How to use Photoshop to make your
How to use Photoshop to make your car look like one of the characters in Pixar’s Cars.
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kottke.org posts about movies
Here’s the public’s first look at the
Here’s the public’s first look at the newest Pixar film (after Ratatouille): Wall-E. Looks like it’s about robots and is directed by the guy who did Finding Nemo, in my estimation the best Pixar film to date. (via waxy)
Character actors who are trapped in a
Character actors who are trapped in a leading man’s body: Kevin Bacon, Johnny Depp, George Clooney, Joseph Fiennes. (via quarterempty)
Increased suicide rate linked to movie
The rate of suicides off of the Golden Gate Bridge increased sharply in 2006, in part because of the local screening of The Bridge, a documentary about Golden Gate Bridge suicides. “The Bridge premiered locally in April. In May, four people jumped to their deaths and another 11 tried to commit suicide. Normally, no more than two people succeed per month, and an average of four others attempt to jump.”
A list of Reel Pop’s ten favorite
A list of Reel Pop’s ten favorite dystopian films. Running Man, La Jetée, and Blade Runner all make the cut.
Singer Ben Gibbard, from The Postal Service
Singer Ben Gibbard, from The Postal Service and Death Cab for Cutie, is playing a part in the film adaptation of David Foster Wallace’s Brief Interviews with Hideous Men, to be directed by John Krasinski, who plays a character on the US version of The Office, which is based on the original UK version by Ricky Gervais. To sum up: indie rock book nerd tv junkie explosion!
A list of the hardest novels to
A list of the hardest novels to film. Ulysses tops the list. How about The Mezzanine?
The original trailers for Star Wars and
The original trailers for Star Wars and The Empire Strikes Back. Oh, and here’s a Return of the Jedi trailer.
I love this analysis of the original
I love this analysis of the original Star Wars movie based on the happenings in episodes I-III. “If we accept all the Star Wars films as the same canon, then a lot that happens in the original films has to be reinterpreted in the light of the prequels.” Chewie and R2 are top Rebellion spies, Yoda and Obi-Wan keep in touch via Qui-Gon’s ghost, and Kenobi feigns indifference when he first meets R2 (I don’t remember owning any droids, wink, wink). Fascinating stuff.
The future of movies
David Denby had a great piece in the New Yorker last week about the present and future of movies. I was surprised to learn that Hollywood hates the movie theater-going experience as much or more than the rest of us:
Consider the mall or the urban multiplex. The steady rain of contempt that I heard Hollywood executives direct at the theatres has been amplified, a dozen times over, by friends and strangers alike. The concession stands were wrathfully noted, with their “small” Cokes in which you could drown a rabbit, their candy bars the size of cow patties; add to that the pre-movie purgatory padded out to thirty minutes with ads, coming attractions, public-service announcements, theatre-chain logos, enticements for kitty-kat clubs and Ukrainian bakeries-anything to delay the movie and send you back to the concession stand, where the theatres make forty per cent of their profits. If you go to a thriller, you may sit through coming attractions for five or six action movies, with bodies bursting out of windows and flaming cars flipping through the air-a long stretch of convulsive imagery from what seems like a single terrible movie that you’ve seen before. At poorly run multiplexes, projector bulbs go dim, the prints develop scratches or turn yellow, the soles of your shoes stick to the floor, people jabber on cell phones, and rumbles and blasts bleed through the walls.
If we want to see something badly enough, we go, of course, and once everyone settles down we can still enjoy ourselves. But we go amid murmurs of discontent, and the discontent will only get louder as the theatre complexes age. Many of them were randomly and cheaply built in response to what George Lucas conclusively demonstrated with “Star Wars,” in 1977: that a pop movie heavily advertised on national television could open simultaneously in theatres across the country and attract enormous opening-weekend audiences. As these theatres age, the gold leaf doesn’t slowly peel off fluted columns. They rot, like disused industrial spaces. They have become the detritus of what seems, on a bad day, like a dying culture.
Denby also considers what happens to movies when the primary target audience (12-30 year-olds make up 50% of the movie-going population) may prefer to watch movies on DVD, their computers, or on iPods.
No exhibition method is innocent of aesthetic qualities. Platform agnosticism may flourish among kids, but platform neutrality doesn’t exist. Fifty years ago, the length of a pop single was influenced by what would fit on a forty-five-r.p.m. seven-inch disk. The length and the episodic structure of the Victorian novel — Dickens’s novels, especially — were at least partly created by writers and editors working on deadline for monthly periodicals. Television, for a variety of commercial and spatial reasons, developed the single-set or two-set sitcom. Format always affects form, and the exhibition space changes what’s exhibited.
As a fan of watching movies on the big screen of a theater, I hope that sort of movie making doesn’t go away anytime soon.
A list of the Midichlorian counts for
A list of the Midichlorian counts for major Star Wars characters.
Update: Given the subject mattter, I’m not sure a disclaimer is needed, but in case you’re really worried about veracity of the above list, here’s some useful information. (thx, oh no)
Geriatric and other distant sequels
Some upcoming and recently released sequels which are released a long time after the previous movie in the series, some real and some imagined:
Sylvester Stallone returns as the 50-something year-old title character in Rocky Balboa to fight the heavyweight champion of the world.
Police Academy 8: To the Moon. Steve Gutenberg leads a merry band of recruits and Bubba Smith to the moon to form the first extraterrestrial police force. Hijinks ensue. Special appearance by Henry Winkler, who jumps a shark on waterskis in the Sea of Tranquility.
ET 2. Henry Thomas needs the work.
