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kottke.org posts about video

The Visual Comedy of Wes Anderson’s Isle of Dogs

I’m gonna call it: Every Frame a Painting, my all-time favorite YouTube channel, is back. Tony Zhou and Taylor Ramos stopped producing their fantastic video essays back in 2017 and while they have popped up here and there since then, they’ve mostly stuck to their retirement.

But for the past few months, the duo have been releasing video essays produced in partnership with Criterion: Night of the Living Dead: Limitations into Virtues, The Blade (1995): The Edges of Wuxia, and just yesterday, The Visual Comedy of Isle of Dogs (embedded above).

For the past three decades, Wes Anderson has left a distinctive fingerprint in American comedy, with his penchant for artificial worlds, deadpan performances, literary devices, and snappy narration. But there’s something else. These movies are funny to look at. Over the years, Anderson has experimented more and more with visual comedy. And none of this is more apparent than in Isle of Dogs.

It looks like they’re doing about one video a month. I hope they keep it up…I love their videos.

(Ok, maybe don’t read this bit until you’ve watched the Isle of Dogs video, but did you detect that Zhou’s narration seems to be synced to the mouth movements of the characters in the clips he’s talking over? Such a great little detail of visual comedy…I clapped my hands in glee like a toddler when I noticed.)

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The Supreme Court Is Corrupt. This Is What We Can Do About It.

This is excellent: Jamelle Bouie explains why he thinks the Supreme Court is corrupt and what we (through Congress) can do about it. Not all video transcripts work as text, but this one does, so I’m including his full remarks here:

The Supreme Court is corrupt.

You might hear that and think, “Well, Jamelle, you just disagree with the rulings. They’re not corrupt. They’re doing their jobs.” But I want to posit to you that they’re not doing their jobs. They’re in fact doing something very different. They’re acting as a super legislature, an unelected group of people who have taken it upon themselves to correct Congress. Not when Congress has overstepped its bounds, not when Congress has overstepped its powers, but when the court simply doesn’t like what they’re doing.

Typically when we use the word corruption, we are thinking about monetary corruption, bribes and the like. And it should be said there’s some of this. Clarence Thomas in particular is known for taking large sums, large gifts from his wealthy benefactors. Alito has also been the beneficiary of wealthy friends. So there is that kind of corruption as well.

But corruption also has a broader meaning. It can mean the malign use of power, the substitution of the public trust for your own private will, your own private interest. And that is more than anything else what is happening with the Supreme Court. You can see it in many different ways. The Roberts Court is quite fond of simply ignoring the plain text of the Constitution whenever it gets into the way of their particular political and ideological projects.

The Roberts Court wants to do a few things. It wants to gut the Reconstruction Amendments. It wants to aggrandize presidential power. It wants to free corporate speech. It wants to allow the wealthy to interact with the political system in any way they choose. And it wants to pursue the particular partisan interest of the Republican party. And so when the text of the Constitution gets in the way, they changed the text or they ignore it.

The text of the Constitution clearly gives Congress the power to handle racial discrimination and voting. And when it came up to the court in 2013 in Shelby County, the court simply made up a new doctrine, state sovereignty. All states have to be treated equally in order to undermine a provision that subjected states with histories of voting discrimination to stricter scrutiny by the federal government. When the court wanted to protect its special boy, Donald Trump from criminal prosecution, it invented a doctrine of criminal immunity for core duties found nowhere in the Constitution and frankly contradicted by the text, history, and theory behind the Constitution. More recently, rather than just shutting down Trump’s efforts to unravel birthright citizenship, the court has taken them seriously despite the clear text and history of the 14th amendment. Where the text interferes with partisan political goals, this Supreme Court says to hell with the text.

The other manner in which the court demonstrates corruption is by not having any particularly consistent jurisprudence. Despite grand claims of being originalist or textualist, this court often decides not based on any particular theory of jurisprudence, but simply on whether they have a decided interest in the case in question — a partisan or political interest.

Consider two days in 2022, back to back. On the first of those days, the court held that because you cannot find gun regulation in the annals of American history, therefore there’s no history or tradition supporting New York State’s attempt to regulate individual gun ownership. And then the very next day, the court releases an opinion stating that despite the fact that you cannot find very much evidence of abortion regulation in the American past, that doesn’t mean states can’t regulate abortion or ban it outright. On one hand, gun rights, which the court likes, history is an obstacle. On the other hand, abortion rights, which the court does not like, history is no limit.

