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Ok, having been all over the western Mediterranean for the past two weeks, I'm back. *sigh* Here, without comment or context (I know, I know), are some of the things I saw:
Not pictured: a bunch of amazing food we ate over the course of the trip.
I was reminded the other day of what a curated treasure trove of art 20x200 is. So I took a spin through their archive and pulled out some favorites. First up are these Always Choose Happy prints from Amos Kennedy (I also like his Book Lovers Never Go to Bed Alone prints):
I don't think I've ever seen this solar eclipse photo from Carleton Watkins before. Wow:
Taken on July 29, 1878, Solar Eclipse by canonized landscape photographer Carleton Watkins powerfully, elegantly captures the exact moment the moon completely blocked the sun and cast a surreal shadow over the Earth. Watkins, known for his pioneering work depicting the American West, used this rare event as an opportunity to simultaneously experiment with photographic techniques and record a celestial occurrence. The piece's resulting artistic and technical achievement is as sublime and awe-inspiring as the eclipse itself. It's stunning that then, as now, eclipses humble us all by reminding us of our smallness in a vast and fascinatingly ordered universe.
Sergei Prokudin-Gorskii was a pioneer in color photography; he documented his native Russia in color from 1904 to 1915. Here's his photograph of some flowers (lilacs? hydrangeas?):
We all might need some Rest right now:
I love the photographic work of Gordon Parks; this one is called Camp Fern Rock (archer):
If you've lived in NYC for any length of time, you can't help but be a little bit curious and charmed by the now-abandoned City Hall subway station:
They also have a bunch of stuff from Jason Polan, this amazing eye test chart, prints of several works by Hilma af Klint, and the The Marvelous Mississippi River Meander Maps.
I've posted before about Charles Brooks' fantastic series of photographs of the insides of musical instruments. Recently, Brooks had the opportunity to apply his technique to capture the innards of a particle accelerator.
Despite being a scientific instrument, it behaves a lot like a musical instrument. Electrons pulse through this tunnel in tight, synchronized waves. The powerful magnets above and below make them undulate — just like the vibrating string of a fine cello — creating an intense X-ray beam used to probe hidden structures of our world.
As part of the project, accelerator physicist Eugene Tan converted the pulsing of the electrons in the chamber into sound, "letting us hear the movement of electrons at nearly the speed of light".
Petapixel has a lot more on how this image was captured.
"This was an instant yes for me," Brooks tells PetaPixel. "It ticked so many boxes: I'm always drawn to photographing hidden or complex spaces, and this was one of the most intricate objects I could possibly shoot."
(via colossal)
The NY Times has a nice feature on NASA astronaut Don Pettit's photography from his latest stay in space, a 220-day mission aboard the ISS.
Now, you know I like a good astronomical image (like the one above of an ISS sunrise), but the thing that really caught my eye was the video of Pettit's experiment involving charged water droplets and a teflon needle:
I could watch that allllll day long.
More Pettit: Swirling Green Aurora Captured From the ISS.
The life and work of photographic pioneer Eadweard Muybridge is the subject of a new graphic novel called Muybridge by Guy Delisle.
Sacramento, California, 1870. Pioneer photographer Eadweard Muybridge becomes entangled in railroad robber baron Leland Stanford's delusions of grandeur. Tasked with proving Stanford's belief that a horse's hooves do not touch the ground while galloping at full speed, Muybridge gets to work with his camera. In doing so, he inadvertently creates one of the single most important technological advancements of our age—the invention of time-lapse photography and the mechanical ability to capture motion.
You can find Muybridge at Drawn & Quarterly, Amazon, or Bookshop.
The Hubble Space Telescope was launched into space 35 years ago and in celebration of that milestone, Alan Taylor collected some recent images from the Hubble, whose mission is still ongoing.
Whose Streets? Our Streets! is an exhibition of photos of protests in NYC taken from 1980 to 2000 by dozens of photographers.
New York's streets were turbulent in the 1980s and 1990s, as residents marched, demonstrated, and rioted in response to social changes in their city as well as national and international developments. The profoundly unequal economic recovery of the 1980s, dependent upon investment banking and high-end real estate development, led to heated contests over space and city services, as housing activists opposed gentrification and called attention to the plight of thousands of homeless New Yorkers. Immigration made New York City much more diverse, but a significant proportion of white New Yorkers opposed civil rights and acted to maintain racial segregation.
