Frida Gets Personal
Evan Puschak looks at how the personal nature, intimacy, and stylistic approachability have given Frida Kahlo’s work enduring and increasing popularity.
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kottke.org posts about video
Inside the Insurrection on Congress
This is an incredible video investigation by the NY Times of the January 6th attack on Congress by terrorists, rioters, and supporters of Donald Trump. They analyzed hundreds of videos, police bodycam footage, and police communications to reconstruct a minute-by-minute account of the Capital breach.
From the accompanying article of six takeaways from the investigation:
Most of the videos we analyzed were filmed by the rioters. By carefully listening to the unfiltered chatter within the crowd, we found a clear feedback loop between President Trump and his supporters.
As Mr. Trump spoke near the White House, supporters who had already gathered at the Capitol building hoping to disrupt the certification responded. Hearing his message to “walk down to the Capitol,” they interpreted it as the president sending reinforcements. “There’s about a million people on their way now,” we heard a man in the crowd say, as Mr. Trump’s speech played from a loudspeaker.
The call and response didn’t stop there. We found evidence of his influence once the violence was well underway. In one moment, a woman with a megaphone urged rioters to climb through a broken window by asking them to “stand up for our country and Constitution” — echoing the language in an earlier tweet from Mr. Trump. In another, as the police were pushing to clear the mob off the building, a rioter screamed at officers: “I was invited here by the president.”
It is astonishing to me how close we came to having a hostage or assassination situation with members of Congress and the Vice-President — like literal seconds and minutes away — and how is this not the only topic of conversation over the past 6 months in our country? And not only that, it’s clear that we’re not really going to do anything about it, aside from beefing up Capitol security and imprisoning some of the insurrectionists. This isn’t over — as the video’s narration states near the end: “The forces that brought them there have not gone away.”
Update: From Brian Stelter’s Reliable Sources newsletter:
But Rangappa could have also been talking about CNN’s efforts in court to obtain riot footage; or ProPublica’s recent investigation that indicated “Senior Trump Aides Knew Jan. 6 Rally Could Get Chaotic;” or Just Security’s new “clearinghouse” for riot research. Her broader point is spot on: Newsrooms have been putting the January 6 puzzle pieces together, creating a detailed rough draft of history, in spite of partisan efforts to bury that history.
The Alt Tour, a Self-Supported Tour de France
Professional road racing cyclist Lachlan Morton is attempting to complete the Tour de France this year. Except: He’s doing it entirely on his own, without teammates, support vehicles, and transportation from the previous day’s finish to the next day’s start (which might be dozens or even hundreds of miles apart). That means he’ll be riding an extra 1500 miles, climbing an additional 50,000 feet in elevation, shopping for his own meals, and still trying to beat the peloton to Paris. Here’s a quick explanatory trailer:
You can follow his progress on Rapha’s site and check out updates in this Instagram Story. He’s currently ahead of the peloton, even riding day four in Birkenstocks:
Ah, but — the day three press release had an ominous note in it. Right after telling us that Morton had “picked up a tub of couscous and a couple of bags of nuts for dinner” came the real kicker: our protagonist had a bad knee, and had bought new pedals to allow a switch to flat shoes.
So on day four, Morton set off with his new pedals and covered both stage four and stage five of the actual Tour de France — in a pair of Birkenstocks. Despite his sensible sandals, Morton managed to average the same speeds as the day prior, getting through the time trial in 1:17.
(via matt)
Great Art Explained: Michelangelo’s David
Great Art Explained is one of my favorite newish YouTube channels and I’ve been slowly working my way through their back catalogue. Today’s watch was a 15-minute explanation of one of the signature masterpieces of the Renaissance, Michelangelo’s David. The details related to the carving of the swollen jugular vein and the variable visibility of the veins in the hands is fantastic. (via open culture)
Sheep Herding Patterns from Above
Drone photographer Lior Patel has spent the last several months capturing the movements of a flock of sheep in Israel as they move from their winter to summer pastures. (via colossal)
Developing 120-Year-Old Photos Found in a Time Capsule
In a family house, Mathieu Stern found a box of treasures hidden away by a little girl some 120 years ago. Inside was a pair of glass plate negative images of some pets, which Stern developed using the cyanotype technique. Film development is just straight-up magic.
Goodnight Moon Filmstrip (1984)
This is a filmstrip version of Margaret Wise Brown’s Goodnight Moon produced in 1984. Not sure what a filmstrip is? Boing Boing explains:
From the 1940s until the low-cost videocassette boom of the 1980s, audio filmstrips were commonly used in classrooms as an alternative to 16mm film projectors that were more expensive and fiddly to keep working.
