kottke.org posts about photography
Photographer Joshua Rozells on his photo of our increasingly crowded night skies:
The light pollution caused by satellites is quickly becoming a growing problem for astronomers. In 2021, over 1700 spacecrafts and satellites were put into orbit. Light pollution caused by SpaceX’s Starlink satellites are the worst offenders because they are low Earth orbit satellites, and they travel in satellite trains. One can only assume the issue will exponentially increase in the next few years, with SpaceX alone intending to launch over 40,000 satellites in total. The space industry is almost entirely unregulated, with no limits on the amount of satellites that anyone is able to launch and there is currently no regulation in place to minimise the light pollution they cause.
On Saturday, millions of Americans flooded the streets of cities, small towns, and every other sized municipality in the nation to protest the illegal and damaging actions of the Trump regime. These photos published by a number of media outlets show the scale, enthusiasm, and creativity of these peaceful protests, in the US and around the world.
From astronomer Yuri Beletsky, a photo of Comet C/2024 G3 (ATLAS) arching over ESO’s Paranal Observatory in Chile.
Unfortunately, it seems like the comet disintegrated as it swooped around the Sun, always a danger.
The nucleus of Comet ATLAS (C/2024 G3) held together during a brutal perihelion but not for long. Lionel Majzik of Hungary was the first to report and record dramatic changes in the comet between January 18th and 19th. The bright, strongly condensed head rapidly became more diffuse, a sure sign that its nucleus was disintegrating based on past observations of crumbling comets. His superb sequence, photographed remotely from Chile, clearly reveal the dramatic transformation, which was later confirmed by Australian observers.
The tail will be visible for a few days after the breakup — such comets are called “headless wonders” by astronomers. (via @philplait.bsky.social)
For his book Feed the Planet: A Photographic Journey to the World’s Food (Bookshop), George Steinmetz travelled the world with his drone, spending “a decade documenting food production in more than 36 countries on 6 continents, 24 US states, and 5 oceans”.
In striking aerial images, he captures the massive scale of 21st-century agriculture that has sculpted 40 percent of the Earth’s surface.
He explores the farming of staples like wheat and rice, the cultivation of vegetables and fruits, fishing and aquaculture, and meat production. He surveys traditional farming in diverse cultures, and he penetrates vast agribusinesses that fuel international trade. From Kansas wheat fields to a shrimp cocktail’s origins in India to cattle stations in Australia larger than some countries, Steinmetz tracks the foods we eat back to land and sea, field and factory. He takes us places that most of us never see, although our very lives depend on them.
You can read more (and watch a video) about the project and view a bunch of photos from the book.
I was reminded recently of Stephen Voss’s lovely book, In Training: a book of bonsai photos (Amazon). Voss has a number of bonsai photo prints for sale as well as some videos of bonsai on his blog. This one is of a tree called Goshin, which has been in training since 1953:
In 2020, Stéphanie Colaux discovered an album of photos of Nazi-occupied Paris at a French flea market.
“As I flipped through the pages I realized, my God, it’s all scenes of [Nazi] occupied Paris. And I knew I’d found a treasure,” she says. “And then I read the little note in the front. ‘If you find this album,’ it said, ‘take care of it and have the courage to look at it.’ I thought, someone sent a message in a bottle and I just found it.”
The discovery set off a hunt for the unknown photographer, who took the photos at the risk of their own life — the unauthorized taking of such photos was “punishable by imprisonment or death”. The story of the search is very much worth reading.
Adding to the intrigue were the captions on the back of the photos, written in block letters as if someone were trying to mask their handwriting. Not only was the location, date and exact time of day noted, but there was also often a snarky caption about the German soldiers, whom the photographer referred to, pejoratively, as “Fritzes.”
One read: “After 10 months of Occupation, the Fritzes still can’t find their way around Paris.”
“The words are very sarcastic,” Broussard says. “There is a kind of irony. For example, he says ‘our protectors.’”
Wow, check out this just-released image from the JWST team of star cluster NGC 602.
The local environment of this cluster is a close analogue of what existed in the early Universe, with very low abundances of elements heavier than hydrogen and helium. The existence of dark clouds of dense dust and the fact that the cluster is rich in ionised gas also suggest the presence of ongoing star formation processes. This cluster provides a valuable opportunity to examine star formation scenarios under dramatically different conditions from those in the solar neighbourhood.
