Being Elmo trailer
Being Elmo is a documentary about the puppeteer who performs Sesame Street’s Elmo. It looks fantastic.
(via unlikely words)
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Being Elmo is a documentary about the puppeteer who performs Sesame Street’s Elmo. It looks fantastic.
(via unlikely words)
Qwikster will rent you DVDs and Netflix will rent you streaming movies. Two separate sites/companies, no interop, you have to sub to both separately, etc. Here’s the explanation from Netflix CEO Reed Hastings. This seems amazingly dumb at first blush. (ps. Qwikster?!!)
Update: This is an excellent level-headed analysis of the deal from Dan Frommer.
Netflix’s holy grail is to get each person, not each household, to have a separate streaming subscription, the way everyone also has a separate Facebook account. Separating a per-household service like DVD rentals-by-mail helps simplify that eventual transition.
Bill Cunningham New York, a documentary film about the unassuming king of street fashion photography, is out on DVD today.
“We all get dressed for Bill,” says Vogue editor Anna Wintour. The Bill in question is 80+ New York Times photographer Bill Cunningham. For decades, this Schwinn-riding cultural anthropologist has been obsessively and inventively chronicling fashion trends he spots emerging from Manhattan sidewalks and high society charity soirees for his beloved Style section columns On The Street and Evening Hours.
Cunningham’s enormous body of work is more reliable than any catwalk as an expression of time, place and individual flair. The range of people he snaps uptown fixtures like Wintour, Brooke Astor, Tom Wolfe and Annette de la Renta (who appear in the film out of their love for Bill), downtown eccentrics and everyone in between reveals a delirious and delicious romp through New York. But rarely has anyone embodied contradictions as happily and harmoniously as Bill, who lived a monk-like existence in the same Carnegie Hall studio at for fifty years, never eats in restaurants and gets around solely on bike number 29 (28 having been stolen).
It got great reviews…currently 98% on Rotten Tomatoes.
Current TV has compiled a list of the fifty contemporary documentaries that you must see before you die. Lots of familiar names on the list…here are my personal favorites:
The Kid Stays in the Picture
When We Were Kings
Dogtown and Z-Boys
Man on Wire
Capturing the Friedmans
Touching the Void
The Fog of War
Grizzly Man
The Thin Blue Line
Hoop Dreams
The New York Philharmonic, joined by Philip Glass himself, will perform the score for Koyaanisqatsi while the film is projected on a screen above the stage.
Lose yourself in Philip Glass’s powerful music for the 1982 Godfrey Reggio film Koyaanisqatsi: A Life Out Of Balance, performed live by the Philharmonic and the Philip Glass Ensemble, as the landmark film is projected on a huge screen above the Avery Fisher Hall stage.
There will be two performances, Nov 2 and Nov 3 at 7:30pm at Avery Fisher Hall. There are still tons of great seats available, but get ‘em while you can. Excited!
This chart shows former and future superheroes by movie. That is, George Clooney played Batman, so Out of Sight gets a Batman, along with another Batman for Micheal Keaton, and a Nick Fury for Sam Jackson. Lots of movies have 4 superheroes, though none on this chart have 5. Click through, you’ll understand. If you want to see how they all fit together, he’s made that chart, too. Raynor, you may raymember, also made the Harry Potter wizards in other movies chart.
HBO recently released a documentary about real-life superheroes. The trailer is below. It reminded me of the fascinating Rolling Stone article about Master Legend, but I can’t find it on their site because Rolling Stone doesn’t believe the internet needs to see old articles.
Incidentally, I found not 1, but 3 networks for real-life superheroes.
1, 2 3. But also, hipster superheroes. Hulk is only smashing ironically. And here’s a list of all the superheroes. All of them.
Lastly, I’d be remiss not to mention Petsaresuperhero.es, a project I put together with a friend. You know your pet’s a superhero, now you can show the world.
Using facial recognition in realtime via a webcam, this system lets you control the face of another person…like, say, John Malkovich.
Given a photo of person A, we seek a photo of person B with similar pose and expression. Solving this problem enables a form of puppetry, in which one person appears to control the face of another. When deployed on a webcam-equipped computer, our approach enables a user to control another person’s face in real-time. This image-retrieval inspired approach employs a fully-automated pipeline of face analysis techniques, and is extremely general-we can puppet anyone directly from their photo collection or videos in which they appear. We show several examples using images and videos of celebrities from the Internet.
