This is a 3-minute clip of The Concert (or The Perils of Everybody) by choreographer Jerome Robbins, in which the dancers are intentionally, and comically, out of sync. You can see why it’s colloquially called the Mistake Waltz. Open Culture’s Ayun Halliday has collected several more of these performances in this post.
It must be incredibly hard for dancers to execute this piece, to deliberately perform out of step with the music and their fellow performers after a lifetime of practice & performance designed to drill the opposite instinct to them. Bravo!
Filmmaker Morgan Neville (who did the Fred Rogers doc Won’t You Be My Neighbor?) has directed a documentary about Anthony Bourdain called Roadrunner that opens in theaters on July 16.
It’s not where you go. It’s what you leave behind… Chef, writer, adventurer, provocateur: Anthony Bourdain lived his life unabashedly. Roadrunner: A Film About Anthony Bourdain is an intimate, behind-the-scenes look at how an anonymous chef became a world-renowned cultural icon. From Academy Award®-winning filmmaker Morgan Neville (20 Feet From Stardom, Won’t You Be My Neighbor?), this unflinching look at Bourdain reverberates with his presence, in his own voice and in the way he indelibly impacted the world around him.
This trailer makes me want to buy a movie ticket — and about 10 plane tickets. So looking forward to this. I need more unabashed living in my life.
A Brooklyn company called Pliant Energy Systems has developed a prototype of an amphibious robot that can swim, skate, slither, and crawl through water and over all different kinds of terrain. The secret is an undulating propulsion system that can modified on the fly to adapt to different conditions.
Velox can use several modes of locomotion found in the animal kingdom using just one pair of “fins”. These fins are best described as four-dimensional objects with a hyperbolic geometry that allows the robot to swim like a ray, crawl like a millipede, jet like a squid, and slide like a snake.
A craft equipped with this system has unprecedented freedom to travel through a range of environments in a single mission. As an underwater vehicle, the robot’s ability to instantly reverse direction and do quick turns make it ideal for task such as coral reef inspection or dragon fish hunting where a craft must rapidly maneuver to look around and between objects.
Sean Donnelly’s mother got sucked into the world of QAnon conspiracy theories, so he made a little video about it, including documenting some bets he made with her about whether or not Biden would still be in office 3 months after the inauguration or if Tom Hanks & Oprah would soon be arrested for pedophilia. Remember when Baby Boomers were all concerned that the internet was going to be harmful for their Gen X and Millennial children and grandchildren? And now all these Boomers are getting brainwashed by Facebook and Fox News? Good stuff. :|
As I’ve said before many times, I will never stop being fascinated by the work of Foley artists, the folks who make the sounds you hear in movies and TV shows. In this short film, we meet three Foley artists who work at Footsteps Studios, a custom designed facility in rural Ontario that includes a massive warehouse of props that can make any sound you can dream of. This video is full of lovely little moments and details — recommended.
WHAAAAAAATTT the hell did I just watch? In 2016, Luke Aikins became the first person to intentionally jump and land without the aid of a parachute or wingsuit — check out the video above to see how he does it. At one point, his heart rate is displayed on the screen and I’m certain that mine was in the same ballpark just before he landed. I recommend you also watch a video of the jump narrated by Aikins as he talks through what’s happening before, during, and after the jump.
See also Gary Connery’s 2012 jump — he fell 2400 feet from a helicopter and landed on a huge pile of cardboard boxes with the aid of a wingsuit, which slowed his vertical velocity to about 15 mph.
FYI: The jump height of 25,000 feet seems impressive (and it’s probably trickier hitting the target from higher up) but in terms of speed, about 1500 feet is sufficient for a freefalling human in the spread-eagle position to reach their maximum (terminal) velocity of ~120 mph. Anything over 1500 feet, about half the height of El Capitan’s granite face, doesn’t add any additional speed. (via @mikeindustries)
Juggling, from the usual angle, looks like a very hectic endeavor — balls and clubs and hands flying everywhere. But if you get an overhead view, as in this video from Taylor Glenn, you can see that often there’s very little movement in two of the three dimensions. The mastery of these small movements combined with the sweeping up-and-down motions creates a compelling illusion for ground-based viewers. The power of a different perspective. (via the kid should see this)
For a talk at the Ignite conference, Marcin Wichary created a looping video about looping videos — you know, when the action in a video loops back over previous scenes, adding new layers of interaction as time goes on. (Think Marty McFly revisiting scenes from Back to the Future in Back to the Future 2.) Most impressively: he did it all live — and here’s a behind-the-scenes look at how.
