kottke.org posts about photography
Over at the Atlantic, Alan Taylor has collected a bunch of photos showing just how hard China is pushing on solar energy.
As the Trump administration’s “Big, Beautiful Bill” eliminates many clean-energy incentives in the U.S., China continues huge investments in wind and solar power, reportedly accounting for 74 percent of all projects now under construction worldwide.
74% of all solar & wind construction projects worldwide! This pairs well with Bill McKibben’s recent article for the New Yorker, 4.6 Billion Years On, the Sun Is Having a Moment.
People are now putting up a gigawatt’s worth of solar panels, the rough equivalent of the power generated by one coal-fired plant, every fifteen hours. Solar power is now growing faster than any power source in history, and it is closely followed by wind power — which is really another form of energy from the sun, since it is differential heating of the earth that produces the wind that turns the turbines.
Here are some of the winners, finalists, and nominees from the 2025 BigPicture Natural World Photography Competition and their People’s Choice Awards. Photos by (from top to bottom): Simon Biddie, Kat Zhou, Zhou Donglin, Jonas Beyer, and Hitomi Tsuchiya.
A Ghost goby (Pleurosicya mossambica) conspicuously camouflages against coral. While small and unassuming, these cryptic fish are abundant and protein-rich, making them a critical part of reef food chains. But naturally, they’ve evolved to evade predators, the Ghost Goby in particular being partially translucent—allowing him to blend in perfectly with surrounding coral.
Photographer Kat Zhou was diving off the coast of Florida when friends alerted her to this female octopus and her eggs tucked into a pipe of some sort, perhaps a remnant of a shipwreck. Zhou returned four times, trying to capture the mother’s determination to protect her young when they’re most vulnerable. She hopes her work inspires empathy for marine life, including an animal whose behaviors differ wildly from our own but whose maternal instincts are entirely familiar.
The Caribbean reef octopus (Octopus briareus) pictured here broods just a few hundred large eggs. Once she lays her eggs, the female stops eating and guards her growing offspring day and night. Her babies will emerge as fully developed, miniature versions of their parents, ready to change color, squirt ink, hunt for food, and live as small but full-fledged octopuses in the shallow seas around the Caribbean and Gulf of Mexico. Their mother, in contrast, having exhausted herself to ensure her offspring’s survival, will die shortly after they hatch.
Lemurs are remarkably lithe creatures. With long tails providing balance and powerful, slender limbs outfitted with opposable thumbs and toes, they move with ease through the craggy limestone spires of western Madagascar’s Tsingy de Bemaraha National Park. Still, leaping over a 30-meter (100-foot) ravine with a baby clinging to your back seems like a daring choice.
To capture this scene, photographer Zhou Donglin had to do some mountaineering of her own. Setting out before sunrise, Donglin spent an hour scrambling to the top of a rocky peak, praying that the elusive brown lemurs (Eulemur fulvus) would show. After a day of disappointingly distant sightings, Donglin finally found some luck as a small troop descended through a forest of stone, glowing gold in the late evening light.
A pod of Beluga whales (Delphinapterus leucas) gracefully glides through the frigid waters of a broken fjord, their white forms contrasting against the deep, icy blue. As they move in unison, threading their way through the maze of shifting ice, they embody the resilience and adaptability needed to survive in the ever-changing Arctic.
At the southern tip of Kyushu, Japan, a Green sea turtle (Chelonia mydas) swims in a surreal scene just offshore of the volcanic island of Satsuma-iojima. The photographer attributes the fantastical colors to an “underwater aurora” composed of volcanic material, likely influenced by wind direction, water temperature, sunlight, and the tides. She notes that no single moment in the water during an aurora is the same thanks to these fluctuations, meaning this image is as dreamy as it is utterly unique.
