kottke.org posts about journalism
For her series Counternarratives, artist and media critic Alexandra Bell takes newspaper articles and layouts from the NY Times that demonstrate racial bias and fixes them. For example, Bell took the notorious double profile of Michael Brown and his killer Darren Wilson and placed the focus entirely on Brown:

In this video, Bell explains her process:
I think everything is about race. Black communities, gay communities, immigrant communities feel a lot of media representations to be inadequate, biased. There’s a lot of reporting around police violence and black men, and I realized a lot of the arguments that we were having were about depictions. I started to wonder how different would it be if I swapped images or changed some of the text.
See also Kendra Pierre-Louis’ recent article for Nieman Lab: It’s time to change the way the media reports on protests. Here are some ideas.
The Washington Post made this short video that shows how Fox News personalities were talking about the COVID-19 pandemic a week or two ago β it’s a Democrat hoax!! β compared to their more recent coverage that aligns closer with the truth.
For weeks, some of Fox News’s most popular hosts downplayed the threat of the coronavirus, characterizing it as a conspiracy by media organizations and Democrats to undermine President Trump.
Fox News personalities such as Sean Hannity and Laura Ingraham accused the news media of whipping up “mass hysteria” and being “panic pushers.” Fox Business host Trish Regan called the alleged media-Democratic alliance “yet another attempt to impeach the president.”
It has never been more plain that Fox News is not journalism but conservative propaganda. They, along with Trump, some conservative members of Congress, and conservative talk radio, were just straight up lying, misleading the public, and peddling conspiracy theories until it became overwhelmingly clear that this is a serious situation, as experts had been saying for weeks. The video shows completely contradictory statements made by the same people days apart; as Andrew Kaczynski says, “what a damning indictment”. I’ll go further than that: Fox News endangered the lives of Americans with their false and misleading coverage. People will suffer and die unnecessarily because of it.
I’d urge you to show this to your red state relatives and ask them to defend Fox News as journalism, but I don’t think it will actually do any good. The whole point of propaganda is to deprive people of, as Hannah Arendt puts it, the “capacity to think and to judge”.
The moment we no longer have a free press, anything can happen. What makes it possible for a totalitarian or any other dictatorship to rule is that people are not informed; how can you have an opinion if you are not informed? If everybody always lies to you, the consequence is not that you believe the lies, but rather that nobody believes anything any longer. This is because lies, by their very nature, have to be changed, and a lying government has constantly to rewrite its own history. On the receiving end you get not only one lie-a lie which you could go on for the rest of your days-but you get a great number of lies, depending on how the political wind blows. And a people that no longer can believe anything cannot make up its mind. It is deprived not only of its capacity to act but also of its capacity to think and to judge. And with such a people you can then do what you please.
In recent years, many media outlets have joined publications like the WSJ and NY Times in erecting paywalls around their online offerings, giving visitors access to a few articles a month before asking them to pay for unlimited access. Due to the continuing worldwide COVID-19/coronavirus crisis and in order to make information about the pandemic more accessible to the public, several publications have dropped their paywalls for at least some of their coronavirus coverage (thanks to everyone who responded to my tweet about this).
Among them are The Atlantic, WSJ, Talking Points Memo, Globe and Mail, Seattle Times, Miami Herald (and other McClatchy-owned properties), Toronto Star, Stat, Dallas Morning News, Medium, NY Times, Washington Post, Baltimore Sun, Chicago Tribune, Christian Science Monitor and several medical/science journals. Notably, The Guardian relies on online subscription revenue but doesn’t put anything behind a paywall, including their coronavirus coverage.
In addition, a group of archivists have created an online directory of scientific papers related to coronaviruses, available for free download.
“These articles were always written to be shared with as many people as possible,” Reddit user “shrine,” an organizer of the archive, said in a call. “From every angle that you look at it, [paywalled research] is an immoral situation, and it’s an ongoing tragedy.”
Kudos to those media organizations for doing the right thing β this information can save people’s lives. Let’s hope others (*cough* Washington Post) will soon follow suit. And if you find the coverage helpful, subscribe to these outlets!
BTW, like The Guardian, kottke.org is supported by readers just like you who contribute to make sure that every single thing on the site is accessible to everyone. If you’re a regular reader, please consider supporting this experiment in openness.
Update: Added the NY Times to the list above. I am also hearing that many European papers are not dropping their paywalls in the face of the crisis.
Update: Added several media outlets to the list, including Washington Post and Chicago Tribune. At this point, it seems to be standard practice now (at least in the US & Canada) so this will be the final update. (thx, @maschweisguth)
I was reading this NY Times piece on their policies for reporters and editors around impartiality and politics β “newsroom staff members may not participate in political advocacy, like volunteering for candidates’ campaigns or making contributions” β and ran across this from the paper’s chief White House correspondent, Peter Baker:
As reporters, our job is to observe, not participate, and so to that end, I don’t belong to any political party, I don’t belong to any non-journalism organization, I don’t support any candidate, I don’t give money to interest groups and I don’t vote.
I try hard not to take strong positions on public issues even in private, much to the frustration of friends and family. For me, it’s easier to stay out of the fray if I never make up my mind, even in the privacy of the kitchen or the voting booth, that one candidate is better than another, that one side is right and the other wrong.
And similar perspectives from a 2008 Politico piece. Maybe it’s just me, but this seems like a deeply weird approach β and ultimately an intellectually dishonest one. Not voting is taking a political position β a passive one perhaps, but a political position nonetheless.1 There’s no direct analogy to not voting or not taking private positions on political issues for other areas of reporting, but just imagine being a technology reporter who doesn’t own a mobile phone or computer because they don’t want to show favoritism towards Apple or Samsung, a food reporter who is unable to dine at restaurants outside of work, or a style reporter who can’t wear any clothes they didn’t make themselves. Absurd, right? We do live in an age of too much opinion dressed up as news, but pretending not to have opinions ultimately does harm to a public in need of useful contextual information.
The long-time host of PBS NewsHour Jim Lehrer died this week at the age of 85. In this age of news as entertainment and opinion as news, Lehrer seems like one of the last of a breed of journalist who took seriously the integrity of informing the American public about important events. In a 1997 report by The Aspen Institute, Lehrer outlined the guidelines he adhered to in practicing journalism:
- Do nothing I cannot defend.*
- Do not distort, lie, slant, or hype.