A 33-minute documentary made by a then-17-year-old Vivian Kubrick (Stanley’s daughter) about the making of The Shining is available in its entirety on Google Video. From Wikipedia:
It has some candid interviews and very private moments caught on set such as arguments with cast and director, moments of a no-nonsense Kubrick directing his actors, Scatman Crothers being overwhelmed with emotion during his interview, Shelley Duvall collapsing through mental exhaustion on set and a very playful Jack Nicholson enjoying playing up to the behind the scenes camera.
Harrison Ford has made credited appearances in 40 movies…to celebrate, the National Post had illustrator Chip Zdarsky draw portraits of Ford from each of his films.

(via @moleitau)
Here’s a four-minute teaser trailer for In Time, a sci-fi action thriller directed by Andrew Niccol (Gattaca) and starring Justin Timberlake and Amanda Seyfried.
In the late 21st century, time has replaced money as the unit of currency. At 25 years old, aging stops and each person is given one more year to live. Unless you replenish your clock, you die.
Nice to see someone taking the attention economy literally. (thx, david)
A documentary about El Bulli offers “a rare inside look at some of the world’s most innovative and exciting cooking”.
(thx, aaron)
From Sady Doyle, an alternate history of the Harry Potter series if Rowling would have written the books from the perspective of Hermione Granger.
So, before she goes away for good, let us sing the praises of Hermione. A generation could not have asked for a better role model. Looking back over the series โ from Hermione Granger and the Philosopher’s Stone through to Hermione Granger and the Deathly Hallows โ the startling thing about it is how original it is. It’s what inspires your respect for Rowling: She could only have written the Hermione Granger by refusing to take the easy way out.
For starters, she gave us a female lead. As difficult as it is to imagine, Rowling was pressured to revise her initial drafts to make the lead wizard male. “More universal,” they said. “Nobody’s going to follow a female character for 4,000 pages,” they said. “Girls don’t buy books,” they said, “and boys won’t buy books about them.” But Rowling proved them wrong. She was even asked to hide her own gender, and to publish her books under a pen name, so that children wouldn’t run screaming at the thought of reading something by a lady. But Joanne Rowling never bowed to the forces of crass commercialism. She will forever be “Joanne Rowling,” and the Hermione Granger series will always be Hermione’s show.
The Onion’s A.V. Club takes a field trip to see the Harlem house where the exteriors (and many of the interiors) were shot for The Royal Tenenbaums.
(via devour)
A collection of final frames from well-known movies…see if you can guess them all.
If you’re headed out to see the final Potter movie this weekend, here’s a recap of the previous seven films in just seven minutes:
Joyce McKinney, the subject of Errol Morris’ documentary film called Tabloid, has been popping up at screenings of the film around the country, seemingly on her own dime, to conduct Q&A sessions of her own.
“I sat till the audience started to leave and waited for the precise moment, and then jumped up and yelled, ‘I’m Joyce McKinney!’” she said, with considerable glee. “They went crazy.”
There are also reports of some reviewers receiving anonymous legal threats.
I wasn’t going to watch all twenty-five minutes of this day-in-the-life feature about Pixar’s John Lasseter, but I got sucked in after the first two minutes for some reason and couldn’t stop. The main takeaway is that Lasseter is a relentlessly upbeat, absurdly rich, hugging, cheeseball train freak.
Watching it, I found it almost impossible to reconcile his cheeseball personality with the kind of movies that Pixar makes, except to note that the Pixar films he’s been involved with in a directorial or story capacity (Toy Storys 1-3, Cars 1-2) are the studio’s syrupiest (and Randy Newmanest). (via devour)
It’s fictional but based on a This American Life story about a man whose cryogenics business goes wrong.
The film, as previously reported, is an adaptation of a 2008 report on Bob Nelson, a self-styled cryogenics pioneer. Mr. Morris claims the film, not listed on IMDB, will be written by Zach Helm, writer of the aptly titled Will Ferrell vehicle Stranger Than Fiction. This American Life previously spawned the kids’-movie adaptation Unaccompanied Minors, but Mr. Morris’s pedigree โ and unique interests-promise to make this a bit more highbrow, and simultaneously more intriguingly tabloid-y.
