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The winners have been announced in the Natural Landscape Photography Awards for 2023. The competition rules are worth a look — they are pretty hardcore on the types of editing and retouching allowed. I posted some favorites above; from top to bottom by Jeroen Van Nieuwenhove, Xavier Lequarre, Blake Randall, and Jay Tayag. (via in focus)
I love this otherworldly shot of Stonehenge from Reuben Wu. It’s a variant of his cover image for the August 2022 issue of National Geographic. The monument is lit from above and behind with drones, which created some logistical issues:
[We] had to call the Royal Air Force each time we launched the drone, and spent months getting permits and approval to do this. Even then we still couldn’t fly it above the stone circle (for fear of damaging the stones).
They had to call the RAF because the monument is in military airspace. This short behind-the-scenes video has more:
While we were making these images, something that was always very present was the sound of the traffic on the nearby A303 highway, and I was certain that passing motorists would have been alarmed to see what looked like an alien spacecraft flitting around above the 5,000 year old megalith.
The Comedy Wildlife Photography Awards are always a good time…and here are the finalists for the 2023 competition.
Using a custom hydrogen alpha solar telescope, Jason Kurth took a collection of high-resolution photographs of the recent annular solar eclipse and arranged them into an 8K video of the event. The level of detail here is incredible — you can see solar flares and features on the surface of the Sun pulsing and shifting as the Moon moves across it. You can see a bit of Kurth’s setup on Instagram.
The Nature Conservancy has announced this year’s winners of their annual photo contest. Collectively, the winning photographs “gave voice to nature and showed us the power and peril of the natural world”. As usual, I selected a few of my favorites and included them above. From top to bottom:
(via in focus)
Nikon has announced the winners of the Small World Photomicrography Competition for 2023. I’ve included a few of my favorites above. From the top:
And I love a good slime mold photo too. (via ars technica)
This is a heck of a time capsule: back in 2011, Chris Floyd photographed 140 people that he followed on Twitter over the course of a year and made a video featuring their portraits and audio of them “talking about Twitter and it’s effect on the way we communicate and form relationships in the modern era”. It’s almost quaint hearing people talk about the site in the time before Gamergate, 4chan, and other factors helped twist it into a very different place.
You can check out more of Floyd’s photographs and people’s stories on the One Hundred & Forty Characters blog. (via noah kalina)
Over a period of eight years, Trevor Traynor took dozens of photos of newsstands and their operators. The project started in NYC but came to include newsstands in LA, Lima, Tokyo, Jerusalem, Marrakesh, London, Rome, Paris, and several other places around the world. (via present & correct)
Photographer Reuben Wu was commissioned by Apple to take some of his wonderful light-painted photos with Apple iPhone 15 Pro Max in a project called The Inner Landscape.
So proud to be one of the first photographers to reveal a new series of images captured on the Apple iPhone 15 Pro Max and celebrate its launch. “The Inner Landscape” is a series of six unearthly places that feel more intimate than epic, more ambiguous than explicit, making up a body of work that feels cohesive through its sense of connection and psychological space.
I love Wu’s work. More information about this project can be found at Colossal, Petapixel, and on Wu’s Instagram.
Santiago Borja is an airline pilot who takes stunning photos of storms and clouds from the flight deck of his 767. Definitely offers up a different perspective than the typical storm chaser photography. You can find his work on his website, on Instagram, and in book form.
From over 23,000 entered images, the judges in the Bird Photographer of the Year competition for 2023 have selected their winners and runners-up. I selected a few of my favorite images above; the photographers from top to bottom: Nicolas Reusens, Henley Spiers, and Gianni Maitan.
The Royal Observatory Greenwich in London has announced the winners of the Astronomy Photographer of the Year 2023 competition and as you can see from the selection above, there were some amazing shots. From top to bottom:
The last shot was the overall winner. While not as dramatic as some of the others, it documented the discovery of a previously unknown feature of a nearby cosmic neighbor:
The Andromeda galaxy is the closest spiral galaxy to our own Milky Way, and one of the most photographed deep-sky objects. Yet this particular photo, captured by an international trio of amateur astronomers, revealed a feature that had never been seen before: a huge plasma arc, stretching out across space right next to the Andromeda galaxy.
