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kottke.org posts about Wes Anderson

Moonrise Kingdom typeface

posted by Jason Kottke   Nov 20, 2014

Tilda Font

Jessica Hische and Font Bureau have teamed up to offer the typeface Hische designed for Wes Anderson’s Moonrise Kingdom. Meet Tilda (great name). Art of the Title interviewed Hische about the typeface last year.

Wes Anderson’s vehicles

posted by Jason Kottke   Sep 04, 2014

A compilation of some of the vehicles used in Wes Anderson’s movies, shot from the first-person POV.

(via devour)

The Wes Anderson soundtrack collection

posted by Jason Kottke   Apr 29, 2014

Twee out with more than 9 hours of music from Wes Anderson’s movies:

VFX reels for Grand Budapest and Noah

posted by Jason Kottke   Apr 25, 2014

LOOK Effects did the visual effects for Wes Anderson’s The Grand Budapest Hotel and Darren Aronofsky’s Noah. (via @Colossal)

Forrest Gump by Wes Anderson

posted by Jason Kottke   Apr 25, 2014

By Louis Paquet, the opening titles of Forrest Gump if it were directed by Wes Anderson.

(via @kyledenlinger)

The design of Grand Budapest Hotel

posted by Jason Kottke   Mar 24, 2014

Grand Budapest

The Grand Budapest Hotel is Wes Anderson’s most design-y film, and that’s really saying something. Typography is present in almost every frame; at times, it was almost oppressive. Creative Review interviewed designer Annie Atkins, who was responsible for the film’s graphic design elements.

Oh my goodness, so many signs in the 1960s hotel lobby! I have to give credit to Liliana for this work, as she took care of nearly all of these. She had three sign-writers from Berlin painting non-stop for a week to get them all done in time for our first day of shoot, as that set was first up. Wes and Adam had seen so many examples of quite officious signage in what had been communist East Germany — don’t do this, don’t do that, do this but only like that! The signs really added to the claustrophobic feeling of that set, and Wes had asked for them all to be black with simple white hand-painted lettering — based on the style of the old sign at Yorckstrasse subway station in Berlin.

Grand Budapest Hotel soundtrack

posted by Jason Kottke   Mar 13, 2014

Oh hello Grand Budapest Hotel soundtrack on Rdio. Alexandre Desplat. It’s a goooood morning.

Also available for download on Amazon or iTunes if that’s your thing.

The unique visual style of Wes Anderson

posted by Jason Kottke   Mar 03, 2014

In his own words, Wes Anderson explains different aspects of his visual style.

Nicely edited together by Nelson Carvajal at Way Too Indie.

Wes Anderson slow motion supercut

posted by Jason Kottke   Jan 09, 2014

No one uses slow motion more consistently than Wes Anderson; all his films except Fantastic Mr. Fox use the technique. Here are all the slow-mo scenes from his films strung together:

(via devour)

Castello Cavalcanti

posted by Jason Kottke   Nov 13, 2013

Wes Anderson did a short film for Prada. The film contains race cars, Jason Schwartzman, Italy, and tweeness.

(via digg)

Video essay series on Wes Anderson concludes

posted by Jason Kottke   Oct 29, 2013

Speaking of Wes Anderson, Matt Zoller Seitz has finished his video essay series on Anderson’s movies. You can find the entire collection of videos on Vimeo and transcripts and notes are on Seitz’s blog. Here are the final two to get you going:

And if that’s not enough for you, here’s the book that the videos are based on.

The Midnight Coterie of Sinister Intruders

posted by Jason Kottke   Oct 28, 2013

Wes Anderson is coming out with a new horror movie. Here’s the trailer:

Ha ha just kidding it’s a SNL spoof. Ed Norton does a pretty ripping Owen Wilson.

Wes Anderson’s Star Wars reference

posted by Jason Kottke   Oct 22, 2013

Nestled in the midst of Matt Zoller Seitz’s video essay on Wes Anderson’s The Life Aquatic with Steve Zissou is this bombshell: the movie contains a Star Wars reference no one seems to have noticed. Seitz synced the scenes for us:

Life Aquatic Star Wars reference

There have to be others, right? Many of Anderson’s films end with all of the characters gathered together like at the medals ceremony in Episode IV…someone even synced up the end of the movie with the closing credits music from Zissou and it works really well:

And of course, there’s Conan O’Brien’s take on what a Star Wars movie directed by Anderson might look like.

The Wes Anderson Collection: The Motion Picture

posted by Jason Kottke   Oct 17, 2013

Matt Zoller Seitz is doing a video essay series based on his new book, The Wes Anderson Collection. The first two installments, on Bottle Rocket and Rushmore, are already up:

I love what he says about Rushmore:

There are few perfect movies. This is one of them.

