kottke.org posts about TV
Fashion designer Michael Kors based his 2008 fall collection in part on Mad Men. The maturity of dress on the show is part of what attracted him:
Aren’t we ready for that again? For some maturity? I have to tell you, I am sick and tired of hair down to there and crotch-high hemlines. It’s so obvious. For Fall I was really trying to bring back buttoned-up sexy — think Grace Kelly. So cool, so poised. She never reveals a thing and you can’t take your eyes off of her. I mean, watch “Rear Window.” That’s smart sexy; it’s interesting sexy. And it’s grown-up sexy. You want a tip on looking hot? Wear reading glasses and a fitted dress. Simple.
He’s right about Grace Kelly. I watched Rear Window recently and she’s something else in it.
Andrew Johnston has been posting great meaty Mad Men reviews over at The House Next Door after each episode. Here’s a two-fer that covers the last couple of installments. You can find the rest of the season 2 recaps here.
In an excerpt from the soon-to-be-released More Information Than You Require, John Hodgman shares how he became a famous minor television personality and how he deals with all that fame.
As a matter of fact, sometimes now, if I’m feeling tired or a little sad, I’ll go put on my UPS-man outfit and hit the subway. I’ll hope that maybe someone will recognize me. It’s very embarrassing, isn’t it? But most of the time, it doesn’t happen. No matter how crowded it is, no one says anything. They are reading, talking, thinking about where the train is taking them next. They don’t say anything to me at all. And that’s when I sit back, and look at them all, and think to myself: Don’t any of you have a television? What THE FUCK is wrong with you people? I’M SITTING RIGHT HERE!
Some of this is from a bit Hodgman did for an episode of This American Life earlier this year.
The Washington Post takes a stroll through Manhattan, circa the Mad Men era.
Sterling Cooper, as every fan with a pause button knows, is at 405 Madison Ave., an address that…does not exist. If it did exist, it would be where a bank of Chase ATMs is now, not the ideal spot to spend the morning, but don’t worry, soon it will be 11:30 and time for your first cocktail.
One place the article doesn’t mention is Lutèce, the fancy French place frequented by the bigwigs in the show. It closed in 2004. (thx, jake)
This is probably my all-time favorite childhood TV moment. I loved watching the smiling workers and relentless machinery turn all that formless wax into something that I USED EVERY DAY. My favorite part is the crayons popping up out of their molds. Still gives me chills, it does! BTW, the YouTube page says the video originated from Sesame Street but it was actually from Mr. Rogers’ Neighborhood. (thx, janelle)
Update: I stand corrected…the above clip is from Sesame Street. But Mr. Rogers did show a similar clip on his show (stills here). I know I’ve seen the one on Mr. Rogers but I don’t know about the Sesame Street one. (thx, everyone)
Update: Ok, here’s the clip from Mr. Rogers. Its pace is a lot more leisurely than the Sesame Street clip.
Update: Richard Harvey composed the music for the Sesame Street segment in 1978. In this video, talks about how he put the track together.
(thx, sara)
Almost 4000 people have taken the best show on TV poll so now is a good time to take a look at the results. Here are the top five:
The Wire: 16%
The Simpsons: 8%
Seinfeld: 7%
Arrested Development: 7%
The West Wing: 6%
No other show got more than 4% of the total vote. As expected, The Wire topped the list1. Some notes:
- Arrested Development ranked 4th overall, way higher than I would have thought. People love this show more than the ratings and its duration (it was cancelled after 3 seasons) would indicate.
- The Sopranos was not in the top five. My feeling is that if this poll were conducted five years from now, it would rate higher…the influence this show has had on TV is only starting to be felt.
- Beavis and Butt-head beat out The Honeymooners for second-to-last place. Ralph and Alice deserve better.
- Shows I would have liked to see higher in the list: Deadwood, Sesame Street, The Sopranos.
- I love Seinfeld, but it was ranked too high. At 2%, Buffy got 2% more of the vote than I would have given it.
- Shows that some thought should be on the list: Law & Order (love the show but it defines formulaic TV), The Twilight Zone (perhaps), Doctor Who (again, love it, but nothing this cheesy can be the best show on TV), Sex and the City, Rome, Carnivale, Heroes, and The Mary Tyler Moore Show.
Thanks to everyone who voted.
[1] I got some emails saying that The Wire ranked first only because I talk about the show so much on the site. That was probably a factor, but it’s not like this is a Wire fan site or something. The poll wasn’t that scientific anyway. Run a similar poll on Perez Hilton and American Idol might have won. Or on a site that appeals to 50-somethings and some of the older shows on the list might have done better. All this poll really shows is what people who like the kinds of things I post about on kottke.org also like to watch on television. (This was also not, as someone suggested, an attempt to gather information about viewing habits for advertisers. Duh.) ↩
Just for fun, I whipped up a little poll based on the best show(s) on TV post the other day:
What’s the best show that’s ever been on television?
There are around 30 shows on the list; please consider all the options before choosing.