- Do not falsify facts or make up quotes.
- Cover, write, and present every story with the care I would want if the story were about me.*
- Assume there is at least one other side or version to every story.*
- Assume the viewer is as smart and caring and good a person as I am.*
- Assume the same about all people on whom I report.*
- Assume everyone is innocent until proven guilty.
- Assume personal lives are a private matter until a legitimate turn in the story mandates otherwise.*
- Carefully separate opinion and analysis from straight news stories and clearly label them as such.*
- Do not use anonymous sources or blind quotes except on rare and monumental occasions. No one should ever be allowed to attack another anonymously.*
- Do not broadcast profanity or the end result of violence unless it is an integral and necessary part of the story and/or crucial to understanding the story.
- Acknowledge that objectivity may be impossible but fairness never is.
- Journalists who are reckless with facts and reputations should be disciplined by their employers.
- My viewers have a right to know what principles guide my work and the process I use in their practice.
- I am not in the entertainment business.*
In his 2006 Harvard commencement address, Lehrer reduced that list to an essential nine items (marked with an * above).
These are fantastic guidelines; as veteran journalist Al Thompkins said recently: “I would like to add a 10th rule: Journalists should be more like Jim Lehrer.”
Addendum: Even though this is a mere blog that has different goals and moves at a different pace than traditional journalism, I try (try!) to adhere to Lehrer’s guidelines on kottke.org as much as possible. I found out about his rules on Twitter in the form of a context-free screenshot of an equally context-free PDF. Lehrer would not approve of this sort of sourcing, so I started to track it down.
All initial attempts at doing so pointed to the truncated list (as outlined in the Harvard speech and in this 2009 episode of the NewsHour), so I wrote up a post with the nine rules and was about to publish β but something about the longer list bugged me. Why would someone add more rules and attribute them to Lehrer? It didn’t seem to make sense, so I dug a little deeper and eventually found the Aspen report in bowels of Google and rewrote the post.
In doing all this, I rediscovered one of the reasons why Lehrer’s guidelines aren’t followed by more media outlets: this shit takes time! And time is money. It would have taken me five minutes to find that context-free PDF, copy & paste the text, throw a post together, and move on to something else. But how can I do that when I don’t know for sure the list is accurate? Did he write or say those things verbatim? Or was it paraphrased or compiled from different places? Maybe the transcription is wrong. Lehrer, of all people, and this list, of all lists, deserves proper attribution. So this post actually took me 45+ minutes to research & write (not counting this addendum). And this is just one little list that in the grand and cold economic scheme of things is going to make me exactly zero more dollars than the 5-minute post would have!
Actual news outlets covering actual news have an enormous incentive to cut corners on this stuff, especially when news budgets have been getting squeezed on all sides for the better part of the last two decades. It should come as no big surprise then that the media covers elections as if they were horse races, feasts on the private lives of celebrities, and leans heavily on entertaining opinions β that all sells better than Lehrer’s guidelines do β but we should think carefully about whether we want to participate in it. In the age of social media, we are no longer mere consumers of news β everyone is a publisher and that’s a powerful thing. So perhaps Lehrer’s guidelines should apply more broadly, not only for us as individuals but also for media companies like Google, Facebook, and Twitter that amplify and leverage our thoughts and reporting for their own ends.
From Future Crunch, 99 Good News Stories You Probably Didn’t Hear About in 2019. Here are a few representative entries:
8. In Kenya, poaching rates have dropped by 85% for rhinos and 78% for elephants in the last five years, in South Africa, the number of rhinos killed by poachers fell by 25%, the fifth annual decrease in a row, and in Mozambique, one of Africa’s largest wildlife reserves went an entire year without losing a single elephant.
16. China’s tree stock rose by 4.56 billion m^3 between 2005 and 2018, deserts are shrinking by 2,400 km^2 a year, and forests now account for 22% of land area. SCMP
38. Type 3 polio officially became the second species of poliovirus to be eliminated in 2019. Only Type 1 now remains β and only in Pakistan and Afghanistan. STAT
We definitely don’t hear enough good news from most of our media sources. It’s mostly bad news and “feel good” news β that’s what sells. (Note that “feel good” news is not the same as substantive good news and is sometimes even bad news, e.g. heartwarming stories that are actually indicators of societal failures.) In the past few weeks I’ve also posted links to Beautiful News Daily and The Happy Broadcast, a pair of sites dedicated to sharing positive news about the world.
But at this point I feel obligated to remind myself (and perhaps you as well) that focusing mostly on positive news isn’t great either. A number of thinkers β including Bill Gates, Steven Pinker, Nicholas Kristof, Max Roser β are eager to point out that the world’s citizens have never been safer, healthier, and wealthier than they are now. And in some ways that is true! But in this long piece for The Guardian, Oliver Burkeman addresses some of the reasons to be skeptical of these claims.
But the New Optimists aren’t primarily interested in persuading us that human life involves a lot less suffering than it did a few hundred years ago. (Even if you’re a card-carrying pessimist, you probably didn’t need convincing of that fact.) Nestled inside that essentially indisputable claim, there are several more controversial implications. For example: that since things have so clearly been improving, we have good reason to assume they will continue to improve. And further β though this is a claim only sometimes made explicit in the work of the New Optimists β that whatever we’ve been doing these past decades, it’s clearly working, and so the political and economic arrangements that have brought us here are the ones we ought to stick with. Optimism, after all, means more than just believing that things aren’t as bad as you imagined: it means having justified confidence that they will be getting even better soon.
See also other critiques of Pinker’s work: A letter to Steven Pinker (and Bill Gates, for that matter) about global poverty and The World’s Most Annoying Man.
For the past couple of years, Mauro Gatti has been publishing The Happy Broadcast, his antidote to negative news and “the vitriolic rhetoric that pervades our media”. Here are a couple of recent examples:


You can also follow The Happy Broadcast on Instagram. See also Beautiful News Daily.
In a keynote address to the Anti-Defamation League, entertainer Sacha Baron Cohen calls the platforms created by Facebook, Google, Twitter, and other companies “the greatest propaganda machine in history” and blasts them for allowing hate, bigotry, and anti-Semitism to flourish on these services.
