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Today’s good, clean, uncomplicated fun is right here in the form of this video - it does what it says on the tin.
See also the melodica version of the “welcome to Jurassic Park” scene. (via laura olin’s newsletter)
Update: I knew there was some similar M83 thing that I’d seen recently and was forgetting about: Midnight City but with Nelson Muntz laughing. (via @dansays)
This clip of an off-screen interviewer asking film director Werner Herzog how many languages he speaks and then Herzog answering is only slightly more than 90 seconds long, but it’s a masterclass in how to tell an entertaining story. He playfully misdirects at first and then just goes from there.
I do understand French but I refuse to speak it. It’s the last thing I would ever do. You can only get some French out of me with a gun pointed at my head.
See also 24 Pieces of Life Advice from Werner Herzog.
Now streaming on Netflix, David Attenborough: A Life on Our Planet, a documentary about the 94-year-old broadcaster, naturalist, and international treasure.
In this unique feature documentary, titled David Attenborough: A Life On Our Planet, the celebrated naturalist reflects upon both the defining moments of his lifetime and the devastating changes he has seen. Coming to Netflix October 4 2020, the film addresses some of the biggest challenges facing life on our planet, providing a snapshot of global nature loss in a single lifetime. With it comes a powerful message of hope for future generations as Attenborough reveals the solutions to help save our planet from disaster.
In the trailer (embedded above), Attenborough says “I had the most extraordinary life. It’s only now that I appreciate how extraordinary.” In saying that, he’s speaking not only as a living legend whose long career in television and science has brought him nearly universal acclaim, but also as someone who can look back and see how recognizably and thoroughly the Earth has changed during his lifetime. The depletion of animal populations, the changing climate, the shifting habitats — he’s witnessed firsthand how much humans have fucked up the planet. We should listen to his testimony and suggestions for fixing what he calls “our greatest mistake”. I hope it’s not too late.
In 1962, Ella Fitzgerald performed a show in Berlin, just two years after the famous performance that earned the jazz great two Grammys for masterfully butchering the lyrics to Mack the Knife. The recording for the ‘62 Berlin show was presumed lost until it was recently rediscovered in the archive of a record executive.
Early this year, Mr. Field and Ken Druker, a vice president at Verve — which survives today under the auspices of Universal Music Group — were digging through a rediscovered trove of live recordings that Granz had stashed away decades ago. They came across an apparently untouched reel-to-reel, with yellowed Scotch tape still holding the box shut, featuring a concert Fitzgerald had given in Berlin two years after that first famous outing.
Upon inspection, they found that recordings had been made in both mono and stereo — a rare stroke of luck. They listened, and the quality was excellent. Using a new engineering software that allowed him to more precisely isolate the instruments and Fitzgerald’s voice, Mr. Field filled out the low end and brought her singing to the front.
The result of their discovery is The Lost Berlin Tapes, now available in stores and various streaming plaforms. Here’s Fitzgerald singing Mack the Knife from that performance:
And the whole album on Spotify:
(via @tedgioia)
In secrecy over the past several months, filmmaker Alex Gibney has been making a documentary film about the US government’s response to the Covid-19 pandemic called Totally Under Control. He and co-directors Ophelia Harutyunyan and Suzanne Hillinger interviewed “countless scientists, medical professionals, and government officials on the inside” to produce the film.
Academy Award-winning filmmaker Alex Gibney, directing with Ophelia Harutyunyan and Suzanne Hillinger, interrogates this question and its devastating implications in Totally Under Control. With damning testimony from public health officials and hard investigative reporting, Gibney exposes a system-wide collapse caused by a profound dereliction of Presidential leadership.
Gibney previously directed Enron: The Smartest Guys in the Room, Going Clear, and Zero Days (all excellent documentaries). The film comes out in theaters on October 13 and on Hulu on October 20.
After creating a series of music video mixes for the entire decade of the 80s (and 1979), the Hood Internet is back to take us through the 90s. Their first video, on 1990, features 60 different songs in only 3.5 minutes and is embedded above.
1990 was my last year of high school, so this is a total memory bomb for me. I listened to a lot of C & C Music Factory, Divinyls, DJ Jazzy Jeff & The Fresh Prince, En Vogue, Madonna, Mariah Carey, MC Hammer, Roxette, Salt-n-Pepa, Sinéad O’Connor, Whitney Houston, and missed whole scores of much cooler music that was unavailable to me because I lived in the middle of nowhere where the listening choices were country, heavy metal, or top 40. It’s an understatement to say that college was very musically eye-opening for me.