Production notes: My methodology can be described as “half-assed”. I consulted a number of “best of” lists in choosing the shows — not just the ones listed in yesterday’s post — and excluded some currently airing shows on which the jury is still out (e.g. 30 Rock, Mad Men) for lack of sufficient evidence. No miniseries allowed, episodic only. My feeling is that there are still too many show on the list (there are four or maybe five real choices) but I wanted to give people options. Also, unless the list is missing something *very* obvious, I’m not looking for additions so don’t even think about Cmd-N’ing that mail message.
I don’t know if I’m interested in watching the show or not, but we might have a new leader in the best TV show main title sequence: True Blood. By the same folks who did the Six Feet Under titles. Perhaps NSFW. (via quips)
Update: Maybe Digital Kitchen was influenced by a documentary called Searching for the Wrong Eyed Jesus in making the True Blood titles?
According to several TV writers, bloggers, and cultural critics, each of these is the best show on television.
The Wire
Lost
Friday Night Lights
Deadwood
30 Rock
The Daily Show
Battlestar Galactica
The Sopranos
Arrested Development
Studio 60
South Park
Veronica Mars
Six Feet Under
Hard Knocks: Training Camp with the Dallas Cowboys
The Colbert Report
Mad Men
The West Wing
Mad Men is getting the most buzz lately but The Wire is still the high-water mark (in my opinion as well as the web’s collective opinion according to Google). The Sopranos gets surprisingly little love as the top show, although its relatively weak competition back in the early 2000s perhaps means it didn’t need to be said. The quality of television for the past 3-5 years is impressive…most of the shows listed above were all on at the same time.
The simple but strict rules for Road Runner cartoons.
1. Road Runner cannot harm the Coyote except by going “beep, beep”.
2. No outside force can harm the Coyote — only his own ineptitude or the failure of Acme products.
3. The Coyote could stop anytime — IF he was not a fanatic. (Repeat: “A fanatic is one who redoubles his effort when he has forgotten his aim.” — George Santayana).
4. No dialogue ever, except “beep, beep”.
5. Road Runner must stay on the road — for no other reason than that he’s a roadrunner.
6. All action must be confined to the natural environment of the two characters — the southwest American desert.
7. All tools, weapons, or mechanical conveniences must be obtained from the Acme Corporation.
8. Whenever possible, make gravity the Coyote’s greatest enemy.
9. The Coyote is always more humiliated than harmed by his failures.
10. The audience’s sympathy must remain with the Coyote.
Charles Miller argues that John Hodgman’s PC character in the Mac vs. PC commercials is like Wile E. Coyote…likable but inept. (via df)
Jonah Lerher on daydreaming and the human brain’s default network. Creativity, especially with regard to children, might be stifled by too little daydreaming and too much television.
After monitoring the daily schedule of the children for several months, Belton came to the conclusion that their lack of imagination was, at least in part, caused by the absence of “empty time,” or periods without any activity or sensory stimulation. She noticed that as soon as these children got even a little bit bored, they simply turned on the television: the moving images kept their minds occupied. “It was a very automatic reaction,” she says. “Television was what they did when they didn’t know what else to do.”
The problem with this habit, Belton says, is that it kept the kids from daydreaming. Because the children were rarely bored — at least, when a television was nearby — they never learned how to use their own imagination as a form of entertainment. “The capacity to daydream enables a person to fill empty time with an enjoyable activity that can be carried on anywhere,” Belton says. “But that’s a skill that requires real practice. Too many kids never get the practice.”
But television isn’t the default network that Lehrer is referring to:
Every time we slip effortlessly into a daydream, a distinct pattern of brain areas is activated, which is known as the default network. Studies show that this network is most engaged when people are performing tasks that require little conscious attention, such as routine driving on the highway or reading a tedious text. Although such mental trances are often seen as a sign of lethargy — we are staring haplessly into space — the cortex is actually very active during this default state, as numerous brain regions interact. Instead of responding to the outside world, the brain starts to contemplate its internal landscape. This is when new and creative connections are made between seemingly unrelated ideas.
A chart from Wired in 2005 shows how Star Wars influenced the later development of movies, games, TV programs, and the like.
The Star Wars empire has grown into one of the most fertile incubators of talent in the worlds of movies (Lucasfilm), visual effects (Industrial Light & Magic), sound (Skywalker Sound), and video games (LucasArts). Along the way, some of the original Lucas crew has gone on to become his biggest competitors.
The Flash interface is really annoying and not useful…the whole image is a better way to look at it. Very Mark Lombardi. (via vc)
New for the 2008 NFL season: the NFL TV distribution maps that tell you which football games are going to be broadcast is which parts of the country. They’re using zoomable Google Maps this year…here’s what a typical coverage map looks like:
During football season in a TV market like NYC, which is dominated by coverage of two local teams (Giants and Jets), this is an essential tool for determining if you’re actually gonna get to watch the game you want to on Sunday.
Update: There’s an interview on Yahoo with the guy that runs the site, J.P. Kirby.
Mad Men gets a C- for using Arial in the closing credits instead of original-and-still-champion Helvetica. Time for Sterling to have a chat with the art department.
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