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Michael Frumin’s grandfather passed along to him a campaign poster from when Norman Mailer ran for mayor of NYC in 1969. The scans of the poster are wonderful.
I’m about as far from a knowledgeable design critic as you can get, but this thing is an undeniable work of art, especially in the eye of any native New Yorker.
Does anyone know who designed the poster for Mailer?
The just-released Michelin restaurant guide for Tokyo awards more stars to that city’s restaurants than New York and Paris put together. And 8 get a 3-star rating, only 2 fewer than in Paris.
Tokyo has more restaurants - at least 160,000 that could be classified as proper “restaurants” - than almost any other urban centre. Paris, by comparison, has little more than 20,000 and New York about 23,000.
There’s a lot of handwringing about Tokyo restaurants getting so many stars, but to look at it another way, Paris has 8 times fewer restaurants and has more 3 stars than Tokyo. Not bad.
(via marginal revolution)
Silhouettes of patrons at the American Museum of Natural History by NYC photographer Joe Holmes. Joe also has a nice photo of the Manhattan Bridge up today on his photoblog.
In a stairway leading down to the subway platform of the N/Q Canal St. stop, a pair of doors face each other on a landing. About every three days for more than a year, I’ve seen graffiti painted on both doors. Each time, the day after the graffiti appears, so does a fresh coat of cream-colored paint. By my count, those doors are covered in at least 100 coats of paint and must be more than an inch thicker than they were last year.
Update: Probably looks something like this if you cut it open. (thx, emmet) Or this.
New York magazine has compiled a great collection of vintage NYC videos featuring the likes of Grandmaster Flash, the construction of the Empire State Building, Andy Warhol, and Union Square, circa 1896.
Thunder! Nah, nah, nah, nah, nah, nah, nah, nah! Con Edison is cutting their last direct current line in NYC, ending 125 years of continuous service that started when Thomas Edison set up shop in 1882 and signaling the final triumph of alternating current in the AC/DC wars. (Lesson: Nikola Tesla always wins in the end.)
The last snip of Con Ed’s direct current system will take place at 10 East 40th Street, near the Mid-Manhattan Library. That building, like the thousands of other direct current users that have been transitioned over the last several years, now has a converter installed on the premises that can take alternating electricity from the Con Ed power grid and adapt it on premises. Until now, Con Edison had been converting alternating to direct current for the customers who needed it — old buildings on the Upper East Side and Upper West Side that used direct current for their elevators for example.
I can’t see how on earth Julie Jackson’s Subversive Cross Stitch didn’t make it into the Museum of Arts & Design show on Extreme Embroidery. Maybe it’s too straightforward but still…
An update on the MUJI in Soho, three days before it opens. I’d loveto go to the opening, but it’s gonna be a zoo and a half down there on Friday. (thx david)
Robert Benchley, reviewing the New York City phonebook in 1921:
But it is the opinion of the present reviewer that the weakness of plot is due to the great number of characters which clutter up the pages. The Russian school is responsible for this.
(via clusterflock)
I went to a mini conference put on by Core77 on Friday and I’ll post a bit more about a couple of the participants in a day or so, but if you were in attendance, you may not have noticed that the person onstage claiming to be artist/designer Tobias Wong was not actually Tobias Wong (more).
The setup was an art project on Tobias’s part, they practiced together for some time to make it work. There were a lot of little jokes in fake Tobias’s talk for people who knew what was going on. Tobias was in the audience, actually answered a question for fake-Tobias during his talk.
A taxonomy of NYC restaurant tables, from the lowly Sucker Tables to the Closer Tables. Two examples of the Closer Table are the cheeky Table Sex at Milk & Honey and the even cheekier Table 69 at Alto.
