kottke.org posts about photography

For 10 years beginning in the late 90s, photographer Angela Cappetta captured the goings-on of a multi-generational Puerto Rican family living on NYC's Lower East Side, focusing particularly on the youngest daughter, Glendalis. From a recent piece in the New Yorker by Ana Karina Zatarain:
The neighborhood was different then. During those years, just before a fierce wave of gentrification hit the area, the photographer Angela Cappetta often rose at dawn to roam the streets, a Fuji 6x9 camera in hand. ("I still use it," she told me. "It looks fake, like a toy.") It was on one of those mornings that Cappetta encountered a clan that reminded her of her own upbringing, within a multigenerational family of Italian immigrants, in Connecticut. As a child, Cappetta was shepherded among various homes by aunts, uncles, and older cousins-a constant and frenetic flow of relatives. The family she met that day, Puerto Rican New Yorkers living on multiple floors of a tenement building on Stanton Street, had a similar dynamic. Instinctively, she began placing each member in their role. "I looked at this beatific, beautiful family, and I thought, Yeah, I relate to this," she recalled.
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Written in Stone is a collection of photos of stamps and seals imprinted in sidewalks by the people and companies who made them. Great examples of vernacular design.
Update: See also Easy Bay Sidewalk Stamps. (via @presentcorrect)
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The results of the 4th annual Close-Up Photographer of the Year competition have been announced and you can take a look at the top 100 images right here. I've included a few of my favorites above from photographers Minghui Yuan, Alex Pansier, Andy Sands, and Szűcs Boldizsár. (thx, jodi)
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The annual BigPicture Natural World Photography Competition put on by the California Academy of Sciences has announced the winners of the 2022 competition. As usual, I have selected a few of my favorites and included them above; photos by Karine Aigner, Jens Cullmann, Jose Grandio, Sitaram Raul, and Sergio Tapia.
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The annual Comedy Wildlife Photography Awards are always a good time and 2022's competition is no exception. You can peruse the winners and the finalists here. My favorites above are by (from top to bottom) Miroslav Srb, Jennifer Hadley, John Chaney, and Jagdeep Rajput, whose photo captures the wingspan of the sarus crane, the tallest flying bird in the world (up to 5'11", which is almost as tall as I am!)
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A short animated film about photographer David Godlis, who documented the glory days of CBGB, ground zero for the punk & new wave scene in the late 1970s.
Between 1976 and 1980, young Manhattan photographer David Godlis documented the nightly goings-on at the Bowery's legendary CBGB, "the undisputed birthplace of punk rock," with a vividly distinctive style of night photography.
You can check out some of Godlis's photos on his website. (via open culture)
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Over the weekend, NASA's Artemis I mission returned from a 25-day trip to the Moon. The mission was a test-run of the rockets, systems, and spacecraft that will return humans to the surface of the Moon. Visual imaging has been an integral part of even the earliest space missions — strap a camera to a spacecraft, let the people see what space looks like, and they will be inspired. Well, the photographs returned by Artemis I's Orion spacecraft have certainly been inspirational. Working from NASA's archive of images (on Flickr too), I've selected some of the most interesting and dramatic photos from the mission. The one at the top, showing a crescent Earth rising over the Moon's surface, might be one of my favorite space photos ever (and that's really saying something) — you can see a bigger version of it here.
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I'm not going to actually look, but I've probably featured Ulric Collette's series Genetic Portraits here before. Collette photographed family members in the same pose and then digitally stitched them together. The resemblances and differences between family members are fascinating. (via jenni leder)
Update: A similar series by Bobby Neel Adams. (via @geedix)
Update: See also these similar paintings by Daevid Anderson.
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The flamingo's vibrant color makes it a particularly striking bird to take photographs of, especially from the air — the pink really pops against the dark background of the water. Photographer Raj Mohan showcases this in his beautiful photos of flamingos at Pulicat Lake in India.
The annual flamingo festival is held in the month of January, and it is said that about 18 to 20 flamingo groups are distributed across the lake with each group having 700 to 800 birds. This pink flock congregation makes lake Pulicat a pink heaven.
You might remember that flamingos get their pink color from eating halophile dunaliella salina algae and shrimp that feel on algae. (via colossal)
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Science fiction and fantasy artists could labor for a thousand years and never come up with something as beautiful and unbelievable as the aurora borealis. Nature: still undefeated. Those two shots are from the 2022 Northern Lights Photographer of the Year awards — the top one was captured by Tor-Ivar Næss in Norway and the bottom one was taken in Denmark by Ruslan Merzlyakov.
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Gabrielle Schwarz at The Guardian has gathered 20 of the most iconic and meaningful photographs of the effects of the climate crisis. Metaphors abound. I think often of Kristi McCluer's photograph of the golfers casually playing a round in proximity to 2017 Eagle Creek fire in the Pacific Northwest. As David Simon said at the time, "In the pantheon of visual metaphors for America today, this is the money shot." (Iceberg photo by Magnus Kristensen and sled dog photo by Steffen Olsen.)