Star Trek 12. William Shatner, Ricardo Montalban, and a wormhole. Enough said.
Sir Sean Connery as James Bond in Goldfinger 2. Turns out Oddjob wasn’t really dead. He and Bond battle it out after tempers flare and hats are thrown at a Florida condo board meeting. Pussy makes crabcakes for dinner.
Jaws 5. I think the shark talks this time.
Rambo IV: Pearl of the Cobra. Stallone has run out of material.
Marty travels forward in time to bring embryonic stem cells back to the present in Back to the Future Part IV.
Harrison Ford is set to star in Indiana Jones 4, slated to be released almost 20 years after the last installment of the film. Ford will be 65 years old at the time of the filming. Not sure how many swashes he’ll be buckling in the this one.
Star Wars: Episode 7. Han, Leia, and their high school-aged kids are ensconced in a Tatooine suburb (Chewy lives in the garage, R2 & 3PO in a little love-nest down the street) while Luke scours the galaxy for little kids with high midichlorian counts. Seventy-year-old Billy Dee Williams will appear as Lando Calrissian.
Clerks 2. Randal and Dante work through a midlife crisis for minimum wage while Jay and Silent Bob kick their habit.
Sharon Stone is still sexy and irritating at 47 in Basic Instinct 2.
Beverly Hills Cop IV. Axel does paperwork at his desk all day. Eddie Murphy does double duty by playing a elderly, sassy, obese black woman.
Karate Kid IV. Sadly, Pat Morita is unable to reprise his role as Mr. Miyagi and a 45-yo Ralph Macchio unconvincingly plays college sophomore Daniel LaRusso. Academy Award nominee William Zabka directs.
Bill & Ted’s Straightforward Trip to Home Depot. Station!
Breakin’ 3: Electric Boogaloo 2.
Disco is Dead. John Travolta runs a wrecking company that is contracted to tear down the very Brooklyn discotheque he danced in as a youth. Intense self-examination of his current path in life follows.
Ei8ht. Gwyneth’s character having been dispatched in the first film, Pitt is free to bring Angelina into this one as wife #2. This time, murders are committed where the first names of the victims match those of the children on the Eight Is Enough television program. I don’t want to ruin it for you, but Dick Van Patten’s head might end up in a box.
Metacritic’s aggregated view of the film critics’
Metacritic’s aggregated view of the film critics’ top 10 lists is always worth a look, both for the information and the information design. United 93 appeared on the most lists and tied with Army of Shadows for most #1 rankings.
Music video for the Softlightes song Heart
Music video for the Softlightes song Heart Made of Sound features handmade typography, Post-It Notes, and stop-motion animation. See also: the opening credits for Napoleon Dynamite, Stefan Sagmeister, and Michel Gondry. (via buzzfeed)
The Queen
Talking about it afterwards, a friend remarked, “I bet way more people in the US would go see this if they knew it was about Princess Diana”. It is and it isn’t, but I agree: the movie concerns Princess Diana and it’s great, so go see it. Trailer here.
10 kick ass opening credit sequences from movies (+
10 kick ass opening credit sequences from movies (+ accompanying YouTube videos). The credits for Se7en will forever be my favorite, if only because they inspired me (in part) to become a designer.
Aha! So that *was* Richard Branson getting
Aha! So that *was* Richard Branson getting wanded by security in Casino Royale.
Update: Branson also appeared in Superman Returns. (thx, charles)
La Jetee
After getting an email from a reader last week (thx, david), I poked around a little and found the cult French film on YouTube:
Some notes on the film:
- It was made in 1962 by Chris Marker and is only 28 minutes long.
- La Jetée is regularly included on all-time best-of lists.
- The film has no dialogue and is almost entirely comprised of still photography.
- Terry Gilliam’s Twelve Monkeys was based in part on La Jetée.
Odd games
Over the holidays, Mike Monteiro discovered there was a Nacho Libre game for the Nintendo DS. Thinking that an arbitrary choice for a movie tie-in game, he started the DS Tie-In Games I Wanna Play group on Flickr to showcase other possible odd media tie-ins for the DS. Some of my favorite submissions so far include: The Passion of the Christ, Birth of a Nation, Empire, Remains of the Day, My Dinner with Andre (Bon Mot controller sold separately), Super Mario Bros, Learning GNU Emacs, Requiem for a Dream, The Cremaster Cycle, and Getting Things Done.
Here’s a couple of ones that I’ve done: Dancer in the Dark and The New Yorker Draw Your Own Cover Electronic Entertainment (with noncompulsory coöperative mode), pictured below.
If you join the group, there’s a Photoshop kit you can download to join in the fun.
Interview with Christopher Guest and Eugene Levy
Interview with Christopher Guest and Eugene Levy about For Your Consideration and filmmaking in general. Interestingly, they don’t write any dialogue for their films (it’s all ad-libbed) but only do three takes per scene to get it right. “It’s the dialogue aspect of this process where you realize how great, how talented this troupe really is, because they’re able to improvise some amazingly, brilliantly funny lines.”
Interview with Steven Soderbergh, mostly about The
Interview with Steven Soderbergh, mostly about The Good German but also about some upcoming projects. “I think for the most part intellectuals don’t make very good movies. It’s an emotional medium and I think you can really outsmart yourself.” That quote reminds me of something I read on Clusterflock last night: “the giants of the imagination can set the giants of the intellect aquiver”.
The kids stayed up past their bedtime
The kids stayed up past their bedtime watching a chainsaw murder movie, so their parents got even by waking them up creatively.
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