This post doubles as one of those “say how old you are without saying how old you are” Twitter prompts. Here’s more on filmstrips from the Museum of Applied Arts & Sciences:
While the show was a welcome diversion from parsing, long division and dictation, what we didn’t realise was the filmstrips were an educational revolution in Australia akin to smart boards today. They were stored in neat little canisters which could be easily dispatched to schools. Accompanying them was a script read by the teacher describing the 25 or so images depicted in the films, which were manually advanced in the projector.
Until watching this Goodnight Moon video, I had totally forgotten about the beep used in filmstrip audio used to signal someone to switch to the next frame.
See 1540 Paintings by Claude Monet in Two Hours
In just over two hours, this video presents 1540 paintings by impressionist master Claude Monet, a significant portion of his lifetime output. This is a really intriguing way to look at art. It’s not in-person and you don’t get a lot of time with each piece, but the video is HD, you can pause or slow the playback speed, and by seeing a lot of work over a short span of time, you can get a real sense of the stylistic choices and variations across Monet’s oeuvre — a view of the forest rather than the trees. (via open culture)
The Inner Universe of Tropical Fruit
This stop motion animation takes us on a journey through various tropical fruits, as if we’re seeing animated MRI slices of them. If you’re wondering how it’s done, a behind-the-scenes immediately follows the animation. The sound design on this video is fantastic.
See also Hidden Patterns Inside Fruit (by the same creator) and WoodSwimmmer, a Gorgeous Stop Motion Journey Through Wood. (via moss & fog)
The Freedom to Be: Black Surfers in the Rockaways
This short documentary takes a look at the Black surfing community in the Rockaways. These surfers are members of the Black Surfing Association (East Coast branch), which Surfer magazine profiled last summer:
“When you talk to kids here at Rockaway, they think of a surfer as John John Florence — blonde,” says Harris. “When I say, ‘Hey, I’m a surfer,’ they’re shocked. We’re trying to reach every kid, but we’re really trying to reach the kids that wouldn’t otherwise get the opportunity.
We just want to keep kids busy and active, and spread the message and spread the stoke of surfing, and go into schools and talk to kids about water safety.”
“There’s no racism out there”, says Harris of the ocean. “When you come out of that water, of course you go back to your life. But you lose yourself when you get into the waves.”
Summer of Soul
Stevie Wonder. Mahalia Jackson. Nina Simone. Gladys Knight & the Pips. B.B. King. Sly and the Family Stone. Over six weeks in the summer of 1969, all of these legendary artists (and more!) performed at the Harlem Cultural Festival in NYC, drawing an estimated 300,000 people. The festival was filmed and broadcast on a local TV station, but the footage was never commercially released and so unlike that other 1969 festival, this event largely slipped from public memory.
Now, the Harlem Cultural Festival finally gets its due in the form of Summer of Soul, a forthcoming documentary directed by Questlove that uses that old footage to great effect. I’ve heard nothing but good things about this movie — it won both the Grand Jury Prize and the Audience Award at the Sundance Film Festival earlier this year. Summer of Soul is out in theaters and on Hulu July 2.
Believe
The second season of Ted Lasso starts on July 23rd and this new trailer has me all fired up. The first season was a very welcome diversion during the height of the pandemic and was an almost magical unicorn of a TV thing.
100 3D Artists Interpret the Same Scene of a Walking Person
Clinton Jones challenged his community of 3D artists to interpret a simple animation of a person walking with a heavy load. 2400 people participated and Jones collected the 100 renders for this video. What a fantastic illustration of the power of constraints and the abundance of human creativity. Ok, much of the imagery is borrowed from Star Wars and other sci-fi universes, but the stuff that isn’t is delightful. Even with no explicit narrative connection between the scenes, somehow this all seems like part of one big journey. One of the simplest stories we tell is someone moving from one place to another and it doesn’t need to be The Odyssey, Fury Road, or Thelma & Louise to be compelling.
You can also watch a video featuring all 2400 entries (it’s 2h 45m long) and a montage from a previous challenge featuring 125 artists.
See also Transfiguration: An Ever-Evolving Walking Figure. (via waxy)
What It’s Like to Be a Transgender Dad
In a TEDx Talk from 2017, LB Hannahs talks about their experience as a transgender dad, comfort vs authenticity, and the collision of theoretical gender roles & identities with the practicalities of parenthood.
