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Entries for December 2022
The NYPL’s Collection of Weird Objects
The New York Public Library maintains a collection of literary paraphernalia (which they call “realia”) that has gathered almost by accident and includes items like a lock of Walt Whitman’s hair, the death mask of E.E. Cummings, and Vladimir Nabokov’s butterfly drawings. The collection is only available by appointment, but the New Yorker snuck in for a look.
On the third floor of the New York Public Library, off of a quiet, marble-tiled hallway, is the Berg Reading Room. Mary Catherine Kinniburgh is one of the literary-manuscript specialists in charge of the cache of artifacts, which includes a lock of Walt Whitman’s hair, Jack Kerouac’s boots, and Virginia Woolf’s walking cane-all guarded by a buzzer and a strict protocol for appointment-only visits. “You can’t help but be a person in space and time in history, particularly in this room. It’s an opportunity to encounter an object in a very physical way, to generate meaning that transcends the shape of time,” Kinniburgh said.
Mari Andrew on the difference between Solitude Food, Lonely Food, and Sad Food. “Few Solitude Foods are better than a bucket of popcorn to oneself in the back of a movie theater on a rainy weekday afternoon.”
The Northern Lights Photographer of the Year for 2022
Science fiction and fantasy artists could labor for a thousand years and never come up with something as beautiful and unbelievable as the aurora borealis. Nature: still undefeated. Those two shots are from the 2022 Northern Lights Photographer of the Year awards — the top one was captured by Tor-Ivar Næss in Norway and the bottom one was taken in Denmark by Ruslan Merzlyakov.
A site that rates apples. The SweeTango gets a 93/100 and is called “the best apple ever to grace the world of Gods and men”.
“Fox Sports’ US World Cup Coverage Is An Unmissable Abomination”
There are plenty of problematic things about this year’s World Cup, starting with the human rights situation in the host country, but for US viewers, Fox Sports’ coverage is really stinking up the joint. Aaron Timms burns them down in The Guardian:
In these circumstances you might expect Fox’s coverage of the matches, untroubled by politics, to be razor-sharp. You would be mistaken. From its Orientalist redoubt on the Doha Corniche (Arabesque motifs, casino lighting, no actual Arabs unless they’re from the Qatari tourism agency), the Fox team has set about its task with vigor: to beam all the tournament matches into the living rooms of America while being maximally patronizing to the country’s soccer fans. In those rare moments when Fox is not jamming a brand down our throats (“Here’s the player to watch segment, presented by Coca-Cola”, “Your first-half moment, sponsored by Verizon”, “Our player spotlight is hosted by the Volkswagen ID.4”), the network’s hosts, analysts, and match commentators seem determined to mansplain the sport as if we, the soccer-watching public of the United States, have spent the past four decades with our heads in the desert sands surrounding Lusail Iconic Stadium.
Insults to our collective intelligence have come from all angles: the constant, tedious analogies to American sports (stepovers and feints described as “dekes” and “hesis”, corners constantly compared to “pick and rolls”); the neverending quest to “contextualize” the world game by comparing whole countries to American states (“Qatar is the size of Connecticut,” we were told repeatedly on the opening day); the network’s embrace and promotion of the interminable “it’s called soccer” cause (who cares?); the strange extended segment in the run-up to USA v England about how much Harry Kane likes American football (ditto); the employment of Piers Morgan as a special guest pundit (no thanks).
The “it’s called soccer, no it’s football” thing is beyond stupid — it’s the sort of debate that 4th graders have on the playground. I watched the Netherlands vs. USA match the other day with my friend David and it was so bad we switched the channel to Telemundo even though neither of us speaks Spanish — and you know what, it was better because you could just enjoy the game. (Also, my pet peeve about the coverage: when showing the starting lineups and formations, they do not list the possible subs. The bench players matter, especially on these deep international teams! They come on late in games and score winning goals! Tell us who these people are!)
Destroy the World With This Asteroid Launcher Simulation
Creative coder Neal Agarwal has launched his newest project: Asteroid Launcher. You can choose the asteroid’s composition (iron, stone, comet, etc.), size, speed, angle of incidence, and place of impact. Then you click “launch” and see the havoc you’ve wrought upon the world, with all kinds of interesting statistics. I bombarded Los Angeles with an iron asteroid a half-mile across moving at 50,000 mph and the results were significant, as you can see from the fireball it created:
Some of the most interesting bits about the impact:
- The crater is 2,087 ft deep.