It is very worth your time to click through and look at this image in all of its massive celestial glory. I found this image via Phil Plait, who calls it “one of the most jaw-droppingly mind stomping images I’ve seen from JWST” and, directing us back to the science (remember the science?!), notes that NGC 602 is actively forming stars (it’s only about 5 million years old) and that it depicts “the first young brown dwarfs outside our Milky Way”. Cool!
Too Much Love is a project from Katja Kemnitz in which she photographs the beloved dolls & stuffed animals of young children alongside brand-new versions of the same toys. Anyone who is a parent or caregiver can relate to the destruction on display here, as well as the difficulty of replacing these items.
I show old, much-loved teddies and dolls and compare them with as good as new doppelgangers. I think the broken stuffed animals have a lot of soul. The project is inspired by my older daughter, who took her plush dog everywhere when she was little. One day I found this dog again without button eye and torn seams in the store and bought it. She did not like him. The old one was better and could not be replaced.
In a continuation and tweak of his Coletivos project (which I posted about previously), Cássio Vasconcellos took aerial photos of scrapyards and arranged the junked cars, planes, trains, and other objects into dense photographic collages.
OVER presents a scenario that seems to point to a dystopian future, but which, in fact, brings together fragments of the present. The exaggerated agglomeration denounces the misleading idea of “disposal”, given that objects do not cease to exist in the world when we throw them away. Rather, they inhabit other places.
This video shows the artist’s process, from hanging out the side of a helicopter to arranging all the items in Photoshop.
The results of the 15th annual Epson International Pano Awards have been announced — you can check out all the winners & runners-up on the competition website. Here are a few of my favorites:
From top to bottom, the photos are by Tuan Nguyen Tan, Kelvin Yuen, Elliot McGucken, and Ignacio Palacios. (via in focus)
Out today from National Geographic is Infinite Cosmos, a gorgeous-looking book by Ethan Siegel (intro by Brian Greene). It’s about the history of the JWST, humanity’s biggest ever space telescope, a machine that allows us to peer deeper & clearer into the universe than ever before, and some of the amazing results obtained through its use.
Siegel wrote a piece about the book for Big Think, which includes an excerpt. Gravitational lensing is so cool:
Even with its unprecedented capabilities, JWST’s views of the universe are still finite and limited. The faintest, most distant objects in the cosmos — including the very first stars of all — remain invisible even in the longest-exposure JWST images acquired to date. The universe itself offers a natural enhancement, however, that can reveal features that would otherwise remain unobservable: gravitational lensing.
Whenever a large amount of mass gathers together in one location, it bends and distorts the fabric of the surrounding space-time, just as the theory of general relativity dictates. As light from background objects even farther away passes close to or through that region of the universe, it not only gets distorted but also gets magnified and potentially bent, either into multiple images or into a complete or partial ring. The foreground mass behaves as a gravitational lens. The amount of mass and how it’s distributed affect the light passing through it, amplifying the light coming from those background sources.
Infinite Cosmos is available for purchase at Amazon and Bookshop.
In 1888, the Eastman Kodak Company rolled out a new camera and a new slogan. “You press the button, we do the rest.” To say this moment revolutionized photography would be an understatement. But this story isn’t just about Kodak. It’s about what happens when a powerful technology, originally only understood by a select few, can suddenly fit in your hand.
And then, fast-forwarding to the 90s and 00s, Kodak gradually, then suddenly, missed a similar shift that further democratized photography: the move to digital.
Adam DiCarlo takes photos of commuters (mostly bikers) as they exit the Williamsburg Bridge bike path on the Manhattan side and posts them to his Instagram account. (via @BAMstutz)
Royal Museums Greenwich has announced the winners of the Astronomy Photographer of the Year 2024 competition. You can also check out some of the shortlist entries and runners-up in each category (Moon, Sun, etc.)
Photos above by (from top to bottom): Tom Williams, Peter Ward, Ryan Imperio, and Tom Rae.
In 1950, master photographer Irving Penn set up a simple studio in Paris and started to photograph people of all kinds of professions, each wearing their work clothes and carrying the tools of their trade.
Working in the tradition of representing the petits métiers, Penn photographed fishmongers, firefighters, butchers, bakers, divers, baseball umpires, chefs, bike messengers, and sellers of goods of all kinds.
Penn continued photographing workers in New York and London, collecting the photos into a project called Small Trades.
