“Vocoders are an instantly recognizable synthesizer sound, having been used in popular music since the 1960s. They allow you to ‘talk like a robot’, which while fun, is often not musically useful.”
“Records sales really not concerned to me as much as doing it my way. And doing the kind of records I want to do. Without some A&R dude trying to tell me to go find T-Pain and get you a voice box. Ya know, all this stupid stuff that they do that mess up a lot of records, mess up a lot of artists.”
This clip of T-Pain v. His Vocoder is the audio equipment equivalent of Stephen King’s Christine, and it certainly backs up Mr. Cube’s claim.
Update: Turns out that the actual device Mr. Pain uses to alter his voice box is referred to as an Auto-Tune, and it’s the weapon of choice for Cher, Kanye, and T-Pain, who seems just as oblivious as this author was. The two machines are entirely different.
A refreshing take on aging, from across the pond, as expressed by 74-year-old Agnes McGroarty:
When Agnes - who already has an MP3 player - went into a music shop to ask about iPods, a young sales assistant couldn’t have been more helpful.
She joked: “It may come as a surprise to some that someone my age has a Bose sound system and MP3 player instead of a gramophone. I think older people should challenge attitudes and we should all have respect for individuals, whatever their age.”
Nowadays, it’s quite likely that grandma and grandpa will be updating their status updates on Facebook during their games of Bingo. There are even email services available to connect tech-savvy seniors with Internet penpals across the globe.
A less friendly view comes from Tremendosaur, who believes that it’s win, lose, or draw when it comes to Old People vs. Technology.
Metafilter feeds our needs for time-lapse photography and nutrition by linking to a full plate of time-lapse vegetation growth. Beans may be good for the heart, but pepper plants know how to shake it.
A system of sculptures that is constantly on the brink of collapse. My intention was to capture and sustain the exact moment of impending catastrophe and endlessly repeat it.
I do this too, only I use chairs and my own body and frequently tip over and hurt myself. Anything for my art.
Kontopoulos also did something called Conversation Piece, inspired by legendary film editor Walter Murch.
Film editor Walter Murch, who edited many of Francis Ford Copolla’s films, developed a theory about edits while working on The Conversation (1974). He noticed that in many cases, the best place to make a cut was when he blinked. Subsequently, Murch wrote about the human blink as a sort of mental punctuation mark: a signifier of a viewer’s comfort with visual material and therefore, a good place to separate two ideas with a cut.
Alcohol Is Dynamite (1958)
Appreciating Our Parents (1950)
Bookkeeping and You (1947)
Case of the Missing Magnets, The (1960)
Destruction: Fun or Dumb? (ca. 1970s)
Food Doesn’t Fly - Lunchroom Manners
Great Annual Bathtub Race (1970)
Nuclear War - A Guide To Armageddon (BBC, 1982)
Shake Hands With Danger (1980)
Famous directors takes on famous comedy routines. Wes Anderson does Who’s on First, Michael Moore does The Ministry of Silly Walks, and Tarantino does the I’m Crushing Your Head bit (the best one).
The clip shows an analysis of the plaza of the Seagram Building in NYC and what makes it so effective as a small urban space.
A busy place for some reason seems to be the most congenial kind of place if you want to be alone. […] The number one activity is people looking at other people.
The video was adapted from a book of the same name by William H. Whyte, who is perhaps most well known as the author of The Organization Man. The video is largely out of print — which is a shame because that clip was fascinating — but I found a DVD copy for $95 (which price includes a license for public performance). (via migurski)
Thru You is a site that showcases remixed YouTube videos…the singing from one video combined with the drums from another and the piano from a third and so on. I was skeptical but these are really well done. Do I even need to say that this reminds me of Christian Marclay’s Video Quartet? (via sfj)
If you liked Planet Earth, you should probably check out Nature’s Great Events. Narrated by David Attenborough and currently airing in the UK on BBC1 and BBC HD, the series consists of six 50-minute shows, each of which features a large-scale annual event, like the spring thaw in the Arctic Circle and the sardine run along the coast of South Africa. The series was shot in HD using many of the techniques seen in Planet Earth.
If you’re in the UK, you can check out the first three episodes on the BBC site. In the US, Discovery will be airing the show sometime in the spring under the title Seasons of Survival (apparently Nature’s Great Events isn’t dramatic enough for the American audience). No word on whether Attenborough’s expert narration will also be replaced as it was in Planet Earth.
During the closing credits of the Academy Awards, a clip was shown previewing some movies that will open in 2009. None of them look like they’ll win any Oscars so I presume this was paid advertising and not editorial on the part of the program. Fun though! (via /film)
From the recent TED conference, a demo of Siftables, blocks that are smart. What I find most interesting about Siftables is that the blocks form a computer that doesn’t need instructions but it doesn’t seem like a computer at all, i.e. the Holy Grail of computing. (via peterme)
The film covers information theory, language, feedback, etc. The audio from a punchcard machine — used to “check its pulse” — is pretty great and starts around 17:00. (via infosthetics)
You may remember reading the New Yorker article on Garrett Lisi, a surfer, physicist, and snowboarder who came out of nowhere in 2007 to present a plausible Theory of Everything, “a unifying idea that aims to incorporate all the universe’s forces in a single mathematical framework”. I do but I missed this visualization of Lisi’s theory posted by New Scientist in late 2007. You may want to break out the bong for this one. (thx, matt)
Two is a trend: Kanye West’s video for Welcome to Heartbreak uses the same video compression technique used in Chairlift’s Evident Utensil. The videos were done by two different directors at around the same time, which probably means that neither originated it. Does anyone know what the Patient Zero is for this technique? This Radiohead video for Videotape comes close but doesn’t use the compression artifacts to cleverly cut between scenes…which is the real artful moment here. (thx, andrew & demetrice)
I never got around to watching the video for Chairlift’s Evident Utensil last week because the main visual technique — the use of video compression artifacts — seemed self-evident and gimmicky, the kind of thing you don’t need to see once you’ve heard the premise. But the video is actually really nice and they use the compression in a non-obvious and clever way.
Short of opening a Radio Shack in an Amish town, Dubai is the world’s worst business idea, and there isn’t even any oil. Imagine proposing to build Vegas in a place where sex and drugs and rock and roll are an anathema. This is effectively the proposition that created Dubai - it was a stupid idea before the crash, and now it is dangerous.
What’s the biggest problem with Dubai? It doesn’t have the cultural bedrock needed to support a destination city.
It looks like Manhattan except that it isn’t the place that made Mingus or Van Allen or Kerouac or Wolf or Warhol or Reed or Bernstein or any one of the 1001 other cultural icons from Bob Dylan to Dylan Thomas that form the core spirit of what is needed, in the absence of extreme toleration of vice, to infuse such edifices with purpose and create a self-sustaining culture that will prevent them crumbling into the empty desert that surrounds them.
Video interview with Pixar’s Andrew Stanton, director of Finding Nemo and Wall-E. Among other things, he talks about two things that enabled the success of Pixar: the creative egalitarian dictatorship of John Lasseter and the ability of Steve Jobs to protect everyone from any outside business pressures and just create.
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