- Clothes would catch on fire within 86 miles of the impact.
- An estimated 4,343,300 people would die from the 249 decibel shock wave.
- Winds would reach 13,373 mph; within 105 miles it would feel like being inside an EF5 tornado.
Crikey! See also the description of the much more massive meteorite that slammed into the Yucatan peninsula 66 million years ago:
The meteorite itself was so massive that it didn’t notice any atmosphere whatsoever,” said Rebolledo. “It was traveling 20 to 40 kilometers per second, 10 kilometers - probably 14 kilometers — wide, pushing the atmosphere and building such incredible pressure that the ocean in front of it just went away.
And The World’s Loudest Sound:
The sound made by the Krakatoa volcanic eruption in 1883 was so loud it ruptured eardrums of people 40 miles away, travelled around the world four times, and was clearly heard 3,000 miles away.
Danny MacAskill’s Postcard From San Francisco
Trials rider and mountain biker Danny MacAskill is one of my long-running obsessions here — I first posted about him all the way back in 2009 and if there’s ever a kottke.org konference, you’d better believe MacAskill will be performing at it. Anyway, MacAskill recently visited San Francisco with Red Bull and explored some of that beautiful city’s most iconic locations on his bike. Wow, the tennis net ride at 2:45 — BONKERS.
This video is actually a trailer of sorts for a 4-episode series that’s available on Red Bull’s site:
Watch as Danny lands a host of new tricks — some five years in the making — in spectacular spots around San Francisco. Then go behind the scenes and learn what this deeply personal edit means to him.
Super Rider (another trials rider) also did a behind-the-scenes video with MacAskill where they go in-depth on the tennis court setup.
The making of New York magazine’s “Reasons to Love New York” cover. The moment I saw the image, I knew it was @PelleCass (who I featured back in 2018); fun to see how he pulled it off.
Becoming Athletic In My 50s. “Specifically, I felt the pleasure of figuring out what my body — and what my willpower — was capable of.”
Middlemarch and Me by @Rebeccamead_NYC. I read Middlemarch for the first time over the summer and loved it.
You Are Not Expected to Understand This: How 26 Lines of Code Changed the World. The book includes code for the popup ad, the bitcoin paper, the Apollo 11 LM (of 1202 error fame), and the first computer worm.
The Hitchhiker’s Guide to the Galaxy was published 42 years ago in the US. Here, a number of public figures reflect on the book series and its impact.
The NOW Clock
Based on an illustration she did for a tech blog in 2014, Hallie Bateman is selling the NOW clock, a timepiece that reminds you whatever time it happens to be, it’s also always the present moment.
The climate case against Elon Musk. In the plus column: EVs, solar, and batteries. In the minus column: investing in car infrastructure, massively polluting rockets, and supporting Republicans.
Interview with @doctorow in the New Yorker. “My best hope for the next three years is that we win against Big Tech, then we take on Big Everything Else.”
Craig Mod’s Kissa by Kissa is on its 4th edition. “This book is the most beautiful object I own, it might be too perfect.”
Love a Good Train Station Mosaic
Dang, look at these new mosaics by Kiki Smith and Yayoi Kusama for Grand Central Madison, the MTA’s newest LIRR station.
As a former (and future?) New Yorker, I know a lot of the city’s dwellers appreciate the MTA’s commitment to public art and to mosaics in particular. Like the Dude’s rug, it really ties the city together.
20 Iconic Photos of the Climate Crisis
Gabrielle Schwarz at The Guardian has gathered 20 of the most iconic and meaningful photographs of the effects of the climate crisis. Metaphors abound. I think often of Kristi McCluer’s photograph of the golfers casually playing a round in proximity to 2017 Eagle Creek fire in the Pacific Northwest. As David Simon said at the time, “In the pantheon of visual metaphors for America today, this is the money shot.” (Iceberg photo by Magnus Kristensen and sled dog photo by Steffen Olsen.)
Lovely thread of bestselling authors commiserating with debut novelist Chelsea Banning after only 2 people came to her author signing event. Min Jin Lee (Pachinko): “I did a book reading where only my husband’s cousin showed up. One person.”