Penn said of the project:
Like everyone else who has recorded the look of tradesmen and workers, the author of this book was motivated by the fact that individuality and occupational pride seem on the wane. To a degree everyone has proved right, and since these photographs were made, London chimney sweeps have all but disappeared and in New York horseshoers — hard to find in 1950 — now scarcely exist.
A possible companion to Penn’s photographs: Studs Terkel’s Working: People Talk About What They Do All Day and How They Feel About What They Do. (Fun fact: Terkel and his editor got the idea for Working from Richard Scarry’s children’s book, What Do People Do All Day?)
The first major US retrospective of Vivian Maier’s photography is currently on display at Fotografiska New York through Sept 29. Maier was a street photographer whose work was discovered in 2007 and is now recognized “alongside the greatest masters of the twentieth century”.
You can see much more of Maier’s work on this website of her work.
For his project The Disciples, photographer James Mollison took photo montages of fans outside of music concerts. See if you can guess which concerts these groups of fans attended:
Here’s Mollison on the project:
Over three years I photographed fans outside different concerts. I am fascinated by the different tribes of people that attend them, and how people emulate celebrity to form their identity.
As I photographed the project I began to see how the concerts became events for people to come together with surrogate ‘families’, a chance to relive their youth or try and be part of a scene that happened before they were born.
Fascinating! From top to bottom: Lady Gaga, Merle Haggard, 50 Cent, The Casualties, and Tori Amos. Here’s a video featuring some of the photos accompanied by music from the corresponding artists:
Mollison published a book featuring the photos; a signed copy is available from his website.
Oh, I really like this particular image from Bernhard Lang’s series of aerial photographs of sea ice in the Baltic (part one, part two). (via colossal)
Photographer Ryan Weideman worked as a NYC taxi driver for 35 years (1981-2016) and photographed his passengers while on the job.
Huck did a profile of Weideman and his work several years ago.
“I drove a Checker cab but I usually got the wrecks because I only drove three or four nights a week,” he remembers wistfully. “I spent the rest of the time in my darkroom, printing and developing film.”
The quintessential New York cabbie, with a wisecracking mouth and lead foot on the gas pedal, Weideman carefully covered the first three letters of his license so that only the letters ‘DEMAN’ were visible. When passengers entered the cab, he would proudly announce, “You’re riding with the Street Demon.”
“I was on the edge of my seat most of the time because I was caught up in the rush of the ride,” he recalls. Although the 12-hour shifts were grueling, he never drank coffee or took drugs.
“It was all the adrenalin that flowed from my driving style. I enjoyed the thrill of driving and the sense of competitiveness. Some people really loved it; others were scared and wanted out so I would have to drop them off. Once in a while I would have a passenger that really enjoyed it. One guy jumped out of the cab and said, ‘My God, that was a religious experience!’”
Over at Beautiful Public Data, Jon Keegan shares some details about two huge collections of aerial photos of glaciers.
As scientists study the effects of global warming, one of the most visible and alarming indicators is the rapid shrinking of glaciers. Government scientists have been documenting the size, shape, and movement of glaciers since the 1950s employing techniques ranging from direct field observations to aerial photography.
The United States Geological Survey (USGS) has one of the largest collections of aerial glacier photographs. Over 40 years, the USGS’ North American Glacier Aerial Photography (NAGAP) project captured thousands of striking high-resolution photos of glaciers and their surroundings.
From 1960 to 1983, self-taught glaciologist Austin Post used a 63-pound World War II-era Fairchild K-17 aerial reconnaissance camera to shoot over 100,000 glacier photos in the western US and Alaska. One of the bush pilots Post teamed up with was William R. Fairchild, who flew a Beech 18 twin engine airplane equipped with five K-17 cameras-one mounted on the nose, two in the belly of the plane, and one on each side.
The nominees for the 2024 Drone Photos Awards have been announced; here are a few that caught my eye:
Photos by (from top to bottom) Sheng Jiang, Roberto Hernandez, Silke Hullmann, and Hüseyin Karahan.
A group of photographers, editors, and curators recently convened to choose a list of “the 25 most significant photographs since 1955”. Choosing just 25 photos to represent 70 years of the richest visual era in human history is just an impossible task, so there’s bound to be some grousing about individual choices. (I love Beyoncé but really?) But the selection is fascinating, includes a few images I’d never seen before, and the accompanying discussion is worth reading.