Update: Here are the installments from 1991, 1992, and 1993. Right into my college years and so hugely nostalgic.
Update: Here’s their 34-minute megamix of 600 songs from 1990-1999.
This playlist on Soundcloud has each year’s mix from 1975-1999 and there are also yearly playlists of all the songs used for these mixes on Spotify (scroll down to “Artist Playlists”).
To celebrate the release of their latest limited edition memo books, Field Notes made a short documentary about The United States of Letterpress, featuring several letterpress practitioners from around the country.
I ran a pedal-powered letterpress machine for a few minutes several years ago and that huge machine whizzing away right in front of me was both magical (it stamps the ink right into the paper and it’s in your hands 2 seconds later) and terrifying (the massive flywheel could have ripped my arm clean off without slowing down). Danger and enchantment, what else do you need really?
Last night in a debate with Democratic presidential nominee Joe Biden, Donald Trump, the actual President of these United States, not only declined to condemn white supremacy, he gave an order to an openly white supremacist group on national television. Here’s the quote and the video:
Proud Boys, stand back and stand by. But I’ll tell you what, I’ll tell you what. Somebody’s got to do something about antifa and the left. Because this is not a right-wing problem. This is a left-wing problem.
Stand by. Somebody’s gotta do something about antifa and the left. Proud Boy members knew exactly what Trump was telling them — it’s as plain as day. (I’ve grown weary of pointing out the parallels to Nazism and Italian fascism, so I’ll leave that as an exercise to the reader in this case. The answer may involve shirt colors.)
We’ve long passed the point at which everyone should understand in no uncertain terms that Trump is an authoritarian, racist, white supremacist (among other things). Hell, this is what many of his supporters like about him. But it should also be clear to his supporters, all of his supporters (especially the ones who hold their nose and support him because of Christian values or fiscal policy or abortion), that by voting for this man knowing what we all clearly know about him, you are a white supremacist. Period. I understand the perfect candidate doesn’t exist and that our system of voting requires us to compromise some of our values in order to support progress towards bigger goals, but good luck explaining that you voted for an actual white supremacist to your grandchildren someday (if you can stomach telling them the truth). Some values cannot be compromised.
In this experimental feature-length film that played at Cannes in 2012, director György Pálfi constructed a love story using clips from 450 films that span nearly the entire history of cinema. I was afraid this would be gimmicky, but it’s so well constructed and so smoothly adheres to the tropes of romantic movies that I got totally sucked in. It reminded me a lot of Christian Marclay’s The Clock, a 24-hour film made from hundreds (thousands?) of other movies and TV shows where the on-screen action is synced to the viewer’s time of day. (via waxy)
For Kurzgesagt’s latest video, they explore the challenges the world faces in attempting to get the rate of climate change under control before it’s too late and how to get there.
Climate change is just too much. There is never any good news. Only graphs that get more and more red and angry. Almost every year breaks some horrible record, from the harshest heat waves to the most rapid glacier melt. It’s endless and relentless.
We have known for decades that rapid climate change is being caused by the release of greenhouse gases. But instead of reducing them, in 2019 the world was emitting 50% more CO2 than in the year 2000. And emissions are still rising. Why is that? Why is it so hard to just stop emitting these gases?
According to the video, global population growth and economic growth will be working against us over the next few decades and that increasing our energy efficiency and lowering emissions from energy sources are the main ways in which we will be able to slow things down. It’s worth noting that on the wizard vs. prophet continuum, this video is firmly in the wizard camp. That’s not wrong or bad; it’s just that other people have different ideas about how to combat climate change.
Oliver Sacks: His Own Life is a new documentary film by Ric Burns about famed author and neurologist Oliver Sacks.
A month after receiving a fatal diagnosis in January 2015, Oliver Sacks sat down for a series of filmed interviews in his apartment in New York City. For eighty hours, surrounded by family, friends, and notebooks from six decades of thinking and writing about the brain, he talked about his life and work, his abiding sense of wonder at the natural world, and the place of human beings within it. Drawing on these deeply personal reflections, as well as nearly two dozen interviews with close friends, family members, colleagues and patients, and archival material from every point in his life, this film is the story of a beloved doctor and writer who redefined our understanding of the brain and mind.
