kottke.org posts about design
I went to a mini conference put on by Core77 on Friday and I’ll post a bit more about a couple of the participants in a day or so, but if you were in attendance, you may not have noticed that the person onstage claiming to be artist/designer Tobias Wong was not actually Tobias Wong (more).
The setup was an art project on Tobias’s part, they practiced together for some time to make it work. There were a lot of little jokes in fake Tobias’s talk for people who knew what was going on. Tobias was in the audience, actually answered a question for fake-Tobias during his talk.
Title sequences from Doctor Who, 1963-2006. Unfortunately all the videos are in Real format, which in the age of YouTube is just silly. Not unfortunately, most of the opening titles videos are available on YT: first Doctor, second Doctor, third Doctor, fourth Doctor, fifth Doctor, sixth Doctor, and seventh Doctor, as well as other variants. (via quipsologies)
Alexander Bohn wrote a glowing review of FFFFOUND! at Speak Up the other day. My FFFFOUND! fandom is documented elsewhere, so I’ll comment instead on an observation Bohn made in his initial paragraph:
Graphic design might not work in the white cube, but it flourishes on a white background. A new mutated strain of design blog has evolved: The Randomly Curated Other People’s Images White Background Site, or RCOPIWS. Sites like Manystuff, Monoscope, Your Daily Awesome, and VVORK (among countless others) offer designers and design aficionados a constant flood of typographic morsels, interesting photos, arresting new art, and the like. One such site sets itself apart, notably, from the other RCOPIWSes: the collaborative image-bookmarking site ffffound.com — allegedly, but unconfirmed, initiated by online fiend Yugo Nakamura.
Among the many things that the internet has democratized is curating, a task once more or less exclusive to editors (magazine, book, and newspaper), art gallery owners, media executives (music, TV, and film), and museum curators. They choose the art you see on a museum’s wall, the shows you see on TV, the movies that get made, and the stories you read in the newspaper. The ease and low cost of publishing on the web coupled with the abundance of sample-ready media has made the curating process available to many more people. Smashing Telly is David Galbraith’s rolling film festival (or TV channel). By simply listening to the music that you like, Last.fm allows anyone to put together their own radio station to share with others. kottke.org is essentially a table of contents for a magazine I wish existed. Shorpy has freed old photography from the nearly impenetrable Library of Congress web site and presented it in a compelling blog-like fashion.
In the case of FFFFOUND! and other RCOPIWSs, I would argue that these sites showcase a new form of art curating. The pace is faster, you don’t need a physical gallery or museum, and you don’t need to worry about crossing arbitrary boundaries of style or media. Nor do you need to concern yourself with questions like “is this person an artist or an outsider artist?” If a particular piece is good or compelling or noteworthy, in it goes. The last week’s output at Monoscope would make a pretty good show in a Chelsea art gallery, no? It’ll be interesting to see how this grassroots art curating will affect the art/design/photography world at large. Jen Bekman, who has roots in the internet industry, is already exploring this new frontier with her nimble gallery and the Hey, Hot Shot! competition. Others are sure to follow.
Short video piece about fonts and typography, featuring Steven Heller, Jonathan Hoefler, Tobias Frere-Jones. (via quipsologies)
The NYC Dept of Transportation is introducing compass decals to be placed on sidewalks at subway exits to help orient disembarking passengers. I thought I’d posted a link about this idea before on kottke.org, but the only reference I can find is a discussion about compasses on manhole covers. (thx, erik)
Update: Aha, here’s the entry. John has more.
Design, Wit, and the Creative Act, a half-day event put on by Core77.
How do designers employ wit, irony — even subversion — in the service of making a connection with their audience, and how can they replicate these connections across a body of work? Are there limits to commercializing this kind of design, or are we seeing new opportunities for the provocateur in an ever-commoditized world? What is the role of the brand in this context, and to what degree does a sly exchange between designer and user create a new kind of brand experience?
Featuring Ze Frank, Steven Heller, and others…Nov 9 in NYC.
Clay Shirky: good design requires a balance of arrogance and humility.
The iPod is an unanswerable repudiation to people who don’t believe design is arrogance; MySpace demonstrates that users prize participation, even at the expense of clarity.
Just a gentle reminder: I’ll be commenting on today’s Layer Tennis match between Chuck Anderson and Steven Harrington. Things get underway in just under an hour (3pm ET).
I’ve been remiss in not pointing you to the last two Layer Tennis matches: Inman vs. Cornell and Duerden vs. Thomas.