Attempts to combat the high crime rates of the 1970s and early 1980s exacerbated concerns about police brutality, as innocent black and Latino New Yorkers died at the hands of the police. The culture wars wracking the nation had particular resonance in New York, a center of avant-garde art as well as of gay and lesbian and feminist activism, on the one hand, and home of the Vatican's spokesman in the U.S., Cardinal John O'Connor, and a significant culturally conservative Roman Catholic population on the other.
The photos are grouped by subject: race relations, police brutality, war & environment, AIDS, queer activism, abortion rights, housing, education & labor, and culture wars. (via the morning news)
Photographer Joshua Rozells on his photo of our increasingly crowded night skies:
The light pollution caused by satellites is quickly becoming a growing problem for astronomers. In 2021, over 1700 spacecrafts and satellites were put into orbit. Light pollution caused by SpaceX's Starlink satellites are the worst offenders because they are low Earth orbit satellites, and they travel in satellite trains. One can only assume the issue will exponentially increase in the next few years, with SpaceX alone intending to launch over 40,000 satellites in total. The space industry is almost entirely unregulated, with no limits on the amount of satellites that anyone is able to launch and there is currently no regulation in place to minimise the light pollution they cause.
On Saturday, millions of Americans flooded the streets of cities, small towns, and every other sized municipality in the nation to protest the illegal and damaging actions of the Trump regime. These photos published by a number of media outlets show the scale, enthusiasm, and creativity of these peaceful protests, in the US and around the world.
From astronomer Yuri Beletsky, a photo of Comet C/2024 G3 (ATLAS) arching over ESO's Paranal Observatory in Chile.
Unfortunately, it seems like the comet disintegrated as it swooped around the Sun, always a danger.
The nucleus of Comet ATLAS (C/2024 G3) held together during a brutal perihelion but not for long. Lionel Majzik of Hungary was the first to report and record dramatic changes in the comet between January 18th and 19th. The bright, strongly condensed head rapidly became more diffuse, a sure sign that its nucleus was disintegrating based on past observations of crumbling comets. His superb sequence, photographed remotely from Chile, clearly reveal the dramatic transformation, which was later confirmed by Australian observers.
The tail will be visible for a few days after the breakup — such comets are called "headless wonders" by astronomers. (via @philplait.bsky.social)
For his book Feed the Planet: A Photographic Journey to the World's Food (Bookshop), George Steinmetz travelled the world with his drone, spending "a decade documenting food production in more than 36 countries on 6 continents, 24 US states, and 5 oceans".
In striking aerial images, he captures the massive scale of 21st-century agriculture that has sculpted 40 percent of the Earth's surface.
He explores the farming of staples like wheat and rice, the cultivation of vegetables and fruits, fishing and aquaculture, and meat production. He surveys traditional farming in diverse cultures, and he penetrates vast agribusinesses that fuel international trade. From Kansas wheat fields to a shrimp cocktail's origins in India to cattle stations in Australia larger than some countries, Steinmetz tracks the foods we eat back to land and sea, field and factory. He takes us places that most of us never see, although our very lives depend on them.
You can read more (and watch a video) about the project and view a bunch of photos from the book.
I was reminded recently of Stephen Voss's lovely book, In Training: a book of bonsai photos (Amazon). Voss has a number of bonsai photo prints for sale as well as some videos of bonsai on his blog. This one is of a tree called Goshin, which has been in training since 1953:
In 2020, Stéphanie Colaux discovered an album of photos of Nazi-occupied Paris at a French flea market.
"As I flipped through the pages I realized, my God, it's all scenes of [Nazi] occupied Paris. And I knew I'd found a treasure," she says. "And then I read the little note in the front. 'If you find this album,' it said, 'take care of it and have the courage to look at it.' I thought, someone sent a message in a bottle and I just found it."
The discovery set off a hunt for the unknown photographer, who took the photos at the risk of their own life — the unauthorized taking of such photos was "punishable by imprisonment or death". The story of the search is very much worth reading.
Adding to the intrigue were the captions on the back of the photos, written in block letters as if someone were trying to mask their handwriting. Not only was the location, date and exact time of day noted, but there was also often a snarky caption about the German soldiers, whom the photographer referred to, pejoratively, as "Fritzes."
One read: "After 10 months of Occupation, the Fritzes still can't find their way around Paris."
"The words are very sarcastic," Broussard says. "There is a kind of irony. For example, he says 'our protectors.'"
