It’s not up on their web site or YouTube yet, but I’m pretty sure this is a prototype of a new dancing robot built by Boston Dynamics, makers of the Big Dog, Cheetah, and Petman robots.
Looks similar to Atlas or Petman, but way more advanced…how did they pack all of the circuitry and power supplies into such a small yet realistic-looking housing? (via devour)
Karen Cheng learned to dance in a year. Here’s a video of her progress, from just a few days in to her final number:
Here’s my secret: I practiced everywhere. At bus stops. In line at the grocery store. At work — Using the mouse with my right hand and practicing drills with my left hand. You don’t have to train hardcore for years to become a dancer. But you must be willing to practice and you better be hungry.
This isn’t a story about dancing, though. It’s about having a dream and not knowing how to get there — but starting anyway. Maybe you’re a musician dreaming of writing an original song. You’re an entrepreneur dying to start your first venture. You’re an athlete but you just haven’t left the chair yet.
The interesting thing is, Cheng basically did the same thing in her professional life as well.
I decided to become a designer, but I had no design skills. I thought about going back to school for design, but the time and money commitment was too big a risk for a career choice I wasn’t totally sure of.
So I taught myself — everyday I would do my day job in record time and rush home to learn design. Super talented people go to RISD for 4 years and learn design properly. I hacked together my piecemeal design education in 6 months — there was no way I was ready to become a designer. But I was so ready to leave Microsoft. So I started the job search and got rejected a few times. Then I got the job at Exec.
The first few weeks were rough. Everyday I sat in front of my computer trying my damnedest and thinking it wasn’t good enough. But everyday I got a little bit better.
[SORTA MAD MEN SPOILERS! but not really] I don’t know if Ken Crosgrove dancing on the latest episode of Mad Men is the best thing that’s ever been on the show, but it’s definitely in the top 10. And it might be even better with a little Daft Punk.
And it might be best with the Crazy in Love cover from Gatsby…just load up that this YT video while watching the animated GIF and you’re all set. (This is how Millennials watch TV, BTW…it’s all animated GIFs with YouTube video soundtracks. Civilization is gonna be juuuuuuust fine.)
Last year, Vice travelled to Matehuala, Mexico in search of dance crews who wear extremely pointy cowboy boots called botas vaqueras exóticas.
In Matehuala, guarachero has become an unlikely style of music where a bunch of people who in theory should not get along come together and get along. It’s also the music preferred by the men and boys in the long and pointed boots.
Participants in these dance contests spend the days and weeks prior choreographing intricate footwork routines and fabricating their own outfits with cheap paint and fabric. The grand prize, beyond the enthusiastic crowd’s affection, is either a bottle of whiskey or a few bucks.
Girl Walk // All Day is a feature-length dance music video set in NYC…the soundtrack is Girl Talk’s All Day. Kickstarter is hosting a premiere for the film (+ dance party) on December 8 at the Brooklyn Masonic Temple…and it’s free (you just need to RSVP). Here’s the trailer:
Dancing skills + sword fighting skills + old lady sitting motionless in a chair skills + huge boom box skills + dog almost gets beheaded skills + it gets magical around 52 seconds =
I’ve seen other more formal on-stage performances by these amazing French twin dancers, but I like this one the best…even fooling around, their precision is impressive.
The sound, style, and look of Janelle Monae’s video for “Tightrope” references a lot of classic pop/art culture: OutKast and Metropolis, certainly, James Brown and Michael Jackson, but also classic R&B performers like Jackie Wilson and avant-garde film like Maya Deren’s Meshes of the Afternoon.
It also reminded me, faintly but insistently, of this classic video of Cab Calloway and the Nicholas Brothers, from the movie Stormy Weather. (What is it with economic depression => dancing in tuxedos?)
I still think this is the easily most amazing display of deliberate human physicality in dance I’ve ever seen. Maybe anywhere. (Hit Twitter at @kottke or @tcarmody if you think you’ve got a better candidate.)
Turf dancing is similar to krumping and poppin’ & lockin’ in that they’re all basically break dancing 2.0. This is a particularly fine exhibition of the form:
Every time I see someone glide around, from Michael Jackson’s 1983 Motown Moonwalk on up to David Elsewhere, I think no one can get any better at skimming around on their feet like they’re weightless. Then four kids dancing on a rainy street corner up the ante and once more shift what Stuart Kauffman calls the adjacent possible. (via snarkmarket)
Jordan Matter’s Dancers Among Us series features dancers from the Paul Taylor and Martha Graham Dance Companies doing everyday out-and-about things in NYC while dancing. (via pdn)
Each frame of this 19th century film by the Lumière brothers was hand-colored to create an early color moving picture. The color-shifting effect of the dress looks quite modern.
The dancing was inspired by Loie Fuller, a modern dance pioneer.
This is a documentary about vogueing, and the extremely refined and detailed aesthetic sensibilities it reflects, shot in New York City around Chelsea, the Meatpacking District, and Harlem in the mid- to late-80s. The city has changed in dramatic ways since then, to say the least. The characters of the film are complete outsiders with, at the same time, a deep understanding of the world they are outside of.
Eternal Moonwalk is also an incidental tutorial in the basic properties of cinema. It returns motion pictures to their origin point, when the medium’s core appeal was the chance to watch strangers performing, their bodies moving from Point A to Point B, their familiar or amusing actions serving as an emotional connection point, a reminder that we’re members of the same species inhabiting the same small world.
Update: Vimeo erased the video because it was not original content so I pointed to one on YouTube. They also erased all but one video on Kanye’s account…I guess they were all videos by other people.