Star Wars: The Blueprints is a $500 limited edition book that contains photographs and illustrations about how the Star Wars movies wre created.
Star Wars: The Blueprints brings together, for the first time, the original blueprints created for the filming of the Star Wars Saga. Drawn from deep within the Lucasfilm Archives and combined with exhaustive and insightful commentary from best-selling author J. W. Rinzler, the collection maps in precise, vivid, and intricate detail the very genesis of the most enduring and beloved story ever to appear onscreen.
Star Wars: The Blueprints gives voice to the groundbreaking and brilliant engineers, designers, and artists that have, in film after film, created the most imaginative and iconic locales in the history of cinema. Melding science and art, these drawings giving birth to fantastic new worlds, ships, and creatures.
Most importantly, Blueprints shows how in bringing this extraordinary epic to life, the world of special effects as we know it was born. For the first time, here you will see the initial concepts behind such iconic Star Wars scenes as the Rebel blockade runner hallways, the bridge of General Grievous s flagship, the interior of the fastest hunk of junk in the Galaxy, and Jabba the Hutt’s palace. Never before seen craftsmanship and artistry is evident whether floating on the Death Star, escaping on a speeder bike, or exploring the Tatooine Homestead.
And hey, Amazon’s got it for only $450.
Basically, Arrested Development is a sitcom version of The Godfather. Michael = Michael, G.O.B. = Sonny, and Fredo = Buster.
Fredo Corleone is the second oldest son of Don Vito Corleone, but is unfit to run the family business. His stupidity, lack of confidence, and otherwise child-like behavior prevent him from being taken seriously by any member of the family. Despite his attempts at success, integration into the family usually comes to no avail. He is often humored by deciding family members (Michael), and given menial business tasks (i.e. casinos, whorehouses) for the family.
Buster Bluth is the youngest son of George, Sr., and is unfit to run the family business. His stupidity, lack of confidence, and otherwise child-like behavior prevent him from being taken seriously by any member of the family. Despite his attempts at success, integration into the family business usually comes to no avail. He is often humored by deciding family members (his mother), and given menial tasks (i.e. learning cartography) to distract him.
(via mlkshk, sorta)
Epic comic version of all eight of the Happy Potter movies by Lucy Knisley.

Knisley is also offering large format images of the comic for personal use…for a limited time only.
The SnorriCam is the chest-mounted camera that directors like Darren Aronofsky have used to great effect. You can see a bit of Aronofsky’s use of the SnorriCam in these clips from Requiem for a Dream. (Note: that second clip is a bit graphic.)
Today’s service journalism: here’s a simple one-page list of outdoor movie screenings in NYC this summer. The lineup includes Rosemary’s Baby, Airplane!, and Spiderman. (thx, matthew)
In this profile of Chris Evans (aka Captain America) for GQ, Edith Zimmerman catches a movie actor on the rise testing the boundaries of his soon-to-be mega-fame.
Since we’re both single and roughly the same age, it was hard for me not to treat our interview as a sort of date. Surprisingly, Chris did the same, asking all about me, my family, my job, my most recent relationship. And from ten minutes into that first interview, when he reached across the table to punctuate a joke by putting his hand on top of mine, Chris kept up frequent hand holding and lower-back touching, palm kissing and knee squeezing. He’s an attractive movie star, no complaints. I also didn’t know how much I was supposed to respond; when I did, it sometimes felt a little like hitting on the bartender or misconstruing the bartender’s professional fliirting for something more. I wanted to think it was genuine, or that part of it was, because I liked him right away.
Is this the part of a celebrity profile where I go into how blue the star’s eyes are? Because they are very blue.
(via @choire)
A bunch of theaters in NYC (and around the US I would assume) are showing the extended edition of Fellowship of the Ring at 7pm tonight.
The event will include a personal introduction from director Peter Jackson captured from the set of his current film and “Lord of the Rings” prequel “The Hobbit,” immediately followed by the feature presentation.
The same thing will happen with Two Towers on June 21 and Return of the King on June 28. Can’t believe Fellowship came out 10 years ago already.
From very small array, an infographic look at which movie genres have done well at the box office and at awards time. Dramas have all but vanished from the box office chart in recent years. (thx, jon)
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