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Watching these expert restorers mend & refresh a pair of vintage Star Wars posters (neither of which features the logo we’re familiar with today and one of which is signed by the designer) is both fascinating and relaxing. It’s like the posters are having a spa day: bit of a soak, a gentle scrub, some light bodywork, and voila, you’re brand new. (via meanwhile)
Laura Olin’s newsletter of “art, internet, and ideas” is a favorite of mine (subscribe here), and I appreciated her comments from this morning on why sci-fi and fantasy movies work for moments like these.
I’ve never thought of myself as a person who’s particularly into sci fi or fantasy. But on the worst days — and yesterday was one — I find myself thinking of the essential lessons of art in that genre. Maybe because a lot of it is about people in dire situations making stark moral choices for a larger good — and for various reasons World War II parables aren’t really going to do it anymore, at least in America. We saw Rogue One in the theater soon after Trump’s first election and I took some strength from the image of (vague spoilers) Felicity and Diego on the beach, sacrificing themselves to give everything thereafter a chance. I’ve been thinking of the Battlestar Galactica reboot of the W. Bush years, with the fighter pilots touching a portrait of a comrade on a fallen planet on their way out to battle; of Stellan Skarsgard’s speech and “one way out” in Andor, which you must watch; of Katniss touching three fingers to her lips in a salute special to her community, and a crowd of people she can’t even see saluting back; of the fundamental text that is “Why must we go on?” / “Because there’s some good in this world, Mr. Frodo, and it’s worth fighting for.” Is all this cringe? Undoubtedly; but I think we’ve entered a time that requires deep earnestness. (I hope to come back to this paragraph in four years and feel I was being overly dramatic about how bad things might get but I suspect I will not.)
Using the official instructions and bricks from their own collection, a father & son team built a colorful DIY version of Lego’s massive Millennium Falcon (7541 pieces, $830 MSRP, kitty for scale).
I love this — much better than that dingy gray. I know it’s not quite the same, but the colorful Falcon harkens back to when Lego was more about throwing together whatever kaleidoscopic Franken-creations you could from your pile of bricks instead of completing just-so kits. (via @migurski)
When the Star Wars films aired in Chile, instead of cutting away from the movie for commercial breaks, the TV station “seamlessly” inserted ads for Cerveza Cristal beer. We’re talking Obi-Wan opening a chest to find a lightsaber for Luke and instead it reveals a ice-chest full of beer. Or the Emperor Force-reaching for a lightsaber and a can of beer flies into his hand. And of course the whole thing has turned into a meme.
About ten years ago, after a long campaign by Navajo Nation member Manny Wheeler, Disney/Lucasfilm released the first Star Wars movie dubbed into the Navajo language. In this clip from the PBS series Native America, the Navajo version of Star Wars is shown at a drive-in in Arizona, with some of the voice actors who contributed to the dub in attendance. Some Navajo feel a strong connection to some of the themes in the movie:
The Force and the universe is all interconnected. When you put that in the Navajo language, especially for an elder to hear that, they’re going to just be thinking, like, yeah, of course. It’s not just a movie. That’s stuff we really believe.
You can watch the Navajo version of Star Wars on Disney+ (Finding Nemo too!) and catch the second season of Native America on PBS. Oh, and here’s a movie poster for the film:
It’s a no-brainer: what if you handed over a visually rich sci-fi universe with slightly campy origins to a quirky auteur with an overwhelming aesthetic, just to see what you’d get? This short trailer imagines Wes Anderson at the helm of his very own Star Wars movie, complete with Bill Murray as Obi-Wan and Owen Wilson as Darth Vader (wow).
See also, from back in 2012, Conan O’Brien’s take on Wes Anderson’s Star Wars, A Life Galactic. I would totally watch either of these movies tbh.
Leave it to the Auralnauts to take The Mandalorian’s solemn catchphrase “This is the way”, back it with a pulsing beat, and turn it into the banger of the summer. Ok, maybe not. But in the process, they counted 222 uses of the phrase over the three seasons of the show (and also during The Book of Boba Fett, I think).
Related: one hour of Zemo dancing from The Falcon and The Winter Soldier. (via neatorama)
Well this is some bizarre good fun — turns out that the campy goofiness of Star Wars and the campy seriousness of high fashion make for a pretty good combination.
See also Lord of the Rings by Balenciaga and Game of Thrones by Balenciaga. Oh, and Hipster Star Wars.