We all know that the microwave oven was invented by Raytheon’s Percy Spencer in 1945. What this video presupposes is, maybe it was invented to thaw out frozen hamsters? And somehow James Lovelock, who formulated the Gaia hypothesis, is involved? (via @fourfoldway)
I didn’t wake up this morning knowing I needed to hear Cate Blanchett saying “I love you” over and over again while looking right at me, but now that it’s happened I could not have imagined it going any other way. (She also says “I don’t love you” several times but we’re going to ignore that.)
In this video, rollercoaster engineer Korey Kiepert talks about all the different types of rollercoasters that you’ll see at an amusement park, including wooden, terrain, launched, hyper, out-and-back, and wild mouse coasters.
So, when we design a roller coaster, we’re trying to take something that’s very much driven by the same codes that would be used to design a building. And we’re working with those to create something that gives you the illusion that it’s daring and adventurous but, at the same time, it’s all very controlled.
For this video, the NY Times talked to several people from around the world (Britain, Zimbabwe, Norway, India, etc.) about what they think about how the United States is approaching climate change and other environmental challenges. Spoiler alert: there is a lot of incredulity about how shitty America is doing in this area. And that matters because what happens here affects everyone around the world.
Singer and actor Leslie Odom Jr., who grew up in Philadelphia and who you may know from Hamilton and who is wearing an amazing purple sweater in this video, breaks down some Philly slang for us, including jawn, Mummers, MAC machine, old head, water ice, and outta pocket.
Before I clicked play on the video embedded above of 1000 musicians playing Learn to Fly by the Foo Fighters, I assumed it was going to be kind of a mess, a muddled wall of sound. Instead, I was surprised to hear something almost magical, a rock anthem played with the fullness of a orchestra or chorus, the band and the crowd merged into a single, gorgeously layered entity. I was moved by it, almost immediately. All those drummers pounding away on their drum kits in unison! You can check out this playlist for more 1000 musician versions of rock songs, including Seven Nation Army (White Stripes), We Will Rock You (Queen), and Smells Like Teen Spirit (Nirvana):
I also have to say that these videos hit me harder now, 15 months into a global pandemic that kept my family and I separated from all but a narrow slice of the world, than they would have before, especially now that things are starting to loosen up a bit and I am able to safely socialize with other vaccinated folks in person. Seeing thousands of people collectively engaged something so joyful is both a reminder of what we lost during the pandemic and what we stand to gain if we can manage to contain the virus worldwide. I think this is the reason why this video of a flash mob performing Ode to Joy went viral early on in the pandemic. All the feels. (another great find via openculture)
How do you know what to do with your life? The introduction to this new and uncharacteristically existential Kurzgesagt video is some real truth:
Wrapping your mind around your life is pretty hard, because you are up to your neck in it. It’s like trying to understand the ocean while learning how to swim. On most days you are busy just keeping your head above water. So it is not easy to figure out what to do with your life and how to spend your time. There are a million distractions. Your family, friends and romantic partners, boring work, and exciting projects. Video games to play and books to read. And then there is your couch that somebody needs to lie on. It’s easy to get lost.
Thinking about this stuff can be kind of a downer, as the writer of this video admits in a comment:
It’s so easy to get lost in your daily life: there are so many “urgent” and “annoying” things that you forget that actually every day is special, sort of. And even more so the days we have with friends and family. I know watching a video like this can hit pretty hard. But at least for me, the message it tries to convey does make me actually change my behavior. Reprioritize things. You know. Hope it had a similar effect for some of you.
After watching this short film on how much data private companies are able to gather about you (data that we willingly give them in some cases), you might be forgiven for thinking that, never mind some far flung future, we are living in a full-on dystopia right now. The set design, the acting, the positioning of the tables, the see-through table tops, the laptop vs. notebook…this was really well done. When the interrogator got up from his desk, I viscerally felt the invasion of privacy.
World-renowned magician David Berglas, now 94 years old, does a card trick that’s so effortlessly simple and dazzling that no one has figured it out and Berglas himself says it cannot be taught.
