Jeff Jarvis with some good comments (based primarily on a paper by Axel Bruns) arguing that the media in general needs to start with deeper questions, more research, referencing actual research, and demonstrable facts instead of presumptions. Excellent ideas.
He begins with this quote from the Bruns paper:
[T]hat echo chambers and filter bubbles principally constitute an unfounded moral panic that presents a convenient technological scapegoat (search and social platforms and their affordances and algorithms) for a much more critical problem: growing social and political polarisation. But this is a problem that has fundamentally social and societal causes, and therefore cannot be solved by technological means alone. [Emphasis mine.]
Agreed. Jarvis via Bruns then argues that these metaphors are too loosely defined, leaving room for broad usage, unclear meaning, resulting in moral panic more than actual research and fact based analysis.
He follows up with a number of articles and further research from the paper, backing up his point. Then numerous examples of media using the filter bubble shortcut. I encourage you to click through to the article and dive a bit deeper.
But that leads to another journalistic weakness in reporting academic studies: stories that takes the latest word as the last word.
Absolutely. And pretty much everyone does that at some point so it’s a good reminder to us all to consider new research and explanations of the day within broader historical context and preexisting knowledge.
The whole article (and the research paper, although I myself haven’t gotten to that yet) is worth a read, the main point of Jarvis is a good one; more questions, more research, deeper thinking. Looking at people and how they use the technology, not just the tech itself.
I do have to caveat this though by mentioning the Jarvis dismisses Shoshana Zuboff’s work on Surveillance Capitalism by portraying it as “an extreme name for advertising cookies and the use of the word devalues the seriousness of actual surveillance by governments.” One could debate whether Zuboff should have used another word, separating the practice from that of governments, but by saying “advertising cookies” Jarvis makes one of those surface remarks he raves against in his piece, somewhat discrediting it.
I know this probably isn’t brand new, but in the past couple of weeks I’ve noticed a few articles published by big media companies that are influenced by the design of Snapchat and Instagram Stories. Just to be clear, these aren’t published on Instagram (that’s been going on for years); they are published on media sites but are designed to look and work like Instagram Stories. The first one I noticed was this NY Times piece on Guantanamo Bay.
You can see the Instagram-style progress meter at the top. And then there’s Curbed’s The Ultimate Guide to Googie, where the progress meter is indicated more playfully by the little car at the bottom (it even switches directions based on whether you’re paging forward or back through the story). Curbed EIC Kelsey Keith says it was built using “Vox Media’s new custom storytelling kit tool”.
The third piece I can’t find again — I think it was a WSJ or Washington post article — but it too was influenced by the Stories format.
It’s a good move for these companies. Snap & Instagram have worked hard to pioneer and promote this format, it’s perfectly designed for mobile, and people (especially younger folks) know how to use it. Nominally, these articles are just slideshows, a format that online media companies have been using forever. But I’d argue there are some important differentiators that point to the clear influence of Instagram and to this being a newish trend:
1. The presentation is edge to edge with full-frame photos and auto-playing videos.
2. There’s no “chrome” as there would be around a slideshow and minimal indication of controls.
3. They read best on mobile devices in portrait mode.
4. The display of progress meters.
5. Navigation by swiping or tapping on the far left or right sides of the screen, especially on mobile.
Have you seen any other examples of media companies borrowing the Stories design from Instagram?
Update: Various media outlets are using Google’s AMP Stories to make these. You can see examples on CNN, the Atlantic, and Wired.
This is likely what my mystery third story was built with. (via @adamvanlente)
Public editors and ombudsmen have historically stood as critical advocates for consumers of news, identifying blind spots the outlets can’t see themselves and operating as collectors of critical opinion when decisions go awry. The flameout of public editors in the US, which reached a point of despair in 2017, when The New York Times sent its last public editor packing, is the most visible sign of the growing distance between news organizations and the people they serve. As attacks on the media have increased under the presidency of Donald Trump, the response of newsrooms has, more often than not, been to form a defensive huddle.
That stance is particularly dangerous now, as the nation braces for another presidential election, one that is almost certain to be more partisan, more vicious, and more focused on the perceived failings of the press than any other in the history of the country. It’s a bad time for newsrooms to retreat from their readers.
Guilfoyle has not worked as an economist. She has not crafted foreign or immigration policy. She is not an expert on Central America. What possible value, I wondered, were CNN’s viewers getting from watching Guilfoyle speak about this subject? If Cuomo wanted Trump talking points, couldn’t he have just played a clip of Trump himself? If Cuomo wanted someone behind Trump’s immigration policy to explain it, shouldn’t he have brought in a member of the administration?
But again, it’s a bummer that a small organization like CJR has to foot the bill for this on behalf of these media organizations’ readers and, you know, democracy.
Working, a memoir from master interviewer and researcher Robert Caro, is coming out next week. David Marchese, no slouch himself when it comes to interviewing people, talked with Caro for the NY Times Magazine about his career, his process, and his ongoing multi-volume biography of Lyndon Johnson. Caro allows that his insatiable curiosity about getting the whole story might not necessarily be a good thing at times.
