Entries for December 2019
Joe Sabia is a VP for Conde Nast Entertainment and he and his team have been the creative force behind some of the most interesting video series of recent years, including Vogue’s 73 Questions (Sabia is the questioner), the Billie Eilish time capsule interviews, Wired’s Autocomplete Interviews, and Gourmet Makes.
Recently Sabia shared a list of 136 internet videos which he says “left some sort of impression on me since the dawn of the internet video explosion (which I’ll define as 2006)”. So the collection is personal, but it’s also an expert’s record of creative people & orgs playing around with the internet video form, breaking new ground, or contributing significantly to culture.
I’ve spent my entire career inside internet video. If I didn’t mess around with it in college, I’d be a law school drop out. Back then, so much of YouTube began as a bunch of weird hobbyists making things we were curious about. Meeting people who saw the same popular videos you did felt like meeting someone who genuinely shared a bit of your identity. It was special. It was authentic. It was unusual. Everywhere you looked was some sort of bizarre concept that may have existed in weird avant garde museum galleries decades before, or from DVD curations like Wholphin — and most certainly never in shareable form on your computer.
I’ve posted a lot of these videos over the years, which is not surprising — while I’m not a video creator, Sabia and I are often on the lookout for stuff that is new or creative in some way. Fair warning: this list could occupy your attention for hours. HOURS. Here are a few videos I pulled out:
If this were my list, I would have included Primitive Technology. Even though it’s such a simple premise, I’d never seen anything like it before: a long-ish silent how-to video that felt tight and never boring.
For the past couple of years, Mauro Gatti has been publishing The Happy Broadcast, his antidote to negative news and “the vitriolic rhetoric that pervades our media”. Here are a couple of recent examples:
You can also follow The Happy Broadcast on Instagram. See also Beautiful News Daily.
That’s the trailer for Fantastic Fungi, a feature-length documentary about the worldwide network of mushrooms & mycelium that thrives beneath our feet. Here’s a description of what the film covers, from its companion book:
Fantastic Fungi is at the forefront of a mycological revolution that is quickly going mainstream. In this book, learn about the incredible communication network of mycelium under our feet, which has the proven ability to restore the planet’s ecosystems, repair our health, and resurrect our symbiotic relationship with nature. Fantastic Fungi aspires to educate and inspire the reader in three critical areas: First, the text showcases research that reveals mushrooms as a viable alternative to Western pharmacology. Second, it explores studies pointing to mycelium as a solution to our gravest environmental challenges. And, finally, it details fungi’s marvelous proven ability to shift consciousness.
In a review for RogerEbert.com, Matt Fagerholm called the film “one of the year’s most mind-blowing, soul-cleansing and yes, immensely entertaining triumphs”. (via colossal)
In collaboration with the Prado Museum in Madrid, the World Wildlife Fund altered a few paintings from the museum’s collection to highlight the future effects of climate change: extinction of species, sea level rise, desertification, and climate refugees.
(via open culture)
Prompted by this Facebook post, I have been reading about astrophysicist Cecilia Payne-Gaposchkin, who should be more widely known than she is. From a piece last year in Cosmos:
Cecilia Payne, born on May 10, 1900, in Wendover, England, began her scientific career in 1919 with a scholarship to Cambridge University, where she studied physics. But in 1923 she received a fellowship to move to the United States and study astronomy at Harvard. Her 1925 thesis, Stellar Atmospheres, was described at the time by renowned Russian-American astronomer Otto Struve as “the most brilliant PhD thesis ever written in astronomy”.
In the January, 2015, Richard Williams of the American Physical Society, wrote: “By calculating the abundance of chemical elements from stellar spectra, her work began a revolution in astrophysics.”
Even though she completed her studies at Cambridge, she was not awarded a degree because the university did not give degrees to women. That’s when she decided to move to the US, where Harvard offered greater educational opportunities and a “collection of several hundred thousand glass photographs of the night sky” that Payne-Gaposchkin was uniquely qualified to analyze.
