kottke.org posts about podcasts
Quick reviews of some things I’ve read, seen, heard, and experienced in the past two weeks or so. I’ve been working and traveling, so there have been fewer books and more podcasts in my life. On the way home from NYC, I started The Devil in the White City on audiobook and can’t wait to get back to it.
From Cells to Cities. Sam Harris podcast interview of Geoffrey West, author of Scale. Two genuinely mind-blowing moments can’t quite salvage the remained 2 hours of rambling. (A-/C-)
Cloudy With A Chance Of Meatballs. I much prefer the book. (C+)
Kingsman: The Secret Service. Entertaining enough. I’ll give the new one a try. (B+)
Philip Glass Piano Works by Vikingur Olafsson. This is relaxing to listen to in the morning. (A-)
Luciferian Towers by Godspeed You! Black Emperor. This sounds very much like all their other albums and I am not complaining. (B+)
mother! An intense film but it was too overly metaphorical for me to take any of the intensity seriously. (B)
The Unexplainable Disappearance of Mars Patel. “A fun, high-quality, serial mystery that can be described as Goonies meets Spy Kids meets Stranger Things for 8-12 year olds.” My kids and I listened to season one over the course of a week and they could not wait to hear more. (A-)
The Vietnam War original score. By Trent Reznor and Atticus Ross. An unusual choice for the score to a Ken Burns film. (B+)
Blade Runner 2049. Seeing this in IMAX (real IMAX not baby IMAX) really blew my doors off. Visually and sonically amazing. At least 20 minutes too long though. (A-)
New Yorker TechFest. I hadn’t been to a tech conference in awhile because the ratio of style to substance had gotten too high. The caliber of the speakers set this conference apart. My full report is here. (B+)
Items: Is Fashion Modern? Great collection of items, but I’m not sure I’m any closer to knowing the answer to the question in the title. (A-)
LBJ’s War. A short, 6-part podcast on Lyndon Johnson and the Vietnam War, consisting mostly of interviews and audio recordings from the period in question. A good companion to the PBS series on the war. (B+)
Driverless Dilemma by Radiolab. Revisiting an old episode of Radiolab about the trolley problem in the context of self-driving cars. (B)
Max Richter: Piano Works by Olivia Belli. Short and sweet. (A-)
Jerry Before Seinfeld. This felt pretty phoned-in. Some of these old jokes — “women, am I right?” — should have stayed in the vault. (B-)
Blade Runner 2049 soundtrack. A critical part of the movie that also stands alone. (A-)
Spielberg. A solid appreciation of Spielberg’s career, but more of a critical eye would have been appreciated. Also, was surprised how many of his movies referenced his parents’ divorce. (B+)
Universal Paperclips. Ugh, I cannot ever resist these incremental games. What an odd name, “incremental games”. Aren’t most games incremental? (A-/F)
Radiolab recently turned 15 years old and to celebrate, they made an episode that replayed portions of the very first show (when it was called The Radio Lab) and a podcast from the first season (which was about time and featured Oliver Sacks).
15 years ago the very first episode of Radiolab, fittingly called “Firsts,” hit the airwaves. It was a 3-hour long collection of documentaries and musings produced by a solitary sleep-deprived producer named Jad Abumrad. Things have changed a bit since then.
Kudos to them for 15 years…I had no idea it had been that long.
Tim Harford, aka The Undercover Economist, is coming out with a new book called Fifty Inventions That Shaped the Modern Economy.
New ideas and inventions have woven, tangled or sliced right through the invisible economic web that surrounds us every day. From the bar code to double-entry bookkeeping, covering ideas as solid as concrete or as intangible as the limited liability company, this book not only shows us how new ideas come about, it also shows us their unintended consequences — for example, the gramophone introducing radically unequal pay in the music industry, or how the fridge shaped the politics of developing countries across the globe.
It’s based on his BBC podcast 50 Things That Made the Modern Economy.
Fun fact that I just discovered: Harford and I share the same birthday, both date and year.