I would like to have written more books. I’d like to finish this last Johnson book. But it’s the element of time — you’re always thinking no one will know if the thing you’re working on isn’t in the book. Take the Margaret Frost thing. [The introduction of “Master of the Senate” tells the story of Margaret Frost’s humiliating and failed attempts to register to vote in Eufaula, Ala., in 1957.] You say everybody knows about blacks not being able to vote in the South, so you don’t have to go into that. But I’d remembered coming across testimony from the Civil Rights Commission and I went, This is horrible. A sense of anger boils up, and it leads you to say, “What was it like if you tried to register to vote?” Don’t just say, “It’s hard.” What was it really like? You think you understand how hard life is in the South because you’ve seen movies about it. But then you learn about a guy who wanted to vote, Margaret Frost’s husband, who sees someone drive to his house and shoot out the light on the porch. He was going to call the police but then saw it was a police car driving away from his property. It was like the Jews in Nazi Germany: There was no place for these people to turn. So, do you want to write the book without showing that? The answer is no.
Has anyone ever done an interview with an expert interviewer about the experience of interviewing another expert interviewer? I would definitely read a debrief of Marchese on how to get someone like Caro, who knows all the tricks of the trade, to actually tell you something that they don’t want you to know. I’m also thinking of Errol Morris and Seymour Hersh at the end of Wormwood and how Morris can’t quite get what he wants from Hersh.
Kate McCartney and Kate McLennan, a pair of comedians whose hilarious cooking show I’ve previously featured, are back with Get Krack!n, a series that parodies a typical TV morning show. In this clip, they debut a new segment that perfectly skewers how TV media provides a platform for radical kooks to promote hateful agendas for the mutual benefit of both kook & show. (Note: this clip contains swearing and simulated religious bigotry & misogyny.)
They’re not necessarily views that we endorse or share personally, Kate McCartney, but they’re definitely opinions that we are 100% complicit in broadcasting, and that in time we will go to hell for.
This is an Australian show, but a similar panel and topic could easily have appeared on any number of Fox News programs.
Hannity was treated in Texas like a member of the Administration because he virtually is one. The same can be said of Fox’s chairman, Rupert Murdoch. Fox has long been a bane of liberals, but in the past two years many people who watch the network closely, including some Fox alumni, say that it has evolved into something that hasn’t existed before in the United States. Nicole Hemmer, an assistant professor of Presidential studies at the University of Virginia’s Miller Center and the author of “Messengers of the Right,” a history of the conservative media’s impact on American politics, says of Fox, “It’s the closest we’ve come to having state TV.”
Hemmer argues that Fox-which, as the most watched cable news network, generates about $2.7 billion a year for its parent company, 21st Century Fox — acts as a force multiplier for Trump, solidifying his hold over the Republican Party and intensifying his support. “Fox is not just taking the temperature of the base — it’s raising the temperature,” she says. “It’s a radicalization model.” For both Trump and Fox, “fear is a business strategy — it keeps people watching.” As the President has been beset by scandals, congressional hearings, and even talk of impeachment, Fox has been both his shield and his sword. The White House and Fox interact so seamlessly that it can be hard to determine, during a particular news cycle, which one is following the other’s lead. All day long, Trump retweets claims made on the network; his press secretary, Sarah Sanders, has largely stopped holding press conferences, but she has made some thirty appearances on such shows as “Fox & Friends” and “Hannity.” Trump, Hemmer says, has “almost become a programmer.”
Since 1976, Robert Caro has been writing a multi-volume biography of former US President Lyndon B. Johnson — the first volume is called The Path to Power. In this absolutely fantastic piece he wrote for the latest issue of the New Yorker, Caro details some of his thoughts and strategies about writing and research that have served him well as he’s pursued the topic of power for more than 50 years. Here he writes about what his editor told him at an early stage in his career:
He didn’t look up. After a while, I said tentatively, “Mr. Hathway.” I couldn’t get the “Alan” out. He motioned for me to sit down, and went on reading. Finally, he raised his head. “I didn’t know someone from Princeton could do digging like this,” he said. “From now on, you do investigative work.”
I responded with my usual savoir faire: “But I don’t know anything about investigative reporting.”
Alan looked at me for what I remember as a very long time. “Just remember,” he said. “Turn every page. Never assume anything. Turn every goddam page.” He turned to some other papers on his desk, and after a while I got up and left.
“Turn every goddam page.” Caro is a living national treasure and that’s as close to a superhero origin story as you’re going to get in journalism. Over and over, he applied that strategy to his later writing, first in the masterful The Power Broker and then in the pursuit of the truth about LBJ among the boxes and boxes and boxes of papers at the Johnson Library and Museum in Austin, Texas.
I had decided that among the boxes in which I would at least glance at every piece of paper would be the ones in Johnson’s general “House Papers” that contained the files from his first years in Congress, since I wanted to be able to paint a picture of what he had been like as a young legislator. And as I was doing this — reading or at least glancing at every letter and memo, turning every page — I began to get a feeling: something in those early years had changed.
For some time after Johnson’s arrival in Congress, in May, 1937, his letters to committee chairmen and other senior congressmen had been in a tone befitting a new congressman with no power — the tone of a junior beseeching a favor from a senior, or asking, perhaps, for a few minutes of his time. But there were also letters and memos in the same boxes from senior congressmen in which they were doing the beseeching, asking for a few minutes of his time. What was the reason for the change? Was there a particular time at which it had occurred?
Caro’s recounting of this tedious research is somehow thrilling, like a slow motion All the President’s Men, Spotlight, or The Post. Set aside some time to read the whole thing…it will be time well spent. I can’t wait for Caro’s Working: Researching, Interviewing, Writing to come out in April.