(via my modern met)
In looking over the shortlist for the Astronomy Photographer of the Year 2025 competition, I thought about how I’ve seen thousands or even tens of thousands of incredible astronomical images and yet there are always new, mind-blowing things to see. Like this 500,000-km Solar Prominence Eruption by PengFei Chou:
Or Close-up of a Comet by Gerald Rhemann and Michael Jäger:
Or Electric Threads of the Lightning Spaghetti Nebula by Shaoyu Zhang (Lightning Spaghetti Nebula!!!):
Or Dragon Tree Trails by Benjamin Barakat:
Teasingly, the official site only has a selection of the shortlisted entries but if you poke through the posts at Colossal, PetaPixel, and DIY Photography, you can find some more of them. (via colossal)
Death of a Fantastic Machine (aka the camera) is a short documentary on “what happens when humanity’s infatuation with itself and an untethered free market meet 45 billion cameras”…and now AI. It’s about how — since nearly the invention of the camera — photos, films, and videos have been used to lie & mislead, a trend that AI is poised to turbo-charge. Not gonna sugar-coat it: this video made me want to throw my phone in the ocean, destroy my TV, and log off the internet never to return. Oof.
The short is adapted from a feature-length documentary directed by Maximilien Van Aertryck and Axel Danielson called And the King Said, What a Fantastic Machine (trailer). Van Aertryck & Danielson made one of my all-time favorite short films ever, Ten Meter Tower (seriously, you should watch this, it’s fantastic…then you can throw your phone in the ocean).
P.S. I hate the title the NY Times gave this video: “Can You Believe Your Own Eyes? Not With A.I.” That is not even what 99% of the video is about and captures none of what’s interesting or thought-provoking about it. However, it is a great illustration of one of the filmmakers’ main points: how the media uses simplifying fear (in this case, the AI bogeyman 🤖👻) to capture eyeballs instead of trying to engage with complexities. “Death of a Fantastic Machine” arouses curiosity just fine by itself. (via craig mod)
The Vera C. Rubin Observatory in Chile is operational and will soon embark on its primary mission: to take a detailed image of the sky every night for the next ten years.
A powerful new observatory has unveiled its first images to the public, showing off what it can do as it gets ready to start its main mission: making a vivid time-lapse video of the night sky that will let astronomers study all the cosmic events that occur over ten years.
“As the saying goes, a picture is worth a thousand words. But a snapshot doesn’t tell the whole story. And what astronomy has given us mostly so far are just snapshots,” says Yusra AlSayyad, a Princeton University researcher who oversees image processing for the Vera C. Rubin Observatory.
“The sky and the world aren’t static,” she points out. “There’s asteroids zipping by, supernovae exploding.”
And the Vera C. Rubin Observatory, conceived nearly 30 years ago, is designed to capture all of it.
These images will revolutionize how astronomy is done:
Astronomy is following in the path of scientific fields like biology, which today is awash in DNA sequences, and particle physics, in which scientists must sift through torrents of debris from particle collisions to tease out hints of something new.
“We produce lots of data for everyone,” said William O’Mullane, the associate director for data management at the observatory. “So this idea of coming to the telescope and making your observation doesn’t exist, right? Your observation was made already. You just have to find it.”
“Your observation was made already. You just have to find it.” I love that.
The Rubin team has released some images from the telescope’s initial run, to inform the public of what the project is capable of. In less than a half-day’s operation, the Rubin discovered 2,104 new asteroids in our solar system.
In about 10 hours of observations, NSF-DOE Vera C. Rubin Observatory discovered 2104 never-before-seen asteroids in our Solar System, including seven near-Earth asteroids (which pose no danger). Annually, about 20,000 asteroids are discovered in total by all other ground and space-based observatories. Rubin Observatory alone will discover millions of new asteroids within the first two years of the Legacy Survey of Space and Time. Rubin will also be the most effective observatory at spotting interstellar objects passing through the Solar System.
Not bad, rook. The team has set up a dedicated image viewer for their massive images.
