British rapper and actor Riz Ahmed released an album last week called The Long Goodbye. It’s a breakup album with a twist — Ahmed is not breaking up with a partner but with a racist, post-Brexit Britain. A Guardian review describes it as “a conceptual work based around the idea that British Asians are locked in an abusive relationship with the UK and that the rising tide of racism spawned by Brexit might represent the moment at which they’ve finally been dumped”.
To accompany the album, Ahmed collaborated with director Aneil Karia to make a short film (embedded above). It starts out with a typical British domestic scene but after a few minutes, it becomes something else entirely. Be warned: this film is quite intense & dystopian. (via dunstan)
To celebrate being alive for a billion seconds, Daniel Bruin built a machine with 100 gears with a 10-to-1 gear ratio…meaning that the overall gear ratio is a googol-to-one. (A googol is 1 with 100 zeros.)
This machine has a gear reduction of 1 to 10 a hundred times. In order to get the last gear to turn once you’ll need to spin the first one a google [sic] amount around. Or better said you’ll need more energy than the entire known universe has to do that. That boggles my mind.
You can watch the machine spin for an hour — it’s kinda relaxing:
Bruin says his machine was inspired by Arthur Ganson’s Machine with Concrete, a contraption whose gears spin so slowly that the final gear is embedded in concrete. (via digg)
After they were done, Sony Animation invited the family to visit their California campus to meet some of the team that worked on the movie, including producers Phil Lord and Chris Miller.
With a mandatory steep drop into a narrow chute with rock walls on two sides, Corbet’s Couloir at Jackson Hole in Wyoming is one of America’s most challenging ski runs. During the annual Kings & Queens of Corbet’s event, skiers from all over converge to huck themselves over the cornice, doing backflips, spins, and grabs of all kinds.
I’d heard that sit-skier Trevor Kennison, who has been paralyzed from the waist down since a snowboarding accident in 2014, had dropped into Corbet’s during the 2019 Kings & Queens event but I’d never sat down to watch the video. Do yourself a favor and check this out:
Trevor Kennison imagined skiing Corbet’s Couloir — Jackson Hole, Wyoming’s iconic and nearly vertical chute with a dicey, dramatic entrance — six times in his head while waiting at the top. He closed his eyes, took three fast breaths, then visualized it: Ride the ramp at just the right speed, hit the takeoff, hug the rocks on skier’s left, then stick the landing into the chute. If he could picture it going perfectly in his head, he knew he could pull it off.
He’d wanted to ski this line for years and finally, the day had come. Kennison, who’s paralyzed from the waist down, says he wasn’t scared. “I knew what I had to do. I was ready,” Kennison, 26, said. “Everything I do is calculated risk. I think, where is it going to go wrong? I learn so much from the people around me.”
So great. I finally went down this rabbit hole because Kennison skied at our local ski area yesterday here in VT and dropped a couple of cliffs. I didn’t get over there to hang out, but I did see a friend of my son’s skiing with him in his Insta Stories.
Clean the World is a non-profit organization that works with hotels to recycle used soap & other toiletry products left behind by their customers into new, sanitized soap that is then distributed to people without easy access to soap to prevent disease. Here’s how it works:
Since 2009, Clean the World has distributed 53 million bars of soap and saved 20 million pounds of waste from being discarded. Their hotel partners include Hilton, Hyatt, Best Western, Marriott, and other prominent hotel groups.
Even though larger animals like elephants and blue whales have up to 100 billion more cells than humans in their bodies — and therefore many more chances for harmful mutations to develop — they are much more immune to cancer. This is called Peto’s paradox the subject of Kurzgesagt’s latest video. Scientists aren’t sure why this happens, but one hypothesis is that in order to have grown so large, the evolutionary process that resulted in these animals provided built-in defenses against cancer that other animals didn’t need. Further reading on the topic is available here.
Including some irregular times off, overall it took me four years to visit every single road on the map. When I started this hobby, it took me 30 to 40 minutes to do the route. Later it expanded to 2 hours to get to the office when I tried to reach the furthest places on my map. One of the main goals was never to be late for work. From the beginning, I planned to visit not only the main roads but every single accessible mews, yard, park trail, and a path that was possible to go through. I used Endomondo app to have a proper record of my journeys and proof that I have been there. After every trip, I prepared my next route in Google maps where it was easy to adjust streets to the next ones and mark points to revisit if I missed something.