From YouTuber poakwoods, a pair of criss-cross mashups of Star Wars and 2001: A Space Odyssey, but with their directors switched. When George Lucas takes the helm of 2001, you get a more crowd-pleasing and freewheeling movie while Stanley Kubrick’s Star Wars becomes more balletic and contemplative. Both are pitch-perfect.
See also Wes Anderson’s Star Wars. (via daringfireball)
The length of winter near the northern 45th parallel requires events to look forward to in order to feel like you’re not forever adrift in cold and dark. Big things like vacations and reunions with friends & family as well as small things like getting outside in the afternoon, having something delicious planned for dinner, or just, like, getting to the end of the day having consumed enough water.
One of the things I am looking forward to in the early spring is March 1st because a) the sun will set at an almost respectable 5:38pm instead of the current 4:40pm, and b) season three of The Mandalorian starts. This is the way.
May the 4th be with you and here’s the trailer for the upcoming Disney+ series, Obi-Wan Kenobi.
The story begins 10 years after the dramatic events of “Star Wars: Revenge of the Sith” where Obi-Wan Kenobi faced his greatest defeat — the downfall and corruption of his best friend and Jedi apprentice, Anakin Skywalker, who turned to the dark side as evil Sith Lord Darth Vader.
The latest installment in the excellent Almost Famous series from the NY Times and Ben Proudfoot is about Devon Michael, who as a young actor was almost chosen to play Anakin Skywalker in Star Wars: The Phantom Menace.
Growing up, Michael had small roles in commercials, television shows and movies. At 9 years old, he understood that an opportunity like “Star Wars” could change his life. From 3,000, the producers narrowed it down to three, and soon Michael was at Skywalker Ranch doing a test screen with George Lucas and Natalie Portman.
It’s pretty poignant listening to Michael talk about the disappointment and disillusionment that followed his not getting chosen, as well as a different kind of hardship for Jake Lloyd, who was picked for the role.
Check out these expressive impressionist oil paintings of scenes from Star Wars by Naci Caba. (He also does paintings of Lord of the Rings and Harry Potter.) Seeing futuristic sci-fi rendered in this medium is giving me a bit of cognitive dissonance.
You can buy prints and even the original oil paintings in his shop or at Etsy. (via digg)
During a Tonight Show appearance in 1978, Johnny Carson asked Carl Sagan about the scientific accuracy of Star Wars. Sagan replied:
The 11-year-old in me loved them but they could have made a better effort to to do things right. A lot of different aspects of things — Star Wars starts out saying it’s on some other galaxy and then you see there’s people. Starting in scene one there’s a problem, because human beings are the result of a unique evolutionary sequence based upon so many individually unlikely random events on the Earth.
In fact, I think most evolutionary biologists would agree that if you started the Earth out again and just let those random factors operate you might wind up with beings that are as smart as us and as ethical and artistic and all the rest, but they would not be human beings. That’s for the Earth. So in another planet, different environment, very unlikely to have a human being. It’s extremely unlikely that there would be creatures as similar to us as as the dominant ones in Star Wars.
And a whole bunch of other things: they’re all white. The skin of all the humans in Star Wars, oddly enough, is like this. And not even the other colors represented on the Earth at present, much less greens and blues and purples and oranges.
Carson pushes back slightly at this point: “They did have the scene of Star Wars with a lot of strange characters.” But Sagan persists:
Yeah, but none of them seem to be in charge of the galaxy. Everybody in charge of the galaxy seemed to look like us. And I thought it was a large amount of human chauvinism.
Sagan also complained about Han Solo’s boast of doing the Kessel Run in less than 12 parsecs. According to the script, this was an “obvious” lie on Han’s part to make his ship sound impressive, so Sagan missed that. But then, post-Lucas, the Kessel Run was explained in Solo: A Star Wars Story as a distance shortcut and not an elapsed completion time, so…. (via digg)
The holes drilled into Arctic, Antarctic, and glacial ice to harvest ice cores can be up to 2 miles deep. One of my all-time favorite sounds is created by dropping ice down into one of these holes — it makes a super-cool pinging noise, as demonstrated in these two videos:
Ice makes similar sounds under other conditions, like if you skip rocks on a frozen lake:
Or skate on really thin ice (ok this might actually be my favorite sound, with apologies to the ice core holes):
Headphones are recommended for all of these videos. The explanation for this distinctive pinging sound, which sounds like a Star Wars blaster, has to do with how fast different sound frequencies move through the ice, as explained in this video:
(via the kid should see this)
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