called Homo Mobilis, Martin Roemers travelled the globe and photographed people with their cars, bikes, scooters, etc. You can see a selection of the photos on Roemers’ website, at The Guardian, or in his forthcoming book, Homo Mobilis (Amazon). (via @steveportigal.bsky.social)


This week, the Earth was hit with one of the strongest geomagnetic storms in recent years, which made for some gobsmacking displays of the northern lights, even as far south as California. Cruising in a 787 at 37,000 feet on his route from Calgary to London (UK), airline pilot Matt Melnyk had perhaps the best view in the world of the aurora and captured some fantastic shots. He told space.com that “This was the most incredible display of aurora I’ve ever seen in my 20 years of flying!”






These photos by Chu Weimin show the mind-boggling scale of China’s green energy buildout.
Last year China installed more than half of all wind and solar added globally. In May alone, it added enough renewable energy to power Poland, installing solar panels at a rate of roughly 100 every second.
The massive buildout is happening across the country, from crowded eastern cities increasingly topped by rooftop solar panels to remote western deserts where colossal wind farms sprawl across the landscape.


Suzanne Saroff makes unusual photographic sculptures, including these dynamic olive oil shapes.
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