Think about it. Facebook, YouTube and Google, Twitter and others β they reach billions of people. The algorithms these platforms depend on deliberately amplify the type of content that keeps users engaged β stories that appeal to our baser instincts and that trigger outrage and fear. It’s why YouTube recommended videos by the conspiracist Alex Jones billions of times. It’s why fake news outperforms real news, because studies show that lies spread faster than truth. And it’s no surprise that the greatest propaganda machine in history has spread the oldest conspiracy theory in history- β the lie that Jews are somehow dangerous. As one headline put it, “Just Think What Goebbels Could Have Done with Facebook.”
On the internet, everything can appear equally legitimate. Breitbart resembles the BBC. The fictitious Protocols of the Elders of Zion look as valid as an ADL report. And the rantings of a lunatic seem as credible as the findings of a Nobel Prize winner. We have lost, it seems, a shared sense of the basic facts upon which democracy depends.
When I, as the wanna-be-gansta Ali G, asked the astronaut Buzz Aldrin “what woz it like to walk on de sun?” the joke worked, because we, the audience, shared the same facts. If you believe the moon landing was a hoax, the joke was not funny.
When Borat got that bar in Arizona to agree that “Jews control everybody’s money and never give it back,” the joke worked because the audience shared the fact that the depiction of Jews as miserly is a conspiracy theory originating in the Middle Ages.
But when, thanks to social media, conspiracies take hold, it’s easier for hate groups to recruit, easier for foreign intelligence agencies to interfere in our elections, and easier for a country like Myanmar to commit genocide against the Rohingya.
In particular, he singles out Mark Zuckerberg and a speech he gave last month.
First, Zuckerberg tried to portray this whole issue as “choices…around free expression.” That is ludicrous. This is not about limiting anyone’s free speech. This is about giving people, including some of the most reprehensible people on earth, the biggest platform in history to reach a third of the planet. Freedom of speech is not freedom of reach. Sadly, there will always be racists, misogynists, anti-Semites and child abusers. But I think we could all agree that we should not be giving bigots and pedophiles a free platform to amplify their views and target their victims.
Second, Zuckerberg claimed that new limits on what’s posted on social media would be to “pull back on free expression.” This is utter nonsense. The First Amendment says that “Congress shall make no law” abridging freedom of speech, however, this does not apply to private businesses like Facebook. We’re not asking these companies to determine the boundaries of free speech across society. We just want them to be responsible on their platforms.
If a neo-Nazi comes goose-stepping into a restaurant and starts threatening other customers and saying he wants kill Jews, would the owner of the restaurant be required to serve him an elegant eight-course meal? Of course not! The restaurant owner has every legal right and a moral obligation to kick the Nazi out, and so do these internet companies.
Jeff Jarvis with some good comments (based primarily on a paper by Axel Bruns) arguing that the media in general needs to start with deeper questions, more research, referencing actual research, and demonstrable facts instead of presumptions. Excellent ideas.
He begins with this quote from the Bruns paper:
[T]hat echo chambers and filter bubbles principally constitute an unfounded moral panic that presents a convenient technological scapegoat (search and social platforms and their affordances and algorithms) for a much more critical problem: growing social and political polarisation. But this is a problem that has fundamentally social and societal causes, and therefore cannot be solved by technological means alone. [Emphasis mine.]
Agreed. Jarvis via Bruns then argues that these metaphors are too loosely defined, leaving room for broad usage, unclear meaning, resulting in moral panic more than actual research and fact based analysis.
He follows up with a number of articles and further research from the paper, backing up his point. Then numerous examples of media using the filter bubble shortcut. I encourage you to click through to the article and dive a bit deeper.
But that leads to another journalistic weakness in reporting academic studies: stories that takes the latest word as the last word.
Absolutely. And pretty much everyone does that at some point so it’s a good reminder to us all to consider new research and explanations of the day within broader historical context and preexisting knowledge.
The whole article (and the research paper, although I myself haven’t gotten to that yet) is worth a read, the main point of Jarvis is a good one; more questions, more research, deeper thinking. Looking at people and how they use the technology, not just the tech itself.
I do have to caveat this though by mentioning the Jarvis dismisses Shoshana Zuboff’s work on Surveillance Capitalism by portraying it as “an extreme name for advertising cookies and the use of the word devalues the seriousness of actual surveillance by governments.” One could debate whether Zuboff should have used another word, separating the practice from that of governments, but by saying “advertising cookies” Jarvis makes one of those surface remarks he raves against in his piece, somewhat discrediting it.
I know this probably isn’t brand new, but in the past couple of weeks I’ve noticed a few articles published by big media companies that are influenced by the design of Snapchat and Instagram Stories. Just to be clear, these aren’t published on Instagram (that’s been going on for years); they are published on media sites but are designed to look and work like Instagram Stories. The first one I noticed was this NY Times piece on Guantanamo Bay.

You can see the Instagram-style progress meter at the top. And then there’s Curbed’s The Ultimate Guide to Googie, where the progress meter is indicated more playfully by the little car at the bottom (it even switches directions based on whether you’re paging forward or back through the story). Curbed EIC Kelsey Keith says it was built using “Vox Media’s new custom storytelling kit tool”.

The third piece I can’t find again β I think it was a WSJ or Washington post article β but it too was influenced by the Stories format.
It’s a good move for these companies. Snap & Instagram have worked hard to pioneer and promote this format, it’s perfectly designed for mobile, and people (especially younger folks) know how to use it. Nominally, these articles are just slideshows, a format that online media companies have been using forever. But I’d argue there are some important differentiators that point to the clear influence of Instagram and to this being a newish trend:
1. The presentation is edge to edge with full-frame photos and auto-playing videos.
2. There’s no “chrome” as there would be around a slideshow and minimal indication of controls.
3. They read best on mobile devices in portrait mode.
4. The display of progress meters.
5. Navigation by swiping or tapping on the far left or right sides of the screen, especially on mobile.
Have you seen any other examples of media companies borrowing the Stories design from Instagram?
Update: Various media outlets are using Google’s AMP Stories to make these. You can see examples on CNN, the Atlantic, and Wired.