Every once in awhile, I send out an email newsletter to the kottke.org members. I’ve been having fun doing my media diet posts recently, and I’m always on the lookout for new things to try, so I used the most recent newsletter to ask them: “What’s the most interesting thing you’ve read/watched/heard/experienced in the past few weeks?” Here’s a sampling of what they said, accompanied by some of their short thoughts.
I’ve mentioned Dreaming the Beatles on the site before, but Celia offered up a short but compelling review: “In any group of 2-4 people, I mentally assign each person the role of John, Paul, George, or Ringo. This book has changed most of my assignments.”
Quoting Lars Gotrich, Robb recommends Green Twins by Nick Hakim: “it’s soul music for outer-space”.
Several people suggested Master of None’s season 2 on Netflix. I watched the first two episodes when season 1 came out and didn’t take to it.
Mind. Blown. Not only was the NBA on NBC theme song composed by John Tesh, he left himself a message singing the tune on his answering machine. Thanks, Alex!
Ben says of Essentialism: The Disciplined Pursuit of Less: “Minimalism is appealing, but often not simple. This feels more simple, and helpful to me.”
Sarah praised Rami Malek’s performance in Mr. Robot as well as the show’s rich visuals. See also the off-kilter cinematography of Mr. Robot.
The A.V. Club’s A History of Violence series was highlighted by Chris. “As a fan of quality action movies (and occasionally cheesy ones) it was great to see an in-depth review of every year’s best of the genre, including things I’ve seen and some I haven’t.”
A few people recommended Tim Urban’s epic post on Elon Musk’s newest venture, Neuralink and the Brain’s Magical Future. Neuralink is working on “a way for our brains to communicate directly with one another”.
Rich shares that Orhan Pamuk’s A Strangeness in My Mind “moved me profoundly and I continue thinking about it months after reading it”.
Benjamin recommends Magnum Manifesto, an exhibition at the International Center of Photography Museum in NYC: “Amazing history of photojournalism and documentary photography. Emphasized the importance of journalism in this specific medium.”
I have friends who rave about Pop-up Magazine and Mary agrees: “It’s a live performance of California Sunday magazine. Insane.”
Big fan of 99% Invisible here and Jessie recommends this recent episode, Squatters of the Lower East Side. “I’m familiar with squatting and adverse possession. However, I have never heard of a city/county working with squatters to legally adversely possess properties, especially those are city-owned.”
Sean recommends The Barkley Marathons, a documentary “about a crazy race, eccentric organizer, and lunatic participants”.
Les Cowboys is a recommendation from Joao: “devastating beautiful take on immigration, terrorism and family”.
HBO’s The Leftovers got many recs. I think I watched most of season 1 and it didn’t stick.
Neil is a doctor and recommends Elisabeth Rosenthal’s An American Sickness: How Healthcare Became Big Business and How You Can Take It Back: “nothing has come closer to capturing how dysfunctional things are in American medicine”.
Suzanne has been enjoying True Story, a monthly publication delivered monthly to your home — what a concept! She particularly enjoyed the first issue, Fruitland.
The Royal Shakespeare Company is broadcasting its production of Julius Caesar to theaters around the world. Says Steve: “A play about the overthrow of a dictator and the rights and wrongs of the method chosen seems more resonant than ever!” (FYI, my query and Steve’s response predated the recent controversy about The Public Theater’s production of the play.)
Diana recommends the audiobook version of Trevor Noah’s Born a Crime (review). Although not normally an audiobook listener, she says: “I have been listening to this for weeks now and am so impressed. It’s the best book of the year for me (and I typically read 100+ books a year).”
Of New York 2140 by Kim Stanley Robinson, Jeff says, “I’m just thrilled that an author as smart as this thinks there will even BE a New York in 2140”. I almost started this the other day after a recommendation from a pal…perhaps I’ll pick it up if my current book sputters.
And last, but perhaps not least, this heartbreaking clip from Clickhole: Hibachi Chef Tries To Make Meal On A Regular Table. Sez Mike: “Having seen teppanyaki food cooked with such drama and precision, this was a nice piece of satire… especially with the music.”