You can read more about the Rubin at The Atlantic, The Rubin Observatory Is a Cosmic Cathedral, written by Michael Jones McKean, the observatory’s artist in residence:
Rubin is also a rare scientific megaproject that feels excitingly relatable. Instruments such as particle accelerators, neutrino detectors, and even radio telescopes might command our awe, but they roam in realms far outside sensorial experience. At its core, Rubin is an optical telescope. This links it to a long continuum of prosthetic tools that help our bodies better do what they already do naturally — see and process light.
And a trio of videos on how the observatory works from BBC News, New Scientist, and astrophysicist Becky Smethurst.
Ok, having been all over the western Mediterranean for the past two weeks, I’m back. *sigh* Here, without comment or context (I know, I know), are some of the things I saw:
Not pictured: a bunch of amazing food we ate over the course of the trip.
I was reminded the other day of what a curated treasure trove of art 20x200 is. So I took a spin through their archive and pulled out some favorites. First up are these Always Choose Happy prints from Amos Kennedy (I also like his Book Lovers Never Go to Bed Alone prints):
I don’t think I’ve ever seen this solar eclipse photo from Carleton Watkins before. Wow:
Taken on July 29, 1878, Solar Eclipse by canonized landscape photographer Carleton Watkins powerfully, elegantly captures the exact moment the moon completely blocked the sun and cast a surreal shadow over the Earth. Watkins, known for his pioneering work depicting the American West, used this rare event as an opportunity to simultaneously experiment with photographic techniques and record a celestial occurrence. The piece’s resulting artistic and technical achievement is as sublime and awe-inspiring as the eclipse itself. It’s stunning that then, as now, eclipses humble us all by reminding us of our smallness in a vast and fascinatingly ordered universe.
Sergei Prokudin-Gorskii was a pioneer in color photography; he documented his native Russia in color from 1904 to 1915. Here’s his photograph of some flowers (lilacs? hydrangeas?):
We all might need some Rest right now:
I love the photographic work of Gordon Parks; this one is called Camp Fern Rock (archer):
If you’ve lived in NYC for any length of time, you can’t help but be a little bit curious and charmed by the now-abandoned City Hall subway station:
They also have a bunch of stuff from Jason Polan, this amazing eye test chart, prints of several works by Hilma af Klint, and the The Marvelous Mississippi River Meander Maps.
I’ve posted before about Charles Brooks’ fantastic series of photographs of the insides of musical instruments. Recently, Brooks had the opportunity to apply his technique to capture the innards of a particle accelerator.
Brooks says of the photo:
Despite being a scientific instrument, it behaves a lot like a musical instrument. Electrons pulse through this tunnel in tight, synchronized waves. The powerful magnets above and below make them undulate — just like the vibrating string of a fine cello — creating an intense X-ray beam used to probe hidden structures of our world.
As part of the project, accelerator physicist Eugene Tan converted the pulsing of the electrons in the chamber into sound, “letting us hear the movement of electrons at nearly the speed of light”.
Petapixel has a lot more on how this image was captured.
“This was an instant yes for me,” Brooks tells PetaPixel. “It ticked so many boxes: I’m always drawn to photographing hidden or complex spaces, and this was one of the most intricate objects I could possibly shoot.”
(via colossal)
The NY Times has a nice feature on NASA astronaut Don Pettit’s photography from his latest stay in space, a 220-day mission aboard the ISS.
Now, you know I like a good astronomical image (like the one above of an ISS sunrise), but the thing that really caught my eye was the video of Pettit’s experiment involving charged water droplets and a teflon needle:
I could watch that allllll day long.
More Pettit: Swirling Green Aurora Captured From the ISS.
The life and work of photographic pioneer Eadweard Muybridge is the subject of a new graphic novel called Muybridge by Guy Delisle.
Sacramento, California, 1870. Pioneer photographer Eadweard Muybridge becomes entangled in railroad robber baron Leland Stanford’s delusions of grandeur. Tasked with proving Stanford’s belief that a horse’s hooves do not touch the ground while galloping at full speed, Muybridge gets to work with his camera. In doing so, he inadvertently creates one of the single most important technological advancements of our age—the invention of time-lapse photography and the mechanical ability to capture motion.