In Trump v. Hawaii, the court held that yes, the Trump administration can use race, can use religion, in determining its travel bans — there’s nothing against the Constitution involved in that. Just last year, the court held that you can use race in immigration stops. That’s why we’re calling them Kavanaugh stops. (Brett Kavanaugh wrote that opinion.)

But as it comes to voting, as we’ve just seen, states can’t use race to remedy past discrimination. States can’t consider race to ensure fair minority representation. States can however engage in racial gerrymandering as long as it’s done under the guise of partisan gerrymandering. What’s the difference? Well, the court likes the president’s nativeist policies. It likes the fact that Republicans can try to gerrymander themselves in the permanent majorities. And so, if it needs to use race to do that, the court has no particular problem with it. Only when it comes time to hamper discrimination to protect rights is race impermissible.

The other manner in which we see the court acting in a corrupt way is in its clear preference for Republican presidents and Republican power. Under Trump, aggressive assertions of executive power were given deference. They were allowed to move forward. Aggressive reinterpretations of existing congressional statutes, reinterpretations that may cut against Congress’s intent were given deference, allowed to move forward. Broad policy changes — such as ending agency independence against the clear text of the law and against 90 years of precedence — are given deference under the idea that the president needs to be able to pursue his priorities.

But Barack Obama wants to use the EPA to reduce carbon emissions? Well, that’s a major question. Congress has to deal with that. Joe Biden wants to forgive student loans? Well, that’s another major question. Congress has to deal with that. Under this court, presidential power when held by Republicans is broad and expansive. Under Democrats, it’s cramped, barely legitimate.

I could go on like this, but the last point I’ll make, the last example of the corruption I’ll give, is the total absence of regularity by this court. What makes a court a court is that there are well-defined procedures, processes — they’re predictable. Courts pay attention to precedent. They have the same rules for all plaintiffs and they explain their decisions. Not so much this court.

There’s the shadow docket in which this court issues broad and important rulings with no explanation, shoots down district court decisions with no explanation, and then insists that those courts hew to its new precedents, which it has offered, again, with no explanation.

In cases where the justices have clear political or ideological interests, they will make up fact patterns to support their case. A religious liberty dispute where a coach says that he is having a private prayer, but in fact he’s having a large public prayer pressuring other students. Well, Neil Gorsuch will simply pretend that the private prayer is what was happening, not the actual public prayer. A plaintiff sues not because they have any particular injury because of a law, but because they hypothetically might have an injury because of a law, despite the fact that they’re not even engaged in the particular business that would bring them that injury. Well, the court says, “Hey, no problem. We’ll still give you standing and we’ll still decide your case because we have a vested interest in making sure that religious liberty means you can discriminate against LGBTQ people.”

And again, there is the shadow docket. Major decisions made without a whiff and inkling of reasoning. Congressionally mandated agencies disrupted. Tens of thousands of livelihoods destroyed. All without a single bit of explanation, simply deference to the president’s desires and decrees. It is capricious and arbitrary. It is the essence of an anti-democratic action of an anti-constitutional action.

It is abundantly clear that as long as John Roberts has his majority, nothing the left of center in this country wants to do is safe or stable. Everything can be killed by the court. We can have democracy and self-government in this country or we can have the Supreme Court as it exists, but we cannot have both. We cannot have both.

And so what is there to be done about the court? There is a real chance that Democrats will have a trifecta in 2029. They might even have large majorities. And in that environment, court reform must be table stakes. There is no other choice, no other option. The rest of the agenda is simply not possible without court reform.

The usual proposals for court reform are expanding the court. And I think that should be done. Expand the court, expand the entire federal judiciary, expand the number of circuits, expand the number of justices commensurate with the circuits. But I think there’s much more to be done than just court expansion. Because it’s not simply that the court is not on the right side. It’s that the court is too powerful. It’s concentrated too much power in itself and we have to deal with a concentration of power.

So court reform legislation has to be geared towards reducing the court’s power. One of those tools would be what’s called jurisdiction stripping, which is permitted under article 3 section 2 of the Constitution. Congress should say that the court simply cannot adjudicate these particular issues. The Congress should impose ethics reform on the court and it should put sharp limits on justice’s ability to get book deals, go on tours, collect honorariums.