This slow and meditative video features a potter making a mug from scratch. There’s no dialogue but don’t skimp on the sound…headphones are best. I could have watched this for an hour. (via @craigmod)
Chef David Chang, who I guess is in the process of being not a chef now in the way that Bourdain became not a chef, is back for season 2 of Ugly Delicious, a food/travel/culture show on Netflix. From Eater:
Like the first season, this one promises to “use food as a vehicle to break down cultural barriers, tackle misconceptions and uncover shared experiences,” per a press release. The four episodes — only half the number of episodes as season 1 — will focus on food made for babies and children (“Kids’ Menu”), the vast world of Indian food (“Don’t Call It Curry”), the appeal and mystique of steak (“Steak”), and the varied cuisines that encompass what’s generalized as “Middle Eastern” cooking (“As the Meat Turns”).
I really liked season 1 of this show and I am not going to lie, I would love to somehow be involved in season 3. David, I have a passport, love to eat, and can talk about *gestures around at website* almost anything. Hit me up!
Since 1945, Syrian company Pearl Soap has been using traditional centuries-old methods of making “Aleppo soap” from olive oil and laurel oil. Here’s how they do it (I love the contraption they use to cut the soap):
After cutting, the soap is stacked and aged:
The cubes of soap are then stacked in staggered cylinders to allow maximum air exposure. Once they have dried sufficiently, they are put into a special subterranean chamber to be aged for one year.
You can’t buy Pearl’s soap directly from their website and I couldn’t find it anywhere else, but Aleppo soap from other makers is widely available on Amazon and Etsy. (via huit denim)
From director Arthur Cauty, a short documentary film about the oldest video rental store in the world, Bristol’s 20th Century Flicks, which has been operating continuously since 1982. Says Cauty:
It’s an ode to the video shop experience and a bygone way of watching movies. With studios like Disney launching their own streaming services and joining industry kingpins such as Netflix and Hulu, we have an almost endless flow of entertainment available at the click of a button. It’s amazing to me that a little independent video store can survive the Netflix cull and even outlive Blockbuster. Drop into the shop next time you’re in Bristol for a dose of movie nostalgia, have a chat about film and go home with a VHS rarity and a bag of popcorn.
The shop was never what you’d call high street, sandwiched as it was between Bristol University’s monstrous student’s union and the Clifton Wine Bar, but was always somewhere Bristolians were willing to travel to. In the 1990s there may have been a Blockbuster in every district, but if you wanted to rent Fitzcarraldo, Flicks was your only option. The shop’s all-time greatest hit is Withnail and I, and the current top of its chart is Calvary. Its policy of not disposing of titles when rentals slowed has resulted in an enviable off-site archive for requests — including a core of VHS movies that were never released on DVD and are still regularly taken out.
The owners say the store has a collection of more than 20,000 different titles, “about five times more than Netflix”.
See also Memory Power, a short doc about a Pennsylvania video store that’s also hanging in there.
I’ve loved math since I was a kid. One of the big reasons for this is that there’s always more than one way to solve a particular problem and in discovering those solutions, you learn something about mathematics and the nature of numbers.1
In this video, math fan Johnny Ball shows us a different method of multiplication. In Russian multiplication (also called Ethiopian multiplication and related to ancient Egyptian multiplication), you can multiply any two numbers together through simple addition and doubling & halving numbers. The technique works by converting the numbers to binary and turning it into an addition problem.
I loved learning about this so much that I scribbled an explanation out on a napkin at brunch yesterday to show a friend how it worked. We’re friends because she was just as excited as I was about it. (via the kid should see this)
I’ve probably told this story here before, but for an assignment in a quantum mechanics class in college, we had to derive an equation using two different techniques. After much struggle at the whiteboard on a Saturday morning, a friend and I got the results of these two approaches to converge on the same answer and it felt like we had unlocked a deep secret to the universe.↩
The first 30 seconds of this time lapse video provides a great look into how the 10 satellites that make up the Global Precipitation Measurement Constellation scan the surface of the Earth to provide daily global precipitation maps.
