kottke.org posts about video
Ok, this is a little freaky. If you take a bunch of photos of a person and create a 3D simulation of their face (which is already weird but totally possible) and then use video of someone else speaking to control the 3D face simulation, you can recognize the speaker’s facial expressions and gestures in the 3D face. That sounds a little complicated but just watch the short video clip above. You can clearly see George W. Bush’s facial expressions on the faces of Obama, Tom Hanks, and Hillary Clinton…especially when he says “the legislative process can be ugly”. And the reverse is true as well: even with Bush’s facial expressions and voice, the 3D model of Obama looks like Obama. This is a whole new kind of uncanny valley.
See also real-time facial expression reenactment.
Retro Report looks back on the story of the boy in the plastic bubble.
The epitaph on David Phillip Vetter’s gravestone observes correctly that “he never touched the world.” How could he have? From a few seconds after his birth until two weeks before his death at age 12, David lived life entirely in one plastic bubble or another. Touching the world would have killed him in fairly short order. Even his two weeks outside a plastic cocoon were spent in a hospital trying, futilely, to stave off the inevitable.
There was never a child quite like David Vetter. Americans above the age of, say, 45 may remember him not so much by name as by a phenomenon of the 1970s and early ’80s: “the boy in the bubble.” The Retro Report series of video documentaries, exploring major news developments of the past, returns to that era through interviews with, among others, David’s mother and one of his doctors. More than just a look backward, the report examines medical strides that now give hope to the once-hopeless, coupled with ethical questions long part of the “bubble boy” story.
I remember very clearly watching the news reports about “the boy in the bubble” when I was a kid. Now, as an adult and a parent, the ethical concerns hit me somewhat harder. (via @DavidGrann)
Prince covered Radiohead’s Creep at the Coachella music festival in 2008. The video got yanked due to copyright infringement but it’s back up. For the moment anyway and perhaps forever…Prince’s Twitter account linked to it. (via @anildash (who else??))
One of the things I look forward to at the end of each year is David Ehrlich’s video compilation of his favorite films of the year. 2015’s installment does not disappoint.
Today, the NY Times is running an editorial by Dr. Bennet Omalu called Don’t Let Kids Play Football. Omalu was the first to publish research on CTE in football players.
If a child who plays football is subjected to advanced radiological and neurocognitive studies during the season and several months after the season, there can be evidence of brain damage at the cellular level of brain functioning, even if there were no documented concussions or reported symptoms. If that child continues to play over many seasons, these cellular injuries accumulate to cause irreversible brain damage, which we know now by the name Chronic Traumatic Encephalopathy, or C.T.E., a disease that I first diagnosed in 2002.
Depending on the severity of the condition, the child now has a risk of manifesting symptoms of C.T.E. like major depression, memory loss, suicidal thought and actions, loss of intelligence as well as dementia later in life. C.T.E. has also been linked to drug and alcohol abuse as the child enters his 20s, 30s and 40s.
The story of Omalu, his research, and its suppression by the NFL is the subject of Concussion, a movie starring Will Smith that comes out on Christmas Day, as well as a book version written by Jeanne Marie Laskas.
Update: Dr. James Hamblin shares the findings of a new paper on how repeated head trauma can affect the brains of kids as young as 8.
In the journal Radiology today, an imaging study shows that players ages 8 to 13 who have had no concussion symptoms still show changes associated with traumatic brain injury.
Christopher Whitlow, chief of neuroradiology at Wake Forest School of Medicine, wanted to see how head impact affects developing brains. His team studied male football players between ages 8 and 13 over the course of a season, recording “head impact data” using a Head Impact Telemetry System to measure force, which was correlated with video of games and practices.
If you take two circular magnets and slap them on the ends of a AA battery, the resulting axel will drive on a road of aluminum foil. This is called a homopolar motor and it’s one of the simplest machines you can build. How does it work? Well, it’s been awhile since my last electromagnetism class, but the homopolar motor works because the combination of the flow of the electric current (from the battery) and the flow of the magnetic current produces a torque via the Lorenz force. This short video explanation should give you a good idea of the principles involved. (via digg)
NASA’s New Horizons probe has sent back the first of the sharpest images of Pluto it took during its July flyby of the planet.1
These latest images form a strip 50 miles (80 kilometers) wide on a world 3 billion miles away. The pictures trend from Pluto’s jagged horizon about 500 miles (800 kilometers) northwest of the informally named Sputnik Planum, across the al-Idrisi mountains, over the shoreline of Sputnik, and across its icy plains.