The 2022 Architecture and Design Awards, compiled by @langealexandra, @marklamster, and @cmonstah. “The new LaGuardia is….not terrible? Maybe even good?”
Have reported on this before but here’s a reminder: the US is almost unique among rich nations in that roadway deaths are rising. “On empty pandemic roads, it was easy to see exactly what…the US had built: wide roads…that seemed to invite speeding.”
My Sabbatical Media Diet
As you’ll soon read in a comically long “what I did on my summer break” post I’m writing, almost everything I do on a day-to-day basis when I’m working on the site came to a complete halt when I went on sabbatical back in May - I stopped reading online, unsubscribed from all newsletters (save one or two), ignored Twitter, stopped paying attention to the news, didn’t really read my email. Pretty much the only concession I made was to keep track of what I was reading, watching, and listening to. So here you go, my media diet over the past seven months.
Russian Doll (season two). A worthy second act of Natasha Lyonne’s surprising hit. The NYC subway is the best time machine since the police box and the DeLorean. (A-)
Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman. Another Burkeman banger. If The Antidote was a self-help book for people who don’t like self-help books, this is time management for people who don’t want to organize their lives like a Toyota factory. (A-)
Middlemarch by George Eliot. By far the best thing I read during my sabbatical and one of my favorite books of all time. For whatever reason, I thought this was going to be stuffy liht-tra-chure but it turns out it’s hilarious? Almost every page had me laughing out loud. The writing is exquisite and Eliot’s observations about human behavior are still, 150 years on, remarkably astute. And there’s a scene near the end of the book that is almost cinematic — she painted such a vivid picture that it took my breath away (like, literally I was holding my breath). (A+)
All of This by Rebecca Woolf. You’re about to split up with your husband and then he gets cancer and dies. That is a complex emotional landscape; Woolf describes how she navigated her relief and grief as her life was torn apart and put back together again. A brutally honest read. (B+)
Conversations with Friends. Not quite up to Normal People’s high bar but still pretty entertaining and affecting. (A-)
Ten Steps to Nanette: A Memoir Situation by Hannah Gadsby. Unexpectedly resonant — one of a number of things I’ve read recently by people who have discovered they’re on the autism spectrum as adults. (B+)
Troubling Love by Elena Ferrante. Didn’t like this one quite as much as her excellent Neapolitan novels. (B+)
Old. Decent M. Night Shyamalan effort. The Sixth Sense remains the only film of his I’ve actually liked though. (B-)
The Mt. Qi Pork Hand-Ripped Noodles Meal Kit from Xi’an Famous Foods. I find most restaurant meal kits to be expensive and the resulting food unsatisfyingly unlike what you’d get at the restaurant. Not so with this one…I feel like it’s an incredible bargain (when paired with some bok choi or something it feeds 4-6 in my experience) and it tastes exactly like what you get at the restaurant. I’ve recommended this to several folks and everyone loves this kit. Note: neither the ingredients or the finished product freezes well — order this when you can make and consume the whole thing over the course of a few days. (A)
Apple Watch. I haven’t worn a watch since the early 90s, so it took me awhile to talk myself into this. But I wanted a good way to track my exercise and perhaps use my phone less. The Watch has succeeded on the first point but not really on the second, and I’m convinced that this thing has no idea how to accurately track calories on mountain bike rides. (B+)
Blade Runner 2049. Always up for a rewatch of this. I (sacrilegiously?) prefer it to the original. (A)
Gattaca. I always use the title of this movie when I need to remember the four nucleotide bases of DNA. Which, admittedly, is not super often. (A-)
Against the Rules (season three). Timely and fascinating exploration of the role of experts in our society by Michael Lewis. (B+)
Maus I & II by Art Spiegelman. Finally got around to reading this after finding it on a local bookstore’s table of banned books. A masterpiece. (A+)
Doctor Strange in the Multiverse of Madness. I guess I am having a little trouble with caring about Marvel stuff after Endgame. Also, Sam Raimi’s horror thing doesn’t jibe with my dislike/indifference of/about horror movies. (B-)