This visualization shows the constellation in action, taking precipitation measurements underneath the satellite orbits. As time progresses and the Earth’s surface is covered with measurements, the structure of the Earth’s precipitation becomes clearer, from the constant rainfall patterns along the Equator to the storm fronts in the mid-latitudes. The dynamic nature of the precipitation is revealed as time speeds up and the satellite data swaths merge into a continuous visualization of changing rain and snowfall.
This is lovely: composer Max Richter, accompanied by a string quintet, plays a Tiny Desk Concert at NPR.
Half way through this performance of Max Richter’s achingly beautiful On The Nature Of Daylight, I looked around our NPR Music office and saw trembling chins and tearful eyes. Rarely have I seen so many Tiny Desk audience members moved in this way. There’s something about Max Richter’s music that triggers deep emotions.
Richter is one of my favorite composers, so this was really fun to watch.
For her video “The Real Thing”, filmmaker Julianna Villarosa used footage of Coca-Cola’s famous “I’d Like to Buy the World a Coke” commercial ruined by pouring Coke on VHS and film copies to draw attention to the company’s water privatization practices in Chiapas, Mexico, where there’s a water shortage on. From the video:
The Chiapas Highlands, one of Mexico’s wettest regions, has a water shortage. Many drink Coca-Cola, which is bottled nearby and often easier to find than clean water. On average, residents drink more than half a gallon of soda per day. Indigenous Tzotzil use Coca-Cola in religious ceremonies and medicinal treatments. Diabetes has become the second-leading cause of death in Chiapas. The local Coca-Cola plant extracts more than 300,000 gallons of water per day.
Simple, direct, and brilliant activist art — Villarosa uses the company’s literally corrosive product to physically destroy their feel-good advertising to draw attention to the real harm this US company is doing to people & ecosystems around the world. Here’s more on the Chiapas region and the residents’ reliance on Coke:
Coca-Cola’s penetration of the market in Los Altos has also been aided by a strategy of charging less in remote rural areas where a Coke in a returnable glass bottle is often scarcely more expensive than bottled water. As in most of Mexico, clean drinking water is not generally available even to those who can count on running water in their homes, which means many turn to soft drinks for basic hydration.
The irony of this is clear in an area known for its constant downpours and abundant springs, such as the one that attracted the Coca-Cola bottling company. Local activists say the company has so overexploited the spring that the city of San Cristóbal is now facing water shortages.
The activists allege this has been possible in part because Coca-Cola has friends in high political places. Between 2000 and 2006 the country’s president was Vicente Fox, a former head of Coca-Cola Mexico.
It all adds up to a perfect storm of sugar-related health issues in Los Altos. María del Socorro Sánchez, who is in charge of nutrition at the main hospital in San Juan Chamula, says only about one in 10 of the indigenous patients with diabetes accept there is any need to cut out sugar-packed drinks. “They just don’t believe that it is bad for them,” she said.
My hit series of DJ videos exploring pairs of songs that aren’t direct covers or rip-offs, but have similar melodies, riffs, or chord progressions and just fit together nicely.
Each video is about a minute long and features him playfully mixing two or more songs together that sound very similar. Here’s one of the early episodes, featuring Hot Fun in the Summertime by Sly & the Family Stone and Misunderstanding by Genesis:
T.I.’s Whatever You Like and Zombie by The Cranberries:
Whomst among us wouldn’t go nuts if the DJ laid this down at the club — M83’s Midnight City & Rihanna’s Diamonds:
And this one made me LOL — Draggin’ the Line by Tommy James mixes really well with the Baby Back Ribs song from the Chili’s commercial:
What a great combination of creativity and craft. Watching stuff like this always makes this non-musical person want to make some music. (via @hoodinternet)
Jeff Bezos is not only the richest man in the world, he has built a business that is without precedent in the history of American capitalism. His power to shape everything from the future of work to the future of commerce to the future of technology is unrivaled. As politicians and regulators around the world start to consider the global impact of Amazon — and how to rein in Bezos’ power — FRONTLINE investigates how he executed a plan to build one of the most influential economic and cultural forces in the world.