The book and video essays came about because Anderson saw Seitz’s earlier video essay series, The Substance of Style, an examination of Anderson’s stylistic influences. Great resource for fans of Anderson and film.

The Grand Budapest Hotel

posted by Jason Kottke   Oct 17, 2013

The first trailer for Wes Anderson’s new movie. This looks great!

RIP, Kumar Pallana

posted by Jason Kottke   Oct 10, 2013

Kumar Pallana, one of Wes Anderson’s cast of regulars, has died at age 94. Pallana appears as Kumar in Bottle Rocket, Mr. Littlejeans in Rushmore, and as Pagoda in The Royal Tenenbaums.

Pallana led a massively interesting life before hitting the big screen at nearly 80. Born in colonial India, he lived all around the world, and first made a name for himself as an entertainer in America in the 1950s. Back then he was known as Kumar Of India, and his specialty was spinning plates-he even appeared on Captain Kangaroo in 1961. (Other feats included magic, balancing, swordplay, and juggling-you can see him do a handstand in The Royal Tenenbaums.)

The Wes Anderson Collection

posted by Jason Kottke   Oct 08, 2013

Out today is The Wes Anderson Collection (at Amazon), a coffee-table book about Wes Anderson’s career.

The Wes Anderson Collection is the first in-depth overview of Anderson’s filmography, guiding readers through his life and career. Previously unpublished photos, artwork, and ephemera complement a book-length conversation between Anderson and award-winning critic Matt Zoller Seitz. The interview and images are woven together in a meticulously designed book that captures the spirit of his films: melancholy and playful, wise and childish — and thoroughly original.

Vulture has an excerpt of the chapter on The Royal Tenenbaums.

Q: Gene Hackman - it was always your dream for him to play Royal?
A: It was written for him against his wishes.

Q: I’m gathering he was not an easy person to get.
A: He was difficult to get.

Q: What were his hesitations? Did he ever tell you?
A: Yeah: no money. He’s been doing movies for a long time, and he didn’t want to work sixty days on a movie. I don’t know the last time he had done a movie where he had to be there for the whole movie and the money was not good. There was no money. There were too many movie stars, and there was no way to pay. You can’t pay a million dollars to each actor if you’ve got nine movie stars or whatever it is - that’s half the budget of the movie. I mean, nobody’s going to fund it anymore, so that means it’s scale.

That’s right, Gene Hackman (and probably the rest of them as well) worked for scale on The Royal Tenenbaums.

Anderson also talks about the scene in The Darjeeling Limited where they show everyone on the train:

Q: When you turn to reveal the tiger, what is that, the other side of the train?
A: No, it’s all one car. We gutted a car, and that is a fake forest that we built on the train, and it is a Jim Henson creature on our train car. The whole thing is one take, and I think because we did it that way, while we were doing it, we did feel this electricity, you know? There’s tension in it because it’s all real. Fake but real. I mean, that was the idea. The emotion of it, well — there’s nothing really happening in the scene, you know? They just kind of sit there, but it was a real thing that was happening. But I did at the time have this feeling like “I don’t know.”

Even if it’s fake, it’s real.

Moonrise Kingdom typography

posted by Jason Kottke   Sep 23, 2013

The Art of the Title chats with the excellent Jessica Hische about the lettering and type design she did for Wes Anderson’s Moonrise Kingdom.

To me, that was really fun because if you think about New England in the ’60s… it’s not like most places would be staying on top of the most current trends in type, using typefaces that were released that very year. So, using something from the ’40s made sense to me. If you think about a small, conservative New England town, lord knows all the printers and designers in town are probably still using type from years ago. I think when people think about historical type references, they often don’t think about that. You should be reaching from that time period to 15 - 20 years earlier and then you’ll be getting stuff that’s quote-unquote “current.”

And she’s releasing the typeface commercially so everyone can use it! Yay!

The watches of Fantastic Mr. Fox

posted by Jason Kottke   May 22, 2013

Of course the watches worn by the characters in Fantastic Mr. Fox are going to be classic 70s and 80s timepieces.

Watches, Fantastic Mr Fox

New details about Wes Anderson’s new film

posted by Jason Kottke   Mar 28, 2013

Anderson has finished filming his next movie, The Grand Budapest Hotel, with the likes of Tilda Swinton, Jude Law, Bill Murray, and Owen Wilson. Screen Daily has some plot details:

The Grand Budapest Hotel tells of a legendary concierge at a famous European hotel between the wars and his friendship with a young employee who becomes his trusted protégé. The story involves the theft and recovery of a priceless Renaissance painting, the battle for an enormous family fortune and the slow and then sudden upheavals that transformed Europe during the first half of the 20th century.