The trick is a version of a classic plot of magic, called Any Card at Any Number. These tricks are called ACAAN in the business.
ACAAN has been around since the 1700s, and every iteration unfolds in roughly the same way: A spectator is asked to name any card in a deck — let’s say the nine of clubs. Another is asked to name any number between one and 52 — let’s say 31.
The cards are dealt face up, one by one. The 31st card revealed is, of course, the nine of clubs. Cue the gasps.
There are hundreds of ACAAN variations, and you’d be hard pressed to find a professional card magician without at least one in his or her repertoire. (A Buddha-like maestro in Spain, Dani DaOrtiz, knows about 60.) There are ACAANs in which the card-choosing spectator writes down the named card in secrecy; ACAANs in which the spectator shuffles the deck; ACAANs in which every other card turns out to be blank.
For all their differences, every ACAAN has one feature in common: At some point, the magician touches the cards. The touch might be imperceptible, it might appear entirely innocent. But the cards are always touched.
With one exception: David Berglas’s ACAAN. He would place the cards on a table and he didn’t handle them again until after the revelation and during the applause. There was no sleight of hand, no hint of shenanigans. It was both effortless and boggling.
Of course, his unwillingness to reveal how the trick works or even that he is unable to show someone else how to do it could be part of the trick. But in recent years, Berglas has pulled back the curtain on most of his other tricks, like the time he made a grand piano vanish into thin air, explained by Berglas himself in a YouTube video:
But not this card trick, as the author of the Times’ piece discovers. A delightful read.
Update: Part of the reason I love publishing posts like this (about magic and unknowable tricks) is that I know I’m gonna get some great feedback. In 2011, Richard Kaufman wrote a book called The Berglas Effects with the participation of Berglas himself in which his version of ACAAN is explained at length. Here’s Kaufman himself remarking on the Times story:
The writer is under the odd impression that “The Berglas Effect” has never been explained and is not explained in my book. There are 75 pages devoted to it.
So…huh. I wonder what the book says about the trick? (thx, bill)
In 1639 Japan closed its borders and cut itself off from the outside world. Foreigners were expelled, Western culture was forbidden, and Entering or leaving Japan was punishable by Death. It would remain that way for over 200 years.
It was under these circumstances that a quintessentially Japanese art developed. Art for the people that was consumed on an unprecedented scale.
On Wednesday evening, in the presence of two outside witnesses, Texas killed Quintin Jones. Two journalists who were to bear witness to the execution for the public were not called into the prison by officials who somehow “forgot” to do so:
Absent were two journalists who had been scheduled to attend the execution but whom prison officials said they had accidentally failed to summon.
Before he died, a video director for the NY Times recorded a short video of Jones’ last words to the public, in which he thanked everyone for helping him be a better person and even asked viewers to consider the trauma that death row prison guards endure in the course of doing their jobs. A separate statement of his last words was recorded by prison officials:
“Love all my friends and all the friendships that I have made,” Mr. Jones said, according to those state prison records. “They are like the sky. It is all part of life, like a big full plate of food for the soul. I hope I left everyone a plate of food full of happy memories, happiness and no sadness.”
Then he said, “I’m done, warden.” He was pronounced dead at 6:40 p.m.
That same day, Governor Abbott, who is a member of the so-called “pro-life” Republican party, signed a law that bans abortions in Texas after a fetal heartbeat can be detected, which is before many women are even aware they are pregnant.
As someone who is mostly unable to nap, I’ve always felt a twinge of envy towards those who can shut their eyes, drift off for 20 minutes, and awake refreshed & raring to go. Maybe I’ll have better luck after watching this TED-Ed lesson by sleep researcher Sara Mednick (author of Take a Nap! Change Your Life.), which explains when and how long you should nap for optimal results. (via open culture)
Every few months for the past couple of years, I’ve shared the movies, books, music, TV, and podcasts I’ve enjoyed (or not) recently. Here’s everything I’ve “consumed” since early February, accompanied by a mini review.