You can find Muybridge at Drawn & Quarterly, Amazon, or Bookshop.
The Hubble Space Telescope was launched into space 35 years ago and in celebration of that milestone, Alan Taylor collected some recent images from the Hubble, whose mission is still ongoing.
Whose Streets? Our Streets! is an exhibition of photos of protests in NYC taken from 1980 to 2000 by dozens of photographers.
New York’s streets were turbulent in the 1980s and 1990s, as residents marched, demonstrated, and rioted in response to social changes in their city as well as national and international developments. The profoundly unequal economic recovery of the 1980s, dependent upon investment banking and high-end real estate development, led to heated contests over space and city services, as housing activists opposed gentrification and called attention to the plight of thousands of homeless New Yorkers. Immigration made New York City much more diverse, but a significant proportion of white New Yorkers opposed civil rights and acted to maintain racial segregation.
Attempts to combat the high crime rates of the 1970s and early 1980s exacerbated concerns about police brutality, as innocent black and Latino New Yorkers died at the hands of the police. The culture wars wracking the nation had particular resonance in New York, a center of avant-garde art as well as of gay and lesbian and feminist activism, on the one hand, and home of the Vatican’s spokesman in the U.S., Cardinal John O’Connor, and a significant culturally conservative Roman Catholic population on the other.
The photos are grouped by subject: race relations, police brutality, war & environment, AIDS, queer activism, abortion rights, housing, education & labor, and culture wars. (via the morning news)
Photographer Joshua Rozells on his photo of our increasingly crowded night skies:
The light pollution caused by satellites is quickly becoming a growing problem for astronomers. In 2021, over 1700 spacecrafts and satellites were put into orbit. Light pollution caused by SpaceX’s Starlink satellites are the worst offenders because they are low Earth orbit satellites, and they travel in satellite trains. One can only assume the issue will exponentially increase in the next few years, with SpaceX alone intending to launch over 40,000 satellites in total. The space industry is almost entirely unregulated, with no limits on the amount of satellites that anyone is able to launch and there is currently no regulation in place to minimise the light pollution they cause.
On Saturday, millions of Americans flooded the streets of cities, small towns, and every other sized municipality in the nation to protest the illegal and damaging actions of the Trump regime. These photos published by a number of media outlets show the scale, enthusiasm, and creativity of these peaceful protests, in the US and around the world.
From astronomer Yuri Beletsky, a photo of Comet C/2024 G3 (ATLAS) arching over ESO’s Paranal Observatory in Chile.
Unfortunately, it seems like the comet disintegrated as it swooped around the Sun, always a danger.
The nucleus of Comet ATLAS (C/2024 G3) held together during a brutal perihelion but not for long. Lionel Majzik of Hungary was the first to report and record dramatic changes in the comet between January 18th and 19th. The bright, strongly condensed head rapidly became more diffuse, a sure sign that its nucleus was disintegrating based on past observations of crumbling comets. His superb sequence, photographed remotely from Chile, clearly reveal the dramatic transformation, which was later confirmed by Australian observers.
The tail will be visible for a few days after the breakup — such comets are called “headless wonders” by astronomers. (via @philplait.bsky.social)
For his book Feed the Planet: A Photographic Journey to the World’s Food (Bookshop), George Steinmetz travelled the world with his drone, spending “a decade documenting food production in more than 36 countries on 6 continents, 24 US states, and 5 oceans”.
In striking aerial images, he captures the massive scale of 21st-century agriculture that has sculpted 40 percent of the Earth’s surface.
He explores the farming of staples like wheat and rice, the cultivation of vegetables and fruits, fishing and aquaculture, and meat production. He surveys traditional farming in diverse cultures, and he penetrates vast agribusinesses that fuel international trade. From Kansas wheat fields to a shrimp cocktail’s origins in India to cattle stations in Australia larger than some countries, Steinmetz tracks the foods we eat back to land and sea, field and factory. He takes us places that most of us never see, although our very lives depend on them.