Wow, check out this just-released image from the JWST team of star cluster NGC 602.
The local environment of this cluster is a close analogue of what existed in the early Universe, with very low abundances of elements heavier than hydrogen and helium. The existence of dark clouds of dense dust and the fact that the cluster is rich in ionised gas also suggest the presence of ongoing star formation processes. This cluster provides a valuable opportunity to examine star formation scenarios under dramatically different conditions from those in the solar neighbourhood.
It is very worth your time to click through and look at this image in all of its massive celestial glory. I found this image via Phil Plait, who calls it "one of the most jaw-droppingly mind stomping images I've seen from JWST" and, directing us back to the science (remember the science?!), notes that NGC 602 is actively forming stars (it's only about 5 million years old) and that it depicts "the first young brown dwarfs outside our Milky Way". Cool!
Too Much Love is a project from Katja Kemnitz in which she photographs the beloved dolls & stuffed animals of young children alongside brand-new versions of the same toys. Anyone who is a parent or caregiver can relate to the destruction on display here, as well as the difficulty of replacing these items.
I show old, much-loved teddies and dolls and compare them with as good as new doppelgangers. I think the broken stuffed animals have a lot of soul. The project is inspired by my older daughter, who took her plush dog everywhere when she was little. One day I found this dog again without button eye and torn seams in the store and bought it. She did not like him. The old one was better and could not be replaced.
In a continuation and tweak of his Coletivos project (which I posted about previously), Cássio Vasconcellos took aerial photos of scrapyards and arranged the junked cars, planes, trains, and other objects into dense photographic collages.
OVER presents a scenario that seems to point to a dystopian future, but which, in fact, brings together fragments of the present. The exaggerated agglomeration denounces the misleading idea of "disposal", given that objects do not cease to exist in the world when we throw them away. Rather, they inhabit other places.
This video shows the artist's process, from hanging out the side of a helicopter to arranging all the items in Photoshop.
The results of the 15th annual Epson International Pano Awards have been announced — you can check out all the winners & runners-up on the competition website. Here are a few of my favorites:
From top to bottom, the photos are by Tuan Nguyen Tan, Kelvin Yuen, Elliot McGucken, and Ignacio Palacios. (via in focus)
The finalists of the 2024 Comedy Wildlife Photography Awards competition have been announced, so if you need a laugh, here you go.
There are so many "tag yourself" moments in these photos. You can check out all of the finalists here and vote for the People's Choice Award until Oct 31.
Out today from National Geographic is Infinite Cosmos, a gorgeous-looking book by Ethan Siegel (intro by Brian Greene). It's about the history of the JWST, humanity's biggest ever space telescope, a machine that allows us to peer deeper & clearer into the universe than ever before, and some of the amazing results obtained through its use.
Siegel wrote a piece about the book for Big Think, which includes an excerpt. Gravitational lensing is so cool:
Even with its unprecedented capabilities, JWST's views of the universe are still finite and limited. The faintest, most distant objects in the cosmos — including the very first stars of all — remain invisible even in the longest-exposure JWST images acquired to date. The universe itself offers a natural enhancement, however, that can reveal features that would otherwise remain unobservable: gravitational lensing.
Whenever a large amount of mass gathers together in one location, it bends and distorts the fabric of the surrounding space-time, just as the theory of general relativity dictates. As light from background objects even farther away passes close to or through that region of the universe, it not only gets distorted but also gets magnified and potentially bent, either into multiple images or into a complete or partial ring. The foreground mass behaves as a gravitational lens. The amount of mass and how it's distributed affect the light passing through it, amplifying the light coming from those background sources.
Infinite Cosmos is available for purchase at Amazon and Bookshop.
In 1888, the Eastman Kodak Company rolled out a new camera and a new slogan. "You press the button, we do the rest." To say this moment revolutionized photography would be an understatement. But this story isn't just about Kodak. It's about what happens when a powerful technology, originally only understood by a select few, can suddenly fit in your hand.
And then, fast-forwarding to the 90s and 00s, Kodak gradually, then suddenly, missed a similar shift that further democratized photography: the move to digital.
Adam DiCarlo takes photos of commuters (mostly bikers) as they exit the Williamsburg Bridge bike path on the Manhattan side and posts them to his Instagram account. (via @BAMstutz)
Royal Museums Greenwich has announced the winners of the Astronomy Photographer of the Year 2024 competition. You can also check out some of the shortlist entries and runners-up in each category (Moon, Sun, etc.)