How To with John Wilson. What happens near the end of the risotto episode got all the attention, but I’m all about the bag of chips saga. (B+)
Black Art: In the Absence of Light. I can listen to artists and critics talk about art all day long. Also? Everyone in this has impeccable eyewear. (A)
Casino Royale. The best of the Daniel Craig Bonds IMO. (B+)
The Lying Life of Adults by Elena Ferrante. Another marvelously constructed world with vibrant characters by Ferrante. (A)
Wandavision. A love letter to television. Watched this with the kids and we all loved it. (A)
Looper. This is perhaps my favorite type of movie: clever sci-fi with a creative director and good actors that give a shit. (A-)
Sonic the Hedgehog. Jim Carrey is the highlight here and not much else. (C+)
The Remains of the Day. One of my favorite movies. I’ve watched this every few years since 1993 and what I get out of it changes every time. Great book too. (A+)
Zack Snyder’s Justice League. Way too long and nearly pointless. This is what happens when you start treating the director of Legend of the Guardians: The Owls of Ga’Hoole like an auteur. (B-)
A Promised Land by Barack Obama. I recommend the audiobook version of this. You can really tell the bits of the book he cares about and the stuff he phones in a little bit more. The tone of his voice when he talks about Michelle — that love is real. (B+)
Making Sense — The Boundaries of Self. I listened to this conversation with the poet David Whyte at the beginning of March and it was exactly what I needed to hear at that time. I must have listened to his short essay on Friendship about 5 times. (A)
Thunderstruck by Erik Larson. About the invention of the wireless telegraph and the beginning of our abundantly connected world. (B+)
Still Processing - The N Word. The way that Morris and, particularly, Wortham use inclusive language is fascinating. They invite people into the conversation without any loss of insight or critical capability. A bracing rebuttal to the idea that using so-called “woke” language is hamstringing discourse in America. (A-)
Matilda by Roald Dahl. Read this aloud to the kids and was told my rendition was not nearly as good as Kate Winslet’s. (B+)
The Falcon and the Winter Soldier. Less popular with me and the kids than Wandavision. Occasionally fun but also kind of a mess, especially when it comes to the “moral of the story”. (B)
The Talk Show with Craig Mod. Every single second of this 2.5-hour-long conversation between Craig Mod and John Gruber felt like it was created specifically for me. (A-)
Unstoppable. The perfect movie. I wouldn’t change a thing. (A)
Pac-Man 99. A nice update to this venerable game. The kids dismissed it as “too hectic”. (B+)
Fortnite. The perfect game for introverts — you can actually win by cleverly avoiding crowds and then dealing with a much more manageable 1-on-1 situation. But also I am old and there are too many buttons on this controller. (B+)
HazeOver. Recommended to me by Mike Davidson, this macOS app dims background windows to help you focus on your work. (B+)
Titanic. Had to rewatch after Evan Puschak’s video about it. Still an amazingly effective blockbuster movie. (A)
For All Mankind (Season One). So many people have recommended this to me over the past year and I finally got around to watching it. I was hooked within the first 5 minutes. (A)
NYC. So much to say about this city and the resilience of the people who call it home. Still undefeated. (A)
Throughline — The Real Black Panthers. Great podcast on the political agenda and strategy of the Black Panther Party. A natural companion to Judas and The Black Messiah. (A)
Frick Madison. They have like 10% of the world’s Vermeers in just one room! (B+)
The Whitney. Great to be back here to see the work of Dawoud Bey and Julie Mehretu. (A)
The outdoor dining situation in NYC. The city has to keep this and the pandemic pedestrian areas reclaimed from cars. More room for people, less room for cars. (A)
Fairfax. This is the sister restaurant to my two favorite places in NYC, both of which closed permanently because of the pandemic, and the first restaurant I’ve been to since March 2020. We ate outside, I had too many cocktails, and it was perfect. (A+)
Rick Steves’ travel shows and videos typically highlight the positive aspects of travel destinations in Europe and around the world. But more recently, he’s also been making shows about Europe’s unpleasant past. In 2019, he did an hour-long TV special about the history of fascism in Europe
Because Steves hosts a travel show, they visit some of the places where this history played out, including Nuremberg, Auschwitz, and Rome, talk to historians and tour guides, and discuss fascist and anti-fascist art, including Picasso’s Guernica.
And earlier this year, Steves made a similar show that focused just on Germany, embedded above.
Traveling across Germany, we learn how fascism rose and then fell, taking millions of people with it. Visiting actual locations — from Munich to Nürnberg to Berlin — we trace the roots of Nazism in the aftermath of World War I, when masses of angry people were enchanted by Hitler. We explore the totalitarian society Hitler built, and see the consequences: genocide and total war. Learning from Germany’s fascist story, we can recognize that hateful ideology as well as the tricks of wannabe dictators in our own age.