This is likely what my mystery third story was built with. (via @adamvanlente)
This fits into the burgeoning category of “this is cool but I wish it weren’t necessary”: the Columbia Journalism Review has appointed public editors for a group of four news organizations because they won’t do it themselves.
Public editors and ombudsmen have historically stood as critical advocates for consumers of news, identifying blind spots the outlets can’t see themselves and operating as collectors of critical opinion when decisions go awry. The flameout of public editors in the US, which reached a point of despair in 2017, when The New York Times sent its last public editor packing, is the most visible sign of the growing distance between news organizations and the people they serve. As attacks on the media have increased under the presidency of Donald Trump, the response of newsrooms has, more often than not, been to form a defensive huddle.
That stance is particularly dangerous now, as the nation braces for another presidential election, one that is almost certain to be more partisan, more vicious, and more focused on the perceived failings of the press than any other in the history of the country. It’s a bad time for newsrooms to retreat from their readers.
And what great choices for editors: Gabriel Snyder (NY Times), Ana Marie Cox (Washington Post), Maria Bustillos (MSNBC), and Emily Tamkin (CNN). Here’s CJR editor-in-chief Kyle Pope answering some questions about the project. And here’s Tamkin’s first piece, on CNN’s practice of regularly interviewing people without expertise or responsibility.
Guilfoyle has not worked as an economist. She has not crafted foreign or immigration policy. She is not an expert on Central America. What possible value, I wondered, were CNN’s viewers getting from watching Guilfoyle speak about this subject? If Cuomo wanted Trump talking points, couldn’t he have just played a clip of Trump himself? If Cuomo wanted someone behind Trump’s immigration policy to explain it, shouldn’t he have brought in a member of the administration?
But again, it’s a bummer that a small organization like CJR has to foot the bill for this on behalf of these media organizations’ readers and, you know, democracy.
Working, a memoir from master interviewer and researcher Robert Caro, is coming out next week. David Marchese, no slouch himself when it comes to interviewing people, talked with Caro for the NY Times Magazine about his career, his process, and his ongoing multi-volume biography of Lyndon Johnson. Caro allows that his insatiable curiosity about getting the whole story might not necessarily be a good thing at times.
I would like to have written more books. I’d like to finish this last Johnson book. But it’s the element of time β you’re always thinking no one will know if the thing you’re working on isn’t in the book. Take the Margaret Frost thing. [The introduction of “Master of the Senate” tells the story of Margaret Frost’s humiliating and failed attempts to register to vote in Eufaula, Ala., in 1957.] You say everybody knows about blacks not being able to vote in the South, so you don’t have to go into that. But I’d remembered coming across testimony from the Civil Rights Commission and I went, This is horrible. A sense of anger boils up, and it leads you to say, “What was it like if you tried to register to vote?” Don’t just say, “It’s hard.” What was it really like? You think you understand how hard life is in the South because you’ve seen movies about it. But then you learn about a guy who wanted to vote, Margaret Frost’s husband, who sees someone drive to his house and shoot out the light on the porch. He was going to call the police but then saw it was a police car driving away from his property. It was like the Jews in Nazi Germany: There was no place for these people to turn. So, do you want to write the book without showing that? The answer is no.
Has anyone ever done an interview with an expert interviewer about the experience of interviewing another expert interviewer? I would definitely read a debrief of Marchese on how to get someone like Caro, who knows all the tricks of the trade, to actually tell you something that they don’t want you to know. I’m also thinking of Errol Morris and Seymour Hersh at the end of Wormwood and how Morris can’t quite get what he wants from Hersh.
Kate McCartney and Kate McLennan, a pair of comedians whose hilarious cooking show I’ve previously featured, are back with Get Krack!n, a series that parodies a typical TV morning show. In this clip, they debut a new segment that perfectly skewers how TV media provides a platform for radical kooks to promote hateful agendas for the mutual benefit of both kook & show. (Note: this clip contains swearing and simulated religious bigotry & misogyny.)
They’re not necessarily views that we endorse or share personally, Kate McCartney, but they’re definitely opinions that we are 100% complicit in broadcasting, and that in time we will go to hell for.
This is an Australian show, but a similar panel and topic could easily have appeared on any number of Fox News programs.
Jane Mayer, author of the very well-reviewed Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right, has a big piece in the New Yorker today on the close relationship between the Trump administration and Fox News.
Hannity was treated in Texas like a member of the Administration because he virtually is one. The same can be said of Fox’s chairman, Rupert Murdoch. Fox has long been a bane of liberals, but in the past two years many people who watch the network closely, including some Fox alumni, say that it has evolved into something that hasn’t existed before in the United States. Nicole Hemmer, an assistant professor of Presidential studies at the University of Virginia’s Miller Center and the author of “Messengers of the Right,” a history of the conservative media’s impact on American politics, says of Fox, “It’s the closest we’ve come to having state TV.”
Hemmer argues that Fox-which, as the most watched cable news network, generates about $2.7 billion a year for its parent company, 21st Century Fox β acts as a force multiplier for Trump, solidifying his hold over the Republican Party and intensifying his support. “Fox is not just taking the temperature of the base β it’s raising the temperature,” she says. “It’s a radicalization model.” For both Trump and Fox, “fear is a business strategy β it keeps people watching.” As the President has been beset by scandals, congressional hearings, and even talk of impeachment, Fox has been both his shield and his sword. The White House and Fox interact so seamlessly that it can be hard to determine, during a particular news cycle, which one is following the other’s lead. All day long, Trump retweets claims made on the network; his press secretary, Sarah Sanders, has largely stopped holding press conferences, but she has made some thirty appearances on such shows as “Fox & Friends” and “Hannity.” Trump, Hemmer says, has “almost become a programmer.”
The subhead of the piece is: “Fox News has always been partisan. But has it become propaganda?” If you’ve been paying attention here over the past couple of years, you know I believe the answer to that question is “yes”. See also Blame Fox News for Fake News, Not Facebook, Study: Watching Fox News Has Big Effect on Voting Patterns, Fox News Is Poisoning America. Rupert Murdoch and His Heirs Should Be Shunned., and Fox News Isn’t A Normal Media Company. We Have To Stop Treating It Like One.
