kottke.org posts about photography




For his project For What It’s Worth, Dillon Marsh created 1:1 scale visualizations of the minerals extracted from South African mines and placed them in photos of the mines themselves. From top to bottom above, a sphere of the 284,000 metric tonnes of copper extracted from the O’Kiep mine, a sphere of the 9500 metric tonnes of gold from the Free State Gold Field, a sphere of 3850 metric tonnes of platinum extracted in total in South Africa since 1924, and a gemstone of the 7.6 million carats of diamonds extracted from the Koffiefontein Mine.
The diamond in particular, which you might not be able to see in that photo (it’s on a vertical stand right in front of the massive hole), underscores just how tiny the amount of material pulled out of these massive mines is, especially when you factor in all the manpower, machinery, injuries, fatalities, and environmental damage related to mining. All that for a bit of shine. (via clive thompson)




All of the winners and shortlisted entries of the 2021 International Landscape Photographer of the Year contest look fantastic, but I managed to pull out a few favorites. From top to bottom, photos by Tanmay Sapkal, Wayne Sorensen, Takashi Nakazawa, and Tom Putt.
You can view the winners online, or in PDF form.





Using AI image processing software, Hidreley Diao creates photorealistic portraits of familiar cartoon characters. The one of Moe from The Simpsons is kind of amazing — he’s got the look of a long-time character actor who’s developed so much depth over the years that he starts getting bigger roles and everyone’s like, this guy is actually kind of enigmatic and attractive and fantastic.
You can find more of his efforts on Instagram, where he also makes AI-assisted portraits of people we don’t have photos of (e.g. Michelangelo) and fictional people (e.g. Hercules and the Statue of Liberty).
See also the “Reverse Toonification” of Pixar Characters and What Homer Simpson Would Look Like in Real Life.
In major US metropolitan areas like Boston and Chicago that see significant winter snowfall, there’s a tradition of saving one’s shoveled-out street parking space with an object or objects that indicate to others that they should park elsewhere. After a big January storm, the Chicago Tribune posted a collection of photos of the best “parking dibs” in the city.


See also The Pittsburgh Parking Chair.





For his project “I’m not a look-alike!”, François Brunelle finds and photographs pairs of people who are unrelated but who look like twins.
See also Find Your Museum Doppelganger and Identical Strangers. (via life is so beautiful)



The winning entries in the Environmental Photographer of the Year for 2021 highlight the ways in which our planet’s climate is changing and how humans are (and are not) adapting to those changes. From top to bottom, photos by Kevin Ochieng Onyango, Simone Tramonte, and Michele Lapini. (via dense discovery)



Brazilian photographer Luisa Dörr travelled to Bolivia and photographed the members of ImillaSkate, a group of Aymara and Quechua women who skateboard, often in traditional cholita clothing. From a slideshow of photos by Dörr in El Pais (translated from Spanish by Google):
I traveled to Cochabamba in September and was struck by the strong prejudice that exists in Bolivian society against indigenous people. There are medical cholitas or lawyers there who radically change their way of dressing if they go to the city and you hardly see young cholitas. It is a culture that is being lost. However, these women, beyond emboldening girls with sport, show their pride in being cholitas.
Here’s a short documentary about ImillaSkate with English subtitles and you can follow more of Dörr’s work on Instagram. See also the Girls of Guanabara.

Using a composite of 25 different shots done over a period of 12 minutes in his backyard, amateur astrophotographer Andrew McCarthy created this stunning image of Comet Leonard. From PetaPixel:
Processing comet images is a challenge because even in the span of 12 minutes, the comet drifts across the frame relative to the background stars,” McCarthy tells PetaPixel. “Due to the comet’s motion, it has to be stacked differently. I tell the software to stack the images based on the comet position and star positions separately, which is then combined together to produce an image with the comet and stars both sharp.
See also this image of Leonard and McCarthy’s colorful photo of a full moon.











It is difficult to separate 2021 from the previous year — Covid, social & political unrest, and the climate crisis bind them together in my memory. I think, at the beginning of this year, many people thought it was going to be better year than the last, but instead it was 2020: The Sequel. Meaghan Looram summed the year up succinctly for the NY Times:
The year 2021 opened with the promise of vaccines, and the belief that we would all return to “normal” after the tumultuous year of the pandemic. But the year instead took off with an insurrection in the U.S. Capitol, and saw a summer of carefree gatherings derailed by a fast-spreading virus. Governments fell, democracies were challenged, and climate-related destruction was unleashed, all while the casualties of the pandemic continued to amass. The vaccine saved some lives, but human passions, hopes and fears did their usual work to create a year that was anything but calm, and is ending with the prospect of a new variant upending plans once again.
As I do every year, I went through a bunch of photos-of-the-year lists and picked up some favorites; they are embedded above. The first photo, taken by amateur photographer Shawn Triplett with his iPhone in the aftermath of the Kentucky tornados, wasn’t included in any of the lists but it was probably my favorite of the year. There’s something about the framing, the emptiness, the destruction, and the screen-mediated chaos vs. order that is the perfect metaphor for how things are feeling right now.
You can check out more of the year’s best photos here:
The photos above were taken by (from top to bottom): Shawn Triplett, satellite imagery, Shannon Stapleton, Jouni Porsanger, Siphiwe Sibeko, Callaghan O’Hare, Don Seabrook, Alexey Pavlishak, Emilio Morenatti, Anonymous, and Doug Mills.





Oh, Tim Flach takes wonderful photos of birds, birbs, and everything in-between (including an avian dead ringer for Hercule Poirot). He recently published a book of this work called Birds and you can of course keep up with his stuff on Instagram. (via jodi)



Check out some of the best aurora borealis and aurora australis photos taken in 2021 in the results of the 2021 Northern Lights Photographer of the Year competition.1 My three favorites (embedded above) were taken by Larryn Rae, Marc Adamus, and Frøydis Dalheim. (thx, caroline)




The winners of the 2021 Red Bull Illume Image Quest photography contest have been announced. You can take a look at the winners, runners-up, and finalists in the contest — so much impressive work here. Photos above are by Will Saunders, Rod Hill, Andreas Busslinger, and Adrien Petit. (via in focus)




For his series Vanishing Spirits: The Dried Remains of Single Malt Scotch, photographer Ernie Buttons photographed the creatively lit bottoms of glasses emptied of their single malt Scotch whisky. The results look like alien worlds.
These remind me a lot of Christopher Jonassen’s frying pan worlds and Nadine Schlieper’s & Robert Pufleb’s photos of pancakes that look like moons. (via moss & fog)



Last winter, Carla Rhodes captured some scenes of the animal life underneath her bird feeder. Rhodes is a wildlife conservation photographer, so the photos are good and she made certain to do the right thing with her feeder:
Ethical considerations were at the forefront of this project. This included hanging the feeder in a tree away from house windows. If not cared for properly, bird feeders can be a vector for diseases, such as salmonella. To avoid this issue I regularly raked beneath the bird feeder (and turned the soil below), rotated the feeder to different branches, occasionally allowed the feeder to be empty, and regularly disinfected the feeder with dish soap and dilute bleach solution.
(via colossal)





I have featured Suren Manvelyan’s ultra-macro photos of human eyes on the site before, but since I think about them all the time, here they are again. I just wish the images were bigger. Manvelyan has also shot a bunch of animal eyes at close range — this is a llama eye:
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