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It’s not up on their web site or YouTube yet, but I’m pretty sure this is a prototype of a new dancing robot built by Boston Dynamics, makers of the Big Dog, Cheetah, and Petman robots.
Looks similar to Atlas or Petman, but way more advanced…how did they pack all of the circuitry and power supplies into such a small yet realistic-looking housing? (via devour)
The owner of this cockatiel taught it how to sing dubstep.
Nice try, bird, but this is still the best dubstep video of all time. (via stellar)
Excuse the dubstep if you must, but Marquese Scott is amazing. Previously.
(via the high definite)
Stereogum writer Tom Breihan saw a Skrillex show at SXSW and loved it. In fact, it was his favorite act. His takeaway was that the Skrillex many people deride as a one-trick WUB WUB WUB pony on the basis of his albums is an extremely effective and talented live DJ.
But what I found was one of the more dynamic sets I heard during all of SXSW. Skrillex, see, knows what he’s doing. He does what great DJs do: He layers sounds and ideas on top of each other, building tension and releasing it, moving fluidly from one thing to the next. Parts sounded like the sort of early-’90s hardcore techno that was popular with people who wore lots and lots of smiley faces. Other parts sounded like the sort of dark, broody late-’90s breakbeat techno that was popular with scary white guys with dreads. There was also a lot of robotic one-drop reggae in there. Early on, Skrillex played a big chunk of Damian Marley’s “Welcome To Jamrock” unmolested. Later, he dug out Ini Kamoze’s “World-A-Music,” the song that Marley sampled on “Jamrock.” All of it fit in seamlessly. None of it was built around bass-drops.
After Wendy’s tweeted that “Dubstep sounds like a broken Frosty machine”, illustrator Chris Piascik made this:
It took me a few seconds to notice the Skrillex-ification of Wendy. Awesome. Prints are available or you can get it on a t-shirt. (via @unlikelywords)
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