“Scientists are now investigating the newly discovered giant in a transnational collaboration,” explain the photographers. “It could be the largest such structure nearest to us in the Universe.”
You can see the rest of the winning images on the Royal Observatory site as well as coverage from the BBC, the Guardian, Colossal, and Universe Today.
Love this recent JWST shot of the M51 spiral galaxy.
The graceful winding arms of the grand-design spiral galaxy M51 stretch across this image from the NASA/ESA/CSA James Webb Space Telescope. Unlike the menagerie of weird and wonderful spiral galaxies with ragged or disrupted spiral arms, grand-design spiral galaxies boast prominent, well-developed spiral arms like the ones showcased in this image. This galactic portrait was captured by Webb’s Mid-InfraRed Instrument (MIRI).
In this image the reprocessed stellar light by dust grains and molecules in the medium of the galaxy illuminate a dramatic filamentary medium. Empty cavities and bright filaments alternate and give the impression of ripples propagating from the spiral arms. The yellow compact regions indicate the newly formed star clusters in the galaxy.
(via bad astronomy)
What an amazing, info-dense composite photograph taken by Casey Sims of the semi-finals of the men’s 110-meter hurdles at the 2023 World Athletics Championships in Budapest from last month. You can see and analyze the entire race, just from this one image. Eventual finals winner Grant Holloway is in lane 5 and led from start to finish.
In 2006, photographer Mark Preuschl recreated Georges Seurat’s famous impressionist painting A Sunday on La Grande Jatte in Beloit, WI with a group of volunteers. Here’s the original for reference:
From My Modern Met:
In conceiving this tableau vivant, the organizers wanted to keep things modern. Thus, all participants are wearing contemporary clothes with umbrellas substituted in for the 19th-century parasols. Though the team was organized, they weren’t quite prepared for what mother nature threw their way the day of the shoot. Preuschl recalls winds of 20 to 25 mph coming off the river, as well as clouds that didn’t allow for the shadows they were so desperately looking for. Luckily, there was a window of about 25 minutes when the sun came out and cast those shadows.
He really couldn’t have scouted that location any better…it matches the original pretty well. Who knew you could find Belle Époque Paris in southern Wisconsin?
In 1842, a French artist and scholar named Joseph-Philibert Girault de Prangey set out on a tour of the eastern Mediterranean to document sights and architecture via the brand new medium of photography. He started off in what is now Italy and continued on to Greece, Egypt, Turkey, Syria, and the Levant (which includes modern-day Lebanon, Israel, and Palestine). The daguerreotypes he took are the oldest surviving photos of those locations (aside from Italy). It’s incredible to time travel back 180 years to see what these places looked like. (via aeon)
Marveling at these macro images of soap bubbles by photographer Dave Bowman — he calls this series Other Worlds.
See also Are These Photographs of Moons or Pancakes? and frying pans that look like a Jovian moon.
I am a sucker for aerial photography, so I had a lot of fun looking through all the winners and runners-up of the 2023 Drone Photo Awards. As usual, I picked out a few favorites and included them above. From top to bottom, photos by: Sebastian Piórek (a very tidy Polish playground), Brad Weiner (surfer), Gheorghe Popa (amazing abstract shot), and Matias Delacroix (a border crossing between Haiti and the Dominican Republic).
Astrophotographer Cari Letelier caught this amazing shot of the aurora borealis over the Goðafoss waterfall in Iceland. We live in a truly magical world — if science fiction authors made something like this up, you wouldn’t believe it’d ever be real. You can check out more of Letelier’s astrophotography on Instagram or on her website.
I found this via the Astronomy Picture of the Day site, a gem of the old school web that’s been sharing astronomy photos since 1995.