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From film fan Benito Mussolini and the postwar explosion of Italian filmmaking to a financial rule with big effects and Federico Fellini's La Dolce Vita, Evan Puschak tells the story of how the paparazzi was created.
The history of celebrity paparazzi disrupted the highly manicured image movie stars had enjoyed since the golden age of Hollywood. They brought these gods of our culture down to the messy earth. Interestingly though, this didn't dampen our obsession with fame, as you might expect. No, it turbo charged it. Something about seeing our celebrities brought low — catching a glimpse of their flaws and pains — it didn't push the famous off these weird pedestals we put them on. It only intensified our fixation with them.
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On the 26th flight of Ingenuity, NASA's helicopter on Mars, it spotted and photographed the wreckage of the Perseverance rover's landing gear, protective shell, and parachute. From a NY Times article on the photos:
"There's definitely a sci-fi element to it," Ian Clark, an engineer who worked on Perseverance's parachute system, said of photographs released on Wednesday. "It exudes otherworldly, doesn't it?"
Part of the reason NASA had Ingenuity go take a look is to see how all of that equipment held up during the landing process. Data from the photos will inform future missions.
"Perseverance had the best-documented Mars landing in history, with cameras showing everything from parachute inflation to touchdown," said JPL's Ian Clark, former Perseverance systems engineer and now Mars Sample Return ascent phase lead. "But Ingenuity's images offer a different vantage point. If they either reinforce that our systems worked as we think they worked or provide even one dataset of engineering information we can use for Mars Sample Return planning, it will be amazing. And if not, the pictures are still phenomenal and inspiring."
In the images of the upright backshell and the debris field that resulted from it impacting the surface at about 78 mph (126 kph), the backshell's protective coating appears to have remained intact during Mars atmospheric entry. Many of the 80 high-strength suspension lines connecting the backshell to the parachute are visible and also appear intact. Spread out and covered in dust, only about a third of the orange-and-white parachute — at 70.5 feet (21.5 meters) wide, it was the biggest ever deployed on Mars — can be seen, but the canopy shows no signs of damage from the supersonic airflow during inflation. Several weeks of analysis will be needed for a more final verdict.
It is really remarkable, the images we're seeing from Mars, taken by a robotic helicopter.
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Rudy Willingham holds up paper cutouts of people (and Muppets!) against carefully chosen backgrounds and photographs the results, resulting in these witty portraits.




You can find more of Willingham's work across his various social media platforms: website, Instagram, Twitter, Facebook, and TikTok.
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The bagworm caterpillar is quite the animal architect. In preparation for its transformation into a moth, the caterpillar builds itself a house that it carries around on its back out of materials it finds in its habitat, like sticks or leaves. When it enters the pupa stage, the caterpillar fastens the house to something solid and hunkers down inside.



I couldn't source the top photo but the bottom two were taken by John Horstman, who has a bunch of incredible photos of bagworm caterpillar houses on Flickr. Nicky Bay has also taken many photos of bagworm caterpillar architecture.
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Apple recently announced the winners of a competition to highlight the best macro photos shot on the newest iPhones. Amazing photos from a phone. The camera is really the only reason I upgrade my iPhone every year...it just gets better and better.
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For his project Black Sun, Danish photographer Søren Solkær travelled all over Europe to capture the murmurations of migrating starlings.
The starlings move as one unified organism that vigorously opposes any outside threat. A strong visual expression is created — like that of an ink drawing or a calligraphic brush stroke — asserting itself against the sky. Shapes and black lines of condensation form within the swarm, resembling waves of interference or mathematical abstractions written across the horizon. At times the flock seems to possess the cohesive power of super fluids, changing shape in an endless flux: From geometric to organic, from solid to fluid, from matter to ethereal, from reality to dream — an exchange in which real time ceases to exist and mythical time pervades.
These photographs are also available on Instagram and in book form from Solkær's website. (via ny times)
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Over a period of four years and after thousands of miles of driving, Eric Tabuchi photographed the backs of semi-trailers with letters of the alphabet on them, eventually compiling all 26 letters. Here's the first dozen:

(via present & correct)
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For his Solar Power Series, photographer Tom Hegen aerially photographed solar power plants in France, Spain, and the US. It's not an accident that some of these look like flowers and plants — the compact geometry to ideally capture solar power is similar in both instances.
In a single hour, the amount of power from the sun that strikes the Earth is more than the entire world consumes in a year. Having this in mind, renewable energy sources could be the key to combating climate change.
What does transforming towards more sustainable sources of energy look like?
(via colossal)
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#nyc is photographer Jeff Mermelstein's collection of photos he's taken on the streets of NYC of text messages on people's phone screens. From a review of the book at LensCulture:
At once detached and intimate, we are offered a collection of fragmentary texts that register the daily life events and feelings of a city's occupants, a raw vox pop assortment of broken and interrupted and incomplete messages. We watch users reading, texting and even editing on their phones. There are texts about break ups, declarations of love, dreams, lusts, illnesses, affairs, abortion, pregnancy, death, sexual proclivities, money, as well as recipes, cooking, dirty shower curtains and roach traps. Some messages remain unfathomable and enigmatic: "The nun said, 'That's OK..."
