Some recent covers by Chip Kidd of
Some recent covers by Chip Kidd of three books by James Ellroy. The photographs on the covers are of dioramas of pulp fiction covers made by Thomas Allen. (via yda)
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Some recent covers by Chip Kidd of three books by James Ellroy. The photographs on the covers are of dioramas of pulp fiction covers made by Thomas Allen. (via yda)
Tax tips for graphic designers and visual artists. “If seeing the visual art of others is vital to your own creativity, keeps you abreast of current design trends, or clues you in to the latest fashion, then consider the costs [of going to the movies or renting DVDs] a tax deduction.” (thx, shane)
Finalists for the 2007 version of the annual competition held by Design Within Reach to design the best chair out of a champagne cork. Check out the finalists from 2004 and the winner from 2006. (DWR’s site has a bit of a permalink problem, so I can’t find contest results from previous years.)
Each day, Brass Tacks Design chooses an exemplary newspaper front page and explains why it’s so good. (via newsdesigner)
80 wonderful handdrawn typographic posters by Job Wouters. (via type for you)
Designers often have the design disease, where you “can’t stop looking at things through your designer eyes”. “But it’s not just books, it’s everything. You’ll choose wine by the design of the label and you’d stay [at a hotel] because of the sign.” (via emdashes)
Update: Bruce writes: “A parallel affliction to the Design Disease is Climber’s Complaint, wherein someone who takes up rock climbing begins to see every object and architecture as potentially climbable. Similarly, Skater’s Disorder afflicts those for whom every surface is seen to exhibit some measure of skate-worthiness.”
Photos of patterns taken from public transport vehicles. Gotta make it ugly enough to hide the stains, I guess.
Video: web designers Jeffreys Veen and Zeldman fight in Wii Boxing. More web designer Miis here and an explanation here.
Pentagram has redesigned the Doomsday Clock, which depicts the world’s proximity to nuclear annihilation. The funny thing is that they designed the 12 o’clock face, which will never actually be needed because we’ll all be dead before the Bulletin of the Atomic Scientists has a change to move it forward.
By now you’ve all heard about the iPhone and read 60 billion things about it, so I’ll get straight to it. I’ve been tracking some of the best points from around the web and jotted down some thoughts of my own.
Caveat: Evaluating an interface, software or hardware, is difficult to do unless you have used it. An interface for something like a mobile phone is something you use on the time-scale of weeks and months, not minutes or hours. There are certain issues you can flag as potential problems, challenges, or triumphs after viewing demos, descriptions of functions, and the like, but until you’re holding the thing in your hand and living with it day-to-day, you really can’t say “this is going to work this way” or “I don’t like the way that functions” with anything approaching absolute confidence. With that said:
The touchscreen text entry is the biggest issue with the iPhone. If it works well, the iPhone has a good shot at success, and if not, it’s going to be very frustrating for those that rely on their mobile for text…and every potential customer of the iPhone is going to hear about that shortcoming and shy away.
What *is* fantastic about the iPhone is the way that they’ve put it all together; features are great, but it’s all about the implementation. Apple stripped out all the stuff you don’t need and made everything you do need really simple and easy. (That’s the way it appears anyway…see above caveat.)
One reason there’s limited innovation in cell phones generally is that the cell carriers have stiff guidelines that the manufacturers have to follow. They demand that all their handsets work the same way. “A lot of times, to be honest, there’s some hubris, where they think they know better,” Jobs says. “They dictate what’s on the phone. That just wouldn’t work for us, because we want to innovate. Unless we could do that, it wasn’t worth doing.” Jobs demanded special treatment from his phone service partner, Cingular, and he got it. He even forced Cingular to re-engineer its infrastructure to handle the iPhone’s unique voicemail scheme. “They broke all their typical process rules to make it happen,” says Tony Fadell, who heads Apple’s iPod division. “They were infected by this product, and they were like, we’ve gotta do this!”
Several people have speculated that the iPhone’s version of OS X is actually a preview of what we’ll be getting with Leopard, the next version of Mac OS X.That is to say the core operating system at the core of Mac OS X, the computer OS used in Macs, and “OS X”, the embedded OS on the iPhone. More on this soon in a separate fireball, but do not be confused: Mac OS X and OS X are not the same thing, although they are most certainly siblings. The days of lazily referring to “Mac OS X” as “OS X” are now over.
Apple has figured out a way to retain a hold on hearts and minds in a business previously based on bytes. I applaud its designs, I worry about its tactics and what they mean for the future of marketing and group think. A group that wants our devotion but doesn’t need the press, doesn’t want the press, can’t keep the press off its backs, is a group that’s more interested in mind control than in improving lives with its products.
And that’s enough, I think.
Nicholas Felton’s personal annual report for 2006. “Disclaimer: Alcoholic beverages were consumed during the collection of this data and the author acknowledges that the occasional drink may have gone unrecorded.” Here’s the one for 2005. LOVE this.
