The apartment that American writer William S. Burroughs inhabited while he lived in New York has been preserved since his death in 1997. Photographer Peter Ross took some photos of some of the contents, including a worn pair of shoes, some nunchucks, and a book called Medical Implications of Karate Blows.
Well, I bet I’ll go through half a dozen iPhones in the time it would have taken Burroughs to resole those shoes. That makes me feel greedy, wasteful, and self-indulgent. Maybe I’d be better off keeping the modern world out. Maybe we all would. Let’s all just grab our nunchucks, put on our shoes and hat and walk the streets of Manhattan.
The largest sealed environment ever created, constructed at a cost of $200 million, and now falling somewhere between David Gissen’s idea of subnature — wherein the slow power of vegetative life is unleashed “as a transgressive animated force against buildings” — and a bioclimatically inspired Dubai, Biosphere 2 even included its own one million-gallon artificial sea.
Images from Paris cafes and nightlife in 1962, the same week Yves St. Laurent’s runway show vaulted Dior to new heights. Many scenes around Les Halles (which no longer exists as it did then).
From the collection, a photo of some Les Halles butchers enjoying a drink at Au Pied de Cochon:
Update: As Wikipedia notes, Saint Laurent’s fabled show took place in 1958; Dior was gone from Dior by ‘62. Not sure whether the caption is wrong or the photos are really from 1958. (thx, alex)
Their opinions differ. Yet somehow all seem to feel that the second hundred years will see the camera put to use as never before with the amateur often leading the way.
One of the better lists out there: the top astronomy photos of the year. From the list, this is a more detailed view of the Martian landscape than we’re used to seeing:
While looking for something else at the Los Angeles Public Library, Gerard Van der Leun stumbled across some 1940s photos of LA taken by Ansel Adams. They had not been seen for a long while.
So I would conclude that with the LAPL material we are getting a rare chance to look at photographs a great photographer chose not to show the world. Obviously none of these images even touches upon the vast and central work that establish Adams as one of the greatest American photographers, but they do provide an interesting footnote to what Ansel Adams saw and thought worthy of photographing while ambling about Los Angeles during the opening months of World War II.
In 2004, the Hubble Space Telescope took an image called the Hubble Ultra Deep Field; basically astronomers pointed the Hubble toward an “empty” part of space and took a long-exposure shot in the visible spectrum. What they found were thousands of far away galaxies from early in the development of the universe. Now the Hubble has peered even deeper into the universe in near-infrared and captured this image:
Each one of those little specks is an entire galaxy, some only 600 million years old. Here’s a zoomed-in section:
At a United Nations meeting in September, New Yorker staff photographer Platon took photos of as many world leaders as her could get his hands on. Here’s a slideshow of the results.
What did the Israeli Prime Minister, Benjamin Netanyahu, ask the photographer before the shutter clicked? “Platon,” he said, “make me look good.”
The landing page for Natalie Daoust’s Tokyo Girls project (sorry no direct link because of Flash) presents you with a grid of 45 small animated photos of women performing stripteases.
Earlier this year I realized we would celebrate the 20th anniversary of the fall of the Berlin Wall. I went back into my archive and discovered that I had boxes full of negatives that I had never seen before, taken in East Germany over the past 50 years. It was a treasure which had to be unearthed.
The Denver Post followed high school graduate Ian Fischer as he enlisted in the Army, went through training, left for Iraq, and returned home; the photos tell quite a story.
This did unsurprisingly well when I posted it to Twitter, so I’ve archived it here for posterity. This is Carrie Fischer and her stunt double taking a nap under the Tatooine suns during the filming of Jedi.
The slow individualization of re-inhabited Circle Ks caused by years of choices and actions caught my attention. These buildings do not show a linear progression of the corporatization and homogenization of suburbia, but rather serve as evidence of a more circular system — a system driven by a delicate negation between same and different, between complicated sets of actions and choices that shape our built environment.
As I take a second look at these neighborhoods, I’ve found vast differences in what was once a uniform typology. Over the past 50 years these Houses have transformed from modest white cubes into a vibrant display of personality and present a rebellion against conformity.
Update: The audio clip used in that commercial might not be Whitman after all. From the inbox:
The Walt Whitman recording that is being used by the Levi’s commercial that you posted on the 28th is actually not Whitman, and is now considered by most audio archivists to be a hoax.
More information about this most interesting recording can be found in Vol. X, No. 3 of Allen Koenigsberg’s Antique Phonograph Monthly magazine from 1992, pages 9-11.
Among things pointed out, one is that the speech on the soundtrack ends with the quote, “Freedom Law and Love,” whereas the original printed version of the poem ends with “Chair’d in the adamant of Time.”
Koenigsberg also points out that Whitman’s last years were chronicled on a daily basis by his personal secretary, and being wheelchair-bound, such a visit for Whitman would have been difficult, unprecedented, and undoubtedly noted.
In his newest multipart essay for the NY Times, Errol Morris examines evidence of photo manipulations by the photographers of the Farm Security Administration during the Great Depression, including Walker Evans, Arthur Rothstein, and Dorothea Lange. Were they dispassionate observers of American life in the 1930s or employees after a certain type of story?
If one can imagine the political animosity that would have been generated if, as part of the current stimulus package, President Obama introduced a national documentary photography program, then it is possible to understand the opposition that the F.S.A. faced. Fiscal conservatives did not want to see their hard-earned tax dollars spent on relief, let alone a government photography program, of all things.
Vivian Maier was a street photographer from the 1950s-70s in Chicago whose extensive body of work (40,000 negatives) was recently discovered at an auction. This blog is presenting that work to the public for (I think) the first time.
The other X factor in recognition is a curatorial champion. Bellocq had Friedlander. Atget had Abbot. Disfarmer had Miller. Without their discoverers, these photographers might still be anonymous. For Maier it’s been John Maloof. An interesting mental experiment is to wonder what would’ve happened had Maier posted her own photos on a blog while still alive. Would they have the same impact? Or would they just be another series of old images from some self-promoting has-been?
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