Now, for most people, what their child will call them is not something that they give much thought to outside of culturally specific words or variations on a gendered theme like “mama,” “mommy,” or “daddy,” “papa.” But for me, the possibility is what this child, who will grow to be a teenager and then a real-life adult, will call me for the rest of our lives, was both extremely scary and exciting. And I spent nine months wrestling with the reality that being called “mama” or something like it didn’t feel like me at all. And no matter how many times or versions of “mom” I tried, it always felt forced and deeply uncomfortable. I knew being called “mom” or “mommy” would be easier to digest for most people. The idea of having two moms is not super novel, especially where we live.
So I tried other words. And when I played around with “daddy,” it felt better. Better, but not perfect. It felt like a pair of shoes that you really liked but you needed to wear and break in. And I knew the idea of being a female-born person being called “daddy” was going to be a harder road with a lot more uncomfortable moments. But, before I knew it, the time had come and Elliot came screaming into the world, like most babies do, and my new identity as a parent began. I decided on becoming a daddy, and our new family faced the world.
(thx, megan)
Guest Vocalist Dave Chappelle Sings Creep at Foo Fighters’ MSG Show
Well this is peak…something: last night surprise guest Dave Chappelle led fans in a singalong of Radiohead’s Creep at the Foo Fighters’ Madison Square Garden show (which you had to be vaccinated to get in to). Not much more to say about it — you’re either going to watch it or not based on that info. Nature is healing?!
The Best Commercial About a Rock Quarry You’ll See Today
This advertisement from Vermont granite company Rock of Ages, featuring views of their majestic quarry accompanied by soaring opera, is way better than any commercial for a local quarry has any right to be.
See also The Quarryman’s Symphony, an all-time favorite post of mine about the hand signals used by a quarry boss guiding his marble harvesting crews. (via @AndrewLiptak)
Great White Sharks Closely Observed from Above
Carlos Gauna has been recording great white sharks and other sea life with a drone off the coast of California, capturing behaviors that many of us rarely see. This video includes infrared footage, so we can observe what sharks get up to in the dark. (via digg)
Patrick Stewart Does Hamlet on Sesame Street
Patrick Stewart, displaying the Shakespearian acting chops that landed him the role of Captain Picard on Star Trek: The Next Generation, appeared on Sesame Street in 1996, performing a parody of Hamlet’s soliloquy with the letter “B”. Stewart never doesn’t give it his all when acting.
The Rashomon Effect
In Akira Kurosawa’s 1950 film Rashomon, the story of the murder of a samurai is told from several different viewpoints and each account of the event is different and even contradictory. In real life as in cinema, the Rashomon Effect describes how events can be recalled in contradictory ways by well-meaning but ultimately subjective witnesses. In this short TED-Ed video, the Rashomon Effect and its implications are explained and explored. (via open culture)
A Minute by Minute Account of the Day the Dinosaurs Died
Perhaps the most consequential day in the Earth’s recent history was when a massive asteroid struck the planet 66 million years ago. It resulted in earthquakes, tsunamis, fireballs raining from the sky, volcanoes, atmospheric heat shocks, wildfires, global winter, and the extinction of 75% of all species on Earth, including the dinosaurs. This video by Kurzgesagt leads us through what happened that day, minute by minute.
This video reminded me of Peter Brannen’s eye-popping description of this event from his book The Ends of the World:
“The meteorite itself was so massive that it didn’t notice any atmosphere whatsoever,” said Rebolledo. “It was traveling 20 to 40 kilometers per second, 10 kilometers — probably 14 kilometers — wide, pushing the atmosphere and building such incredible pressure that the ocean in front of it just went away.”
These numbers are precise without usefully conveying the scale of the calamity. What they mean is that a rock larger than Mount Everest hit planet Earth traveling twenty times faster than a bullet. This is so fast that it would have traversed the distance from the cruising altitude of a 747 to the ground in 0.3 seconds. The asteroid itself was so large that, even at the moment of impact, the top of it might have still towered more than a mile above the cruising altitude of a 747. In its nearly instantaneous descent, it compressed the air below it so violently that it briefly became several times hotter than the surface of the sun.
“The pressure of the atmosphere in front of the asteroid started excavating the crater before it even got there,” Rebolledo said. “Then when the meteorite touched ground zero, it was totally intact. It was so massive that the atmosphere didn’t even make a scratch on it.”
Unlike the typical Hollywood CGI depictions of asteroid impacts, where an extraterrestrial charcoal briquette gently smolders across the sky, in the Yucatan it would have been a pleasant day one second and the world was already over by the next. As the asteroid collided with the earth, in the sky above it where there should have been air, the rock had punched a hole of outer space vacuum in the atmosphere. As the heavens rushed in to close this hole, enormous volumes of earth were expelled into orbit and beyond — all within a second or two of impact.