Thanks to everyone who responded and for supporting the site by becoming members!
Quick reviews of some things I’ve read, seen, and heard in the past few weeks. Come on now, don’t take the letter grades so seriously.
The Wright Brothers. A surprising amount of what you’ve heard about the Wright Brothers is wrong. David McCullough sets the record straight. (B+)
Shake Shack: Recipes & Stories. I really wish I could get Martin’s Potato Rolls in Vermont. (B+)
Steal Like an Artist: 10 Things Nobody Told You About Being Creative. A good book to have around when you need a creative kick in the pants. (B+)
King Arthur: Legend of the Sword. I wasn’t even going to see this, but the power went out in my house for three hours due to a 45-second wind/rain storm, so I went to the movies. It is exactly what you’d expect from a medieval action movie directed by Guy Ritchie, and I left entertained. (B-)
Alien: Covenant. More entertaining and felt more like an Alien movie than Prometheus. Why are the people so stupid though? (B)
Lemonade. Still great. (A+)
Mad Men. I rewatched all seven seasons in just under three months. The middle part lagged in places, but the final seasons were as strong as the first seasons. IMO, Mad Men is among the best ever TV shows. (A+)
Passengers. J. Law and Chris Pratt stranded together in space? Yes, please. But the filmmakers should have found a way around the stalker plot point…it was unnecessarily disturbing and uninteresting. (B-)
Moana. Long-time readers might remember Pamie, one of the most well-known OG online diarists from the late 90s. I noticed her name in the credits…she co-wrote screenplay. Also, I was not the only person to immediately think of Beyonce when I saw Te Fiti. (A-)
The Keepers. Disturbing in more ways than one and well worth watching. (B+)
The Americans. The fifth season did not quite live up to the high standard of the previous seasons. (B)
She Persisted. The day this arrived, my daughter cracked this open and said, delighted, “Harriet Tubman!” (A-)
Emotions Part One of Invisibilia. The classical view is that emotions happen to you. But according to guest Lisa Feldman Barrett, “the way emotion works is opposite of what you think — emotions aren’t reactions to the world; emotions actually construct the world”. See also Barrett’s recent book How Emotions Are Made. (B+)
Sgt. Pepper’s Lonely Hearts Club Band remix album. This sounds like a whole new record. As Sippey says, “now you can simply, finally, hear it”. (A)
Zodiac. Some say this is Fincher’s best film. Not sure I would, but it’s damned fine. (A-)
Wonder Woman. I would happily watch 100 sequels to this. (A-)
An architecture firm called Elemental recently completed a disaster relief project in a city in Chile which was devastated by an earthquake in 2010. Rather than build typical public housing (high-rise apartments), the firm built out neighborhoods with the necessary infrastructure and populated them with half-finished houses.
The houses are simple, two-story homes, each with wall that runs down the middle, splitting the house in two. One side of the house is ready to be moved into. The other side is just a frame around empty space, waiting to be built out by the occupant.
That’s from a recent episode of 99% Invisible that covered the trend toward incremental buildings.
These half-built houses are a unique response from urban planners to the housing deficit in cities around the world. The approach has its roots in a building methodology made popular by the 1972 essay, “Housing is a Verb,” by architect John F.C. Turner. Turner made the case that housing ought not be a static unit that is packaged and handed over to people. Rather, housing should be conceived of as an ongoing project wherein residents are co-creators.
Cool idea…they’ve built How Buildings Learn into the process of home ownership.
In a recent episode of his EconTalk podcast, host Russ Roberts talks with Michael Munger about a paper Munger co-authored about how white Southern attitudes toward slavery shifted from around 1815 to 1835. The episode is interesting throughout,1 but I want to highlight this attitude shift Munger writes about in the paper, something I was previously unaware of.