The most economically powerful thing you can do is to buy something for your own enjoyment that also improves the world. This has always been the value proposition of journalism and art. It’s a nonexclusive good that’s best enjoyed nonexclusively.
Anyways. This is a prediction for 2019 and beyond: The most powerful and interesting media model will remain raising money from members who don’t just permit but insist that the product be given away for free. The value comes not just what they’re buying, but who they’re buying it from and who gets to enjoy it.
And as always, a huge thank you to all of you who have already contributed. As I wrote in an update back in November 2017, I’m not sure the site would even be here without your support:
While I didn’t know it at the time, your support saved kottke.org. This is not even hyperbole. As I hinted at in the announcement post, the industry-wide drop in revenue from display advertising was beginning to affect kottke.org and just a few months later, the site’s largest source of revenue (ads via The Deck) went from “hey, I can make a living at this!” to zero. … But over the course of the past year, hundreds and then thousands of you became members, exceeding even my loftiest expectations. Membership is now the primary source of revenue for kottke.org.
The Pudding analyzed over 740,000 headlines from the NY Times since 1900 to determine which country the US was most interested in for each month and turned the analysis into a handy visualization.
As you can see, Britain was mostly the center of attention before WWII, Russia during the Cold War, and China since the mid-2000s. But other countries are liberally sprinkled in and wars are quite visible — WWI, WWII, Vietnam, and Iraq are all represented by solid blocks of interest in our “enemies”.
On the right, audiences concentrate attention on purely right wing outlets. On the left and center audiences spread their attention broadly and focus on mainstream organizations. This asymmetric pattern holds for the linking practices of media producers. Both supply and demand on the right are insular and self-focused. On the left and center they are spread broadly and anchored by professional press.
These differences create a different dynamic for media, audiences, and politicians on the left and right.
We all like to hear news that confirms our beliefs and identity. On the left, outlets and politicians try to attract readers by telling such stories but are constrained because their readers are exposed to a range of outlets, many of which operate with strong fact-checking norms.
On the right, because audiences do not trust or pay attention to outlets outside their own ecosystem, there is no reality check to constrain competition. Outlets compete on political purity and stoking identity-confirming narratives. Outlets and politicians who resist the flow by focusing on facts are abandoned or vilified by audiences and competing outlets. This forces media and political elites to validate and legitimate the falsehoods, at least through silence, creating a propaganda feedback loop.
The authors also argue that Fox News is doing much more harm to our democracy in spreading false information than Facebook or Twitter.
The highly asymmetric pattern of media ecosystems we observe on the right and the left, despite the fact that Facebook and Twitter usage is roughly similar on both sides, requires that we look elsewhere for what is causing the difference.
Surveys make it clear that Fox News is by far the most influential outlet on the American right — more than five times as many Trump supporters reported using Fox News as their primary news outlet than those who named Facebook. And Trump support was highest among demographics whose social media use was lowest.
Our data repeatedly show Fox as the transmission vector of widespread conspiracy theories.
I’ve been beating this drum for awhile and still don’t know why this 2017 study that showed compelling evidence that Fox News moved the 2008 presidential election Republican vote share by 6.3% to the right all by itself isn’t a much bigger deal.
In other results, we estimate that removing Fox News from cable television during the 2000 election cycle would have reduced the overall Republican presidential vote share by 0.46 percentage points. The predicted effect increases in 2004 and 2008 to 3.59 and 6.34 percentage points, respectively. This increase is driven by increasing viewership on Fox News as well as an increasingly conservative slant.
In keeping with Benkler et al’s findings regarding media asymmetry, the study did not identify a similar swing to the left for MSNBC or CNN viewers.
The question is, what the heck do we do about Fox News? Shun Rupert Murdoch? Sleeping Giants and other groups have been effective in hamstringing other right-wing media sources like Breitbart (as well as some Fox News shows), but Fox News has worked hard to position itself as mainstream, so pressuring advertisers would be tough to muster support for. What about a boycott of other Fox properties? If the Disney sale goes through, those properties would include the Fox channel (home of The Simpsons, NFL games, college football, etc., The World Series), Fox Business News, and a number of sports channels (Fox Sports 1 & 2 and Fox Soccer Plus). Are people going to be willing to give up watching The World Series and The Super Bowl to put financial pressure on Fox? And my pals who do startups…are they going to refuse to go on Fox Business News promote their businesses? I have my doubts about that.
Smart speaker news briefings didn’t get much love from users in this research. Here are some of the complaints Newman heard:
— Overlong updates — the typical duration is around five minutes, but many wanted something much shorter.
— They are not updated often enough. News and sports bulletins are sometimes hours or days out of date.
— Some bulletins still use synthesized voices (text to speech), which many find hard to listen to.
— Some updates have low production values or poor audio quality.
— Where bulletins from different providers run together, there is often duplication of stories.
— Some updates have intrusive jingles or adverts.
— There is no opportunity to skip or select stories.
Based on my experience with these devices and general trends in news and media consumption, I have a few predictions as to how this will change in the near future:
Audio news updates will get shorter and more specialized. The New York Times using The Daily as a “flash briefing” is really the ne plus ultra of cramming content not designed for smart speakers into the space. I had to pull them as a news source because of it.