I would love to see a process that asks for nominations across a
larger & broader range of folks and then whittle it down through ranked choice voting or pairwise ranking. Paging The Pudding…
From Life magazine and photographer Ralph Crane, a gallery of outtakes from the filming of Conquest of the Planet of the Apes in 1972.
The Century City mall, selected for its futuristic appearance, was a primary battleground in the plot. LIFE staff photographer Ralph Crane came to the set and took pictures of the costumed actors in the mall, trying on shoes and making eyes at the lingerie store display, as well as eating in the mess hall with their masks half off. The pictures make for easy laughs, capturing the kind of shenanigans that help liven up a fourth Apes film in as many years.
(via daniel benneworth–gray)
There was a big solar storm this weekend and photos of the aurora borealis took over social media; it was delightful. For round-ups, check out the NY Times, the Guardian, @itsjackcohen, PBS NewsHour, Spaceweather.com, Forbes, and MSN.
The photos above are by Albert Dros and Sean O’ Riordan (prints here). O’ Riordan took his shot in Tasmania and actually had to tone it down for publication:
When the clouds are glowing red you know something is off the charts, I tried my best to desaturate this and make it look some bit like a photo and not a science fiction scene!
I love these (haunting? are they haunting?) photos of Cate Blanchett taken by Jack Davison for this 2022 profile in the NY Times Magazine.
When the magazine asked the photographer Jack Davison to create the art for this story, he took inspiration from Cate Blanchett’s legendary gift at transforming herself on film. Over the course of a four-hour shoot, across nine different setups, Davison made the fantastical, perspective-bending portraits that appear here.
(via @gray)
Do you remember the Broccoli Tree? Photographer Patrik Svedberg photographed a Swedish tree that resembled a broccoli floret over a number of years, posted the results to Instagram, and made the tree internet famous. Then some asshole vandal sawed through the branches of the tree and it had to be chopped down. John Green eulogized the Broccoli Tree in a video:
To share something is to risk losing it, especially in a world where sharing occurs at tremendous scale and where everyone seems to want to be noticed, even if only for cutting down a beloved tree.
Well, the stump of the tree was left in the hopes that it would grow again and I’m pleased to say that it has — here’s a photo from three years ago:
You can even see it on Google Maps. I’m glad the tree is growing again but wish the destruction hadn’t happened in the first place.
Several years ago in the Guardian, Oliver Burkeman wrote a piece called This column will change your life: Helsinki Bus Station Theory. It’s about how difficult it can be as a creative person to find your way to making work that feels like it’s uniquely yours.
There are two dozen platforms, Minkkinen explains, from each of which several different bus lines depart. Thereafter, for a kilometre or more, all the lines leaving from any one platform take the same route out of the city, making identical stops. “Each bus stop represents one year in the life of a photographer,” Minkkinen says. You pick a career direction — maybe you focus on making platinum prints of nudes — and set off. Three stops later, you’ve got a nascent body of work. “You take those three years of work on the nude to [a gallery], and the curator asks if you are familiar with the nudes of Irving Penn.” Penn’s bus, it turns out, was on the same route. Annoyed to have been following someone else’s path, “you hop off the bus, grab a cab… and head straight back to the bus station, looking for another platform”. Three years later, something similar happens. “This goes on all your creative life: always showing new work, always being compared to others.” What’s the answer? “It’s simple. Stay on the bus. Stay on the fucking bus.”
(via phil gyford)
In honor of Jane Goodall’s 90th birthday, Vital Impacts organized a fundraiser selling 90 prints from 90 women photographers. The collection includes some of Goodall’s own work and 60% of the proceeds to the Jane Goodall Institute.
I’ve selected a few of my favorites above — photos by (from top to bottom) Hannah Le Leu, Jane Goodall, Tiina Itkonen, and Luisa Dörr (see also Female Bolivian Skateboarders Shred in Traditional Dress). (via colossal)
Wonderful shots of the pyramids of Giza by Egyptian photographer Karim Amr. From a caption on one of his photos three years ago:
I’m a 21 years old photographer you can see a lot of photos I share at the pyramids cause I just live near the pyramids so it’s easy for me to go and shoot there. I started doing photography to share my thoughts with others it’s how I express my feelings it’s also my escape from life. Life is tough and not easy for some of us and you got to find your place in this world.
Prints of his photos are available and you can follow his work on Instagram.
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