“So there’s probably little bits of dinosaur bone up on the moon,” I asked.
“Yeah, probably.”
Bone Music: Forbidden Soviet Records Made From Used X-Ray Films
During the Cold War, the Soviet Union controlled the music recording industry and even restricted the types of music that were allowed to be played & listened to. Or they tried to anyway. Enterprising Soviet bootleggers took used x-ray films, many of them still containing images of bones and skulls, and recorded forbidden music on them, including jazz and rock & roll from the West. They called it ribs, bones, bone music, or jazz on ribs. From a 2017 article in Vice:
X-rays proved to be an suitable medium. They were cheaply and easily (albeit illegally) acquired from local hospitals that were required to throw out the flammable sheets. They took the groove relatively well, though nowhere near as well as vinyl — some X-ray discs apparently sound like listening to music through sand — and they were easy to fold into a shirt sleeve of pocket for a quick transaction. The X-rays were also stunningly beautiful.
And from an NPR article on Soviet samizdat:
Before the availability of the tape recorder and during the 1950s, when vinyl was scarce, ingenious Russians began recording banned bootlegged jazz, boogie woogie and rock ‘n’ roll on exposed X-ray film salvaged from hospital waste bins and archives.
“Usually it was the Western music they wanted to copy,” says Sergei Khrushchev. “Before the tape recorders they used the X-ray film of bones and recorded music on the bones, bone music.”
“They would cut the X-ray into a crude circle with manicure scissors and use a cigarette to burn a hole,” says author Anya von Bremzen. “You’d have Elvis on the lungs, Duke Ellington on Aunt Masha’s brain scan - forbidden Western music captured on the interiors of Soviet citizens.”
To learn more about bone music, you can check out Stephen Coates’ book X-Ray Audio, The X-Ray Audio Project (which includes digital recordings made from some of the bone records — here’s Lullaby of Birdland by Ella Fitzgerald), and this short documentary:
Soothing Shutter Sounds of 18 Cameras
Photographer Sails Chong recorded something we don’t hear much of these days: the sounds of camera shutters. Accompanied by a song by Arcade Fire from the Her soundtrack, Chong presents the shutter sounds of 18 different cameras, from 35mm all the way up to large format cameras. Interestingly, the lineup does not include the iconic Leica shutter sound — “a photograph sounds like a kiss”. (thx, david)
Yo-Yo Ma Answers Questions About the Cello
As part of the Tech Support series, Wired had Yo-Yo Ma answer some questions about the cello and music sent in by Twitter users. What I like about this is that no critic or professional interviewer would ask these questions (they are “bad” interview questions) and yet Ma answers them all generously and thoughtfully. It reminds me a little bit of when Vogue trained an AI program to interview Billie Eilish:
What I really loved hearing Billie say was that human interviewers often ask the same questions over and over, and she appreciated that the AI questions don’t have an agenda in the same way, they’re not trying to get anything from her.
Perhaps with interesting subjects who are game, having “good” interview questions maybe isn’t that important, particularly if they are repeated queried about the same topics in every interview.
Give Yourself Permission to be Creative
At TED2020, Ethan Hawke gave a remote talk about the benefits of being creative. As someone who often struggles to find meaning in whatever it is I do here, this bit was especially good to hear:
Do you think human creativity matters? Well, hmm. Most people don’t spend a lot of time thinking about poetry. Right? They have a life to live, and they’re not really that concerned with Allen Ginsberg’s poems or anybody’s poems, until their father dies, they go to a funeral, you lose a child, somebody breaks your heart, they don’t love you anymore, and all of a sudden, you’re desperate for making sense out of this life, and, “Has anybody ever felt this bad before? How did they come out of this cloud?”
Or the inverse — something great. You meet somebody and your heart explodes. You love them so much, you can’t even see straight. You know, you’re dizzy. “Did anybody feel like this before? What is happening to me?” And that’s when art’s not a luxury, it’s actually sustenance. We need it.
(via swissmiss)
Transformation of a Bonsai Tree Over 12 Months
Ever since I learned about bonsai trees as a kid, I’ve been fascinated with them. In my 20s, my girlfriend bought me a juniper bonsai for my birthday. I was really excited to see what I could do with it, but it was dead in a month and a half, forever dimming my enthusiasm for ever practicing bonsai myself. But I still love observing the process and seeing the results, so I’ve enjoyed watching Bucky Barnes’1 Bonsai Releaf videos. His latest video (above) documents the year-long transformation of a Japanese larch tree he purchased for £30 into something that looks like it’s been majestically clinging to a windswept cliff for hundreds of years.