Miss Payne applied the new theories of atomic structure and quantum physics to her analysis of stellar spectra. No one at the Harvard Observatory had yet attempted such an investigation, as no one there possessed the necessary background. She, in contrast, had learned the complex architecture of the “Bohr atom” directly from Niels Bohr, winner of the 1922 Nobel Prize in physics. She had also followed the work of Indian physicist Meg Nad Saha of Calcutta, the first person to link the atom to the stars. Saha maintained that the line patterns in stellar spectra differed according to the temperatures of the stars. The hotter the star, the more readily the electrons of its atoms leaped to higher orbits. With sufficient heat, the outermost electrons broke free, leaving behind positively charged ions with altered spectral signatures.
Building on Saha’s base, with insights gained from a couple of her professors in England, Miss Payne selected specific spectral lines to examine. Then she estimated their intensities in hundreds of stellar spectra. Element by element she gauged, plotted, and calculated her way through the plates to take the temperatures of the stars.
Her groundbreaking work on spectra, laid out in her Ph.D thesis published when she was just 25, puts Payne-Gaposchkin in the same league as some other physics heavy hitters.
Her discovery of the true cosmic abundance of the elements profoundly changed what we know about the universe. The giants — Copernicus, Newton, and Einstein — each in his turn, brought a new view of the universe. Payne’s discovery of the cosmic abundance of the elements did no less.
A team of archaeologists has found a massive painting in a cave in Indonesia that uranium dating analysis shows to be around 43,900 years old, which they say is “currently the oldest pictorial record of storytelling and the earliest figurative artwork in the world”.
Cave painting was assumed to have originated in Europe, but these Indonesian paintings are thousands of years older. From an NPR piece on the discovery:
Genevieve von Petzinger, a paleoanthropologist at the University of Victoria, says the discoveries in her field are happening very quickly, thanks to newer technology such as the technique used to date the hunting scene. “I think the overall theme here really is that we’ve vastly underestimated the capacity of our ancestors,” she says.
She says the oldest cave paintings in Europe and Asia have common elements. And she thinks that even older paintings will eventually be found in the place where both groups originated from.
“Personally, I think that our ancestors already knew how to do art before they left Africa,” von Petzinger says.
Von Petzinger is the scientist behind one of the most intriguing things I learned this year, that the Stone Age symbols found in caves all over the world may be part of a single prehistoric writing system.
From Ted Gioia, The Best Online Essays of 2019. “They are mostly longform essays, with a focus on music and culture…”
This is a little slice of genius right here, a mashup of Radiohead’s Creep and Mariah Carey’s All I Want for Christmas is You. It takes a little bit to get going but I LOL’d when the vocals finally came in.
I have to say though that it’s not quite as entertaining as this All I Want for Christmas / This Is America combo, which might actually be the best thing on the internet.
I’m not so surprised that this chimpanzee can navigate Instagram — chimps are quite clever tool users — I’m more interested in what this says about social media and smartphones.
These things have such a grip on us because they appeal to our prehistoric primal urges, which are ancient and deep within our animal makeup. With our phones’ touchscreen gestures, we can directly manipulate objects as we would in the real world (more so than with a keyboard and mouse) — chimps and human toddlers can easily use the interface as they would any other tool. And social media satisfies requirements further down towards the base of the pyramid of Maslow’s Hierarchy of Needs than we would often like to believe, sometimes to the detriment of our esteem and self-actualization.
This mind-bending optical illusion concocted by Frank Force has won this year’s Best Illusion of the Year contest. The illusion features a moving shape that somehow can be seen to rotate around both the horizontal and the vertical axis and rotates in two different directions around each axis. W. T. A. F.
Sitting at a piano, composer Nicholas Britell explains how he came up with the theme music to Succession.
I’m constantly winding in these notes that aren’t part of the scale to just to kind of jolt the music in a different direction. So you see that things are always kind of off-kilter with themselves — like the family in the show.
See also The Succession Theme Works Over Any TV Show Title Sequence.
The Year in Stupidity for 2019. Orange Voldemort is obviously #1.
Until recently, Buddhist nuns in the Himalayan region were denied leadership positions and the opportunity to exercise as part of their spiritual practice. Then the spiritual leader of the Drukpa Order, frustrated at the lack of equality for women in the region, changed that and the Kung Fu Nuns were born.