View the new image at high resolution here or watch a video scroll of the imagery:
Chris Donovan loved designing women’s shoes, so he quit his job as a telephone repairman and followed his fashion design dreams all the way to Florence. What a great video from AARP, filmed by David Friedman. You can see more of Donovan’s work on his Instagram account. (via @mathowie)
Volvo took a real dump truck, hooked it up to a remote control, handed it to a 4-year-old girl, and she proceeds to DEMOLISH a closed course with it. Man, I really needed this video today. Wonderful. (via @joeljohnson)
“DVD extras” is a phrase that’s rapidly receding in the pop cultural rearview mirror, but YouTube is chock full1 of them for many popular movies and shows. Here are a few behind-the-scenes looks at Wes Anderson’s The Grand Budapest Hotel.
Bonus video: how to make a Courtesan au Chocolat from Mendl’s:
With the new Star Wars movie only a couple weeks away, fans and Star Wars scholars have gone into hyperdrive1 spinning alternate theories about what the series of movies are all about. The most popular such theory attempts to rehabilitate the worst character in the prequels, Jar Jar Binks. Because maybe he’s the most powerful Sith Lord in the galaxy? Who uses drunken fighting like Jackie Chan?
Another theorist asserts that the prequels were secretly brilliant because of a little-discussed over-arching theme related to the Jedi Code and the corruption of the Jedi.
But my personal favorite theory suggests that the past and future Star Wars movies are about ridding the galaxy of a bacterial plague carried by the Jedi.
I don’t know what Midi-chlorians actually are. They might be something like symbiotic/parasitic bacteria or archaea, they might be organelles that live inside a cell, they might even be coherent chunks of molecular code…machines living inside the very DNA of their hosts.
What I do know is what they can do. They manipulate their hosts, they control them and eventually take them over. Eventually, they force them to fight while releasing as much dark energy as they can possibly manage, because that’s how they continue their life cycle.
Being force sensitive just means you’re more heavily infested and more easily manipulated.
Update: The Radicalization of Luke Skywalker suggests that the first three Star Wars films about Luke Skywalker becoming a terrorist.
A more focused study, however, is needed to truly understand that the Star Wars films are actually the story of the radicalization of Luke Skywalker. From introducing him to us in A New Hope (as a simple farm boy gazing into the Tatooine sunset), to his eventual transformation into the radicalized insurgent of Return of the Jedi (as one who sets his own father’s corpse on fire and celebrates the successful bombing of the Death Star), each film in the original trilogy is another step in Luke’s descent into terrorism. By carefully looking for the same signs governments and scholars use to detect radicalization, we can witness Luke’s dark journey into religious fundamentalism and extremism happen before our very eyes.
Yes, yes, it is fascinating. At least when Bill Hammack, aka Engineer Guy, explains how it all works. Don’t miss the bit at the end for how quietly ingenious Lego’s injection molding process is. (via digg)
In this video about the making of The Hobbit movies, members of the film crew, including director Peter Jackson, admit that they didn’t really have a good idea of what was going to happen in the movies until they were on the set filming and that they made a lot of it up as they went along.
The above clip is from a behind-the-scenes video on the Battle of the Five Armies Blu-ray, and it features Peter Jackson, Andy Serkis, and other production personnel confessing that due to the director changeover — del Toro left the project after nearly two years of pre-production — Jackson hit the ground running but was never able to hit the reset button to get time to establish his own vision. In comparison, he spent years prepping the original Lord of the Rings trilogy, and on the Hobbit things got so bad that when they started shooting the titular Battle of Five Armies itself they were essentially just shooting B-roll: footage of people in costumes waving around swords, without any cohesive plan for how the sequence would actually play out. (A choice Jackson quote: “I didn’t know what the hell I was doing.”)