Audio news updates will move from pull to push. Unless you put it on “do not disturb,” you’ll hear a news update just after it’s posted, rather than having to ask for it.
In this video, Carlos Maza talks about how the Republican Party has become more extremist than the Democrats, which has caused our government to cease working in the way that it should. It’s worth watching in full.
Over the past few decades, both Democrats and Republicans in Congress have moved away from the center. But the Republican Party has moved towards the extreme much more quickly — a trend that political scientists’ call “asymmetrical polarization.”
That asymmetry poses a major obstacle in American politics. As Republicans have become more ideological, they’ve also become less willing to work with Democrats: filibustering Democratic legislation, refusing to consider Democratic appointees, and even shutting down the government in order to force Democrats to give in to their demands.
Democrats have responded in turn, becoming more obstructionist as Republican demands become more extreme.
What is astounding, and still largely unappreciated, is the unexpected and rapid nature of the decline in American national politics, and how one-sided its cause. If in 2006 one could cast aspersions on both parties, over the past decade it has become clear that it is the Republican Party — as an institution, as a movement, as a collection of politicians — that has done unique, extensive and possibly irreparable damage to the American political system.
In the video, Maza and Ornstein rightfully criticize the “knee-jerk neutrality” on the part of the news media, the inclination to blame “both sides” for failing to work together on specific issues and for the general dysfunction, and in the process refusing to acknowledge that Republican extremist views and tactics are to blame much of the time. They’re not talking about propaganda outlets like Fox News or Breitbart here, by the way — they’re referring to the NY Times, MSNBC, CNN, NPR, and the like. They argue that this impulse results in Americans not getting a clear picture of how our government is failing. Adam Davidson recently made much the same point on Twitter.
Both-sidism operates at every level. From the highest and most noble aspirations and core identity of journalists to the most cowardly, trying to solve a quick problem on deadline level. It is shoved into the brains of newbies and a source of enormous pride for veterans.
Both-sidism determines who gets hired, who gets promoted or fired, how editorial and business decisions are made.
It is so fundamental that there is no mechanism, no language to truly critique it from within. And little ability to adjust when it makes no sense.
You can see “both sides” at work in stories about climate change (making it seem like the science isn’t settled), vaccines (ditto), and even mass murders (“Billy was a quiet boy who loved his momma until he killed 12 children with an assault rifle”). These kinds of stories do their readers the injustice of not telling them the truth. Journalists need to stop doing this and as readers, we need to push them on it.
But what about the voters? Leading up to next week’s midterm elections, much of the focus of progressive anger has been on Donald Trump. But he seems to me to be a symptom and not the disease. The Republican Party is the disease. Take Trump away and, while that might mean fewer accidental nuclear wars, the biggest problems still remain. As long as Republicans persist in operating as a bloc with obstructionist tactics and producing legislation without meaningful debate against the desires of the people, there are no good Republicans. Vote them out, all of them.
Here’s a quick roundup of podcasts I’ve been into lately:
30 for 30: Bikram Beware how you talk about this show if you have any friends who are Bikram practitioners…
Uncover: Escaping NXIVM
The journalist got incredible access because he was a childhood friend of the source. The whole story is bonkers.
The Gateway
This series about controversial social media spiritual guru Teal Swan is highly disturbing and utterly fascinating. The host and producer did an AMA.
The Indicator
Short and smart stories from the Planet Money team.
Slow Burn
Great reporting and pacing in the second season here, on the Clinton-Lewinsky scandal.
This is an interesting look at how Apple News approaches curating their product, which reaches 90 million people. Unlike other algorithm-focused Silicon Valley giants, Apple uses human editors to surface news stories. They layer those hand-picked stories, some of which will get a million views each, with trending and topic-based stories via algorithm.
Apple (surprisingly) gave access to their News editor in chief, Lauren Kern, who weighs accuracy above speed.
Ms. Kern criticized the argument that algorithms are the sole way to avoid prejudice because bias can be baked into the algorithm’s code, such as whether it labels news organizations liberal or conservative. She argued that humans — with all their biases — are the only way to avoid bias.
“We’re so much more subtly following the news cycle and what’s important,” she said. “That’s really the only legitimate way to do it at this point.”
To further her point:
When Apple in June unveiled a special section on the midterm elections, it highlighted Fox News and Vox as partners. Apple said there are as many people reading traditionally left-leaning publications as traditionally right-leaning publications on Apple News.
The piece goes further into the business side and raises the question of whether Apple News can, as it aims, help save journalism. While newsrooms are seeing a bump in traffic from Apple News, significant now that Facebook has changed how their algorithm surfaces publishers, the question remains of whether such a closed platform will grow media revenues enough to make a difference.
There are hints of what is to come:
There are ambitious plans for the product. Apple lets publishers run ads in its app and it helps some sign up new subscribers, taking a 30 percent cut of the revenue. Soon, the company aims to bundle access to dozens of magazines in its app for a flat monthly fee, sort of like Netflix for news, according to people familiar with the plans, who declined to be identified because they weren’t authorized to speak publicly. Apple also hopes to package access to a few daily-news publications, like The Times, The Post and The Wall Street Journal, into the app, the people said.