Sifting through documents from the era between the American Revolution and the Civil War, Munger and his co-author Jeffrey Grynaviski found that Southern whites believed, in the first decade or two of the 19th century, that owning slaves was evil but necessary. There was this system in place and it was bad but we’re gonna go with it because, whaddya gonna do? But in a period of about 20 years, due to a variety of factors, mostly economic, the justification for slavery shifted primarily to a racist one: that black people were inferior and needed to be cared for by whites. Southern whites came to believe, like really believe, that they were doing their slaves a favor by enslaving them and that the slaves were better off than they would be in Africa.
The way we defined it in this paper was that racism became a substitute justification for slavery. And the reason was, the original justification for slavery, which was the Roman one of wasn’t good enough. And so Southerners cast about and found basically an alternative, which was the Greek justification for slavery. And let me just say very briefly what those two are. The one justification for slavery, and it was pretty common in Rome, was that if you lost a battle and were captured, then you might either be killed or kept as a slave. And there is a mutually beneficial exchange, if you will, in the sense that you’ve already lost. So, me saying, ‘I tell you what: I won’t kill you if you will agree to act as my slave for the rest of your life. And I may free you; I may not; but that’s up to me.’ And you say, ‘Killed/be a slave: I’m going to go with the slave thing.’ But, it meant that some slaves were very excellent. And in Roman society some slaves occupied very high positions, positions of respect. It’s just that they made this promise. It was an economic institution. And that was the way that slavery had existed in Africa: if you lost a battle, then you would be captured by the other side. It was almost like indentured servitude: you could work it off.
Well, that didn’t work in the American South because they wanted to maintain slaves, to be able to identify slaves and to have a justification that would allow them to enslave the children — which the old Roman justification would never have allowed. You are not going to be a slave if you are born to a slave, because you didn’t lose in battle: you would have been free.
So, the Southerners needed a different way, so they were looking for the Aristotelian notion of slavery, which is that slaves are people who are either morally inferior or lack the judgment to make independent choices. They are like children or like horses. That means that you actually have a positive-good justification for enslaving them: if I have a thoroughbred horse or a fancy dog, it would be cruel of me to set it loose to let it run around, because it’s not capable of taking care of itself. I have obligations to take care of it. My ownership actually gives me obligations. And what’s interesting and what this paper is about is how Southerners worked that out between about 1815 and 1835, and started to understand the implications for how they had to change the economic institutions of slavery to match this new ideology that they were creating.
Yet another example of how powerful economic self-interest is in shifting moral beliefs.
On a recent episode of the Serious Eats podcast Special Sauce, Ed Levine talks to Danny Meyer about the origins of the Shake Shack.
Did Meyer have any idea that that hot dog cart would eventually become the massive sensation it is today? Not at all. It was a happy accident, born of his love of burgers, Chicago hot dogs, and the custard that’s still served at Ted Drewes in his native St. Louis.
On a recent episode of Song Exploder (the podcast where musicians dissect their songs), host Hrishikesh Hirway talks to Grimes about how she made Kill V. Maim for her latest album, Art Angels, which is one of my favorite albums from the past year.
Eric Holthaus, the internet’s favorite meteorologist, is hosting a new podcast on climate change called Warm Regards (on iTunes). A recent episode is embedded above and here’s a bit more about the show, including some info about his co-hosts:
Joining me with co-hosts Andy Revkin, a veteran environment writer for the New York Times who has covered climate change for 30 years, and Jacquelyn Gill, a paleoecologist at the University of Maine who is an actual, real-life climate scientist and flawlessly navigates climate Twitter.
Also, Holthaus recently started a project on Patreon to support his independent journalism on climate change. I’m in for $3/mo…chip in if you enjoy Eric’s work and Twitter contributions and wish to see more.1
Tech investor Fred Wilson recently gave the commencement address for the very first graduating class at the Academy For Software Engineering. In it, he shared the secret to his success:
So with that, I am here to tell you that the secret to success in your career comes down to three things, take risks, work hard, and get lucky.