But that’s all small ball stuff. There are more radical options as well. We’re going to talk about those more radical options that really would break up the power of the court and cut the court back down to size to remind it that it doesn’t stand above the entire American system as a council of kings, that it is very much part of the American system, in dialogue with the other branches and accountable to the people.

So we can turn the Supreme Court’s neoclassical building, first and foremost, into a museum of some sort and the court will return to its original place: the basement of Congress. Hell, maybe even an office park in Northern Virginia. I don’t care. Court will lose its ability to select its clerks. We’ll take away a patronage system that has corrupted the legal profession. And the court will lose its ability to choose cases. Remember, much of the court’s procedure is already by statute. The building, the clerks, the ability to choose cases, all of that already determined by Congress, and what Congress can give, Congress can take away. The only thing the Constitution mandates that there shall be a Supreme Court. And it gives it a very narrow original jurisdiction. Disputes between states, disputes involving ambassadors, impeachments, that kind of thing.

So, I know I said I support expanding the court, but I also said that was small ball. The other thing you could do totally constitutionally is restrict the court exclusively to its original jurisdiction — to end its ability to hear appeals and then instead to create a new national appeals court comprised of judges from all the existing circuits. We’re already having full-on judicial expansion and so we’re going to create a couple more circuits. Let’s say we have 15 total circuits and each circuit sends two judges to this national appeals court. A random panel of nine judges chooses cases and a random panel of nine judges hears cases. The original Supreme Court can, again, hear whatever is in its original jurisdiction.

If that sounds too extreme to you, then the other option is just to expand the Supreme Court, give it 20 justices, 21 justices, and have it hear cases based off of randomly selected panels. I’m sure there are other options we can think of here, but the goal is not simply to make the court something that is favorable to my views. The goal is to make the court weaker. The goal is to make it more difficult to game the court’s decision-making. The goal is to uncapture the court, to transform it into an actual court and not some tool of partisan and ideological control. There is simply no other choice here. We can have government by judges or we can have government by the people. But we cannot have both. We cannot have both.

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The Film That Attacks You

For his latest video essay, Evan Puschak tells us about Un Chien Andalou, the pioneering surrealist short film by Luis Buñuel and Salvador Dalí. The film is particularly notable for a shocking shot in the opening scene, which, if you’ve seen it, you’ve likely never forgotten. Said Buñuel of the film:

This film has no intention of attracting nor pleasing the spectator; indeed, on the contrary, it attacks him, to the degree that he belongs to a society with which surrealism is at war.

You can watch Un Chien Andalou on YouTube:

One wonders what Buñuel and Dalí would have made of YouTube…

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Some Cool Movie Explosions

Listen, sometimes you just want to watch things blow up. But safely and without consequence (although Arnold Schwarzenegger did somehow become the governor of California). So, can I interest you in three minutes of movie explosions? The 80s and 90s were really a golden age for kick-ass movie explosions. (via @tvaziri.com)

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I Love Boosters

Boots Riley made his directorial debut with the totally weirdo (complimentary) movie Sorry to Bother You in 2018. He’s been quiet since then, but he’s back with a new comedy, I Love Boosters. This looks great. From a review on Letterboxd:

Maximalist social commentary delivered with anime action and colourful high strangeness. Did it kind of fall off the rails towards the end? Absolutely. Was it fun as fuck and creative right to the end? You best believe it. God bless the shoplifters. I got major Everything Everywhere All At Once vibes from this…

The film debuted at SXSW in March and is opening in theaters on May 22.

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Traitors to the Project of Patriarchy

On a recent mini-episode of the Becoming the People podcast, Prentis Hemphill talked about traitors to the patriarchy. Here’s a short excerpt:

I only want to spend time with men who are traitors to that project, the project of patriarchy and patriarchal violence. I want to hang out with traitors and snitches and betrayers of that system. If you do not actively identify as a traitors to that system, if you don’t actively have receipts, I don’t think that a lot of people should necessarily believe that they can invest time in in you.

Here’s the full episode (which you can also listen to on Apple Podcasts):

(via @rebeccawooolf)

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This Ping Pong Robot Can Beat Elite Human Players

Sony’s AI division has designed a robot that can beat elite human players at table tennis. From the paper:

Evaluated in matches against elite and professional players under official competition rules, Ace achieved several victories and demonstrated consistent returns of high-speed, high-spin shots. These results highlight the potential of physical AI agents to perform complex, real-time interactive tasks, suggesting broader applications in domains requiring fast, precise human–robot interaction.