Observation, healing, experimentation, growth, making irreversible choices — so many lovely little themes, lessons, and moments in this video. At one point, well into the process, he clips off most of a long branch and I exclaimed “Oh my God!” out loud. I guess I still need to work on letting go of attachments.
Nikola Jokic, Unlikely NBA MVP
To the casual basketball fan, Nikola Jokic seems like an unlikely pick for NBA MVP. Outwardly, his game resembles middle-aged-guy-at-the-rec-center — “god-tier old man game” is how Gene Demby put it — but this video makes a good case that Jokic is “revolutionizing the center position”, “the best offensive passing big man ever”, and possibly even “the best offensive center in NBA history”.
Simone Biles, Mesmerizing in Slow Motion
Gymnast Simone Biles won her 7th US Gymnastics Championship this past weekend, further cementing her status as the world’s best gymnast and one of the most dominant athletes of all time in any sport. In her floor exercise routine on the first day of the competition, Biles absolutely nailed a triple double — that’s three twists while doing two backflips. Timothy Burke took the footage and slowed it down so that we can see exactly what’s going on in the air. And, Jesus, I was NOT prepared for what I saw. The two handsprings that set up the final move are beautiful slowed down, leisurely even. But then Biles launches herself impossibly high into the air — like absurdly and spectacularly high — and starts twisting and flipping at a speed that seems fast even for slow motion. And the landing — it’s like she was standing there all along, waiting for the rest of her spirit to join her. Watching the routine at regular speed makes you appreciate the move even more.
In reaction to this move, NBA head coach Stan Van Gundy, who has seen his fair share of elite athletes doing amazing things over the years, exclaimed: “How is that even humanly possible?” As if to preemptively answer him and everyone else watching, the sparkly leotard that Biles wore during her routine had a picture of a goat sown into it because she is the GOAT.
See also Who Could Jump Higher on a Trampoline, LeBron James or Simone Biles? (via the kid should see this)
Update: Physicist David Young analyzes Biles’ triple-double:
Assuming her rotation rates around each axis remain constant, to get three full flips in would require an extra 0.65 seconds, which requires a launch speed of 22.6 miles per hour, all other things being equal. This is not possible, even if we assume her max launch speed is 18 miles per hour, which is apparently her top sprinting speed.
However, if she could do three full flips, she would also be able to get in one-and-a-half more twists at her current rotation rate! What would this even be called?! What might be more likely would be to try to gain an extra half twist so that she would take off facing left and land facing right, still only completing two full flips.
(thx, donny)
Bo Burnham Welcomes You to the Internet
I have been hearing nothing but good things, and lots of them, about comedian Bo Burnham’s new show on Netflix called Inside. Burnham did the entire thing by himself in his house during the pandemic — writing, music, cinematography, editing, etc. In this clip from the show, Burnham performs a song called “Welcome to the Internet”. (via waxy)
Who Are You, Charlie Brown?
Who Are You, Charlie Brown? is a forthcoming feature-length documentary about the Peanuts comic strip and its creator, Charles Schulz.
Honoring the “everyman” creator, Charles “Sparky” Schulz, “Who Are You, Charlie Brown?” celebrates the significance and global multi-generational popularity of the comic strip and its timeless artistry and design to profile the man whose simple characters would touch the lives of millions through the decades and become beloved cultural icons. Featuring interviews with Jean Schulz, the widow of Charles Schulz, along with Drew Barrymore, Al Roker, Kevin Smith, Billie Jean King, Paul Feig, Ira Glass, Noah Schnapp, Miya Cech, Keith L. Williams, Chip Kidd, Lynn Johnston, Robb Armstrong and more, the documentary interweaves a new animated story that follows Charlie Brown on a quest to discover himself.
Narrated by Lupita Nyong’o, the film premieres on Apple TV+ on June 25.
The Mistake Waltz
This is a 3-minute clip of The Concert (or The Perils of Everybody) by choreographer Jerome Robbins, in which the dancers are intentionally, and comically, out of sync. You can see why it’s colloquially called the Mistake Waltz. Open Culture’s Ayun Halliday has collected several more of these performances in this post.
It must be incredibly hard for dancers to execute this piece, to deliberately perform out of step with the music and their fellow performers after a lifetime of practice & performance designed to drill the opposite instinct to them. Bravo!
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