I essentially1 agree with Wilson here. Earlier today I was listening to the latest episode of the Recode Media podcast where Peter Kafka’s guest was Daring Fireball’s John Gruber. Gruber recounted how he got started blogging about Apple and eventually turned it into a very successful business. I’ve heard the story before and it conforms nicely to Wilson’s path to success.
1. Take risks. Gruber bet heavily on three things for Daring Fireball: Apple, blogs, and (later) podcasts. None looked that impressive from a business standpoint when his bets were made. In 2002 when he started writing DF, Apple was still an underdog computer company whose partisans had mostly stuck with the company through its lean years of offering products that weren’t competing well and which didn’t exemplify the ideals of the Apple of yore. The iPod had just come out a year earlier and the life- industry- company-changing iPhone was years in the future. But Gruber never viewed Apple as an underdog…to him it was a legendary company in the world poised for future greatness. Professional blogs were just starting to be a thing back then as well, and it was far from certain that you might be able to earn even a partial living from them, especially on your own. And when he started his Talk Show podcast in 2007, podcasting was still largely a hobbyist endeavor. Sure, you could make some money doing it, but 9 years on, there’s big money to be had for the most popular shows. Three risky bets that paid off.
2. Work hard. Tens of thousands of posts and hundreds of hours of podcasts over the past 13+ years, yeah, I think that covers it. Gruber has put in the necessary ass-in-chair time.
3. Get lucky. There’s a lot of luck sprinkled around the success of DF, but perhaps the biggest break Gruber got was Apple’s decision to open up the iOS App Store to outside developers. Suddenly, you had all of these developers, startups, established software companies, and venture capitalists pouring money into the development and promotion of iOS apps. So these companies had money and needed somewhere to advertise their apps, a place where they could be sure all of the most influential and rabid Apple aficionados would see their message. Daring Fireball was the obvious place and the site’s RSS sponsorships were the perfect format.
My pal-in-syndication Dave Pell of Nextdraft has a podcast with Phil Bronstein called What Hurts. Pell writes in today’s newsletter:
On my podcast with Phil Bronstein, we focused on the adrenaline culture — people and journalists so anxious to publish the answer, they have no time for facts or context. The podcast is getting pretty good: Listen on our site, or subscribe to the podcast in your favorite app: What Hurts: The Need for Speed.
Kevin Kelly and Mark Frauenfelder polled 1600 people to find a list of the 50 best non-fiction podcasts. The list skews nerdy, science, and tech. The top 5 is unsurprising:
1. This American Life
2. Radiolab
3. Serial
4. 99% Invisible
5. WTF with Marc Maron
My commute these days doesn’t lend itself to listening to headphones and I can’t listen to anything with words while I work, so I don’t listen to many podcasts. But I’ve been driving more than usual this summer, so I’ve had a chance to dip into some shows, old favorites and newcomers alike.
I’ve only listened to the first three cases so far, but Starlee Kine’s new Mystery Show is particularly well done. The conceit of the show is that each week, Kine and her team of investigators solve a mystery for someone. Everyone loves a mystery, but the real draw of the show for me is Kine’s ability to get normal people to say interesting things about themselves along the way.
The second mystery concerns a not-so-popular book seen clutched in Britney Spears’ hand in a paparazzi photo. [Mild spoilers follow…listen to the show if you wish to remain unsullied.] Where did she get it? Did she read it? And if so, did she like it?
The celebrity aspect and the Britneyology was interesting — What sort of person is Britney? Is she a reader? — but the best part of the whole thing was Kine’s conversation with Dennis, a Ticketmaster customer service representative. She asked Dennis his opinion of Britney and somehow the exchange very quickly got intimate. You could feel their crackling connection right through the phone line, and seemingly out of nowhere, he utters the line, “you can get addicted to a certain kind of sadness”, which totally left me breathless. Kine, Dennis, Britney, and I, all suddenly exposed. Fantastic stuff.
Update: Ok, whoa…the Mystery Show is in jeopardy. Back in April 2016, show runner Starlee Kine was let go from Gimlet Media, the show’s producer.