Since 1976, Robert Caro has been writing a multi-volume biography of former US President Lyndon B. Johnson β the first volume is called The Path to Power. In this absolutely fantastic piece he wrote for the latest issue of the New Yorker, Caro details some of his thoughts and strategies about writing and research that have served him well as he’s pursued the topic of power for more than 50 years. Here he writes about what his editor told him at an early stage in his career:
He didn’t look up. After a while, I said tentatively, “Mr. Hathway.” I couldn’t get the “Alan” out. He motioned for me to sit down, and went on reading. Finally, he raised his head. “I didn’t know someone from Princeton could do digging like this,” he said. “From now on, you do investigative work.”
I responded with my usual savoir faire: “But I don’t know anything about investigative reporting.”
Alan looked at me for what I remember as a very long time. “Just remember,” he said. “Turn every page. Never assume anything. Turn every goddam page.” He turned to some other papers on his desk, and after a while I got up and left.
“Turn every goddam page.” Caro is a living national treasure and that’s as close to a superhero origin story as you’re going to get in journalism. Over and over, he applied that strategy to his later writing, first in the masterful The Power Broker and then in the pursuit of the truth about LBJ among the boxes and boxes and boxes of papers at the Johnson Library and Museum in Austin, Texas.
I had decided that among the boxes in which I would at least glance at every piece of paper would be the ones in Johnson’s general “House Papers” that contained the files from his first years in Congress, since I wanted to be able to paint a picture of what he had been like as a young legislator. And as I was doing this β reading or at least glancing at every letter and memo, turning every page β I began to get a feeling: something in those early years had changed.
For some time after Johnson’s arrival in Congress, in May, 1937, his letters to committee chairmen and other senior congressmen had been in a tone befitting a new congressman with no power β the tone of a junior beseeching a favor from a senior, or asking, perhaps, for a few minutes of his time. But there were also letters and memos in the same boxes from senior congressmen in which they were doing the beseeching, asking for a few minutes of his time. What was the reason for the change? Was there a particular time at which it had occurred?
Caro’s recounting of this tedious research is somehow thrilling, like a slow motion All the President’s Men, Spotlight, or The Post. Set aside some time to read the whole thing…it will be time well spent. I can’t wait for Caro’s Working: Researching, Interviewing, Writing to come out in April.
For NiemanLab’s annual Predictions for Journalism package, Tim Carmody revisited his take on how kottke.org’s membership program works and what that could mean for independent media.
The most economically powerful thing you can do is to buy something for your own enjoyment that also improves the world. This has always been the value proposition of journalism and art. It’s a nonexclusive good that’s best enjoyed nonexclusively.
Anyways. This is a prediction for 2019 and beyond: The most powerful and interesting media model will remain raising money from members who don’t just permit but insist that the product be given away for free. The value comes not just what they’re buying, but who they’re buying it from and who gets to enjoy it.
If you’d like to help support independent media and keep access to kottke.org open and free, you can join the membership program.
And as always, a huge thank you to all of you who have already contributed. As I wrote in an update back in November 2017, I’m not sure the site would even be here without your support:
While I didn’t know it at the time, your support saved kottke.org. This is not even hyperbole. As I hinted at in the announcement post, the industry-wide drop in revenue from display advertising was beginning to affect kottke.org and just a few months later, the site’s largest source of revenue (ads via The Deck) went from “hey, I can make a living at this!” to zero. … But over the course of the past year, hundreds and then thousands of you became members, exceeding even my loftiest expectations. Membership is now the primary source of revenue for kottke.org.
The Pudding analyzed over 740,000 headlines from the NY Times since 1900 to determine which country the US was most interested in for each month and turned the analysis into a handy visualization.

As you can see, Britain was mostly the center of attention before WWII, Russia during the Cold War, and China since the mid-2000s. But other countries are liberally sprinkled in and wars are quite visible β WWI, WWII, Vietnam, and Iraq are all represented by solid blocks of interest in our “enemies”.
In the Washington Post, Henry Farrell interviews Yochai Benkler, whose recent book with co-authors Rob Faris and Hal Robert, Network Propaganda: Manipulation, Disinformation, and Radicalization in American Politics, presents evidence that right-wing media functions in a completely different way than the rest of the media does.
On the right, audiences concentrate attention on purely right wing outlets. On the left and center audiences spread their attention broadly and focus on mainstream organizations. This asymmetric pattern holds for the linking practices of media producers. Both supply and demand on the right are insular and self-focused. On the left and center they are spread broadly and anchored by professional press.
These differences create a different dynamic for media, audiences, and politicians on the left and right.
We all like to hear news that confirms our beliefs and identity. On the left, outlets and politicians try to attract readers by telling such stories but are constrained because their readers are exposed to a range of outlets, many of which operate with strong fact-checking norms.
On the right, because audiences do not trust or pay attention to outlets outside their own ecosystem, there is no reality check to constrain competition. Outlets compete on political purity and stoking identity-confirming narratives. Outlets and politicians who resist the flow by focusing on facts are abandoned or vilified by audiences and competing outlets. This forces media and political elites to validate and legitimate the falsehoods, at least through silence, creating a propaganda feedback loop.
The authors also argue that Fox News is doing much more harm to our democracy in spreading false information than Facebook or Twitter.
The highly asymmetric pattern of media ecosystems we observe on the right and the left, despite the fact that Facebook and Twitter usage is roughly similar on both sides, requires that we look elsewhere for what is causing the difference.
Surveys make it clear that Fox News is by far the most influential outlet on the American right β more than five times as many Trump supporters reported using Fox News as their primary news outlet than those who named Facebook. And Trump support was highest among demographics whose social media use was lowest.
Our data repeatedly show Fox as the transmission vector of widespread conspiracy theories.
I’ve been beating this drum for awhile and still don’t know why this 2017 study that showed compelling evidence that Fox News moved the 2008 presidential election Republican vote share by 6.3% to the right all by itself isn’t a much bigger deal.
In other results, we estimate that removing Fox News from cable television during the 2000 election cycle would have reduced the overall Republican presidential vote share by 0.46 percentage points. The predicted effect increases in 2004 and 2008 to 3.59 and 6.34 percentage points, respectively. This increase is driven by increasing viewership on Fox News as well as an increasingly conservative slant.
In keeping with Benkler et al’s findings regarding media asymmetry, the study did not identify a similar swing to the left for MSNBC or CNN viewers.