The film is playing in virtual cinemas around the country right now: you can check out the list at the end of this page for more information and showtimes.
Update: The film is debuting on PBS today and will be, I assume, available online as well.
I don’t want to give away too much about this movie but I’d recommend watching the trailer and then the movie (you can find it on Netflix). I watched it last night at Kevin Kelly’s urging:
This is one of the best documentaries I have ever seen. Nothing about its subject would suggest greatness, but it was perfectly crafted.
It’s such a simple movie but it packs a surprising emotional wallop and is philosophically rich. Even (or perhaps especially) the bits that seem problematic are thought-provoking. Highly recommended.
See also A Dreaming Octopus Changes Color.
From Khalil Gibran Muhammad and Chenjerai Kumanyika, a quick tour of the history of policing in America and how that history should shape our discussions around police reform, defunding, and abolition.
The story of policing in the United States is the story of systems meant to protect and serve only a fraction of Americans.
As Kumanyika says in closing, the police in America are fulfilling their purpose very well. But the public has other demands that are not being met.
See also A History of Policing in America and Why Police Reform Doesn’t Work In America.
Nigerian artist Arinze Stanley uses hyperrealistic techniques to draw surreal portraits in stunning detail. From his artist statement:
I draw inspiration from life experiences and basically everything that sparks a feeling of necessity, I find myself spending countless hours working on an artwork to stimulate deep and strong emotions in order to connect more intimately with my viewers
Most times it’s almost like I lose control of my pencils and the art flows through me to the paper.
I work with my Principle of the Three P’s namely Patience, Practice and Persistence. These have guided me over the years towards perfecting my craft.”
Great Big Story did a feature on Stanley and his work last year that’s worth watching:
(via colossal)
Released on the heels of the success of Street Fighter II, Mortal Kombat was one of the earliest games to make extensive use of human actors as models for onscreen action. You can see this proto-motion capture in action in the video above, which features actors & martial artists performing the moves for each of the fighters in the first version of the game. Each pose or motion was recorded and then turned into actions by the onscreen avatars. In the first few seconds, you can even see the actor doing that subtle rocking motion thing that video game avatars do now. (Does this motion have a name? The ready stance?)
See also the making of several subsequent versions of the game — the capture techniques obviously get more sophisticated as the tech improves.
The breadth of scale of measurable objects in the universe — our distance from the most distant objects we can observe (billions of light years away) to particles measured in something called a yoctometer (1×10-24 meters) — is staggering to think about. That’s where the Universe in a Nutshell app comes in. Developed by Kurzgesagt & Wait But Why (both kottke.org favorites), you can use the app to quickly and easily zoom in and out through objects at all the scales of the universe, like quarks, DNA, cells, earthworms, Europe, Jupiter, the black hole at the center of our galaxy, the Crab Nebula, galaxies, and galaxy superclusters.
You can tap on any object you encounter to learn more about it, like an interactive Powers of Ten. I spent 20 minutes just now playing around and it’s really fun. You can download the app for $2.99 from the App Store or on Google Play.
To mark the release, Kurzgesagt made a video comparing the sizes of stars:
And Wait But Why’s Tim Urban wrote a post about the scales of objects: The Big and the Small.
Alan Kahn, aka the Speed Bag King and author of The Speed Bag Bible, can seemingly do anything with a boxing speed bag…like make music. Just watch this 45-second video of him getting warmed up on the bag and then performing a tiny virtuoso concert for a small group of amazed onlookers.
See also Kahn punch drumming the William Tell Overture. Again, this starts off slow but wait for the complex stuff to kick in over the course of the video. (via @austinkleon)
In the next day or two, the official number of people who have died from Covid-19 in the United States will pass 200,000 (the actual death toll passed 200,000 back in July). To mark the grim occasion yesterday, the Washington National Cathedral tolled its mourning bell 200 times in remembrance, once for each 1000 people who have died.
We toll this 12-ton bell for every funeral held at the Cathedral. Funerals mourn the loss, but they also celebrate the lives of our loved ones, and point us to the hope of resurrection.
This gesture cannot replace the lives lost, but we hope it will help each American mourn the toll of this pandemic.