You can read more (and watch a video) about the project and view a bunch of photos from the book.
I was reminded recently of Stephen Voss’s lovely book, In Training: a book of bonsai photos (Amazon). Voss has a number of bonsai photo prints for sale as well as some videos of bonsai on his blog. This one is of a tree called Goshin, which has been in training since 1953:
In 2020, Stéphanie Colaux discovered an album of photos of Nazi-occupied Paris at a French flea market.
“As I flipped through the pages I realized, my God, it’s all scenes of [Nazi] occupied Paris. And I knew I’d found a treasure,” she says. “And then I read the little note in the front. ‘If you find this album,’ it said, ‘take care of it and have the courage to look at it.’ I thought, someone sent a message in a bottle and I just found it.”
The discovery set off a hunt for the unknown photographer, who took the photos at the risk of their own life — the unauthorized taking of such photos was “punishable by imprisonment or death”. The story of the search is very much worth reading.
Adding to the intrigue were the captions on the back of the photos, written in block letters as if someone were trying to mask their handwriting. Not only was the location, date and exact time of day noted, but there was also often a snarky caption about the German soldiers, whom the photographer referred to, pejoratively, as “Fritzes.”
One read: “After 10 months of Occupation, the Fritzes still can’t find their way around Paris.”
“The words are very sarcastic,” Broussard says. “There is a kind of irony. For example, he says ‘our protectors.’”
Wow, check out this just-released image from the JWST team of star cluster NGC 602.
The local environment of this cluster is a close analogue of what existed in the early Universe, with very low abundances of elements heavier than hydrogen and helium. The existence of dark clouds of dense dust and the fact that the cluster is rich in ionised gas also suggest the presence of ongoing star formation processes. This cluster provides a valuable opportunity to examine star formation scenarios under dramatically different conditions from those in the solar neighbourhood.
It is very worth your time to click through and look at this image in all of its massive celestial glory. I found this image via Phil Plait, who calls it “one of the most jaw-droppingly mind stomping images I’ve seen from JWST” and, directing us back to the science (remember the science?!), notes that NGC 602 is actively forming stars (it’s only about 5 million years old) and that it depicts “the first young brown dwarfs outside our Milky Way”. Cool!
Too Much Love is a project from Katja Kemnitz in which she photographs the beloved dolls & stuffed animals of young children alongside brand-new versions of the same toys. Anyone who is a parent or caregiver can relate to the destruction on display here, as well as the difficulty of replacing these items.
I show old, much-loved teddies and dolls and compare them with as good as new doppelgangers. I think the broken stuffed animals have a lot of soul. The project is inspired by my older daughter, who took her plush dog everywhere when she was little. One day I found this dog again without button eye and torn seams in the store and bought it. She did not like him. The old one was better and could not be replaced.
In a continuation and tweak of his Coletivos project (which I posted about previously), Cássio Vasconcellos took aerial photos of scrapyards and arranged the junked cars, planes, trains, and other objects into dense photographic collages.
OVER presents a scenario that seems to point to a dystopian future, but which, in fact, brings together fragments of the present. The exaggerated agglomeration denounces the misleading idea of “disposal”, given that objects do not cease to exist in the world when we throw them away. Rather, they inhabit other places.
This video shows the artist’s process, from hanging out the side of a helicopter to arranging all the items in Photoshop.
The results of the 15th annual Epson International Pano Awards have been announced — you can check out all the winners & runners-up on the competition website. Here are a few of my favorites:
From top to bottom, the photos are by Tuan Nguyen Tan, Kelvin Yuen, Elliot McGucken, and Ignacio Palacios. (via in focus)
Out today from National Geographic is Infinite Cosmos, a gorgeous-looking book by Ethan Siegel (intro by Brian Greene). It’s about the history of the JWST, humanity’s biggest ever space telescope, a machine that allows us to peer deeper & clearer into the universe than ever before, and some of the amazing results obtained through its use.