I wonder about the privacy aspect of this, but it's always fascinating to see how other people communicate.
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The European Space Agency's Solar Orbiter recently took 25 images of the Sun from a distance of 46 million miles that, when stitched all together, form the highest resolution photo of the Sun (and its corona) ever created.
The high-resolution telescope of EUI takes pictures of such high spatial resolution that, at that close distance, a mosaic of 25 individual images is needed to cover the entire Sun. Taken one after the other, the full image was captured over a period of more than four hours because each tile takes about 10 minutes, including the time for the spacecraft to point from one segment to the next.
In total, the final image contains more than 83 million pixels in a 9148 x 9112 pixel grid. For comparison, this image has a resolution that is ten times better than what a 4K TV screen can display.
You can zoom in on the image here to see how remarkably detailed it is.
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Stunning drone photo of cherry trees blossoming at a tea plantation in Fujian, China taken by afun阿方. This looks like a still frame from an animated movie...just stunning.
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I have been a fan of slime molds ever since I read about them in Steven Johnson's Emergence; they are fascinating. From a NY Times excerpt of Johnson's book:
The slime mold spends much of its life as thousands of distinct single-celled units, each moving separately from its other comrades. Under the right conditions, those myriad cells will coalesce again into a single, larger organism, which then begins its leisurely crawl across the garden floor, consuming rotting leaves and wood as it moves about. When the environment is less hospitable, the slime mold acts as a single organism; when the weather turns cooler and the mold enjoys a large food supply, "it" becomes a "they." The slime mold oscillates between being a single creature and a swarm.
In his ongoing series of photographs, Barry Webb captures these bizarre and exotic creatures. Yet another example of not having to look off-world to find alien life. (via colossal)
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It's no surprise that the cinematographer responsible for some of the beautifully shot films ever made is also an avid and talented photographer. Roger Deakins, who won Oscars for his work on Blade Runner: 2049 and 19171 and shot almost all of the Coen brothers' films, has published a book of his black & white photography from the last five decades: Roger A. Deakins: Byways.
Although photography has remained one of Roger's few hobbies, more often it is an excuse for him to spend hours just walking, his camera over his shoulder, with no particular purpose but to observe. Some of the images in this book, such as those from Rapa Nui, New Zealand and Australia, he took whilst traveling with James. Others are images that caught his eye as walked on a weekend, or catching the last of the light at the end of a day's filming whilst working on projects in cities such as Berlin or Budapest, on Sicario in New Mexico, Skyfall in Scotland and in England on 1917.
Artnet has an interview with Deakins about the collection and his photography.
Looking back through these photos, I wondered if my eye had changed, and I don't think it has, really. The photographs I took back then are really quite simple; they're pared down in terms of what's in the frame. I guess that's what I've been doing ever since.
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The Instagram account Geomorphological Landscapes features some of the more beautiful and unusual natural and geological features our planet has to offer, including inselbergs, caves, murmurations, ice balls, clouds, and river meanders. The account doesn't stick to strictly natural wonders, but whatever they post is usually worth a look. (via dense discovery)
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The Sony World Photography Awards have announced the winners of their national and regional competitions. As usual with these awards, there's a bunch of great work in here. I've selected a few of my favorites above — from top to bottom, Sergio Carrasco, Chin Leong Teo, Kazi Arifuzzaman, Thanh Nguyen Phuc, and Wonyoung Choi. View the rest of the winning images here. (via colossal)
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The winning photos in the World Nature Photography Awards for 2021 were recently unveiled and it is always such a pleasure and balm to see how well these photographers capture the beauty of the natural world and the creatures who dwell in it. As always, I've included some of my favorites above — from top to bottom, photos by Vince Burton, Gautam Kamat Bambolkar, Chin Leong Teo, and Amos Nachoum. (via in focus)
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For his project For What It's Worth, Dillon Marsh created 1:1 scale visualizations of the minerals extracted from South African mines and placed them in photos of the mines themselves. From top to bottom above, a sphere of the 284,000 metric tonnes of copper extracted from the O'Kiep mine, a sphere of the 9500 metric tonnes of gold from the Free State Gold Field, a sphere of 3850 metric tonnes of platinum extracted in total in South Africa since 1924, and a gemstone of the 7.6 million carats of diamonds extracted from the Koffiefontein Mine.
The diamond in particular, which you might not be able to see in that photo (it's on a vertical stand right in front of the massive hole), underscores just how tiny the amount of material pulled out of these massive mines is, especially when you factor in all the manpower, machinery, injuries, fatalities, and environmental damage related to mining. All that for a bit of shine. (via clive thompson)
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All of the winners and shortlisted entries of the 2021 International Landscape Photographer of the Year contest look fantastic, but I managed to pull out a few favorites. From top to bottom, photos by Tanmay Sapkal, Wayne Sorensen, Takashi Nakazawa, and Tom Putt.
You can view the winners online, or in PDF form.
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