Ace is a fine name, but I might have gone with something like WALL-E Supreme instead. (Robbie Supreme?)

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Finally! The Trailer for the Coyote vs. ACME Movie.

We thought this day would never come. But we kept the faith and now we can begin to reap the rewards: there is actually a trailer for the Coyote vs. ACME movie and the movie itself is actually coming out on Aug 28.

Quick recap of the situation so far: Ian Frazier wrote a story for the New Yorker in 1990 about an imagined lawsuit brought by Wile E. Coyote against the Acme Company. Fast forward to 2022-23: James Gunn, Dave Green, Will Forte, and others make a movie based on the NYer article…and then Warner Bros. shelves the movie to take a tax write-off. Like, they are going to destroy the completed film. And now, somehow, miraculously, Warner seems to have finally done the right thing and sold the rights to the film so it can be released (which is theoretically the primary reason for their business, releasing movies).

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The Leaf Sheep Slug: The Animal That Eats Sunshine

This is an animal called the leaf sheep:

It’s a species of slug that is partially solar-powered, like a plant. Leaf sheep are kleptoplastic organisms that steal chloroplasts from algae, store them in their bodies, and then can rely on photosynthesis for their energy needs:

The Costasiella sea slug not only looks like a succulent—it acts like one, too. One of the few animals able to photosynthesize, this tiny invertebrate (also known as the leaf slug or leaf sheep) acquires chloroplasts by munching on Avrainvillea, a paddle-shaped seaweed with a velvety texture. It then stores those chloroplasts in its own body, which enables the slug to soak up sunlight and transform it into energy—a process that also gives the mollusk its green color.

The chloroplasts are stored in the horn-shaped structures called cerata located on the slugs’ backs. Cerata evolved to increase the surface area of these animals for use in respiration and surface area is very helpful if you run on solar panels.

And they’re also cute as a button! I mean, look at these things:

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Criterion x Every Frame a Painting: The Edges of Wuxia

Every Frame a Painting’s Taylor Ramos & Tony Zhou are back with a video essay about pushing the boundaries of genre in Tsui Hark’s 1995 film The Blade.

One reason filmmakers like to work in a genre is that it gives us a pre-made box: a set of expectations, tropes, and boundaries. On the one hand, we want to play within that box, and on the other, we want to push against its edges. Tsui Hark’s The Blade is an exploration and a deconstruction of the box that is wuxia.

If you’re not familiar with wuxia, the video explains the genre; it’s basically Chinese martial arts fantasy — think Crouching Tiger, Hidden Dragon or Hero. (thx, neil)

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Teaser Trailer for Silo Season Three

As I watched the teaser trailer for season three of Silo, I discovered that I am very much looking forward to this new season. July 3, 2026.

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Project Plowshare: Nukes for Peace!

I’d vaguely heard of Project Plowshare but good god, what a ridiculous and dangerous waste of time and money.

At the height of the Cold War, nuclear weapons were seen not only as devices of destruction, but also as tools for progress. Project Plowshare was a bold attempt to use atomic explosions for more practical purposes: from digging canals and creating harbors to reshaping entire landscapes. This project was designed to push the limits of what seemed possible, but instead turned into an environmental disaster.

This reminds me of that episode of the Simpsons when Homer buys a gun and uses it around the house for everything, like changing the TV channel and opening beer cans. If the only tool you have is a hammer…

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The Brennan Self-Balancing Monorail

This is so cool: in the early 1900s, a mechanical engineer named Louis Brennan invented a self-balancing train that ran on a single track. This video demonstrates how the train worked using a clever system of gyroscopes.

This is the Brennan Monorail, a train from the early 1900s that seemed to defy the laws of physics. Not only did it keep itself perfectly balanced on a single rail, but it mysteriously leaned into corners without any driver input.

It’s kind of incredible how well Brennan’s system worked. It’s ingenious. (via messy nessy)

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The People’s Clock: a Timepiece Made of People

As part of his Real Time series, artist Maarten Baas has created The People’s Clock, a timepiece that lives in Amsterdam’s Schiphol airport. To create the clock’s “workings”, Baas recorded more than 1000 volunteers moving as the clock’s hands over a 12-hour period. If you look carefully, you can see a single individual dressed in orange at the edge of the circle acting as the second hand:

Each of the installed clock’s faces is a looped video of that recording, synced to the current time. Here’s a quick behind-the-scenes video of how the clock was made:

See also Baas’s Sweeper’s Clock and Schiphol Clock.