Siegel wrote a piece about the book for Big Think, which includes an excerpt. Gravitational lensing is so cool:
Even with its unprecedented capabilities, JWST’s views of the universe are still finite and limited. The faintest, most distant objects in the cosmos — including the very first stars of all — remain invisible even in the longest-exposure JWST images acquired to date. The universe itself offers a natural enhancement, however, that can reveal features that would otherwise remain unobservable: gravitational lensing.
Whenever a large amount of mass gathers together in one location, it bends and distorts the fabric of the surrounding space-time, just as the theory of general relativity dictates. As light from background objects even farther away passes close to or through that region of the universe, it not only gets distorted but also gets magnified and potentially bent, either into multiple images or into a complete or partial ring. The foreground mass behaves as a gravitational lens. The amount of mass and how it’s distributed affect the light passing through it, amplifying the light coming from those background sources.
Infinite Cosmos is available for purchase at Amazon and Bookshop.
In 1888, the Eastman Kodak Company rolled out a new camera and a new slogan. “You press the button, we do the rest.” To say this moment revolutionized photography would be an understatement. But this story isn’t just about Kodak. It’s about what happens when a powerful technology, originally only understood by a select few, can suddenly fit in your hand.
And then, fast-forwarding to the 90s and 00s, Kodak gradually, then suddenly, missed a similar shift that further democratized photography: the move to digital.
Adam DiCarlo takes photos of commuters (mostly bikers) as they exit the Williamsburg Bridge bike path on the Manhattan side and posts them to his Instagram account. (via @BAMstutz)
Royal Museums Greenwich has announced the winners of the Astronomy Photographer of the Year 2024 competition. You can also check out some of the shortlist entries and runners-up in each category (Moon, Sun, etc.)
Photos above by (from top to bottom): Tom Williams, Peter Ward, Ryan Imperio, and Tom Rae.
In 1950, master photographer Irving Penn set up a simple studio in Paris and started to photograph people of all kinds of professions, each wearing their work clothes and carrying the tools of their trade.
Working in the tradition of representing the petits métiers, Penn photographed fishmongers, firefighters, butchers, bakers, divers, baseball umpires, chefs, bike messengers, and sellers of goods of all kinds.
Penn continued photographing workers in New York and London, collecting the photos into a project called Small Trades.
Penn said of the project:
Like everyone else who has recorded the look of tradesmen and workers, the author of this book was motivated by the fact that individuality and occupational pride seem on the wane. To a degree everyone has proved right, and since these photographs were made, London chimney sweeps have all but disappeared and in New York horseshoers — hard to find in 1950 — now scarcely exist.
A possible companion to Penn’s photographs: Studs Terkel’s Working: People Talk About What They Do All Day and How They Feel About What They Do. (Fun fact: Terkel and his editor got the idea for Working from Richard Scarry’s children’s book, What Do People Do All Day?)
The first major US retrospective of Vivian Maier’s photography is currently on display at Fotografiska New York through Sept 29. Maier was a street photographer whose work was discovered in 2007 and is now recognized “alongside the greatest masters of the twentieth century”.
You can see much more of Maier’s work on this website of her work.
For his project The Disciples, photographer James Mollison took photo montages of fans outside of music concerts. See if you can guess which concerts these groups of fans attended:
Here’s Mollison on the project:
Over three years I photographed fans outside different concerts. I am fascinated by the different tribes of people that attend them, and how people emulate celebrity to form their identity.
As I photographed the project I began to see how the concerts became events for people to come together with surrogate ‘families’, a chance to relive their youth or try and be part of a scene that happened before they were born.
Fascinating! From top to bottom: Lady Gaga, Merle Haggard, 50 Cent, The Casualties, and Tori Amos. Here’s a video featuring some of the photos accompanied by music from the corresponding artists:
Mollison published a book featuring the photos; a signed copy is available from his website.
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