kottke.org posts about Tony Zhou

Vancouver Never Plays ItselfSep 21 2015

In the latest installment of Every Frame a Painting, Tony Zhou talks about the different techniques filmmakers use to make shoot locations like Vancouver (Zhou's hometown) look like New York, India, Chicago, Shanghai, and San Francisco in the finished films.

How the legendary Chuck Jones became a great artistJul 16 2015

Tony Zhou is back with another installment of Every Frame a Painting. In this one, he examines the evolution of Looney Tunes animation master Chuck Jones and how his approach and style changed as his career progressed.

I love Looney Tunes. In my mind, Duck Amuck and Rabbit of Seville are some of the finest images put to film. Related: watch Chuck Jones draw Bugs Bunny and the 11 rules of making Road Runner cartoons.

The Dissolve dissolvesJul 08 2015

Bummer, film site The Dissolve has shut down. They burned bright for a short time.

For the past two years-well, two years this Friday -- it's been our pleasure to put up this site, a site founded on and driven by a love for movies, alongside a company with passion and talent for creating thoughtful, important work. Sadly, because of the various challenges inherent in launching a freestanding website in a crowded publishing environment, financial and otherwise, today is the last day we will be doing that. We've had this opportunity thanks to Pitchfork, which has been incredibly supportive of our vision. We couldn't have asked for a better partner.

I've linked to a few of their things over the past few months, and the quality was always high. Tony Zhou has collected a few of his favorite pieces from the site.

In praise of chairsJun 03 2015

Tony Zhou of Every Frame a Painting looks at the use of production design in movies. Specifically chairs. Chairs can tell you something about the world the film is set in, the characters who use them, or a specific situation.

Meanwhile, back at the ranch...Apr 02 2015

For the one-year anniversary of Every Frame a Painting, Tony Zhou goes meta and talks about how to structure a video essay, using South Park and Orson Welles' F for Fake.

Happy anniversary EFAP!

Akira Kurosawa, a master of movementMar 23 2015

New Every Frame a Painting! In this installment, Tony Zhou shows how Akira Kurosawa used movement in his films to terrific effect.

Showing character choice in SnowpiercerOct 31 2014

A new short episode of Every Frame a Painting, in which Tony Zhou talks about how to show character choice in movies without using dialogue. His main example is Snowpiercer. Spoilers ahoy.

Who Wins the Scene?Oct 16 2014

Tony Zhou's excellent series on filmmaking, Every Frame a Painting, has become a much-watch for me. Here's the latest one, a short look at a single scene from Silence of the Lambs in which Zhou asks: Who Wins the Scene?

What David Fincher doesn't doOct 03 2014

Tony Zhou of Every Frame a Painting looks at the constraints David Fincher chooses to operate under while shooting a film. For instance, he very rarely uses hand-held cameras.

The last half of the video featuring a breakdown of how some of Fincher's scenes were shot is fascinating.

Texting in moviesAug 20 2014

From Tony Zhou, A Brief Look at Texting and the Internet in Film.

Michele Tepper wrote about Sherlock's display of texts in 2011.

The rise of instant messaging, and even more, the SMS, has added another layer of difficulty; I'm convinced that the reason so many TV characters have iPhones is not just that Hollywood thinks they're cool, but also because the big crisp screen is so darn easy to read. Still, the cut to that little black metal rectangle is a narrative momentum killer. What's a director trying to make a ripping good adventure yarn to do?

The solution is deceptively simple: instead of cutting to the character's screen, Sherlock takes over the viewer's screen.

And just today, a trailer for Jason Reitman's Men, Women & Children, which movie seems to consist entirely of texting and social media interaction:

(via @tcarmody)

Scorsese's silenceJun 30 2014

Martin Scorsese uses silence very effectively in his films. Tony Zhou explains:

(via dot info)

How to do visual comedyMay 27 2014

Using Edgar Wright as a positive example, Tony Zhou laments the lack of good visual comedy in American comedies and provides examples from Wright's films (Hot Fuzz, Shaun of the Dead, etc.) to show how it's done properly.

Hot Fuzz is one of my favorite comedies...the scene Zhou shows of the Andys sliding off screen and then quickly back in consistently leaves me in stitches. (via digg)

Tags related to Tony Zhou:
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