This came without warning while I was in the midst of working on the second season. I’d been having trouble figuring out the new season — second seasons can be tricky — and so I’d gone away, to work on an episode. I didn’t make as much progress as I had hoped, but the season was starting to take shape. The day I returned, Alex told me the show was unsustainable. I was out. I lost my staff, my salary, my benefits, my budget and my email address. Mystery Show is the only show this has happened to at Gimlet. Just a few months prior, iTunes voted it Best Podcast of the Year.
It sounds like Kine’s got a plan to get the show back on track. I really hope that happens…it was a great show.
In their latest full episode, Radiolab examines the concept of worth, particularly when dealing with things that are more or less priceless (like human life and nature).
This episode, we make three earnest, possibly foolhardy, attempts to put a price on the priceless. We figure out the dollar value for an accidental death, another day of life, and the work of bats and bees as we try to keep our careful calculations from falling apart in the face of the realities of life, and love, and loss.
I have always really liked Radiolab, but it seems like the show has shifted into a different gear with this episode. The subject seemed a bit meatier than their usual stuff, the reporting was close to the story, and the presentation was more straightforward, with fewer of the audio experiments that some found grating. I spent some time driving last weekend and I listened to this episode of Radiolab, an episode of 99% Invisible, and an episode of This American Life, and it occurred to me that as 99% Invisible has been pushing quite effectively into Radiolab’s territory, Radiolab is having to up their game in response, more toward the This American Life end of the spectrum. Well, whatever it is, it’s great seeing these three radio shows (and dozens of others) push each other to excellence.
I look forward to every Thursday in a way that I don’t remember awaiting the release of an episode of anything recently. There’s something very intimate about someone telling you a story that close to your ears.
That’s Jason Reitman echoing the thoughts of the many listeners who have turned Serial — a new podcast from the producers of This American Life — into the fastest growing podcast ever. Twenty years ago, we were all hooked on TV and radio. Twenty years of technology advances later, we’re all hooked on TV and radio. Content is king.
For those who are already knee deep in the Serial serial, Vox has a complete guide to every person in the podcast.
Gastropod is a new podcast about about food “through the lens of science and history” from radio journalist Cynthia Graber and Edible Geography’s Nicola Twilley. Episode 1, embedded below, is about the history of cutlery.
Chances are, you’ve spent more time thinking about the specs on your smartphone than about the gadgets that you use to put food in your mouth.
But the shape and material properties of forks, spoons, and knives turn out to matter-a lot. Changes in the design of cutlery have not only affected how and what we eat, but also what our food tastes like. There’s even evidence that the adoption of the table knife transformed the shape of European faces.
On each episode of the Song Exploder podcast, Hrishikesh Hirway interviews musicians about how their songs were made…”where musicians take apart their songs, and piece by piece, tell the story of how they were made.” I listened to this episode about the House of Cards theme song via this 99% Invisible episode and the inaugural episode features Jimmy Tamborello of The Postal Service talking about The District Sleeps Alone Tonight:
I write like I talk. Or at least I thought I did. But after listening to the first 10 minutes of this episode of Unprofessional I did with Lex Friedman and Dave Wiskus, that is untrue. Because I, you know, actually talk, like, like this, basically. You know. Yeah. Gonna have to, um, work on that if, basically, you know, I’m gonna keep doing, like, podcasts. Basically. But Lex and Dave sound so silky smooth so you should give it a listen in spite of, you know, me.
The Internet’s Jason Kottke joins Lex and Dave to talk digital friendships, the future of keeping in touch, and what life would be like without connectivity.
This segment of the most recent episode of Radiolab about color is super interesting. It seems that people haven’t always seen colors in the same way we do today.