Everything Everywhere All At Once. Second time. I love this movie so hard. (A+)
Top Gun: Maverick. I was shocked at how much I liked this movie — a Top Gun sequel didn’t have any right to be this entertaining. Straight-up no-frills thrill ride that’s best on a big screen. Loved Val Kilmer’s scenes. (A)
Roadrunner: A Film About Anthony Bourdain. I was a little wary of watching this; from what I’d read, it seemed like it was a bunch of Bourdain’s friends and loved ones blaming Asia Argento (who was not interviewed for the film) for his death. It’s a delicate balancing act, but the film doesn’t actually do that, IMO. And the stuff about his early-mid career is great and was personally resonant. (A-)
Slow Burn: The L.A. Riots. I was 18 years old and a busy freshman in college when the 1992 LA riots happened, so this was fascinating to listen to. Joel Anderson was the perfect host for this — authoritative, probing, and skeptical in all the right places. (A)
Hold Still: A Memoir with Photographs by Sally Mann. Nearly unbelievable family stories combined with fascinating insights on what it’s like to be an uncompromising artist. (A-)
Red Notice. Fun but forgettable. (B)
The Mysterious Benedict Society by Trenton Lee Stewart. Read this after my kids and I watched the Disney+ series. (B+)
Obi Wan Kenobi. This could have been terrible or messed too much with the original trilogy timeline/vibe, but they pulled it off. (B+)
Operation Mincemeat. If you like war dramas, this is a war drama. (B)
Last Night in Soho. Not my favorite Edgar Wright film. (C+)
Persepolis: The Story of a Childhood by Marjane Satrapi. A friend recommended this after I read Maus. Another masterpiece about the effects of authoritarianism. (A)
The Card Counter. Good performances but ultimately not that memorable. (B+)
The Grand Budapest Hotel. A rewatch after many years. Anderson’s most commercially successful film but not my favorite. I love that there are hundreds of reviews of the hotel on Tripadvisor. (B+)
Thor: Love and Thunder. Natalie Portman is a great actress who sometimes seems like she’s a bad actress — see also Star Wars. Maybe superhero sci-fi is not her bag? Also, I think they went a little overboard on the stuff that made Ragnarok so much fun…it just didn’t work as well here. (B)
Persuasion. Oof. A poor adaptation of Austen through the lens of Fleabag. (C-)
The Outsiders by S.E. Hinton. Hinton was in high school when she wrote this so it’s a little uneven, but the voice is amazing. (A-)
For All Mankind (seasons two and three). Not as good as the first season IMO. It’s tough for alt-histories as they get farther and farther from where the timelines split. That said, I am a sucker for such an artfully placed Radiohead song. (B+)
Schitt’s Creek. Late to this but what a delightful show! Was very sad when it ended; I wanted to spend more time with these people. P.S. If you’re in the US and missed this on Netflix, it’s available on Hulu now. (A)
The Bear. I’ll admit I didn’t love this at first — I got my fill of the edgy/grungy aesthetic in the 90s — but it crescendoed nicely. (A-)
Saap. Nisachon Morgan, the chef of this unassuming Thai place in the tiny town of Randolph, VT, won the 2022 James Beard award for best chef in the northeast. A friend of mine has been a regular there for years, so we stopped in for a meal. Let’s just say the Beard Foundation got this one right. (A)
The Gray Man. Gotta be honest — I think I got this confused with Red Notice. (B-)
Brave New World by Aldous Huxley. Still incredible that this was written in 1931 — it’s strikingly modern in many ways. (A-)
Deception Point by Dan Brown. Total beach read. Tom Clancy did this sort of book much better though. (B)
Lightyear. Solid Pixar effort. (B+)
The Lord of the Rings: The Rings of Power. I don’t understand the poor reviews of this series and its (unfair) comparison to the sexier House of the Dragon. It was engaging throughout, though maybe a little slow in places (I didn’t care much for the Harfoots plotline.) And it’s a setup for an epic tale that lasts four more seasons…there’s bound to be a lot of table-setting. (B+)
The Great Canadian Baking Show. Not as good as the original but worth a watch if you’re in Canada (either physically or via VPN), if only to catch how judge Bruno Feldeisen pronounces “sponge” and “layers”. Seasons one and two feature the delightful Dan Levy as one of the hosts. (B+)
Junior Bake Off. I understand that they’re children, but Bake Off just isn’t as fun when the baking is, uh, not great. (B)