Wes Anderson on Star Wars, Bill Murray, and his new movie

posted by Jason Kottke   Jan 02, 2013

A nice interview with Wes Anderson. He discusses how he got his start in filmmaking, his prospects as the director of the next Star Wars movie, and his new film with Ralph Fiennes, The Grand Budapest Hotel.

DEADLINE: Star Wars was among the films that influenced you early on. What would the world get if Wes Anderson signed on to direct one of these new Star Wars films Disney will make?

ANDERSON: Well I have a feeling I would probably ultimately get replaced on the film because I don’t’ know if I have all the right action chops. But at least I know the characters from the old films.

DEADLINE: You are not doing a good job of selling yourself as a maker of blockbusters.

ANDERSON: I think you are reading it exactly right. I don’t think I would do a terrible job at a Han Solo backstory. I could do that pretty well. But maybe that would be better as a short.

Wes Anderson’s Star Wars

posted by Jason Kottke   Nov 09, 2012

Finally, the answer to the question “what if Wes Anderson directed Star Wars”

(via devour)

Kanye Wes Anderson

posted by Aaron Cohen   Oct 19, 2012

Kanye Wes Anderson is a Tumblr posting screencaps of Wes Anderson moves mashed with Kanye West lyrics resulting in a good time for all. Plus, Kanye and Wes totally hang out.

Kanye-wes-anderson-1.jpg

kanye-wes-anderson-2.jpg

(via @ryansholin)

The books of The Royal Tenenbaums

posted by Aaron Cohen   Aug 21, 2012

Back in July, we covered the Criterion Collection release of The Royal Tenenbaums. Recently, Criterion Collection posted a gallery of 9 books and magazines from the movie, which because of said gallery, I want to watch right now.

Old Custer

Everyone knows [X], what this post presupposes is maybe [Y].

See also The Royal Tenenbaum portraits. (thx, alex)

The Royal Tenenbaums on Criterion Collection Blu-ray

posted by Jason Kottke   Jul 19, 2012

Speaking of Wes Anderson, The Criterion Collection is releasing The Royal Tenenbaums on Blu-ray in August (pre-order at Amazon). In this age of watching streaming movies on small screens, there are still many that are better in HD with surround sound. (via @moth)

Wes Anderson’s next film: The Grand Budapest Hotel

posted by Jason Kottke   Jul 19, 2012

The Hollywood Reporter is reporting that Johnny Depp will be in Wes Anderson’s next movie.

No details regarding the film’s plot or Depp’s character have been revealed, but the project is said to be titled The Grand Budapest Hotel and will mark Texas-born Anderson’s first time shooting in Europe.

A bunch of Anderson regulars are also rumored to be involved: Bill Murray, Owen Wilson, Edward Norton, Jeff Goldblum, Adrien Brody, and Willem Dafoe. IMDB has it listed as Untitled Wes Anderson Project, described as “a European story”, and Owen Wilson is the only listed cast member.

Update: I am reminded, via Twitter, that Anderson has done several projects in Europe. The Life Aquatic was filmed in Italy, Hotel Chevalier was filmed in Paris, and Fantastic Mr. Fox was produced in the UK. Anderson lives in Paris full-time now, I believe, so I would expect that many of his projects moving forward will be filmed/set there.

Wes Anderson’s best commercials

posted by Jason Kottke   Jul 03, 2012

Adweek has a list of some of the best commercials Wes Anderson has made. It’s tough to beat his two-minute spot for American Express.

“Can I get my snack?”

“You’re eating it.”

Wes Anderson’s Hyundai commercials

posted by Jason Kottke   Feb 29, 2012

Wes Anderson recently directed a pair of television advertisements for Hyundai Motor Group. They are typically Wes Andersonian.

Moonrise Kingdom trailer

posted by Jason Kottke   Jan 12, 2012

We interrupt this internet to bring you the very first trailer for Wes Anderson’s new movie, Moonrise Kingdom.

Set on an island off the coast of New England in the summer of 1965, MOONRISE KINGDOM tells the story of two twelve-year-olds who fall in love, make a secret pact, and run away together into the wilderness. As various authorities try to hunt them down, a violent storm is brewing off-shore — and the peaceful island community is turned upside down in more ways than anyone can handle.

It’s Wes Andersonmas, y’all!

The Fantastic and Inglourious Mr. Fox

posted by Jason Kottke   Nov 16, 2011

A trailer for Wes Anderson’s Fantastic Mr. Fox using dialogue from Quentin Tarantino’s Inglourious Basterds.

(via biancolo)