Photos above by (from top to bottom): Tom Williams, Peter Ward, Ryan Imperio, and Tom Rae.
In 1950, master photographer Irving Penn set up a simple studio in Paris and started to photograph people of all kinds of professions, each wearing their work clothes and carrying the tools of their trade.
Working in the tradition of representing the petits métiers, Penn photographed fishmongers, firefighters, butchers, bakers, divers, baseball umpires, chefs, bike messengers, and sellers of goods of all kinds.
Penn continued photographing workers in New York and London, collecting the photos into a project called Small Trades.
Penn said of the project:
Like everyone else who has recorded the look of tradesmen and workers, the author of this book was motivated by the fact that individuality and occupational pride seem on the wane. To a degree everyone has proved right, and since these photographs were made, London chimney sweeps have all but disappeared and in New York horseshoers — hard to find in 1950 — now scarcely exist.
A possible companion to Penn's photographs: Studs Terkel's Working: People Talk About What They Do All Day and How They Feel About What They Do. (Fun fact: Terkel and his editor got the idea for Working from Richard Scarry's children's book, What Do People Do All Day?)
The first major US retrospective of Vivian Maier's photography is currently on display at Fotografiska New York through Sept 29. Maier was a street photographer whose work was discovered in 2007 and is now recognized "alongside the greatest masters of the twentieth century".
You can see much more of Maier's work on this website of her work.
For his project The Disciples, photographer James Mollison took photo montages of fans outside of music concerts. See if you can guess which concerts these groups of fans attended:
Here's Mollison on the project:
Over three years I photographed fans outside different concerts. I am fascinated by the different tribes of people that attend them, and how people emulate celebrity to form their identity.
As I photographed the project I began to see how the concerts became events for people to come together with surrogate 'families', a chance to relive their youth or try and be part of a scene that happened before they were born.
Fascinating! From top to bottom: Lady Gaga, Merle Haggard, 50 Cent, The Casualties, and Tori Amos. Here's a video featuring some of the photos accompanied by music from the corresponding artists:
Mollison published a book featuring the photos; a signed copy is available from his website.
Oh, I really like this particular image from Bernhard Lang's series of aerial photographs of sea ice in the Baltic (part one, part two). (via colossal)
Photographer Ryan Weideman worked as a NYC taxi driver for 35 years (1981-2016) and photographed his passengers while on the job.
Huck did a profile of Weideman and his work several years ago.
"I drove a Checker cab but I usually got the wrecks because I only drove three or four nights a week," he remembers wistfully. "I spent the rest of the time in my darkroom, printing and developing film."
The quintessential New York cabbie, with a wisecracking mouth and lead foot on the gas pedal, Weideman carefully covered the first three letters of his license so that only the letters 'DEMAN' were visible. When passengers entered the cab, he would proudly announce, "You're riding with the Street Demon."
"I was on the edge of my seat most of the time because I was caught up in the rush of the ride," he recalls. Although the 12-hour shifts were grueling, he never drank coffee or took drugs.
"It was all the adrenalin that flowed from my driving style. I enjoyed the thrill of driving and the sense of competitiveness. Some people really loved it; others were scared and wanted out so I would have to drop them off. Once in a while I would have a passenger that really enjoyed it. One guy jumped out of the cab and said, 'My God, that was a religious experience!'"
Over at Beautiful Public Data, Jon Keegan shares some details about two huge collections of aerial photos of glaciers.
As scientists study the effects of global warming, one of the most visible and alarming indicators is the rapid shrinking of glaciers. Government scientists have been documenting the size, shape, and movement of glaciers since the 1950s employing techniques ranging from direct field observations to aerial photography.
The United States Geological Survey (USGS) has one of the largest collections of aerial glacier photographs. Over 40 years, the USGS' North American Glacier Aerial Photography (NAGAP) project captured thousands of striking high-resolution photos of glaciers and their surroundings.
From 1960 to 1983, self-taught glaciologist Austin Post used a 63-pound World War II-era Fairchild K-17 aerial reconnaissance camera to shoot over 100,000 glacier photos in the western US and Alaska. One of the bush pilots Post teamed up with was William R. Fairchild, who flew a Beech 18 twin engine airplane equipped with five K-17 cameras-one mounted on the nose, two in the belly of the plane, and one on each side.
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