Cloud Cuckoo Land by Anthony Doerr. With five different stories spanning hundreds of years, this was challenging to listen to as an audiobook at first. But it paid off well in the end. (B+)
Stories of Your Life and Others by Ted Chiang. Love anything and everything that Chiang writes. (A)
Source Code. I’m not sure this aged super-well but it was entertaining. (B)
Escape into Meaning: Essays on Superman, Public Benches, and Other Obsessions by Evan Puschak. Not quite the target audience here — I feel like this book would have hit me straight between the eyes in my late 20s or early 30s. (B-)
The US and the Holocaust. Essential documentary by Ken Burns, Lynn Novick, and Sarah Botstein about how the United States responded (and failed to respond) to Nazi Germany’s persecution and murder of European Jews in the years before, during and after WWII. (A+)
The Holocaust: A New History by Laurence Rees. I’ve watched and read a fair bit about the Holocaust over the years, but watching The US and the Holocaust and reading Maus spurred an interest in learning about how the Holocaust happened in detail. After some research, I settled on this book by Laurence Rees, which provides a good overview on how the Nazis harnessed European anti-Semitism to gain power and then used it to murder six millions Jews. It was unsettling to read but important to know this history so that we do not let it repeat. (A)
Murder on the Orient Express by Agatha Christie. The perfect little murder mystery. Like a magician revealing her tricks, Christie lays bare how murder mysteries are structured — and it takes nothing away from the thrill of the story. (A-)
Renaissance. Not my favorite Beyoncé album — it’s a little all over the place and the disco/house vibe isn’t exactly my jam — but there are some definitely bangers on here. All Up in Your Mind is my favorite track…I just wish it were longer! (B+)
Star Fluxx. A friend recommended this after I asked him for card/board games that would be good to play with my now-teenaged kids. Part of the game play includes changing the rules of the game as you go…we’ve been enjoying it. (B+)
Unspoken Words. Ambient-ish electronica from Max Cooper. My favorite track from this one is Everything. (A-)
See How They Run. Fun murder mystery with a few laugh out loud moments and great performances by Saoirse Ronan and Sam Rockwell. (B+)
Cool It Down. First new album from the Yeah Yeah Yeahs for the first time in nearly a decade? Yes yes yes. Spitting Off the Edge of the World is sublime. (A-)
Downton Abbey: A New Era. Sometimes, nothing but a low-stakes British period drama will do. (B+)
Night and Fog. An illuminating but difficult-to-watch companion to my other explorations of the Holocaust. (A)
Munich — The Edge of War. Solid historical drama that takes place around the events of the Munich Agreement that gave the so-called Sudetenland in Czechoslovakia to Nazi Germany in exchange for postponing WWII for about a year. (B+)
The Worst Person in the World. Really interesting and affecting in parts and a great performance by Renate Reinsve. (A-)
Barbarian Days: A Surfing Life by William Finnegan. I can’t say that this book made me want to become obsessed with surfing, but maybe it made me want to become obsessed with something again. Beautifully written and personally resonant. (A)
Enemy. Good acting and direction but this is the type of film that I don’t think I care for anymore. (B)
Say Nothing: A True Story of Murder and Memory in Northern Ireland by Patrick Radden Keefe. Compelling and well-researched. The Troubles happened during my lifetime and I saw bombings on the news as a kid, but I didn’t have any more than a vague sense of what it was all about until I read this. (A)
Black Panther: Wakanda Forever. I thought Coogler and co. did a good job in paying tribute to Chadwick Boseman while moving the story forward. But the kids and I agreed that we missed some of the fun and lightheartedness of the first film. (B+)
Harry Potter and the Order of the Phoenix. We listened to the audiobook in the car over several months — the British Stephen Fry version not the (IMO) inferior Jim Dale versions. (B+)
Harry Potter and the Order of the Phoenix. The rules are, when you finish the audiobook, you watch the movie. (B)
Her Place. A unique dining experience that’s not unlike going over to someone’s house for a dinner party. There are two seatings a night, at 6:00 and 8:30; all parties are seated at the same time. It’s a set menu with no substitutions and everyone in the restaurant is served at the same time. Every course or two, the chef quiets the diners to explain what’s coming up, who cooked it, where the ingredients are from, and anything else she thinks is relevant. It’s operationally smart and creates a great dining environment. Esquire just named it one of the best new restaurants in America. (A)