Photographs have always been an imperfect reproduction of real life — see the story of Dorothea Lange’s Migrant Mother or Ansel Adams’ extensive dark room work — but the seemingly boundless alterations offered by current & future AI editing tools will allow almost anyone to turn their photos (or should I say “photos”) into whatever they wish. In this video, Evan Puschak briefly explores what AI-altered photos might do to our memories.
I was surprised he didn’t mention the theory that when a past experience is remembered, that memory is altered in the human brain — that is, “very act of remembering can change our memories”. I think I first heard about this on Radiolab more than 16 years ago. So maybe looking at photos extensively altered by AI could extensively alter those same memories in our brains, actually making us unable to recall anything even remotely close to what “really” happened. Fun!
But also, one could imagine this as a powerful way to treat PTSD, etc. Or to brainwash someone! Or an entire populace… Here’s Hannah Arendt on constantly being lied to:
If everybody always lies to you, the consequence is not that you believe the lies, but rather that nobody believes anything any longer. This is because lies, by their very nature, have to be changed, and a lying government has constantly to rewrite its own history. On the receiving end you get not only one lie — a lie which you could go on for the rest of your days — but you get a great number of lies, depending on how the political wind blows. And a people that no longer can believe anything cannot make up its mind. It is deprived not only of its capacity to act but also of its capacity to think and to judge. And with such a people you can then do what you please.
As I said in response to this quote in a post about deepfakes:
This is the incredible and interesting and dangerous thing about the combination of our current technology, the internet, and mass media: “a lying government” is no longer necessary — we’re doing it to ourselves and anyone with sufficient motivation will be able to take advantage of people without the capacity to think and judge.
P.S. I lol’d too hard at his deadpan description of “the late Thanos”. RIP, big fella.
Greek photographer Anthimos Ntagkas stalks the streets in search of visual coincidences to capture and put on his Instagram account. My Modern Met talked to Ntagkas about his process:
Nowadays, I don’t choose the place, but I make every location work for me. I combine people with elements everywhere I stand. Luckily the themes in this type of photography are endless, and I never lose interest.
See also Eric Kogan’s photography, which has a similar vibe.
The National Audubon Society has announced the winners of the 2023 Audubon Photography Awards. I’ve highlighted a few of my favorites above (from top to bottom, photos by Sandra Rothenberg, Kieran Barlow, and Nathan Arnold). Oh, and don’t miss the pair of videos from Steven Chu…
The other day I posted about how contemporary filmmakers, Wes Anderson in particular, use miniatures in their films. The model/prop maker featured, Simon Weisse, has worked with Anderson on several films, including his latest, Asteroid City. Weisse has been posting behind-the-scenes shots of his studio’s work on Asteroid City to his under-followed Instagram account and I thought a separate post highlighting some of those props and miniatures would be fun.
This video shows a bunch more of the miniatures used in the movie:
I also ran across a few behind-the-scenes videos of the production if you’re in the mood to deep-dive (as I appear to be):
If you’re lucky enough to be in London in the next week and a half, you can go and see some of these props and sets and even eat at the diner at 180 Studios. Very. Jealous.
Heidi Gustafson is the curator of Ochre Sanctuary, a collection of iron-based earths that are the oldest natural pigments used by humans. In her new Book of Earth, Gustafson details where these pigments come from and how to use them to create art. Here are a few images from the book and the Ochre Sanctuary:
Looks like a gorgeous book. Check out her Instagram for more colorful photos of ochres.
Using data from the ESA’s Mars Express probe, the German Aerospace Center has released an enhanced color image of Mars that shows off the planet’s geology and mineral content better than the usual dusty red photos do. Here’s part of what you’re seeing:
It is well known that most of Mars is reddish in colour, due to the high amount of oxidised iron in the dust on its surface, earning it the nickname the ‘Red Planet’. But it is also immediately noticeable that a considerable region of Mars is rather dark, appearing bluish in colour in image 1. These regions represent greyish-blackish-bluish sands, which are volcanic in origin and form large, dark sand layers on Mars. They were primarily piled up by the wind to form imposing sand dunes or enormous dune fields on the floor of impact craters. These unweathered sands consist of dark, basaltic minerals, of which volcanic lava on Earth is also composed. Basalt is the most widespread volcanic rock on Earth — and in the Solar System. Earth’s ocean floor is made of basalt, as are the extinct volcanoes of the Eifel, Mount Etna in Sicily and volcanoes of the Hawaiian archipelago.
