I am glad that someone compiled a list of all of the unanswered questions that the Lost producers/writers left when the show ended.
I don’t really care about the answers to most of these but watching it irritates me that they jerked us around with the Dharma/Others/Walt/4-toed statue crap when it didn’t matter at all. Oh, and the fucking numbers and the whole ARG thing. “All of this matters”, Jack? Uh, no.
I get giddy around big television events. The Lost finale this weekend certainly qualifies and a big question is, “Will fans of the show be satisfied with how it ends?” From Seinfeld to the Sopranos (for different reasons), series finales have a history of being disappointing. In this way, it’s almost easier when a show is canceled because then we get to blame the network as opposed to the writers. That said, I want to be satisfied Sunday. LOTS of other people are talking about Lost this week. Here’s what some of them are saying:
I’m ready for the final chapter, ready to see how it sums up the season and brings the series to a close. I’m ready to watch meaning (which, to be clear, is different than answers)… But will the meaning leave us in despair, or take us into happily ever after?
What makes Lost so special is that it never spelled things out for us the way a normal TV show does. It defies formula in a medium that regularly rewards it. Lost asked us to get lost within the show and to be satisfied with being lost for most of its run. TV almost never operates that way.
I’m not saying there aren’t major mysteries of Lost that I don’t want solved…But I’ve accepted at this point that the running tally of questions I’ve had about the show will likely never be answered…I don’t want them to be. Why? Because the answers would probably suck.
Or perhaps the message will be that we should all find meaning in one another, instead of in some mystical riddle. (A swipe at religion? An affirmation of personal agency? A meta-critique of fans who take the show waaaay too seriously?)
The show really had a lot of ground to cover this season in order to satisfy its loyal fans, but I think we all knew deep down that we’d never really know everything. Still, we were thrown several bones of juicy Island lure…
If you think of Lost as being one big novel…then the stuff that happened in Chapter Five ought to be meaningful in the final chapter. There ought to be a sense that everything was leading towards this ending…
Nothing that was key in the early seasons…is even in play. Even the ambiguities of “Across the Sea” now seem like attempts to shade the battle between mustache-twirling, murderous Smokey and his limp, Jesus-y antagonist.
And now we see that the writers have saved the explanation of the sideways universe for the finale. Even with all that extra time to play with, that seems like an awful lot to squeeze into the finale…I still find myself oddly trusting that they know what they’re doing with this finale.
Did their deaths have meaning or were they just more victims of the seemingly endless battle between the Man in Black/Smockey and Jacob? This episode started the process of claiming that their deaths did indeed have meaning…
For a drama that traffics in philosophy, religious allegory, physics, and literary references from Jane Austen to Kurt Vonnegut, “Lost” has a decidedly B-movie feel. After the remarkably cinematic 2004 pilot episode, set immediately after the Oceanic 815 plane crash, the adventure has been pretty schlocky.
We propped up the show with our eyeballs, our blog posts, our participation in those agonizing summertime internet Easter egg hunts. They created the whole thing, out of nothing…Let them end it their way.
If we were to do a poll on which of the three retiring shows will have the longest and strongest afterlife, I’d bet the winner would be “Lost.” Of course, the poll would be conducted on the Internet, which is sagging under the load of commentary…
Fates will be decided, questions will be answered, and one of TV’s greatest series…will come to its conclusion. Not since The Fugitive, one suspects, has a series finale been greeted with such anticipation, and such dread.
Update: I’ve gotten some angry emails saying that I have spoiled the Lost season premiere for people by embedding this video showing the still frame of Jack on an airplane. To rebut:
1. Lost is unspoilable. What you think is happening either didn’t happen, won’t happen, will happen again, and has nothing to do with with happened previously or afterwards.
2. Seeing the first two minutes of a TV show doesn’t spoil the TV show…that’s just watching the show.
3. At the end of last season, if you picked the most obvious scenario for season six to open with, it would have been that the bomb reset the timeline and then seeing everyone on Flight 815 headed safely for Los Angeles, oblivious of all that we’ve witnessed in the past five years. You can’t spoil the obvious.
In their rush to air exclusive photos of Flight 447’s destruction, no one in this newsroom stopped to ask the logical questions, such as: 1) How did the camera survive? and 2) Why are the photos in wide-screen format?
The answers, of course, are: 1) Because the footage is from Lost. And, 2) because the footage is from Lost.
All of the “werid” things that we see happen in seasons 1 & 2 of LOST are a result of the Losties now existing in the year 1996 on the island. This is why Locke can walk, and why Rose is Healed — their bodies are now existing in a time prior to them contracting their illnesses. This is also why some characters, such as Walt, have extraordinary perception — because they’re technically from the future.
After catching up with seasons 1-4 of the series over the past few months, this is the first episode of Lost that I will be seeing live. Exciting! To commemorate, I’ll be liveblogging the first episode of season five, set to begin here in about 10 minutes. Don’t worry, spoilers will be minimal. Check back frequently for updates.