Tim Carmody’s wedding. Tim has been my friend and a vital part of this website for more than a decade, so it was a real pleasure to be able to join him and Karen McGrane for their wedding. We got to walk through a 20-foot-tall model of a human heart at the Franklin Institute! What a metaphor! (A)
The Handmaid’s Tale (seasons four and five). The first two seasons of this show were great. And then…well, they turned June into an antihero and a superhero, neither of which was very compelling. I dunno, maybe I just can’t get past how Elisabeth Moss can play someone escaping a cult-driven society while belonging to a cult herself. (C)
You’re Wrong About. I’ve given it a chance over the past several months but the new iteration of You’re Wrong About isn’t as good as the Sarah and Michael version. The show is still interesting and guests are fine, but the podcast is missing that comfortable witty banter, pacing, and Michael’s sharp editing (the double intro and outro are awkward and should be discarded). One odd thing for a show that is literally about explaining things: since the format changed, they often don’t plainly describe the subject matter at hand — it’s just assumed that we all know what they’re talking about (the eugenics and Henry Lee Lucas episodes for example). (B)
Le Relais de l’Entrecôte. If I ever own a restaurant, it’s gonna serve one thing, really fucking well. (A)
Arnaud Nicolas. Absolutely mind-blowing charcuterie. (A)
Trains in Europe. Specifically in Switzerland & France and to a lesser extent in Portugal & Italy. *sigh* (A)
The Strasbourg astronomical clock. A mechanical wonder located in the Cathédrale Notre-Dame in Strasbourg, France. I stayed for quite awhile, examining all the details. (B+)
Venice. This city seems fake, like you’re on a movie set or something. Even though Venice is unbelievably crowded in the touristy areas and the food is often so-so, it’s so so so relaxing and quiet to walk around a city without cars. (A)
Switch Sports. Nice to have a sports game on the Switch, but I miss the golf and a couple of games from Wii Sports Resort. (B+)
Mr. Morale & the Big Steppers. Couldn’t get into this one. (C+)
Benfica vs. Newcastle United. My very first time watching a football match in a European stadium and wow, what a stadium and experience. Great crowd for a preseason friendly and an 89th minute winner by the home club didn’t hurt either. Almirón, who is making some waves in the Premier League this season, scored two goals for the away team. (A)
Bar Kismet. Reminded me of my dearly departed favorite place in NYC. Great food, great casual atmosphere, creative cocktails, friendly service. (A)
Snowden Deli. My new favorite place for smoked meat in Montreal. (A-)
The Wok: Recipes and Techniques by Kenji López-Alt. Have only scratched the surface of this one, but it’s upped my wok cooking game already. Also, does anyone else’s entire family groan when I weigh in on some food question with “well, Kenji says…” or is that just me? (A-)
Legacy of Speed. Great story about athletics, politics, and activism. (B+)
The Code Breaker: Jennifer Doudna, Gene Editing, and the Future of the Human Race by Walter Isaacson. Conventional overview of the discovery of CRISPR and what it means for the future of humanity. I think there’s a better book to be written about this though. (B)
Slaughterhouse-Five: Or the Children’s Crusade, a Duty-Dance with Death by Kurt Vonnegut. Despite it being a modern American classic, I had very little idea what this book was about. I was not expecting….Tralfamadorians. (A-)
Ejaculate Responsibly: A Whole New Way to Think about Abortion by Gabrielle Blair. A clever & compelling common-sense reframing of the abortion debate that places much more of the responsibility for birth control on men (for a whole host of reasons enumerated by Blair). Fellows, this is worth your attention and consideration. (A-)
Enola Holmes 2. Fun and entertaining but could have been 20 minutes shorter. (B)
Tár. Incredible performance from Cate Blanchett. I’m not going to weigh in on what I thought the film was about, but do read Tavi Gevinson’s take in the New Yorker. (A)
Past installments of my media diet are available here.
Why the Stick Shift Might Actually Survive the Electric Revolution. I own an EV and can drive stick, but I do not miss the manual transmission.