In my mind, the best bit is how much clearer you can see the various geographical features of the planet. (via bad astronomy)
NASA keeps the original film negatives from the Apollo program sealed in a frozen vault in Houston, TX and rarely grants access to them. As a result, nearly all of the photos we see of those historic missions were made decades ago or are copies of copies. Recently, the film was cleaned and digitally scanned at “an unprecedented resolution”.
Using these new high-res scans, image specialist Andy Saunders remastered each of the 35,000 photographs, resulting in this incredible-looking book, Apollo Remastered: The Ultimate Photographic Record. From the book’s website:
The photographs from the lunar surface are as close as we can get to standing on the Moon ourselves, and for the first time, we were able to look back at Earth from afar, experiencing the “overview effect” — the cognitive shift that elicits an intense emotional experience upon seeing our home planet from space for the first time. The “Blue Marble” photograph, taken as Apollo 17 set course for the Moon, depicts the whole sunlit Earth, and is the most reproduced photograph of all time. Along with Apollo 8’s “Earthrise,” which depicts Earth above the lunar horizon, it was a catalyst for the environmental movement that continues today.
Saunders is also selling prints of some of these remastered photos, which look absolutely stunning.
FotoAutomat restores vintage analog photo booths and redeploys them around Europe, mostly in Paris.
There are less than fifty working analog photo booths remaining in the world now. Since 2007, FotoAutomat has been working to preserve this photographic heritage by restoring and maintaining the last original analog photobooths in Paris, Nantes and Prague, mainly in spaces dedicated to art and culture.
This is some primo Wes Anderson shit. (via meanwhile)
The Pink Lady Food Photographer of the Year awards have been announced for 2023 and there is lots of good work in more than a dozen categories. As usual, I’ve included a few of my favorites above (photographers from top to bottom: Zhonghua Yang, Md. Asker Ibne Firoz, Mouneb Taim, Khanh Phan Thi) but you should click through to see the rest. (via curious about everything)
Capture the Atlas have announced their picks for the 2023 Milky Way Photographer of the Year competition. As usual, I’ve included a few of my favorites here — from top to bottom: Jakob Sahner’s photo from the Canary Islands, Mihail Minkov’s composite shot of the Milky Way as it looks in both the summer & winter, and Steffi Lieberman amongst the baobab trees in Madagascar. Here’s Minkov explaining his full-galactic view:
I’ve always wondered what the night sky would look like if we could see the two Milky Way arches from the winter and summer side by side. This is practically impossible, since they are part of a whole and are visible at different times of the day.
However, this 360-degree time-blended panorama shows us what they would look like. The two arches of the Milky Way represent one object in the starry sky, with part of it visible in winter and part of it in summer. Therefore, they are called the winter and summer arches. The winter arch includes objects that we can observe from October to March, primarily associated with the constellation Orion.
On the other hand, the summer arch features the Milky Way core, visible from March to September, which is the most characteristic and luminous part of the night sky, representing the center of our galaxy.
Well, I don’t think these photos of Icelandic ice caves by Ryan Newburn need much explanation. Stunning. I found these photos via Colossal, which has more information about how they were taken.
Occupying such an ancient and always evolving space is an experience that’s difficult to photograph, Newburn shares, because the constant trickle of melting water, the roar of distant rivers, or even the unique interplay of light and glacier are impossible to depict entirely. “Underneath the ice, where the sun cannot penetrate,” he says, “your eyes slowly adjust from the bright sun to the glowing deep blue crystal walls of the ice cave. The more that your eyes adjust, the more saturated the blue gets. It’s a surreal visual experience that you cannot get from any photo of an ice cave.”
If you’d like to see some of these places for yourself, Newburn runs a tour company called Ice Pic Journeys.
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