The tolling goes on for more than 19 minutes and you hear a number of deaths equal to 9/11 every 17 seconds. I recommend listening as long as you are able, to remember those who have been lost, and to inspire action so that 200,000 more Americans don’t have to die before this is all over.
See also A Time Lapse World Map of Every Covid-19 Death from back in July.
Mary Magdalene in Ecstasy is a painting made in the 1620s by Artemisia Gentileschi. The painting was presumed lost until it was rediscovered in a private collection in France and sold at auction for more than $1 million in 2014.
As part of season 2 of Google Arts & Culture’s Art Zoom project (previously), British singer/songwriter FKA twigs gives her personal interpretation of the painting in the video above.
Scholars assumed it was painted in the 1620s, when Artemisia Gentileschi left Florence and moved back to Rome. She had separated from her husband and become an independent woman, the head of her own household, a rarity at that time.
When making my own album, entitled “Magdalene,” it was a time of great healing for me. When I was researching about Mary Magdalene and I was looking at a lot of paintings of her, she seemed so poised and so together. But the irony is in finishing my music, I found a deep wildness, a looseness, an acceptance, a release. And that’s exactly what I’m experiencing in this painting.
I found this incredibly soothing to watch and listen to…almost ASMR-like. And as usual, you can zoom around the painting yourself; this is not even halfway zoomed in…at full zoom you can see individual brushstrokes and cracks in the painting.
Update: FKA twigs gives tours of two additional Gentileschi paintings: Self-Portrait as Saint Catherine of Alexandria and Judith Beheading Holofernes.
(via @norabz)
Wow! Hrishikesh Hirway’s Song Exploder podcast is now a Netflix series! (For those who have never listened, Song Exploder features musicians telling the stories of how their songs were created.) Check out the trailer above, featuring song explosions by Alicia Keys, Lin-Manuel Miranda, R.E.M., and Ty Dolla $ign.
Hirway says on Twitter:
I still don’t fully believe it but @SongExploder, a podcast I started in my bedroom!, is going to be a @netflix series.
If anyone at Netflix wants to talk about kottke.org becoming a series, let me know!! It can be about literally anything and everything. (Hey, we’ll call it “Anything and Everything”! The wheels are already in motion…)
After a fellow named Zikubi beat the speedrun record for Super Mario Bros 3 with a time of just over three minutes, speedrun analyst Bismuth made the video above to explain how he did it…by changing the game with the gameplay itself.
The first couple minutes go exactly as you’d expect, but the speedrun takes a weird turn when, instead of using the second warp whistle to go to level 8, he uses it to go to level 7. And once in level 7, Mario races around randomly, letting opportunity slip away like a blindfolded birthday boy unwittingly steering himself away from the piñata. It’s only later, during the explanation of how he got from level 7 to the final screen so quickly, that you realize Mario’s panicky idiot behavior is actually the player actively reprogramming the game to open up a wormhole to the ending. Watch the whole explanation — it’s a really fascinating little hack.
See also Bismuth’s explanation of a Super Mario Bros world record speedrun, which includes a short argument by me about why video game speedrun breakdowns are interesting to watch even if you don’t play video games.
In the video analysis of this speedrun, if you forget the video game part of it and all the negative connotations you might have about that, you get to see the collective effort of thousands of people over more than three decades who have studied a thing right down to the bare metal so that one person, standing on the shoulders of giants in a near-perfect performance, can do something no one has ever done before. Progress and understanding by groups of people happens exactly like this in manufacturing, art, science, engineering, design, social science, literature, and every other collective human endeavor…it’s what humans do. But since playing sports and video games is such a universal experience and you get to see it all happening right on the screen in front of you, it’s perhaps easier to grok SMB speedrun innovations more quickly than, say, how assembly line manufacturing has improved since 2000, recent innovations in art, how we got from the flip phone to iPhone X in only 10 years, or how CRISPR happened.
(via @craigmod)
In Search of a Flat Earth is a documentary essay by Folding Ideas’ Dan Olson that starts out talking about people who believe the Earth is flat (and why it’s so difficult to convince them otherwise) but then takes a sharp turn toward a more recent and much more worrying conspiracy theory, QAnon. Lots of interesting information and observations throughout.
See also QAnon, Conspiracy Theories, and the Rise of Magical Thinking.