“Hi, Justin. I’m Dan, at The New Yorker,” Radcliffe began, twiddling a red pencil. “Some of these questions are going to feel very boring and prosaic to you,” he warned. “So bear with me. First off, your surname: is that spelled B-A-Z-D-A-R-I-C-H?” (It is.) “Does the restaurant serve guacamole?” (Yes.) “In the dip itself, would it be right to say there are chilies in adobo and cilantro?” (No adobo, but yes to the cilantro.) “Is there a drink you serve there, a Paloma?” (Yes.) “And that’s pale, pink, and frothy, I believe?” (Correct.) “Is brunch at your place-which, by the way, sounds fantastic-served seven days a week?” (Yes.) “That’s great news,” Radcliffe said, “for the accuracy of this, and for me.”
In return for speaking at the retreat, Jobs got Murdoch to hear him out on Fox News, which he believed was destructive, harmful to the nation, and a blot on Murdoch’s reputation. “You’re blowing it with Fox News,” Jobs told him over dinner. “The axis today is not liberal and conservative, the axis is constructive-destructive, and you’ve cast your lot with the destructive people. Fox has become an incredibly destructive force in our society. You can be better, and this is going to be your legacy if you’re not careful.” Jobs said he thought Murdoch did not really like how far Fox had gone. “Rupert’s a builder, not a tearer-downer,” he said. “I’ve had some meetings with James, and I think he agrees with me. I can just tell.”
This line from Jobs — “The axis today is not liberal and conservative, the axis is constructive-destructive” — is truly the best summary of Trumpism I’ve seen.
It’s been eight years since that conversation and the Republican Party & their voters have doubled down in destroying opportunities for people (particularly those with little power), driven by the likes of Fox News. This destruction will be felt for generations to come.
Science writer Ed Yong noticed that the stories he was writing quoted sources that were disproportionately male. Using a spreadsheet to track who he contacted for stories and a few extra minutes per piece, Yong set about changing that gender imbalance.
Skeptics might argue that I needn’t bother, as my work was just reflecting the present state of science. But I don’t buy that journalism should act simply as society’s mirror. Yes, it tells us about the world as it is, but it also pushes us toward a world that could be. It is about speaking truth to power, giving voice to the voiceless. And it is a profession that actively benefits from seeking out fresh perspectives and voices, instead of simply asking the same small cadre of well-trod names for their opinions.
Another popular critique is that I should simply focus on finding the most qualified people for any given story, regardless of gender. This point seems superficially sound, but falls apart at the gentlest scrutiny. How exactly does one judge “most qualified”? Am I to list all the scientists in a given field and arrange them by number of publications, awards, or h-index, and then work my way down the list in descending order? Am I to assume that these metrics somehow exist in a social vacuum and are not themselves also influenced by the very gender biases that I am trying to resist? It would be crushingly naïve to do so.
Journalism and science both work better with the inclusion and participation of a diverse set of voices bent on the pursuit of truth.
Update: NY Times’ columnist David Leonhardt conducted his own experiment and discovered I’m Not Quoting Enough Women.
“Fake news” is kind of a catch-all family-resemblance concept that’s abused as often as it’s used with real insight. But I was impressed by Pope Francis’s clear definition, given as part of an official message by the Vatican to mark World Communication Day:
While President Donald Trump has often dismissed news outlets and stories as “fake news,” Francis defined it as “the spreading of disinformation online or in the traditional media. It has to do with false information based on non-existent or distorted data meant to deceive and manipulate the reader.”
He added, “Spreading fake news can serve to advance specific goals, influence political decisions, and serve economic interests.”
Francis’s main example of fake news? The serpent’s message to Eve and Adam about the tree of knowledge of good and evil. This example shows that “there is no such thing as harmless disinformation; on the contrary, trusting in falsehood can have dire consequences. Even a seemingly slight distortion of the truth can have dangerous effects.”
Maybe along with Bishop of Rome and father of the Church, the Pope would make a good public editor.
Directed by Steven Spielberg, The Post is a historical drama about The Washington Post’s publication of The Pentagon Papers in 1971.
Steven Spielberg directs Meryl Streep and Tom Hanks in The Post, a thrilling drama about the unlikely partnership between The Washington Post’s Katharine Graham (Streep), the first female publisher of a major American newspaper, and editor Ben Bradlee (Hanks), as they race to catch up with The New York Times to expose a massive cover-up of government secrets that spanned three decades and four U.S. Presidents. The two must overcome their differences as they risk their careers — and their very freedom — to help bring long-buried truths to light.
The Post marks the first time Meryl Streep, Tom Hanks and Steven Spielberg have collaborated on a project.
A newly released study by Gregory Martin and Ali Yurukolu published in the American Economic Review shows that watching Fox News has a significant effect on the overall Republican vote share in Presidential elections. They analyzed the channel position of the three major cable networks (Fox News, MSNBC, CNN), compared it to voting patterns, and found that “Fox News increases Republican vote shares by 0.3 points among viewers induced into watching 2.5 additional minutes per week by variation in position”. Using that result, they constructed a model to estimate the overall influence.
In other results, we estimate that removing Fox News from cable television during the 2000 election cycle would have reduced the overall Republican presidential vote share by 0.46 percentage points. The predicted effect increases in 2004 and 2008 to 3.59 and 6.34 percentage points, respectively. This increase is driven by increasing viewership on Fox News as well as an increasingly conservative slant. Finally, we find that the cable news channels’ potential for influence on election outcomes would be substantially larger were ownership to become more concentrated.