Traditionally, Buddhist nuns have not been allowed to exercise. They are forbidden from singing, leading prayers or being fully ordained. In some monasteries, it is believed that female Buddhists can’t even achieve enlightenment unless they are reborn as men.
“Everyone has this old thinking that nuns can’t do anything,” said Jigme Konchok Lhamo, 25, who has been part of the nunnery since she was 12. (Jigme is a first name that all the nuns share, which in Tibetan means “fearless one.”)
But the spiritual leader of the Drukpa lineage, His Holiness Gyalwang Drukpa, has spent much of his life breaking down those patriarchal Buddhist traditions.
Gyalwang Drukpa doesn’t like “the terminology of empowerment,” he said in a 2014 interview. “That actually means that I have the power to empower them.”
“I’m just moving the obstacles, so that they can come up with their own power.”
The nuns train in kung fu and meditate for hours a day, which they say prepares them for their real duty: helping others.
They teach self-defense classes for women in an area that is known for violence against women and have biked thousands of miles to protest against inaction on climate change & human trafficking. The nuns hike to collect litter. Many of them are trained solar panel repair technicians. In the aftermath of the 2015 earthquake in Nepal, they provided aid to communities that other international aid organizations deemed too dangerous to travel to.
Kabuki Star Wars. “Ichikawa Ebizo XI, Japan’s pre-eminent kabuki actor, will take to the stage as Kylo Ren, the conflicted son of Han Solo and Princess Leia.”
In 1966, Ford designed a concept truck they called the Ranger II:
From Ford’s press release:
Ford Division’s Ranger II is an ultra-modern pickup truck with a custom designed passenger compartment. Seen as a two-seater vehicle in the above photo, the Ranger II converts into a four-passenger pickup (below) at the flick of a finger. The rear portion of the cab moves 18-inches into the bed of the truck while a roof section moves up into position and two additional bucket seats fall into place. The Ranger II’s ultra-streamlined windshield is made of specially tempered plastic-type glass. It also features high intensity headlights of rectangular design, extruded aluminum grille and walnut flooring in the cargo bed.
There is more than a passing resemblance to Tesla’s Cybertruck, down to the “specially tempered glass” and “high intensity headlights of rectangular design”:
When Is a Bird a ‘Birb’? An Extremely Important Guide. “Rule 2: Birbs are often (though not always) round.”
Sometimes it doesn’t feel like cats are particularly domesticated, but as this PBS video explains, humans have actually domesticated cats two separate times, once in southwest Asia ~10,000 years ago and in Egypt ~3500 years ago. They were probably tamed by being around human settlements for the source of food. This is the commensal pathway to domestication, one of the three major pathways followed by most domesticated animals.
The commensal pathway was traveled by vertebrates that fed on refuse around human habitats or by animals that preyed on other animals drawn to human camps. Those animals established a commensal relationship with humans in which the animals benefited but the humans received no harm but little benefit. Those animals that were most capable of taking advantage of the resources associated with human camps would have been the tamer, less aggressive individuals with shorter fight or flight distances. Later, these animals developed closer social or economic bonds with humans that led to a domestic relationship.
Dogs were probably domesticated through this pathway as well — see Neil deGrasse Tyson’s explanation from Cosmos of how wolves evolved into dogs.
And I love any post about cats because it’s an excuse to revisit one of my favorite short talks ever, in which Kevin Slavin suggests that cats have had a hand in domesticating humans for the purpose of sharing funny cat videos online, thus spreading pro-cat propaganda across the globe.
Behold a Lego portrait of Frida Kahlo made by visual artist Karen Cantú Q. She was inspired by Marco Sodano’s Lego portraits made for the company — you’ve likely seen his Mona Lisa but I’m partial to the van Gogh.
The elderly in Japan are wearing exoskeletons to keep working past retirement age. “The father is in his 70s and was supposed to retire but is still working with our muscle suit.”
Here’s a short clip of cinematographer Rodrigo Prieto talking about his work on The Irishman.