No idea why they would release a video like this which pretty much admits that the movies weren’t as good as they should have been. I mean, they still made a crap-ton of money at the box office (a combined $3 billion worldwide), so happy ending for them anyway I guess?
The Bollman Hat Company has been making hats in their Pennsylvania factory since 1868. If you’re curious, the company has several other videos about how they produce their hats.
This video shows the evolution of the design of the bicycle, from the (contested) first French bike in the 1790s to the more-or-less modern bike of the 1890s. (via @daveg)
Chris Ware, in collaboration with John Kuramoto, Ira Glass, and Nico Muhly, made a moving cover for the latest issue of the New Yorker, both in the sense that it is actually in motion and that the story it tells is touching and makes an impression.
The New Yorker is arguably the primary venue for complex contemporary fiction around, so I often wonder why the cover shouldn’t, at least every once in a while, also give it the old college try? In the past, the editors have generously let me test the patience of the magazine’s readership with experiments in narrative elongation: multiple simultaneous covers, foldouts, and connected comic strips within the issue. This week’s cover, “Mirror,” a collaboration between The New Yorker and the radio program “This American Life,” tries something similar. Earlier in the year, I asked Ira Glass (for whose 2007-2009 Showtime television show my friend John Kuramoto, d.b.a. “Phoobis,” and I did two short cartoons) if he had any audio that might somehow be adapted, not only as a cover but also as an animation that could extend the space and especially the emotion of the usual New Yorker image.
Why isn’t it super-fast to fly west in an airplane, given that the Earth is spinning at 700-1000 miles per hour relative to its center? This seems like a sorta-variation on the old airplane on a treadmill question, doesn’t it?
The Leopard 2 battle tank was developed for the West German army in the 70s and has a fully stabilized main gun. What does that mean? It means that even if you’re flying along at 30 mph on bumpy ground, your gun remains steadily pointed on-target (like an owl or chicken head). It also means you can balance a full mug of beer on the gun without spilling a drop, making the Leopard the world’s best and most expensive waiter. (via @MachinePix)
Update: Here’s a longer video featuring the same tank. The commentary is in German, but the visuals aren’t that difficult to follow.
In addition to covering how the stabilizing gun works, they show how the tank stays level over uneven terrain and how the gun can stay locked on a target even when the tank is moving from side to side…the video of which is unnerving. (via @le_barte)
Fourteen-year-old Lucas Etter solved a randomly scrambled Rubik’s Cube in just 4.9 seconds the other day, the first time anyone has ever solved one under five seconds. As Oliver Roeder writes over at 538, Cube solve times have fallen quickly in the past decade.
In these competitions, the colorful cubes are randomly scrambled according to a computer program, and a solver has 15 seconds to inspect a cube before racing to spin it back to its organized state. The first official record - 22.95 seconds - was set at the first world championship, held in 1982 in Hungary, home country of the cube’s inventor, Erno Rubik. But speed cubing went into hibernation for two decades, until the next world championship was held in 2003. From there, the record has fallen precipitously, thanks to innovations like the Fridrich method, the Petrus system and even “cube lube.”
(via @djacobs)
This week on Last Week Tonight, John Oliver rails against the penny. This seems like such an obvious thing, that we should stop using pennies, but I bet if the government ever moved to ban pennies, it would set off a firestorm of protest.
A rocket built by Blue Origin, an aerospace company backed by Jeff Bezos, recently reached space and executed a controlled landing back on Earth, which allows it to be used again. Bezos himself joined Twitter1 this morning to announce the news. Elon Musk, whose SpaceX company has been trying (and failing) to do something similar lately, congratulated Bezos and his team on Twitter2 but also threw a little shade on BO’s efforts to reach “space” vs. SpaceX’s efforts to reach “orbit”.
It is, however, important to clear up the difference between “space” and “orbit”, as described well by https://what-if.xkcd.com/58/. Getting to space needs ~Mach 3, but GTO orbit requires ~Mach 30. The energy needed is the square, i.e. 9 units for space and 900 for orbit.