6.3% is an astounding effect. Fox News appears to be uniquely persuasive when compared to the other channels, particularly in bringing people across the aisle:
Were a viewer initially at the ideology of the median Democratic voter in 2008 to watch an additional three minutes of Fox News per week, her likelihood of voting Republican would increase by 1.03 percentage points. Another pattern that emerges from the table is that Fox is substantially better at influencing Democrats than MSNBC is at influencing Republicans.
They also estimate that cable news has contributed greatly to the rise in political polarization in the US over the period studied:
Furthermore, we estimate that cable news can increase polarization and explain about two-thirds of the increase among the public in the United States, and that this increase depends on both a persuasive effect of cable news and the existence of tastes for like-minded news.
When Queen Elizabeth II dies, who knows how a Brexit-addled Britain might react. She’s ruled now for 65 years; so long that three of her Prime Ministers were born during her rule. That’s why the Palace has a plan (known as “London Bridge”) for announcing her death, “its ceremonial aftermath”, and the ascension of Charles to the throne.
More overwhelming than any of this, though, there will be an almighty psychological reckoning for the kingdom that she leaves behind. The Queen is Britain’s last living link with our former greatness - the nation’s id, its problematic self-regard — which is still defined by our victory in the second world war. One leading historian, who like most people I interviewed for this article declined to be named, stressed that the farewell for this country’s longest-serving monarch will be magnificent. “Oh, she will get everything,” he said. “We were all told that the funeral of Churchill was the requiem for Britain as a great power. But actually it will really be over when she goes.”
Unlike the US presidency, say, monarchies allow huge passages of time — a century, in some cases — to become entwined with an individual. The second Elizabethan age is likely to be remembered as a reign of uninterrupted national decline, and even, if she lives long enough and Scotland departs the union, as one of disintegration. Life and politics at the end of her rule will be unrecognisable from their grandeur and innocence at its beginning. “We don’t blame her for it,” Philip Ziegler, the historian and royal biographer, told me. “We have declined with her, so to speak.”
This is a great piece, full of interesting details and observations throughout. Like that George V was euthanized in time for the morning paper:
“The King’s life is moving peacefully towards its close,” was the final notice issued by George V’s doctor, Lord Dawson, at 9.30pm on the night of 20 January 1936. Not long afterwards, Dawson injected the king with 750mg of morphine and a gram of cocaine — enough to kill him twice over — in order to ease the monarch’s suffering, and to have him expire in time for the printing presses of the Times, which rolled at midnight.
And that radio stations are equipped with a emergency system:
Britain’s commercial radio stations have a network of blue “obit lights”, which is tested once a week and supposed to light up in the event of a national catastrophe. When the news breaks, these lights will start flashing, to alert DJs to switch to the news in the next few minutes and to play inoffensive music in the meantime. Every station, down to hospital radio, has prepared music lists made up of “Mood 2” (sad) or “Mood 1” (saddest) songs to reach for in times of sudden mourning.
They’ve got this planned out to the second…no detail is too small:
It takes 28 minutes at a slow march from the doors of St James’s to the entrance of Westminster Hall.
British royals are buried in lead-lined coffins. Diana’s weighed a quarter of a ton.
In this short video, Josh Begley shows all of the front pages of the NY Times in chronological order from 1852 to the present. The Times began publishing in 1851 so not every front page is represented, but that’s still more than 50,000 pages in less than a minute. Since they go by so quickly, here are some highlights:
Dec 11, 1861: The Times publishes their first illustrations on the front page. One is a map of Virginia and the other two are political cartoons lampooning James Gordon Bennett, founder of the New York Herald, one of the Times’ main rivals.
Apr 15, 1865: The front page columns were lined with black as they reported on the assassination of Lincoln.
Dec 1, 1896: The hyphen is dropped from “The New-York Times”.
Feb 10, 1897: The slogan “All the News That’s Fit to Print” appears for the first time on the front page.
May 30, 1910: The first news photograph appears on the front page, a photo of aviator Glenn Curtiss flying from Albany to NYC at the blistering pace of 54 mi/hr.
May 1, 1926: The Times prints the first photo “radioed” to the newspaper from London. Transmission time: 1hr 45m.
Jul 21, 1969: The first use of 96 pt. type on the front page announces the Apollo 11 landing on the Moon and subsequent moonwalk. The large type will also be used to announce Nixon’s resignation, the first day of 2000, 9/11, and the election of Barack Obama.
Sept 7, 1976: The columns on the front page are widened, reducing their number from 8 to 6.
Oct 16, 1997: The first color photo is printed on the front page of the Times. (The Times Machine scan is in B&W for some reason, but the photo was in color.)
Reuters editor-in-chief Steve Adler wrote a message to staff called “Covering Trump the Reuters Way.” After noting that “Reuters is a global news organization that reports independently and fairly in more than 100 countries, including many in which the media is unwelcome and frequently under attack,” he lays down some do’s and do-not-do’s1:
Do’s:
—Cover what matters in people’s lives and provide them the facts they need to make better decisions.
—Become ever-more resourceful: If one door to information closes, open another one.
—Give up on hand-outs and worry less about official access. They were never all that valuable anyway. Our coverage of Iran has been outstanding, and we have virtually no official access. What we have are sources.
—Get out into the country and learn more about how people live, what they think, what helps and hurts them, and how the government and its actions appear to them, not to us.