The question is, what the heck do we do about Fox News? Shun Rupert Murdoch? Sleeping Giants and other groups have been effective in hamstringing other right-wing media sources like Breitbart (as well as some Fox News shows), but Fox News has worked hard to position itself as mainstream, so pressuring advertisers would be tough to muster support for. What about a boycott of other Fox properties? If the Disney sale goes through, those properties would include the Fox channel (home of The Simpsons, NFL games, college football, etc., The World Series), Fox Business News, and a number of sports channels (Fox Sports 1 & 2 and Fox Soccer Plus). Are people going to be willing to give up watching The World Series and The Super Bowl to put financial pressure on Fox? And my pals who do startups…are they going to refuse to go on Fox Business News promote their businesses? I have my doubts about that.
Network Propaganda is available on Amazon and also as a free PDF download here.

At Nieman Lab, Laura Hazard Owen checks in on whether and how people are consuming news on smart speakers and smart displays. It turns out, they aren’t, really:
Smart speaker news briefings didn’t get much love from users in this research. Here are some of the complaints Newman heard:
β Overlong updates β the typical duration is around five minutes, but many wanted something much shorter.
β They are not updated often enough. News and sports bulletins are sometimes hours or days out of date.
β Some bulletins still use synthesized voices (text to speech), which many find hard to listen to.
β Some updates have low production values or poor audio quality.
β Where bulletins from different providers run together, there is often duplication of stories.
β Some updates have intrusive jingles or adverts.
β There is no opportunity to skip or select stories.
Based on my experience with these devices and general trends in news and media consumption, I have a few predictions as to how this will change in the near future:
- Audio news updates will get shorter and more specialized. The New York Times using The Daily as a “flash briefing” is really the ne plus ultra of cramming content not designed for smart speakers into the space. I had to pull them as a news source because of it.
- Audio news updates will move from pull to push. Unless you put it on “do not disturb,” you’ll hear a news update just after it’s posted, rather than having to ask for it.
- In other words, autoplay is coming.
- Video will get more important as more of these devices add screens. And video offers all sorts of extra affordances and business models.
- All of these things will happen faster than the advertisements improving. That’ll happen last if it happens at all.
In this video, Carlos Maza talks about how the Republican Party has become more extremist than the Democrats, which has caused our government to cease working in the way that it should. It’s worth watching in full.
Over the past few decades, both Democrats and Republicans in Congress have moved away from the center. But the Republican Party has moved towards the extreme much more quickly β a trend that political scientists’ call “asymmetrical polarization.”
That asymmetry poses a major obstacle in American politics. As Republicans have become more ideological, they’ve also become less willing to work with Democrats: filibustering Democratic legislation, refusing to consider Democratic appointees, and even shutting down the government in order to force Democrats to give in to their demands.
Democrats have responded in turn, becoming more obstructionist as Republican demands become more extreme.
Maza references the work of Norman Ornstein and Thomas Mann, who have written several books on Congress, most relevantly 2012’s It’s Even Worse Than It Looks. The pair have been saying for some time that the present dysfunction in American politics is the fault of the Republican Party, as in a 2012 Washington Post piece titled Let’s just say it: The Republicans are the problem. and a 2017 piece in the NY Times.
What is astounding, and still largely unappreciated, is the unexpected and rapid nature of the decline in American national politics, and how one-sided its cause. If in 2006 one could cast aspersions on both parties, over the past decade it has become clear that it is the Republican Party β as an institution, as a movement, as a collection of politicians β that has done unique, extensive and possibly irreparable damage to the American political system.
In the video, Maza and Ornstein rightfully criticize the “knee-jerk neutrality” on the part of the news media, the inclination to blame “both sides” for failing to work together on specific issues and for the general dysfunction, and in the process refusing to acknowledge that Republican extremist views and tactics are to blame much of the time. They’re not talking about propaganda outlets like Fox News or Breitbart here, by the way β they’re referring to the NY Times, MSNBC, CNN, NPR, and the like. They argue that this impulse results in Americans not getting a clear picture of how our government is failing. Adam Davidson recently made much the same point on Twitter.
Both-sidism operates at every level. From the highest and most noble aspirations and core identity of journalists to the most cowardly, trying to solve a quick problem on deadline level. It is shoved into the brains of newbies and a source of enormous pride for veterans.
Both-sidism determines who gets hired, who gets promoted or fired, how editorial and business decisions are made.
It is so fundamental that there is no mechanism, no language to truly critique it from within. And little ability to adjust when it makes no sense.
You can see “both sides” at work in stories about climate change (making it seem like the science isn’t settled), vaccines (ditto), and even mass murders (“Billy was a quiet boy who loved his momma until he killed 12 children with an assault rifle”). These kinds of stories do their readers the injustice of not telling them the truth. Journalists need to stop doing this and as readers, we need to push them on it.
But what about the voters? Leading up to next week’s midterm elections, much of the focus of progressive anger has been on Donald Trump. But he seems to me to be a symptom and not the disease. The Republican Party is the disease. Take Trump away and, while that might mean fewer accidental nuclear wars, the biggest problems still remain. As long as Republicans persist in operating as a bloc with obstructionist tactics and producing legislation without meaningful debate against the desires of the people, there are no good Republicans. Vote them out, all of them.
Here’s a quick roundup of podcasts I’ve been into lately:
30 for 30: Bikram
Beware how you talk about this show if you have any friends who are Bikram practitioners…
Uncover: Escaping NXIVM
The journalist got incredible access because he was a childhood friend of the source. The whole story is bonkers.
The Gateway
This series about controversial social media spiritual guru Teal Swan is highly disturbing and utterly fascinating. The host and producer did an AMA.
The Indicator
Short and smart stories from the Planet Money team.
Slow Burn
Great reporting and pacing in the second season here, on the Clinton-Lewinsky scandal.
(Thanks Marisa, Emily, and Audrey)
This is an interesting look at how Apple News approaches curating their product, which reaches 90 million people. Unlike other algorithm-focused Silicon Valley giants, Apple uses human editors to surface news stories. They layer those hand-picked stories, some of which will get a million views each, with trending and topic-based stories via algorithm.
Apple (surprisingly) gave access to their News editor in chief, Lauren Kern, who weighs accuracy above speed.