Welcome to Twitter, Jeff.
The Slow Mo Guys lit a bucket of kerosene on fire, surrounded it with 12 box fans, whipped the fire into a tornado, and filmed it with slow motion cameras at up to 2500 fps. I don’t know about you, but I want quit my job, say goodbye to my family, give this mesmerizing rotating fire all of my money, and follow it around the world, doing its bidding. (via colossal)
Perhaps inspired by the long time scale filmmaking of Richard Linklater’s Boyhood, John Malkovich and Robert Rodriguez have teamed up to make a movie that won’t be released until 2115. Why? As a promotion for luxury brand Louis XIII Cognac, which is also aged 100 years. According to io9, Louis XIII is sending out 1000 tickets to people whose descendants will be able to see a screening of the film 100 years from now.
I wonder how serious they are about this? To what extent have they futureproofed their media? The io9 piece says the movie is “preserved on film stock”…is that and an old movie projector sufficient? Have they consulted with MoMA or Danny Hillis?
For the latest installment of Every Frame a Painting, Tony Zhou and Taylor Ramos examine the artistry and thought silent film master Buster Keaton put into the physical comedy in his movies. I used to watch all sorts of old movies with my dad (Chaplin, Keaton, Laurel & Hardy) and had forgotten how good Keaton was. If you’re anything like me in wanting to head down a Keaton rabbit hole, they recommend starting with the first short film he directed and released, One Week.
See also Studs Terkel’s 1960 interview with Keaton, a video showing Keaton’s use of symmetry and center framing (Wes Anderson, Kubrick), Every Frame a Painting episode on Jackie Chan, and The Ultimate Buster Keaton Collection, a 14-disc Blu-ray box set.
Transparent was my favorite first season of television since Game of Thrones, or maybe even Mad Men. So I’m delighted to see the trailer for the show’s second season, which starts on Dec 11. If you haven’t seen the first season yet, I would highly recommend doing so…this show does so many things right.
At the risk of turning this into an Adele fan site, here are the isolated vocals for her performance of “Hello” for Saturday Night Live. They are raw and flawless and real and everything pop music isn’t these days.
Update: That YouTube video got yanked, but I found the vocals on Soundcloud. We’ll see how long that’ll last.
Update: Welp, that lasted about 10 minutes. Digg has embedded their own video. How fast will that one disappear?
Kyle McDonald hooked a neural network program up to a webcam and had it try to analyze what it was seeing in realtime as he walked around Amsterdam. See also a neural network tries to identify objects in Star Trek:TNG intro. (via @mbostock)
This is all sorts of charming. BBC held an Adele impersonator contest and arranged for Adele to compete in disguise as a woman named Jenny. I love the looks on the women’s faces when they realize what’s going on.
See also Jewel’s undercover karaoke and Macklemore and Ryan Lewis surprising a bus full of passengers with a performance.
Charles Haggerty is a promising candidate for the best and most chill dad of all time. In the late 1950s, in a much less progressive era, he had a talk with his son, who would come to realize later in life that he (the son) was gay, about the responsibility you have to your true self.
Don’t sneak. Because if you sneak like you did today, it means you think you doing the wrong thing. And if you run around spending your whole life thinking that you’re doing the wrong thing, then you’ll ruin your immortal soul.
Reader, I don’t often say things like “that stopped me dead in my tracks” because life doesn’t work like that most of the time, but that last bit, about ruining your soul, did just that. A fantastic reminder of to thine own self be true. (via cup of jo)
Noma: My Perfect Storm is a feature-length documentary about chef René Redzepi and his Copenhagen restaurant Noma, which is currently ranked #3 in the world.
How did Redzepi manage to revolutionize the entire world of gastronomy, inventing the alphabet and vocabulary that would infuse newfound pedigree to Nordic cuisine and establish a new edible world while radically changing the image of the modern chef? His story has the feel of a classic fairy tale: the ugly duckling transformed into a majestic swan, who now reigns over the realm of modern gourmet cuisine.
The film is out Dec 18 in theaters, on Amazon, iTunes, etc.
Newer posts
Older posts
Socials & More