The title of this video is “David Lynch being a madman for a relentless 8 minutes and 30 seconds” is perfect and requires no further information or contextualization. (thx, david (no relation))
NY governor Andrew Cuomo enlisted actor Paul Rudd to do a public service announcement about the benefits of wearing a mask during the pandemic. Rudd, who often looks like he hasn’t aged a day in the past 20 years but is actually 51 years old, is in total “how do you do fellow kids” mode in this video, deploying some totally plausible youth lingo in an effort to get his fellow youths to mask up.
So admittedly I was not the biggest fan of the first season of The Mandalorian — I don’t particularly care for westerns, space or otherwise, and in terms of the off-piste Star Wars tales, preferred Rogue One and even Solo to Mando’s adventures. But there is something compelling there and because I was indoctrinated in the ways of The Force as a child,1 I will watch the new season that starts on Disney+ October 30.
I am not Force-sensitive myself, but I like to watch those who are.↩
Apple might be a $2+ trillion company, but in the TV world they are still relatively small potatoes. Perhaps it’s appropriate then that the company’s first entry into the nature documentary space dominated by BBC and Netflix is Tiny World, a series featuring some animals who have carved out lives in our massive world by going small. You know, spiders, toads, pygmy marmosets, insects, rodents, fish. The series is narrated by Paul Rudd (I love the ageless Rudd as much as anyone but would have loved to hear Ze Frank in this role) and premieres October 2nd on Apple+.
To go along with my earlier post on photos of the wildfire skies in the western states, Terry Tsai took drone footage of an orange-hued San Francisco and put the soundtrack to Blade Runner 2049 behind it and, yeah, that’s about right. (via daring fireball)
I love Benoît Leva’s simple stop motion animated loops made from rocks and stones. This bouncing one is my favorite:
You can check out more stone animations on his Instagram. (via colossal)
I’ve never read or seen any of the Dunes (Herbert’s book, David Lynch’s movie, or even Jodorowsky’s Dune) but I have very fond memories of the video game Dune II and will watch anything that Denis Villeneuve makes, so I’m definitely going to check this out when it’s released…let’s see….on December 18, 2020 in theaters? WTF?
Ok, so just watch the trailer if that’s what you’re here for, but I remain baffled that movie theaters are a) currently open (Tenet was showing in 2810 US theaters last weekend) and b) slated to still be open in December in a country trapped in a pandemic death spiral. Easy testing w/ quick results and contact tracing, the twin keys to controlling the virus, are still a mess. A safe & tested vaccine that’s distributed widely by the end of the year? I wouldn’t hold my breath. And you’re going to put a bunch of people who are laughing and gasping together in a room for two-plus hours with a virus that’s airborne1 and assume they’re going to stay properly masked up (except for when they are eating popcorn and nachos!) and properly distant from each other? (Have you met Americans?!) Even if you assume that movie theater screening rooms are huge & well-ventilated (some definitely are not) and capacity is restricted, I repeat: What The Fuck? And in terms of societal trade-offs, reopening places where people gather indoors for entertainment is more important than ensuring our kids can safely go to school? *extreme hair-tearing-out noise*
Update: Aaaaand the Dune release has been delayed until Oct 2021. Between the Trump debacle2 and the CDC acknowledging that the virus may spread through aerosols, I feel like people are coming around to the idea that indoor gatherings, entertainment, and dining are going to be problematic for several more months.
Along with the lack of testing and tracing, the evidence that the virus can be transmitted through aerosols is the important bit here. Most people and organizations are still acting as though it’s not airborne because the measures would be different if they were taking that into account. See this expert’s advice about movie-going for example — there’s not a single mention of aerosols in the entire piece, so it’s tough for me to take it seriously.↩
Just to clarify, I mean the outbreak of Covid-19 in the White House and not any other previous or future debacles.↩
Research biologist Adrian Smith, who specializes in insects, recently filmed a number of different types of flying insects taking off and flying away at 3200 frames/sec. Before watching, I figured I’d find this interesting — flying and slow motion together? sign me up! — but this video was straight-up mesmerizing with just the right amount of informative narration from Smith. There’s such an amazing diversity in wing shape and flight styles among even this small group of insects; I had to keep rewinding it to watch for details that I’d missed. Also, don’t miss the fishfly breaking the fourth wall by looking right at the camera while taking off at 6:07. I see you, my dude.
Smith has previously captured flying ants in slow motion and this globular springtail bug that spins through the air at more than 22,000 rpm. (via moss & fog)
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