Ms. Kern criticized the argument that algorithms are the sole way to avoid prejudice because bias can be baked into the algorithm’s code, such as whether it labels news organizations liberal or conservative. She argued that humans β with all their biases β are the only way to avoid bias.
“We’re so much more subtly following the news cycle and what’s important,” she said. “That’s really the only legitimate way to do it at this point.”
To further her point:
When Apple in June unveiled a special section on the midterm elections, it highlighted Fox News and Vox as partners. Apple said there are as many people reading traditionally left-leaning publications as traditionally right-leaning publications on Apple News.
The piece goes further into the business side and raises the question of whether Apple News can, as it aims, help save journalism. While newsrooms are seeing a bump in traffic from Apple News, significant now that Facebook has changed how their algorithm surfaces publishers, the question remains of whether such a closed platform will grow media revenues enough to make a difference.
There are hints of what is to come:
There are ambitious plans for the product. Apple lets publishers run ads in its app and it helps some sign up new subscribers, taking a 30 percent cut of the revenue. Soon, the company aims to bundle access to dozens of magazines in its app for a flat monthly fee, sort of like Netflix for news, according to people familiar with the plans, who declined to be identified because they weren’t authorized to speak publicly. Apple also hopes to package access to a few daily-news publications, like The Times, The Post and The Wall Street Journal, into the app, the people said.
Perhaps this is all related to the press event Apple is hosting in Brooklyn next week?
As research for a role in a Broadway play, Daniel Radcliffe recently did a stint as a fact-checker for the New Yorker. They had him fact-check a piece on a NYC restaurant called Oxomoco.
“Hi, Justin. I’m Dan, at The New Yorker,” Radcliffe began, twiddling a red pencil. “Some of these questions are going to feel very boring and prosaic to you,” he warned. “So bear with me. First off, your surname: is that spelled B-A-Z-D-A-R-I-C-H?” (It is.) “Does the restaurant serve guacamole?” (Yes.) “In the dip itself, would it be right to say there are chilies in adobo and cilantro?” (No adobo, but yes to the cilantro.) “Is there a drink you serve there, a Paloma?” (Yes.) “And that’s pale, pink, and frothy, I believe?” (Correct.) “Is brunch at your place-which, by the way, sounds fantastic-served seven days a week?” (Yes.) “That’s great news,” Radcliffe said, “for the accuracy of this, and for me.”
In his biography of Apple founder Steve Jobs, Walter Isaacson reports on some comments Jobs made over dinner to News Corp’s Rupert Murdoch about Fox News in 2010.
In return for speaking at the retreat, Jobs got Murdoch to hear him out on Fox News, which he believed was destructive, harmful to the nation, and a blot on Murdoch’s reputation. “You’re blowing it with Fox News,” Jobs told him over dinner. “The axis today is not liberal and conservative, the axis is constructive-destructive, and you’ve cast your lot with the destructive people. Fox has become an incredibly destructive force in our society. You can be better, and this is going to be your legacy if you’re not careful.” Jobs said he thought Murdoch did not really like how far Fox had gone. “Rupert’s a builder, not a tearer-downer,” he said. “I’ve had some meetings with James, and I think he agrees with me. I can just tell.”
Such an insightful comment by Jobs. As John Gruber notes:
This line from Jobs β “The axis today is not liberal and conservative, the axis is constructive-destructive” β is truly the best summary of Trumpism I’ve seen.
It’s been eight years since that conversation and the Republican Party & their voters have doubled down in destroying opportunities for people (particularly those with little power), driven by the likes of Fox News. This destruction will be felt for generations to come.
Science writer Ed Yong noticed that the stories he was writing quoted sources that were disproportionately male. Using a spreadsheet to track who he contacted for stories and a few extra minutes per piece, Yong set about changing that gender imbalance.
Skeptics might argue that I needn’t bother, as my work was just reflecting the present state of science. But I don’t buy that journalism should act simply as society’s mirror. Yes, it tells us about the world as it is, but it also pushes us toward a world that could be. It is about speaking truth to power, giving voice to the voiceless. And it is a profession that actively benefits from seeking out fresh perspectives and voices, instead of simply asking the same small cadre of well-trod names for their opinions.
Another popular critique is that I should simply focus on finding the most qualified people for any given story, regardless of gender. This point seems superficially sound, but falls apart at the gentlest scrutiny. How exactly does one judge “most qualified”? Am I to list all the scientists in a given field and arrange them by number of publications, awards, or h-index, and then work my way down the list in descending order? Am I to assume that these metrics somehow exist in a social vacuum and are not themselves also influenced by the very gender biases that I am trying to resist? It would be crushingly naΓ―ve to do so.
Journalism and science both work better with the inclusion and participation of a diverse set of voices bent on the pursuit of truth.
Update: NY Times’ columnist David Leonhardt conducted his own experiment and discovered I’m Not Quoting Enough Women.
“Fake news” is kind of a catch-all family-resemblance concept that’s abused as often as it’s used with real insight. But I was impressed by Pope Francis’s clear definition, given as part of an official message by the Vatican to mark World Communication Day:
While President Donald Trump has often dismissed news outlets and stories as “fake news,” Francis defined it as “the spreading of disinformation online or in the traditional media. It has to do with false information based on non-existent or distorted data meant to deceive and manipulate the reader.”
He added, “Spreading fake news can serve to advance specific goals, influence political decisions, and serve economic interests.”
Francis’s main example of fake news? The serpent’s message to Eve and Adam about the tree of knowledge of good and evil. This example shows that “there is no such thing as harmless disinformation; on the contrary, trusting in falsehood can have dire consequences. Even a seemingly slight distortion of the truth can have dangerous effects.”
Maybe along with Bishop of Rome and father of the Church, the Pope would make a good public editor.
Directed by Steven Spielberg, The Post is a historical drama about The Washington Post’s publication of The Pentagon Papers in 1971.
Steven Spielberg directs Meryl Streep and Tom Hanks in The Post, a thrilling drama about the unlikely partnership between The Washington Post’s Katharine Graham (Streep), the first female publisher of a major American newspaper, and editor Ben Bradlee (Hanks), as they race to catch up with The New York Times to expose a massive cover-up of government secrets that spanned three decades and four U.S. Presidents. The two must overcome their differences as they risk their careers β and their very freedom β to help bring long-buried truths to light.