What is the color of honey, and “faces pale with fear”? If you’re Homer—one of the most influential poets in human history—that color is green. And the sea is “wine-dark,” just like oxen…though sheep are violet. Which all sounds…well, really off. Producer Tim Howard introduces us to linguist Guy Deutscher, and the story of William Gladstone (a British Prime Minister back in the 1800s, and a huge Homer-ophile). Gladstone conducted an exhaustive study of every color reference in The Odyssey and The Iliad. And he found something startling: No blue! Tim pays a visit to the New York Public Library, where a book of German philosophy from the late 19th Century helps reveal a pattern: across all cultures, words for colors appear in stages. And blue always comes last.
It’s worth listening to the whole thing…the bit at the end with the linguist’s daughter and the color of the sky is especially cool.
From the 99% Invisible podcast, the story of how Charles Dickens’ pet bird (eventually) inspired Geico’s caveman commercials. I loved this.
If you liked it too, you might consider backing their Kickstarter campaign raising funds to produce their third season.
Jesse Thorn had me on Bullseye again to talk links. We discussed Benton’s ham (see if you can make it past the “we’re about to go ham” crack at the beginning) and Senna, one of my favorite films from the past six months.
I was pleased to make an appearance on the most recent episode of Jesse Thorn’s pop culture radio show, Bullseye. I shared a couple of my favorite links from the past month, both of which worked pretty well for the radio. The whole show is available here or you can just listen to my segment:
Well worth a listen: Dan Benjamin interviews Mike Monteiro on The Pipeline podcast about his design work and Twitter infamy. The last 10 minutes or so, where Mike calls out designers who don’t talk to clients, is gold. One of the reasons I got out of design is that I was never very good at that part of the job and as Mike says, you have to be able to not only accept but embrace selling your designs to truly succeed.
The newest episode of Radiolab is about parasites. It features what is one of my favorite links from the past few years: the story of Jasper Lawrence’s quest to infect himself with hookworm in order to cure his asthma (also available here).
Based upon what I read, and what I learned about the hookworms I decided that I was going to try and infest myself with hookworms in an attempt to cure my asthma. I was not willing to wait ten or more years for the drug companies to bring a drug to market. It was obvious to me that hookworms, for a healthy adult with a good diet, are quite benign. This account details my experiences, how I went about it, and the things I have done since infestation to calibrate my level of infestation so that in the end I was able to cure my asthma and hay fever with hookworms. These same techniques are of course applicable to any hookworm infestation, whether you want to control asthma, hay fever, colitis, Crohn’s disease or IBD.
Lawrence even sells hookworms to others so that they won’t have to travel to a third world country to contract them.
A Life Well Wasted is a well-produced podcast about “video games and the people who love them”, sort of a gaming version of Radiolab or This American Life. Each episode is accompanied by a limited edition poster designed by the awesome Olly Moss.
Update: The Bygone Bureau has an interview with A Life Well Wasted’s creator, Robert Ashley.
Quick hitter from Radiolab as a preview of the new season: composer David Lang talks about a piece of music he made for a morgue. Appropriate listening for the crappy rainy day here in NYC. Hopefully the weather will be better for Radiolab’s live premiere of their fourth season on Feb 21 at the Angelika.
Speaking of podcasts, The New Yorker has a couple of interesting ones on iTunes: readings from the Fiction section and from the weekly Comment essay in Talk of the Town.
Radiolab has been getting some love from quite a few of the sites I read (Snarkmarket originally turned me on to the show), so I thought I’d offer mine as well. I don’t listen to the radio or to podcasts, but lately I’ve made an exception for Radiolab. It’s about science, the editing is wonderful and unique, Jad Abumrad is one of the best radio voices I’ve ever heard, and to top it off, their shows are really fascinating.
Their show on Memory and Forgetting from last June is particularly good. If you don’t have time for the whole thing, the Adding Memory (especially Joe Andoe’s story) and Clive segments are almost must-listens.
You can listen to Radiolab on their site, on a variety of US radio stations, as a podcast, or though iTunes.
Update: Radiolab did a session at the Apple Store in Soho about their editing process and thought process. (thx, dan)
Listeningtowords looks like the beginning of a nice resource for sharing/discussing freely available audio files of lectures. Lots of stuff here I’ve never seen before.
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