One of the 10 key takeaways from the film is how deliberately Amazon attacked the publishing industry:
“Amazon took over a large market share of the publishing industry very, very fast,” James Marcus, a former senior Amazon.com editor, tells FRONTLINE — a situation that he says prompted publishers to realize, “‘Oh, wait a minute, they’re our partner, but they now have the beginnings of a boot on our windpipe’.” Inside the company, the team had launched a strategy that some called “the Gazelle Project,” because they’d heard Bezos wanted them to pursue publishers the way a cheetah pursues a sickly gazelle. “Well, you don’t go after the strongest,” Randy Miller, who ran the European book team, says of the strategy. “He’s like, ‘The cheetah. The cheetah looks for the weak, looks for the sick, looks for the small.’” That way, by the time it comes to take on the publishers at the top, “the noise has gotten back to them. They’re going to know this is coming, and chances are you may be able to settle that without a full-on war.”
From the feature-length documentary Miles Davis: Birth of the Cool that’s debuting on PBS’s American Masters next week, this is a short clip about how Miles’ masterpiece, Kind of Blue, came together in the studio.
Miles Davis didn’t provide sheet music for his musicians during the recording of his iconic album “Kind of Blue.” He said that “I didn’t write out the music for ‘Kind of Blue.’ But brought in sketches ‘cause I wanted a lot of spontaneity in the playing.”
This is the most metal shit ever: the doctors removing violinist Dagmar Turner’s brain tumor woke her up during the procedure to play the violin to make sure that she didn’t lose any parts of her brain vital to her playing.
After explaining concerns she had over losing the ability to play the violin, Prof Ashkan and the neurosurgical team at King’s devised a plan. Prior to Dagmar’s operation they spent two hours carefully mapping her brain to identify areas that were active when she played the violin and those responsible for controlling language and movement. They also discussed with Dagmar the idea of waking her mid-procedure so she could play. This would ensure the surgeons did not damage any crucial areas of the brain that controlled Dagmar’s delicate hand movements specifically when playing the instrument. With her agreement, a team of surgeons, anaesthetists and therapists went on to meticulously plan the procedure.
During the operation Prof Ashkan and the team performed a craniotomy (an opening in the skull) and Dagmar was brought round from the anaesthetic. She played violin while her tumour was removed, while closely monitored by the anaesthetists and a therapist.
In this video, Dean Bog takes an entertaining look at “Pittsburgh’s weirdest tradition”, where residents place a chair on the street in front of their house to claim a parking spot and keep others from parking in it. The maneuver is technically illegal, but:
We don’t need official signs, we don’t need to get the cops involved, we can just understand that if you’re placing a chair in a spot, you’re asking everyone to respect it as your own.
Bostonites do this during the winter with cones and sometimes chairs — the logic is: if you did all the hard work of shoveling out a spot, why should someone else get to park there?
The Great Span was Alger Hiss’s term for the personal links of living humans across large periods of time. For instance, Supreme Court Justice Oliver Wendell Holmes, Jr. shook hands with both John Quincy Adams and John F. Kennedy, linking the Revolutionary War with the Vietnam War. This interview with 103-year-old Galusha Cole filmed in 1929 is another instance of this phenomenon:
This was part of a series of interviews with the elderly on the cusp of the Great Depression. Cole was born in 18261 during the administration of John Quincy Adams, was alive at the same time as Ludwig van Beethoven, and lived just long enough to be captured in voice and picture on film.
Although this page on Find a Grave claims that Cole was actually only 92 at the time of the interview. Which would be interesting vis a vis his proclamation that he doesn’t have any vices.↩
This deepfake video of Back to the Future that features Robert Downey Jr. & Tom Holland as Doc Brown & Marty McFly is so convincing that I almost want to see an actual remake with those actors. (Almost.)
They really should have deepfaked Zendaya into the video as Lorraine for the cherry on top. Here’s an earlier effort with Holland as Marty that’s not as good.
