The Coen brothers’ Fargo was released 20 years ago and to celebrate, Cinefix has a video about seven things you (probably) didn’t know about Fargo. The movie, not the city. There are probably way more than seven things you don’t know about Fargo, North Dakota.
Fun fact: I was living in WI near the MN border when Fargo came out and remember all the Minnesotans complaining about the accents. While I won’t say the accents were entirely accurate, all you had to do was turn on the MN State hockey tournament on channel 9 and listen to the announcers for a few minutes to confirm that they weren’t all that far off. (See also the 2016 Minnesota State High School All Hockey Hair Team. Uff da.)
Hail, Caesar! is the name of the Coen brothers’ new movie. It stars George Clooney as a movie star (what casting!) who is kidnapped during the shooting of a epic Roman gladiator picture called Hail, Caesar! This one looks fun. And with the exception of The Big Lebowski, the Coen’s fun movies are underrated,…I quite enjoyed both Intolerable Cruelty and Burn After Reading.
From Steven Benedict, a short video essay featuring the characters from different Coen brothers’ films talking to each other. According to Benedict, the dialogue reveals three main themes of their movies.
While other essays have assembled several recurring visual tropes: elevators, dogs, dream sequences, bathrooms etc., this essay has the characters talk to one another across the films so we can more clearly hear the Coens’ dominant concerns: identity, miscommunication and morality. Taken as a trinity, these elements indicate that the Coens’ true subject is the search for value in a random and amoral universe.
When Alex Belth was 25 years old, he worked with Joel and Ethan Coen on The Big Lebowski, first as a personal assistant and then as an assistant editor. He recently published a short Kindle book about the experience.
The Dudes Abide is the first behind-the-scenes account of the making of a Coen Brothers movie, and offers an intimate, first-hand narrative of the making of The Big Lebowski — including never-before-revealed details about the making of the film, and insight into the inner workings of the Coen Brothers’ genius.
Right now, the brothers are plainly excited about what they’re writing, which they proudly explain, is set in ancient Rome. It’s the allure of the unexpected, all over again.
“It’s like: Would you ever do a sandal movie?” laughs Joel. “It’s big,” says Ethan, grinning. “We’re interested in the big questions. And we don’t (expletive) around with subtext. This one especially.”
Though their movies usually revel in the absurdity of life’s predicaments, Ethan promises this film has answers: “It’s not like our piddly ‘A Serious Man.’” Chimes Joel: “That was a cop-out. We just totally chickened out on that one.”
Joel and Ethan Coen are bringing one of their signatures movies to television. FX has closed a deal to develop Fargo, an hourlong project loosely based on the Coen brothers’ 1996 comedic crime drama. The Coens will serve as executive producers on the project, which will be written/executive produced by The Unusuals and My Generation creator Noah Hawley.
The film is set in St. Louis Park, Minnesota in the year 1967, and is intended in some ways to reflect the childhood of the Coen brothers as they recall it.
This is their first film in quite awhile with no big-name actors…Alan Adam Arkin is the only name I recognize among the cast. I wonder if that contributed to the filming wrapping “ahead of schedule and within budget”. (thx, david)
Burn After Reading is an upcoming comedy film, set for a September 12, 2008 release, starring John Malkovich, George Clooney, Tilda Swinton, Frances McDormand and Brad Pitt, and made by Joel and Ethan Coen. According to the Coens the plot will focus on the world of the CIA, physical fitness in Washington, D.C., and internet dating. The film is the follow up to the Academy Award winning No Country For Old Men and has been described by Tilda Swinton as “…a kind of monster caper movie. All of us are monsters — like, true monsters. It’s ridiculous. It’s much lighter than ‘No Country for Old Men.’”
From the past weekend’s box office: the Coen brothers’ No Country For Old Men took in $3.1 million on 148 screens while Tom Cruise’s bombtacular Lions for Lambs took in $2.9 million on 2216 screens. Ouch.