The Greatest Films of All Time
Since 1952, Sight and Sound has been asking critics and other folks in the film world what the greatest films of all time are. For decades, Citizen Kane was in the top slot and therefore occupied this seemingly unassailable position in western culture as the greatest film ever made. Then in 2012, Kane was unseated by Vertigo. This year, Sight and Sound polled more than 1600 academics, curators, critics, archivists, and programmers to determine the current list of The Greatest Films of All Time. Here’s the top 10:
1. Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles
2. Vertigo
3. Citizen Kane
4. Tokyo Story
5. In the Mood for Love
6. 2001: A Space Odyssey
7. Beau Travail
8. Mulholland Drive
9. Man with a Movie Camera
10. Singin’ in the Rain
I have to confess, I’d never heard of the top pick before today (which appears to be 3 hours and 21 minutes long and on HBO Max if you’re interested.). The most recent film that’s highest on the list is the excellent Portrait of a Lady on Fire, coming it at #30. (And boy some folks on social media are big mad about it!) A second poll was taken among directors and their top 10 was slightly different:
1. 2001: A Space Odyssey
2. Citizen Kane
3. The Godfather
4. Tokyo Story
4. Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles
6. Vertigo
6. 8 1/2
8. Mirror
9. Persona
9. In the Mood for Love
9. Close-Up
It would seem, as of Nov 28, that the official Kindle version of Robert Caro’s The Power Broker is available. A bargain at $10.
I’m Thrilled to Announce That Nothing Is Going On with Me. “Personally, my life revolves around the half-dozen things that comfort me, and nothing more.” Saaaaaame.
Animation of the Lifecycle of the SARS-CoV-2 Virus
From Maastricht University in The Netherlands, this is a fantastic animation of the lifecycle of the SARS-CoV-2 virus as it invades and then multiplies in the human lung. A more scientific version is available as well. Great explanation but I love the visual style of this. They used textures similar to stop motion animations — e.g. the proteins look like clay and the cell membranes seem to be made of felt. (via carl zimmer)
End-Times Tourism in the Land of Glaciers. “Uncertainty, if not grief, is now part of the Alaska traveler’s experience.”
The trailer for Indiana Jones and the Dial of Destiny. Ok fine I will watch one more Indy movie.
Life, Death, and Total Football. “Soccer that is only about results is boring.”
China’s Van Goghs
I did not mean to watch an entire 75-minute documentary in the middle of my workday, but this sucked me right in and it might do the same to you. Zhao Xiaoyong is one of thousands of painters in Dafen, China who hand-paint replicas of famous paintings by the likes of Matisse, Degas, Renoir, Leonardo, and Kahlo. But a favorite artist amongst many of them, including Zhao, is Vincent van Gogh.
Zhao says, “I’ve been painting his paintings for nearly 20 years. I want to see the originals.” He works from photos of paintings and believes his work will be better if he can see them in person. And so, he and a few others make the trip to Europe — to visit a buyer of their paintings in the Netherlands, to see the originals of their replicas in the Van Gogh Museum, and to visit some of the places he lived and worked. It quickly becomes a spiritual journey. On a street in Arles, they came across a scene that van Gogh painted in 1888:
Here we are! Oh, it is like this. Things from a hundred years ago are still here. See, the sky in my picture is so blue. The sky is so blue! Van Gogh also painted this picture at dusk. Now I know why his sky is so bright. It was at dusk when he painted. Just like how we experienced today. It’s just like that.
Never having painted from life before but inspired by the scene, Zhao paints the scene as van Gogh would have more than a century before — that is, as van Gogh would have stood there painting but also in the artist’s signature style and informed by Zhao’s deep knowledge of having made many replicas of that specific painting over the years.
After his trip, while sitting around a dinner table with friends, Zhao asks, “Have I become an artist? Do I have anything that deserves appreciation?” and it’s not difficult to imagine any number of painters and artists throughout the centuries and asking themselves those same questions over dinner and drink. Fascinating documentary.
P.S. You can follow and buy Zhao’s work on Instagram. (via open culture)
Really interesting piece about Tár by Tavi Gevinson. “What does power look like, feel like, not only within an institution but within an individual psyche?”