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The Testaments TV Series

I’d vaguely remembered that Hulu was adapting The Testaments, Margaret Atwood’s follow-up to The Handmaid’s Tale, as a sequel to the TV series of the same name, but I was surprised to find out that the show has premiered and is already three episodes in (a fourth will be available today).

The initial series lost its way after 2-3 seasons, but I still ended up watching the whole thing. I’ll probably give The Testaments a shot as well.

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The Christophers

I’m so glad Steven Soderbergh unretired from filmmaking. His newest film, The Christophers, looks amazing. It stars Ian McKellen as a famous artist and Michaela Coel as his assistant — but of course there’s more to it. Reviewer David Sims calls it both a heist movie and “a meditation on the relationship between art and commerce”. I hope this one actually comes to Vermont so I can see it in the theater.

Coel and McKellen both have such great faces, don’t you think?

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Fred Again’s Tiny Desk Concert

Almost three years ago exactly, Fred Again rolled into the NPR studios and did a Tiny Desk Concert.

When Fred again.. first proposed a Tiny Desk concert, it wasn’t immediately clear how he was going to make it work — not because he lacked creativity, but because translating purely electronic music at the Desk is a daunting task for anyone. How would an artist, whose performances take the form of DJ sets in front of massive audiences, curate an intimate and unique experience? But what the British songwriter and producer came up with is a reminder of what a Tiny Desk is at its best: an opportunity for artists to challenge themselves in such a way that it almost feels like they’re making new music, all while sticking to what feels true to them. For Fred again.. that meant re-learning the marimba, playing the vibraphone, singing at the piano and looping sounds and beats — all at the same time.

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Radiohead Covers Joy Division’s Ceremony

From a livestream recorded many years ago, this is Radiohead covering Joy Division’s Ceremony. The song was originally written by Joy Division but the version most people know is New Order’s — it was their first single. From Wikipedia:

“Ceremony” was one of the last Joy Division songs to be composed, with lyrics written by Ian Curtis. According to guitarist Bernard Sumner, the group wrote the song a few weeks before Ian Curtis died “to try and heal him through music” and keep him “involved in the band and involved in music and remind him of what … a great future he had”. Sumner concluded, “Unfortunately, it didn’t work”.

Just three versions of Joy Division performing the song exist, including one on the group’s compilation album Still.

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The Fabulous Engineering and Design of Duct Tape

Bill Hammack, aka The Engineer Guy, is an amazing engineering educator and in this video he explains how duct tape is designed to simultaneously do three things well: “a) adhere with light pressure, b) stay in place, yet c) be removable”.

Controlling the stickiness of tape is of utmost importance. In fact, a key element of engineering tape is controlling its stickiness — and only by doing that can tape be wound into a useful roll. If the tape sticks too tightly to itself, we could not use it.

Gotta be honest: I was not expecting Silly Putty to make a relevant guest appearance during his explanation. And I love the ramp & ball test for tape stickiness near the end…a very elegant and simple bit of engineering:

Pressure sensitive tape predates much of the most elementary molecular understanding of adhesion; tape has been mass produced since the early twentieth century. That engineers developed and refined tape without this knowledge is no surprise — recall that the purpose of the engineering method is to solve problems before we have full scientific knowledge.

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A Day in the Life of an Enshittificator

From the Norwegian Consumer Council, a funny video that warns against the dangers of enshittification. It’s part of their Breaking Free initiative:

Digital products and services are steadily becoming worse. Software
becomes increasingly difficult and frustrating to use, websites and apps
are littered with ads and spam content, and useful features are removed,
degraded, or made subscription-only. This is part of a process called
enshittification.

Enshittification happens in stages: First a company attracts users by
providing a valuable service, often seemingly for free or at an artificially
low price. The company then exploits those users to draw in business
customers, and finally abuses its business customers and claws back all
the value for itself and its shareholders.

Enshittification is the result of a dysfunctional market, where companies
have been able to get away with mistreating and exploiting consumers.
Consumers are trapped in digital services, potential competitors are
shut out, and policymakers and regulators are unable or reluctant to
clamp down on anticompetitive, illegal and otherwise abusive behavior.
In practice, a handful of tech companies have become so powerful that
they do not have reason to fear any consequences.

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The Sunshine Recorder

I went into this video not knowing anything about how a mid-19th century sunshine recorder might work and was genuinely delighted by the reveal. If you’d like to be similarly surprised, stop reading now and just watch the video.