The Post marks the first time Meryl Streep, Tom Hanks and Steven Spielberg have collaborated on a project.
The film comes out in December.
A newly released study by Gregory Martin and Ali Yurukolu published in the American Economic Review shows that watching Fox News has a significant effect on the overall Republican vote share in Presidential elections. They analyzed the channel position of the three major cable networks (Fox News, MSNBC, CNN), compared it to voting patterns, and found that “Fox News increases Republican vote shares by 0.3 points among viewers induced into watching 2.5 additional minutes per week by variation in position”. Using that result, they constructed a model to estimate the overall influence.
In other results, we estimate that removing Fox News from cable television during the 2000 election cycle would have reduced the overall Republican presidential vote share by 0.46 percentage points. The predicted effect increases in 2004 and 2008 to 3.59 and 6.34 percentage points, respectively. This increase is driven by increasing viewership on Fox News as well as an increasingly conservative slant. Finally, we find that the cable news channels’ potential for influence on election outcomes would be substantially larger were ownership to become more concentrated.
6.3% is an astounding effect. Fox News appears to be uniquely persuasive when compared to the other channels, particularly in bringing people across the aisle:
Were a viewer initially at the ideology of the median Democratic voter in 2008 to watch an additional three minutes of Fox News per week, her likelihood of voting Republican would increase by 1.03 percentage points. Another pattern that emerges from the table is that Fox is substantially better at influencing Democrats than MSNBC is at influencing Republicans.
They also estimate that cable news has contributed greatly to the rise in political polarization in the US over the period studied:
Furthermore, we estimate that cable news can increase polarization and explain about two-thirds of the increase among the public in the United States, and that this increase depends on both a persuasive effect of cable news and the existence of tastes for like-minded news.
This analysis is especially interesting/relevant when you consider other recent activist media efforts with an eye toward conservative influence: the Russian ad-buying on Facebook during the last election (and related activities), billionaire Trump-backer Sheldon Adelson’s purchase of The Las Vegas Review-Journal, and conservative-leaning Sinclair Media’s proposed acquisition of Tribune Media. (via mr)

When Queen Elizabeth II dies, who knows how a Brexit-addled Britain might react. She’s ruled now for 65 years; so long that three of her Prime Ministers were born during her rule. That’s why the Palace has a plan (known as “London Bridge”) for announcing her death, “its ceremonial aftermath”, and the ascension of Charles to the throne.
More overwhelming than any of this, though, there will be an almighty psychological reckoning for the kingdom that she leaves behind. The Queen is Britain’s last living link with our former greatness - the nation’s id, its problematic self-regard β which is still defined by our victory in the second world war. One leading historian, who like most people I interviewed for this article declined to be named, stressed that the farewell for this country’s longest-serving monarch will be magnificent. “Oh, she will get everything,” he said. “We were all told that the funeral of Churchill was the requiem for Britain as a great power. But actually it will really be over when she goes.”
Unlike the US presidency, say, monarchies allow huge passages of time β a century, in some cases β to become entwined with an individual. The second Elizabethan age is likely to be remembered as a reign of uninterrupted national decline, and even, if she lives long enough and Scotland departs the union, as one of disintegration. Life and politics at the end of her rule will be unrecognisable from their grandeur and innocence at its beginning. “We don’t blame her for it,” Philip Ziegler, the historian and royal biographer, told me. “We have declined with her, so to speak.”
This is a great piece, full of interesting details and observations throughout. Like that George V was euthanized in time for the morning paper:
“The King’s life is moving peacefully towards its close,” was the final notice issued by George V’s doctor, Lord Dawson, at 9.30pm on the night of 20 January 1936. Not long afterwards, Dawson injected the king with 750mg of morphine and a gram of cocaine β enough to kill him twice over β in order to ease the monarch’s suffering, and to have him expire in time for the printing presses of the Times, which rolled at midnight.
And that radio stations are equipped with a emergency system:
Britain’s commercial radio stations have a network of blue “obit lights”, which is tested once a week and supposed to light up in the event of a national catastrophe. When the news breaks, these lights will start flashing, to alert DJs to switch to the news in the next few minutes and to play inoffensive music in the meantime. Every station, down to hospital radio, has prepared music lists made up of “Mood 2” (sad) or “Mood 1” (saddest) songs to reach for in times of sudden mourning.
They’ve got this planned out to the second…no detail is too small:
It takes 28 minutes at a slow march from the doors of St James’s to the entrance of Westminster Hall.
British royals are buried in lead-lined coffins. Diana’s weighed a quarter of a ton.
(via @oliverburkeman)
In this short video, Josh Begley shows all of the front pages of the NY Times in chronological order from 1852 to the present. The Times began publishing in 1851 so not every front page is represented, but that’s still more than 50,000 pages in less than a minute. Since they go by so quickly, here are some highlights:
Dec 11, 1861: The Times publishes their first illustrations on the front page. One is a map of Virginia and the other two are political cartoons lampooning James Gordon Bennett, founder of the New York Herald, one of the Times’ main rivals.
Apr 15, 1865: The front page columns were lined with black as they reported on the assassination of Lincoln.
Dec 1, 1896: The hyphen is dropped from “The New-York Times”.
Feb 10, 1897: The slogan “All the News That’s Fit to Print” appears for the first time on the front page.
May 30, 1910: The first news photograph appears on the front page, a photo of aviator Glenn Curtiss flying from Albany to NYC at the blistering pace of 54 mi/hr.
May 1, 1926: The Times prints the first photo “radioed” to the newspaper from London. Transmission time: 1hr 45m.
Jul 21, 1969: The first use of 96 pt. type on the front page announces the Apollo 11 landing on the Moon and subsequent moonwalk. The large type will also be used to announce Nixon’s resignation, the first day of 2000, 9/11, and the election of Barack Obama.
Sept 7, 1976: The columns on the front page are widened, reducing their number from 8 to 6.
Oct 16, 1997: The first color photo is printed on the front page of the Times. (The Times Machine scan is in B&W for some reason, but the photo was in color.)
Begley also made Best of Luck With the Wall, a video showing the entire extent of the US-Mexico border.
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