Always Interesting: “52 Things I Learned in 2022”
Something I look forward to at the end of each year is Tom Whitwell’s list of 52 things I learned in 20221 because I know I’m about to read about a bunch of interesting things. As always, here are a few of my favorite items from the list:
6. Heavenbanning is a hypothetical way to moderate social networks. Instead of being thrown off the platform, bad actors have all their followers replaced with sycophantic AI models that constantly agree and praise them. Real humans never interact with them. [Asara Near]
13. Older travellers use airport toilets to hear flight announcements, because acoustics are much clearer. [Christopher DeWolf via Ben Terrett]
22. Applicants are 1.5% more likely to be granted asylum by a US judge the day after their city’s NFL team won. [Daniel L. Chen]
32. Before the industrial revolution, silver didn’t need to be polished, because there was less sulfur in the atmosphere (unless you lived near a volcano). [Michael Briggs]
52. During a French Navy exercise, a frigate was (virtually) destroyed despite radio silence. The (virtual) enemy was able to roughly locate the ship via an (real) active Snapchat account from one of the sailors. [Arthur Laudrain]
I did my own list of these last year and have been keeping sporadic track of interesting morsels I’ve come across this year, so hopefully I can pull a post together in the next few weeks. (thx, john)
Ok, I do not specifically look forward to 2022’s specific list each year, but you know, unless you want to take the awkwardly long way ‘round, sometimes English makes you take the L. AKA, you know what I mean.↩
Women tell their abortion stories on You’re Wrong About. Affecting and compelling – listen to this if somehow you don’t know why women choose to have abortions or what it means to them and their lives.
The Case of the Missing Scorsese Film
In 1973, Martin Scorsese made a film called Goncharov starring Robert De Niro, Harvey Keitel, Gene Hackman, Al Pacino, and Cybill Shepherd. But no one has actually seen it. Because it doesn’t actually exist…a bunch of scamps on Tumblr made it up.
So a few years ago, a Tumblr user posted a photo of some “knockoff boots” they had ordered online that had a very strange tag on the tongue: “The greatest mafia movie ever made. Martin Scorsese presents GONCHAROV. Domenico Proccacci production. A film by Matteo JWHJ0715. About the Naples Mafia.”
This mostly went ignored until 2020, when another Tumblr user reblogged a comment made on the original post, reading: “this idiot hasn’t seen goncharov.” Like the good lord himself and the Guardian’s coffee machine, the internet works in mysterious ways; earlier this month, Tumblr user beelzeebub made a fake poster for the film, tens of thousands of people were suddenly sharing it and lo: a new Scorsese film was born.
You can find the poster here. In a text to his daughter Francesca, Scorsese acknowledged, “Yes. I made that film years ago.” The way movies and memes work these days, it’s a solid chance this gets made in the next two years, as a “remake” with Scorsese executive producing.
Advice from Ted Gioia on effective public speaking. “By the way, the three best kinds of speakers to study are comedians, preachers, and TV wrestlers. Politicians are surprisingly bad at this kind of stuff.”
A Yahoo-style directory of blogs for your reading pleasure. I love that @kottke is in the “Uncategorizable” category – will wear that like a badge of honor.
Jodorowsky’s Tron
Cult avant-garde filmmaker Alejandro Jodorowsky famously did not make his ambitious adaptation of Dune but what if he had brought his unique brand of surrealist psychedelia to the screen with a version of Tron in the 70s? Using the AI platform Midjourney, Johnny Darrell imagined what Jodorowsky’s Tron might have looked like. I love these — I would like to see this movie please.
See also Jodorowsky’s Frasier.
Update: Frank Pavich, director of Jodorowsky’s Dune, ruminates on these AI images of Jodorowsky’s Tron.
I’m still trying to wrap my mind around it all. There seems to be a correlation between how Alejandro’s work was absorbed and referred to by subsequent filmmakers and how his work was ingested and metabolized by computer programming. But these two things are not the same. I want to say that influence is not the same thing as algorithm. But looking at these images, how can I be sure?
It’s hard to find many shortcomings in the software. It can’t render text. And like many painters and sculptors throughout history, it has trouble getting hands right. I’m nitpicking here. The model contains multitudes. It has scanned the collected works of thousands upon thousands of photographers, painters and cinematographers. It has a deep library of styles and a facility with all kinds of image-making techniques at its digital fingertips. The technology is jaw-dropping. And it concerns me greatly.
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