Peter Merholz has some interesting thoughts on why Google Calendar is about to overtake Yahoo Calendar as the top web calendar app. “Here’s a product whose very definition was predicated on empathy for true customer needs. And it’s succeeding brilliantly.”
Food manufacturers are greenwashing their packaging, using homey organic colors and themes to sell food that isn’t even necessarily organic or healthy. “Start with a gentle image of a field or a farm to suggest an ample harvest gathered by an honest, hard-working family. To that end, strangely oversize vegetables or fruits are good. If they are dew-kissed and nestled in a basket, all the better. A little red tractor is O.K. Pesticide tanks and rows of immigrant farm laborers bent over in the hot sun are not.”
10 kick ass opening credit sequences from movies (+ accompanying YouTube videos). The credits for Se7en will forever be my favorite, if only because they inspired me (in part) to become a designer.
Scans of the New York City Transit Authority Graphics Standards Manual from 1970. (thx, jake)
A look at Saks Fifth Avenue’s new logo and identity. The identity system consists of cutting up the logo into patterns….98,137,610,226,945,526,221,323,127,451,938,506, 431,029,735,326,490,840,972,261,848,186,538, 906,070,058,088,365,083,852,800,000,000,000 possible patterns.
Quirky West Village eatery Shopsin’s finally closes for good. Once more, with feeling: the Shopsin’s menu and Calvin Trillin’s classic piece about the restaurant in the NYer.
Update: James Felder wrote a nice remembrance of eating at Shopsin’s on its final day for Serious Eats. (thx, adam)
The proprietor of the Book Design Review blog picks his favorite book covers of 2006.
Slate has gone to the dark side by splitting up their articles into multiple pages. I hate this reader-hostile bullshit. At least they have a single page option. But why not have that as the default and have the pagination be the option? (That was rhetorical, btw…the reason online pubs split stories up is to increase ad views.) (thx, john)
Roger Black interviews Luke Hayman, the outgoing design director of New York magazine.
Lisa Strausfeld’s team at Pentagram has designed the interface for the One Laptop Per Child computer. “Users can move outward from the Home view, where they can set preferences like color, to the Friends view, where they can chat with their friends, to the larger Neighborhood view, where they can locate other users and gather around an activity.”
Update: The OLPC human interface guidelines document has a lot more on the interface. (thx, bob)
At The Art of the Book event last week, the panel was asked why there were so few female superstar designers. Milton Glaser took a shot at answering the question (many women choose family over work during the crucial superstar career development years) but judging by the reaction afterwards online, his comments were not appreciated by some. To be fair, Glaser’s comments were taken out of context, I think, and what he said is a part of the overall answer to the question. On Design Observer, Michael Beirut, who was the moderator for that evening’s event, takes a closer look at the issue. “The real question was the unspoken one: ‘Why is it that you guys up there are always…guys?’” Oh, and here’s a list of women speakers for your conference.
The Max Planck Institute of Molecular Cell Biology and Genetics has a logo that changes every time it gets used on letterhead or displayed on a web site. The logo system was designed by Michael Schmitz and is based on cellular automata like John Conway’s Game of Life. “Parameters [for the logo] are coupled to certain factors: number of employees = density, funding = speed, number of publications = activity. Different logos are being ‘bred’ and then picked by fitness in relation to the parameters or voted for by the employees.” Schmitz’s PDF document Evolving Logo is worth a look even if you don’t read German. (Anyone want to do a translation? It looks fascinating.) (via bbj)
Bookslut lists the best book covers of 2006. (via lists 2006)
Took in The Art of the Book lecture at the 92nd Street Y last night. Milton Glaser, Chip Kidd (“a modern day Truman Capote” I heard him described as afterward), Dave Eggers, with Michael Beirut moderating. One of the most interesting comments came late in the proceedings from Dave Eggers, who described one of the main goals of the McSweeney’s design staff as attempting to design the books as well and as beautifully as they could as objects so that people would be compelled to save them. That way, even if people didn’t have time to read them soon after purchase, they couldn’t bear to throw/give the book away and would instead put it on their shelf in the hopes โ McSweeney’s hopes, that is โ that the buyer would at some point pull it down off the shelf and give it another try.
This design goal runs counter to the design process behind most contemporary book jackets, which are engineered almost entirely for the purpose of eliciting in the potential buyer a “buy me” reaction within two seconds of spotting them. McSweeney’s, as a champion of authors, wants the writing to be read while most major publishing companies, as champions of their shareholders, want books to be purchased. People buying books is important to the goal of getting the writing within them read, but McSweeney’s emphasis on designing books to last in people’s homes is a clever way to pursue that goal after the sale.
Design Observer’s 2006 holiday reading list. Lots of good gift ideas.
Beautiful-looking 2007 calendar designed by Paula Scher and her team at Pentagram.
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