While he was filming the TV adaptation of Colson Whitehead’s The Underground Railroad, director Barry Jenkins was also working on this piece, entitled The Gaze. It’s a 50-minute, non-narrative video portrait of several of the show’s actors dressed in their period clothes, wordlessly looking into the camera.
I don’t remember when we began making the piece you see here. Which is not and should not be considered an episode of The Underground Railroad. It exists apart from that, outside it. Early in production, there was a moment where I looked across the set and what I saw settled me: our background actors, in working with folks like Ms. Wendy and Mr. and Mrs. King — styled and dressed and made up by Caroline, by Lawrence and Donnie — I looked across the set and realized I was looking at my ancestors, a group of people whose images have been largely lost to the historical record. Without thinking, we paused production on the The Underground Railroad and instead harnessed our tools to capture portraits of… them.
What flows here is non-narrative. There is no story told. Throughout production, we halted our filming many times for moments like these. Moments where… standing in the spaces our ancestors stood, we had the feeling of seeing them, truly seeing them and thus, we sought to capture and share that seeing with you.
This video from Veritasium is a nice explanation of the mathematician David Hilbert’s paradox of the Grand Hotel, which illustrates that a hotel with an infinite number of rooms can still accommodate new guests even when it’s full. Until it can’t, that is. See also Steven Strogatz’s explanation of Hilbert’s infinite hotel and how Georg Cantor’s discovery of different types of infinities complicated the hotel’s hospitality. (via digg)
Edgar Wright has directed a documentary on a band called Sparks, which was formed by brothers Ron & Russell Mael in 1967 and the trailer (above) hails as “your favorite band’s favorite band”.
How can one rock band be successful, underrated, hugely influential, and criminally overlooked all at the same time? Edgar Wright’s debut documentary THE SPARKS BROTHERS, which features commentary from celebrity fans Flea, Jane Wiedlin, Beck, Jack Antonoff, Jason Schwartzman, Neil Gaiman, and more, takes audiences on a musical odyssey through five weird and wonderful decades with brothers/bandmates Ron and Russell Mael celebrating the inspiring legacy of Sparks: your favorite band’s favorite band.
The Sparks Brothers will be in theaters on June 18.
This is a treat: artist David Hockney wordlessly flipping through one of his sketchbooks from 2019 for 6 minutes. For the first few minutes, I thought that some verbal annotation would be nice, but it’s actually perfect as-is — you can just focus on looking. (via open culture)
Walking, cities, Paris, and YouTube are four of my favorite things, so this 5.5-hour, 12-mile video walking tour of Paris is right up my alley. Along the way, they visit the Notre Dame, the Arc de Triomphe, the market on Rue Mouffetard, the Jardins du Luxembourg, the Louvre, the Eiffel Tower, and lots more. If you turn the closed captions on, you can read about the histories of the places as the walk progresses. Hopefully this will tide me over until I can visit again. (via open culture)
Part of what makes this so good & funny is the obvious level of care put into making it, right down to the smallest details. The audio distortion? Perfect lip syncing? The Doppler effect?! It’s just a meme, you didn’t have to go so hard! (via the xoxo slack)
In this video, Polyphonic explores the roots of heavy metal, from the increasingly distorted guitar sounds in 50s blues to the fast-picked guitars of surf rock to the heavy rock of English groups like The Who and The Beatles to the first metal bands, Black Sabbath and Deep Purple. (via open culture)
This video focuses on one of my favorite astrophysics facts: 94% of the observable universe is permanently unreachable by humans. (Unless we discover faster-than-light travel, but that’s fantasy at this point.)
This expansion means that there is a cosmological horizon around us. Everything beyond it, is traveling faster, relative to us, than the speed of light. So everything that passes the horizon, is irretrievably out of reach forever and we will never be able to interact with it again. In a sense it’s like a black hole’s event horizon, but all around us. 94% of the galaxies we can see today have already passed it and are lost to us forever.
“Since you started watching this video, around 22 million stars have moved out of our reach forever.” And future generations, billions of years from now, won’t even be able to see any other galaxies or detect cosmic background radiation, making knowledge about the Big Bang impossible.
Stay Connected