—Keep the Thomson Reuters Trust Principles close at hand, remembering that “the integrity, independence and freedom from bias of Reuters shall at all times be fully preserved.”
Don’ts:
—Never be intimidated, but:
—Don’t pick unnecessary fights or make the story about us. We may care about the inside baseball but the public generally doesn’t and might not be on our side even if it did.
—Don’t vent publicly about what might be understandable day-to-day frustration. In countless other countries, we keep our own counsel so we can do our reporting without being suspected of personal animus. We need to do that in the U.S., too.
—Don’t take too dark a view of the reporting environment: It’s an opportunity for us to practice the skills we’ve learned in much tougher places around the world and to lead by example - and therefore to provide the freshest, most useful, and most illuminating information and insight of any news organization anywhere.
These are good rules. (That one about giving up on access and hand-outs is downright fire.) They’re particularly good rules for a place like Reuters, that has a specific style, tradition, and role in the news ecosystem.
But they’re not necessarily good rules for everybody. Different news organizations are going to need to fill different roles in the ecosystem, different spaces on the multiple axes of personal, political, intellectual, and business commitments. If Gawker were still here in its full glory, Nick Denton could write up “Covering Trump the Gawker Way” and it would probably be a totally different but equally valuable list of guidelines.
The other thing news organizations (and other companies too) will need to figure out in L’Age D’Trump are their commitments to their staff. Reporters and media organizations need legal protections so they can’t be prosecuted as criminals or sued by proxy billionaires for doing their job; but they also need to be able to talk freely about how to do their job and balance all of those commitments for themselves without being shown the door.
The pressure is going to be coming from a lot of directions, not always the obvious ones. When the stakes are this high, and the conditions this uncertain, it helps to allay as many uncertainties as possible. When the shit goes down, you need to know who’s going to have your back.
Because of an editing error, an article on Monday about a theological battle being fought by Muslim imams and scholars in the West against the Islamic State misstated the Snapchat handle used by Suhaib Webb, one of Muslim leaders speaking out. It is imamsuhaibwebb, not Pimpin4Paradise786.
No wonder people think the NY Times is untrustworthy. Another from the Times:
An article on March 20 about wave piloting in the Marshall Islands misstated the number of possible paths that could be navigated without instruments among the 34 islands and atolls of the Marshall Islands. It is 561, not a trillion trillion.
This one was only slightly wrong:
CORRECTION: Boris Johnson’s award-winning limerick about the Turkish president referred to Erdogan as a wanker who performed a sex act with a goat. A previous version of this article included the prompt for the poetry contest, which included a different sex act, also with a goat.
When in doubt, blame technology:
Correction at 9:58 a.m. on 3/09/2016: Due to an oversight involving a haphazardly-installed Chrome extension during the editing process, the name Donald Trump was erroneously replaced with the phrase “Someone With Tiny Hands” when this story originally published.
You may have heard about the dumb old lady who was driving with a cup of McDonald’s coffee in her lap, spilled it, and then greedily sued McDonald’s, winning millions of dollars and setting off an epidemic of frivolous personal injury lawsuits that’s still alive and well today. Well, that’s not really what happened. Adam Conover explains what actually went down in this entertaining short video.
P.S. If you’re following along, what we have here is a video by CollegeHumor of a comedian debunking misinformation deliberately spread by a large multinational corporation (with publicly available sources!), packaged as a comedy bit but is every bit as informational as a piece in the Times or on Vox. If you’re being disingenuous, you might call this fake news. (See also Last Week Tonight, The Daily Show, The Colbert Report, etc.) (via subtraction)
Update:Hot Coffee is a feature-length documentary about the McDonald’s coffee case and tort reform in America. (via @aabhowell)
Brexit, climate change, Trump, Syria, white nationalism, Turkey, racism and police violence, the Flint water crisis, natural disasters, terrorist attacks, drowned migrants. I was tempted to just post a photo of a burning dumpster or the this is fine dog and leave it at that. But professional photographers and the agencies & publications that employ them are essential in bearing witness to the atrocities and injustices and triumphs and breakthroughs of the world and helping us understand what’s happening out there. It’s worth seeking out what they saw this year.
I’ve selected five of my favorite photos from these lists and included them above. From top to bottom, the photographers are Jonathan Bachman, Brent Stirton, Kai Pfaffenbach, Anuar Patjane Floriuk, and Mahmoud Raslan. The top photo, by Bachman, pictures the arrest of Ieshia Evans while protesting the death of Alton Sterling by the Baton Rouge police and is just flat-out amazing. In a piece for The Guardian, Evans wrote:
When the armored officers rushed at me, I had no fear. I wasn’t afraid. I was just wondering: “How do these people sleep at night?” Then they put me in a van and drove me away. Only hours later did someone explain that I was arrested for obstructing a highway.
There’s so much fear in that photo — institutional fear, racial fear, societal fear — but none of it is coming from Evans. Total hero.
David Cain quit following the news many years ago — “I’m mostly talking about following TV and internet newscasts here” — and noticed several benefits.
A common symptom of quitting the news is an improvement in mood. News junkies will say it’s because you’ve stuck your head in the sand.
But that assumes the news is the equivalent of having your head out in the fresh, clear air. They don’t realize that what you can glean about the world from the news isn’t even close to a representative sample of what is happening in the world.