The movie takes place over several decades and Prieto worked with director Martin Scorsese to build a distinct look for each period based on different photo processing techniques: Kodachrome for the 50s, Ektachrome for the 60s & early 70s, and neutral for the film’s present-day:
Prieto also talks a little bit about the three camera system needed to “youthify” the actors. (You Honor, I would like to state for the record that Jennifer Lopez did not require fancy cameras or de-aging CGI to make her look 20 years younger in Hustlers. I rest my case.)
16 Surprising Ways to Injure Yourself When You’re Over 40. “16. Standing up after you’ve been seated for more than 8 minutes.”
On heavy rotation today: Burial’s recent compilation album Tunes 2011-2019.
Here’s the album for sale on Bandcamp and streaming on Apple Music. Pitchfork gave it a 9.0. I have also been listening to Ecstatic Computation by Caterina Barbieri (found via the Flow State newsletter) and Daphni’s Joli Mai. Daphni is one of Daniel Snaith’s stage names; he’s releasing a new album as Caribou in February 2020, a record I’ve been waiting very patiently for since 2014 (Caribou’s Our Love is a particular favorite album of mine). Here are the first two singles from the forthcoming album.
But so anyway, the dark tones of Burial are resonating with me today because I woke up in a bit of a funk. “Why the malaise?” the dumb part of my brain asked seemingly no one. The tiny clever bit of brain answered, “You ate a bunch of ice cream after dinner and then stayed up way too late dicking around on your phone and half-watching DS9.” Burial: The Perfect Music for Your Stayed-Up-Late-Ate-Ice-Cream-and-Watched-Star-Trek Morning Funk™.
George Laurer, Who Developed the Bar Code, Is Dead at 94. “Although it became ubiquitous, he received no royalties.”
I ran across the work of Yellena James on Instagram the other day and my inner emoji face went all heart-eyes. I love her delicate organic imagery inspired by flowers, coral, and other natural forms.
James has a lot of irons in the fire: she sells prints of her work on Etsy (scarves too!), works with a number of brands on design projects, published a book on learning how to draw using nature as a guide, regularly exhibits her art in galleries & shows, and does painting tutorials for the likes of Adobe.
Jack Dorsey wants to decentralize Twitter. If only the problems with contemporary social media were technological. Blockchain isn’t magic fairy dust.
For her series called Berlin, artist Diane Meyer embroiders the Berlin Wall back into modern-day scenes of the once-divided German city. Meyer hand-sews the thread right onto the photographs.
In many images, the embroidered sections represent the exact scale and location of the former Wall offering a pixelated view of what lies behind. In this way, the embroidery appears as a translucent trace in the landscape of something that no longer exists but is a weight on history and memory.
(via colossal)
This video of the familiar tune of Pachelbel’s Canon being played by different clips of train horns all edited together is both funny and charming. If you need a little pick-me-up right now, this should do the trick. Watch for the celebrity cameo around the 1:00 mark. (via the kid should see this)
Planetary scientist James O’Donoghue made this cool little visualization of the rotation speeds of the planets of the solar system. You can see Jupiter making one full rotation every ~10 hours, Earth & Mars about every 24 hours, and Venus rotating once every 243 days. He also did a version where all the planets rotate the same way (Venus & Uranus actually rotate the other way).
See also O’Donoghue’s visualizations of the speed of light that I posted back in January.
In this faux HBO documentary short from Key & Peele, we visit Vincent Clortho Public School for Wizards, the American inner-city answer to Harry Potter’s Hogwarts.
“The hallways are a-bluster with the conversation of our Quidditch team.”
“Half the team is back here riding mops. We got two little [kids] on Swiffers.”
If the name “Vincent Clortho” sounds sorta familiar, that’s because they borrowed it from Ghostbusters (Vinz Clortho, the Keymaster).
A Week in the Life of a McDonald’s Cashier. “Before I leave for my hospital job, I get my McDonald’s paycheck. It’s $215, for 2 weeks of work. I know I will be broke by Wednesday.”
39 Things We Overheard at the New MoMA. “That’s too arty, that one right over there, isn’t it?”
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