In 1966, Chinese leader Mao Zedong had a PR problem. His Great Leap Forward policy had resulted in tens of millions of deaths from famine, his health was rumored to be failing, and he was afraid, following the recent de-Stalinization of the Soviet Union, that his legacy was not secure. So he went for a swim.
Mao wanted to leave behind a powerful Communist legacy, like Marx and Lenin before him. And in order to do so, he needed to connect with the younger generation before he died. So after announcing his Great Proletarian Cultural Revolution, he swam across the Yangtze River. Mao had done the same swim 10 years earlier to prove his vitality, and he hoped it would work again.
His “Cultural Revolution” was a call to hunt down and eliminate his enemies, and reeducate China’s youth with the principles Maoism. Led by the fanatical Red Guards, the Cultural Revolution was a devastating 10-year period in Chinese history that didn’t end until Mao died in 1976.
You can read and watch more about the Cultural Revolution.
In less than a minute, this Senegalese sand artist working on the island of Gorée creates a portrait by pouring sands of different colors over a wooden board with glue on it. The way that the painting emerges at the last second out of seeming disorder is a lovely shock, like a magic trick.
In 1994, legendary street fashion photographer Bill Cunningham gave a six-hour interview about his life and work. This interview was recently rediscovered and made into a documentary called The Times of Bill Cunningham. Here’s a trailer:
The movie is out in theaters, but the reviews so far are mixed, especially when compared to the rave reviews received by 2011’s Bill Cunningham New York. Still, Cunningham is a gem and I will watch this at some point soon. (via recs)
From filmmaker Marshall Curry, The Neighbor’s Window is a poignant short film about the odd relationships you can sometimes form with your neighbors in big cities, even if you never meet in real life.
For real! Do they have jobs? Or clothes? All they do is host dance parties and sleep ‘til noon and screw.
This film recently won the Academy Award for Best Live Action Short Film. (via open culture)
Universe Sandbox is a interactive space & gravity simulator that you can use to play God of your own universe.
You can create star systems: “Start with a star then add planets. Spruce it up with moons, rings, comets, or even a black hole.” You can collide planets and stars or simulate gravity: “N-body simulation at almost any speed using Newtonian mechanics.” You can model the Earth’s climate, make a star go supernova, or ride along on space missions or see historical events.
I found Universe Sandbox after watching this video about what would happen if the Earth got hit by a grain of sand going 99.9% the speed of light (spoiler: not much). This game/simulator/educational tool is only $30 but I fear that if I bought it, I would never ever leave the house again.
Chapter 3, “Aestheticizing Labor,” argues that the category of labor is central to the process genre. In my account, the process genre is, in effect, always symptomatically reflecting on the interactions of human labor, technology (i.e., tools, instruments, machines), and nature. The chapter first examines the genre’s relation to technique. Then it surveys the political implications of the ways in which labor is poeticized in the genre. In its most exalted examples, the process genre presents a striking paradox. On the one hand, it is the most instrumentalist of genres. After all, it is a genre constituted by the presentation of a sequential series of steps, all aiming at a useful result; it is a genre that is usually associated with what scholars call “useful cinema.” On the other hand, it is a genre that has produced some of the most romantic, utopian depictions of labor in which labor figures not as that from which human beings seek relief in the form of listless leisure, but as the activity that gives human life meaning. The philosophical basis for the centrality of labor to life — what has been called the “metaphysics of labor” — finds expression in the process genre; thus, the genre stands in opposition to the politics of antiwork.
The photos on the cover of the book are stills from the Mister Rogers video on how crayons are made:
In this recent TED Talk, lawyer, musician, and technologist Damien Riehl talks about the rapidly diminishing number of melodies available to songwriters under the current system of copyright. In order to help songwriters avoid these melodic legal landmines (some of which are documented here), Riehl and his pal Noah Rubin designed and wrote a program to record every possible 8-note, 12-beat melody and released the results — all 68+ billion melodies, 2.6 terabytes of data — into the public domain.
It’s interesting that the litigious nature of the music business and the finite number of melodies (and the even smaller number of pleasing melodies) has turned an artistic endeavor into a land-grab — whoever gets to a certain melody first owns it forever (or at least for dozens of years). (via @tedgioia)
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