(Very quickly, Layer Tennis pits two designers against each other. The competitors volley a single Photoshop file back and forth, modifying it in turn in an attempt to outdo one another.)
I will be doing the commentary for the next match, which takes place at 3pm ET on Friday and features Chuck Anderson and Steven Harrington. Come by and watch all the exciting action on Friday!
Casey Reas and Ben Fry, inventors of the Processing programming language (that’s Proce55ing to you old schoolers), have just come out with a book on the topic that looks fantastic. In addition to programming tutorials are essays and interviews with other heavy hitters in the programmatic arts like Golan Levin, Alex Galloway, Auriea Harvey, and Jared Tarbell. The site for the book features a table of contents, sample chapters, and every single code example in the book, freely available for download. Amazon’s got the book but they’re saying it’s 4-6 weeks for delivery so I suggest hoofing it over to your local bookstore for a look-see instead.
For the past few months, I’ve been closely following the activities of FFFFOUND!, a social bookmarking web site and one of my favorite finds of the past year. The technology and presentation are fairly straightforward. Site participants select images to bookmark and the images show up on the site along with the related URL. Users can also bookmark images that other users have already bookmarked, which creates connections between images and users, allowing FFFFOUND!’s software to build recommendation lists (e.g. if you like this image, you may also like…). And then people like me who aren’t participants can just sit back and view people’s image streams. Mike Migurski wrote a nice introduction to the site and its capabilities back in July.
But the thing that makes the site work is that the current participants have really good taste in imagery. The project appears to have been started by Yugo Nakamura, who old school web folks may remember as one of the first true Flash artist wizards (see Mona Lisa matrix, MONO*crafts, and Industrious Clock, for example), and has expanded slowly while in beta; each participant gets only a single invite to pass along. The site’s slow expansion from Nakamura and a small group of his art/design pals & associates has kept the quality high and focused. I hope the quality can remain high as the site gains in popularity and weathers the eventual opening up of participation to the web at large.
PS. I know you’re probably just supposed to pronounce it like “found” but I’ve been favoring “fuh-fuh-fuh-found”, even though that doesn’t exactly roll off the tongue.
Update: I do not have any invitations for FFFFOUND! Sorry.
Fritz Kahn’s Man As Industrial Palace.
Kahn’s modernist visualization of the digestive and respiratory system as “industrial palace,” really a chemical plant, was conceived in a period when the German chemical industry was the world’s most advanced.
Be sure to check out the larger version.
Without the associated covers, this list of the AIGA’s 50 Books/50 Covers winners for “outstanding book and book cover design produced in 2006” is pretty useless. (Anyone want to track all of these covers down? I’ll host (or link to) the results on kottke.org.)
Update: Photos of the covers and books are all available on the AIGA Design Archives site. No permalink tho. :( (thx, tbit)
Michael Bierut dug his 1979 design portfolio out of the closet, which portfolio he used only once to get the last job he ever had to look for.
The newly designed US$5 bill is the worst one yet…the phrase “typographic train wreck” comes to mind. The purple 5 in the lower right, while useful, is one of the most amateur design choices I’ve seen on something that’s destined for such a wide market. (thx, tom)
It seems as though the only people who put out manifestos these days are designers and serial killers. 50 manifestos from such designers as Zaha Hadid, Stefan Sagmeister, Rem Koolhaas, and John Maeda.
The Morning News has a gallery of pages from Hand Job (@ Amazon), a collection of hand drawn type, and a short interview with its author, Michael Perry. It looks like a gorgeous book; you can find more images from it on Perry’s web site, which is sure to get an unusual influx of visitors searching for non-typography-oriented happy endings..
Graph of the movie poster colors of the top-grossing movies, from the brightly colored G-rated movies to the dark and fleshy NC-17 films.
Profile of designer Josh Davis on Apple’s web site. “The most complex print I’ve done had 120,000 layers in Illustrator. The printer called and said, ‘How did you do this? How long did it take?’ And I said, ‘Oh, five minutes.’”
Tauba Auerbach: startling starting staring string sting sing sin in i. More of her typographic work here.
Some Infinite Jest fashion notes: an Enfield Tennis Academy tshirt from Neighborhoodies and…
Was the designer of Infinite Jest’s book cover influenced by the color palette of the Nikes that Andre Agassi wore in 1991? Compelling visual evidence is available at lonelysandwich.
Le Pain Quotidien uses stale bread for menu holders on their tables. Clever design.
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