The news isn’t interested in creating an accurate sample. They select for what’s 1) unusual, 2) awful, and 3) probably going to be popular. So the idea that you can get a meaningful sense of the “state of the world” by watching the news is absurd.
Their selections exploit our negativity bias. We’ve evolved to pay more attention to what’s scary and infuriating, but that doesn’t mean every instance of fear or anger is useful. Once you’ve quit watching, it becomes obvious that it is a primary aim of news reports-not an incidental side-effect-to agitate and dismay the viewer.
What appears on the news is not “The conscientious person’s portfolio of concerns”. What appears is whatever sells, and what sells is fear, and contempt for other groups of people.
Curate your own portfolio. You can get better information about the world from deeper sources, who took more than a half-day to put it together.
I watch and read plenty about current events, but the last time I “followed the news” was probably in high school. 95% of it is gossip & soap opera and the 5% that isn’t, you can get elsewhere, better.
Fidel Castro’s obituary cost us more man/woman hours over the years than any piece we’ve ever run.
Every time there was a rumor of death, we’d pull the obit off the shelf, dust it off, send it back to the writer, Tony DePalma, for any necessary updates, maybe add a little more polish here and there and then send it on to be copy-edited and made ready — yet again — for publication.
Even deep into his 70s and 80s, the Cuban dictator outlived the broadsheet size of the paper and digital media formats.
One piece that didn’t make it into this weekend’s digital coverage was a four-part, 20-plus-minute-long audio slide show on Mr. Castro’s life. The audio slide show — a mostly bygone format intended to marry photos and audio in an age when slow dial-up connections couldn’t handle video — was originally produced around 2006 by Geoff McGhee, Lisa Iaboni and Eric Owles and featured narration from Anthony DePalma, who wrote The Times’s obituary.
With over 80 photos and several audio files, the slide show was managed with a custom-made program called “configurator” that lived on a single, aging Macintosh in a windowless room on the ninth floor of the Times building.
That Mac and the program it housed died 7 years before Castro did.
I have a bulging file filled with various iterations of The Cuba Plan, before we relied on a shared Google Doc.
The plan changed drastically over the decades, driven by both changes in the industry and politics on the island.
Early in our planning, the document was 60 pages long.
Fidel Castro was still healthy and in power, and we planned for a possible political revolution. We played out the most extreme scenario, espoused by many experts, of unrest in the island, and Cubans on both sides of the straits taking to the seas. We thought carefully about the multiple ways we might get reporters into Cuba, knowing that at the time the government would not permit a Miami Herald journalist on the island. One plan might even have involved renting a boat.
Today would be the 100th birthday of the man known widely throughout the ’60s and ’70s as “the most trusted man in America.” Walter Cronkite, the legendary broadcast journalist reported, served, and comforted a nation during its most trying times, including World War II, Watergate, the Vietnam War, and the assassination of JFK, to name a few.
Walter perpetuated an objective reporting style rooted in justice and integrity: “Press freedom is essential to our democracy, but the press must not abuse this license. We must be careful with our power. The free press, after all, is the central nervous system of a democratic society.”
It was an unbelievable account of a drunken Walter Cronkite raging at a honeymooning couple in a restaurant. It included an obviously faked video clip of Walter Cronkite spitting and a fuzzy photograph of a man who looked vaguely like Cronkite.
I am dumbfounded that there hasn’t been a crackdown with the libel and slander laws on some of these would-be writers and reporters on the Internet. I expect that to develop in the fairly near future.
I favor legislation that requires people to stand by their words by identifying themselves on the Internet. They should not be permitted to operate anonymously.
He was clear that he was not after censorship:
I hope to make it clear that I did say that I am opposed to any form of censorship. This is identification… forced identification by those who use the Internet. Not censorship. It is simply requiring them to take the same responsibility that people in print and in broadcasting have to take.
National Security Agency whistleblower Edward Snowden has been working with prominent hardware hacker Andrew “Bunnie” Huang to solve this problem. The pair are developing a way for potentially imperiled smartphone users to monitor whether their devices are making any potentially compromising radio transmissions. They argue that a smartphone’s user interface can’t be relied to tell you the truth about that state of its radios. Their initial prototyping work uses an iPhone 6.
“We have to ensure that journalists can investigate and find the truth, even in areas where governments prefer they don’t,” Snowden told me in a video interview. “It’s basically to make the phone work for you, how you want it, when you want it, but only when.”
They are calling the device an introspection engine:1
Snowden and Huang are calling this device an “introspection engine” because it will inspect the inner-workings of the phone. The device will be contained inside a battery case, looking similar to a smartphone with an extra bulky battery, except with its own screen to update the user on the status of the radios. Plans are for the device to also be able to sound an audible alarm and possibly to also come equipped with a “kill switch” that can shut off power to the phone if any radio signals are detected. “The core principle is simple,” they wrote in the blog post. “If the reporter expects radios to be off, alert the user when they are turned on.”
Huang also announced today that he’s suing the US government over Section 1201 of the Digital Millennium Copyright Act:
Section 1201 means that you can be sued or prosecuted for accessing, speaking about, and tinkering with digital media and technologies that you have paid for. This violates our First Amendment rights, and I am asking the court to order the federal government to stop enforcing Section 1201.
Good name, although I believe they missed a good opportunity to call it the Snow Bunnie. Perhaps that was the code name? ↩
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