The sunshine recorder was invented in 1853 for measuring the duration of bright sunshine over a day. The contraption consists of a solid glass ball that acts as a lens, which focuses the light of the Sun onto a paper recording card, burning marks into it. As the Sun moves across the sky, the focus point moves across the recording card, burning a line into it. If it’s super sunny out, the focused beam burns right through the card. So simple! So clever! And so straightforwardly physical — here’s what a daily sunshine record looks like:

(via robert stephens)

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Pattern Index, Max Cooper

Max Cooper’s music videos are always worth a look. This one, directed by Katia Schutz, is for a song called Pattern Index from his forthcoming album (Feeling Is Structure, May 8).

Cooper describes Feeling Is Structure as an “audiovisual album”, which I take to mean that each song will have an associated video released with it. A second video, Ebb and Flow, is already out too:

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Rosalía Berghain Live

I thought the official video of Berghain by Rosalía (feat. Björk & Yves Tumor) was great — “I don’t even know what this is — classical pop? surrealist orchestral?” — and this recent live performance from the Brit Awards takes the song to the next level. I loved it. (via kenzie)

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Great Unreleased Track From Kendrick Lamar: Bloody Murder

This has been out in the world for a while, but I just ran across it the other day: Bloody Murder is an unreleased track recorded during the studio sessions for Good Kid, M.A.A.D City. It samples Radiohead’s Everything In Its Right Place and it’s gooood. Available on YouTube and Soundcloud.

See also Dwells’ mashup of Everything In Its Right Place and N95.

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Ultra-Rare DJ Set From Daft Punk’s Thomas Bangalter

For his recent London run of shows, Fred Again coaxed Daft Punk’s Thomas Bangalter out of his helmet and in front of the decks for a 2-hour collaborative DJ set. And you can watch the whole thing on YouTube.

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The Delta Air Lines Seatback Chess Bot Will Destroy You

The chess program available on Delta Air Lines’ seatback screens is an ELO monster that can beat almost all opponents on easy mode. This guy used a series of increasingly powerful bots to see just how good the Delta chess bot is. Can it beat a grandmaster-level bot? (via clive thompson)

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Riding the Subway to Coney Island in 1987

This is a mindblowing time capsule of ordinary life: video of a group of friends taking the NYC subway to Coney Island in 1987. Because it was before mobile phones, they had to arrange to meet one of the group members in the first car of the train along the way.

The film was shot by Nelson Sullivan, a videographer who recorded the arts, music, and LGBTQ+ communities in NYC in this same ur-vlogging style.

Viewed today, Sullivan’s video record of his life represents a pre-Internet form of vlogging, while his frequently used technique of turning the camera to face himself clearly anticipates the modern selfie.

You can watch hundreds more of Sullivan’s films on YouTube, including a trip to McDonald’s (the most popular video on the channel), several RuPaul videos, a holiday party at Michael Alig & DJ Keoki’s apartment, and Keith Haring’s NYE party. Sullivan sadly died of a presumed heart attack two years later at the age of 41. (thx, caroline)

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Tiny Puppet Sound

Would you like to watch a puppet DJ a chill set of French house music in a cool workplace meeting space? Trick question because of course you would. This went right into my Underscore collection. (via undermanager)

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10 Hours of Ambient Freezer Drone

Some genius has taken an audio sample of the hum of a grocery store freezer, cleaned it up, and extended it into a 10-hour video. The freezer’s hum, variously compared to Brian Eno’s music and “an electrical gong bath”, went viral enough to warrant an article in the Guardian last month:

“Anyone noticed how nice the freezers sound in the eccy road co-op?” someone wrote on the Sheffield Reddit page in January. “It’s like all the fans have been carefully tuned to the calmest droning chord ever, it’s like being in an electrical gong bath.”

Earlier this week, another Redditor shared a video of the freezers in all their aural glory, later earning a huge second audience when reposted to X. A debate ensued. Was it tuned to C# major? Could you hear the opening of Nothing Compares 2 U somewhere in the electronic hum? “I think it’s developed a slight discordant edge over the last couple of months,” one Reddit user wrote. “It’s ageing like fine wine.”

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A Miraculous Escape

A pair of hounds chase a hare across a snowy plain — will it get away? In Mario Kart terms, the dogs have the weight and max speed advantage while the hare is maxed out in acceleration, handling, and traction.

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