Two quick reviews of Elizabeth Currid’s book, The Warhol Economy, which argues that New York’s “vibrant creative social scene” is what makes the city go. First, James Surowiecki in the New Yorker:
Of course, everyone knows that art and culture help make New York a great place to live. But Currid goes much further, showing that the culture industry creates tremendous economic value in its own right. It is the city’s fourth-largest employer, and generates billions of dollars a year in revenue. More important, New York has no real global rival for dominance in the culture industry. Using an economic-analysis tool called a “location quotient,” Currid calculates that New York matters far more to fashion, art, and culture than to finance. To exaggerate a bit, if New York suddenly disappeared, stock markets could keep functioning, but we would not be able to dress ourselves or find art to put on the wall. Currid suggests that, in the fight among cities for business, being the center of fashion and art constitutes New York’s true “competitive advantage.”
And from The Economist:
New York’s cultural economy has reached a critical juncture, argues Ms Currid, threatened by, of all things, prosperity. The bleak economic conditions of the 1970s allowed artists to flock into dirt-cheap apartments and ushered in the East Village scene of the early 1980s. The boom of the past decade, by contrast, has priced budding Basquiats out of Manhattan, pushing them across the water to Brooklyn and New Jersey. Studio flats meant for artists-in-residence get snapped up by bankers. The closure last year of CBGB, a bar that became a punk and art-rock laboratory in the 1970s (and whose founder, Hilly Kristal, died last month) came to symbolise this squeeze.
Ms Currid sees this expulsion of talent as a serious problem. The solution, she argues, lies in a series of well-aimed public-policy measures: tax incentives, zoning that helps nightlife districts, more subsidised housing and studio space for up-and-coming artists, and more.
The first chapter of the book is available on the Princeton University Press site.
A pair of Lego skyscrapers (made from 250,000 pieces and inhabited by 1000 Lego people) are on display at the Storefront for Art and Architecture in NYC through November 24. Dennis Crowley’s got some pictures and a short movie. Details include a wee Banksy piece on the side of the building and tiny iPod ads. Here’s a timelapse video of the construction. (thx, dens)
New York has a decreasing number of Jewish delis, but the reopened Second Avenue Deli will be among them.
Federman said that his clientele has gone from “95 percent Jewish to 50-50” and that changing with the times is part of business. (He now sells three varieties of tofu “cream cheese.”) “I think Second Avenue Deli, Katz’s, us, we’re all making our little sphere of the world a better place,” he said. “Doctors and lawyers basically live off other people’s misery. Part of the perk of working here is people coming in and being so happy.”
The deli’s general manager recalled his favorite customers at the old location:
But my favorite was when we had five nuns eating matzoh balls served by a Lebanese waiter — in a kosher deli. That’s New York.
See also a writeup of a panel on Jewish Cuisine and the Evolution of the Jewish Deli on Serious Eats.
NYC’s Chinatown is Hillary Clinton country.
In April, a single [Clinton] fundraiser in an area long known for its gritty urban poverty yielded a whopping $380,000. When Sen. John F. Kerry ran for president in 2004, he received $24,000 from Chinatown.
Aleksandra Mir’s Newsroom 1986-2000 project features huge hand-drawn reproductions of tabloid front pages. Show is up through Oct 27 in NYC. (via quipsologies)
Lagerfeld Confidential is a documentary film about Karl Lagerfeld, the first such film done with Lagerfeld’s authorization. It’s playing at Film Forum in NYC later this month.
The NYC Dept of Transportation is introducing compass decals to be placed on sidewalks at subway exits to help orient disembarking passengers. I thought I’d posted a link about this idea before on kottke.org, but the only reference I can find is a discussion about compasses on manhole covers. (thx, erik)
Update: Aha, here’s the entry. John has more.
Design, Wit, and the Creative Act, a half-day event put on by Core77.
How do designers employ wit, irony — even subversion — in the service of making a connection with their audience, and how can they replicate these connections across a body of work? Are there limits to commercializing this kind of design, or are we seeing new opportunities for the provocateur in an ever-commoditized world? What is the role of the brand in this context, and to what degree does a sly exchange between designer and user create a new kind of brand experience?
Featuring Ze Frank, Steven Heller, and others…Nov 9 in NYC.
The total area taken up by all the Wal-Marts in the world is bigger than Manhattan.
BLDGBLOG talks with experimental architect Lebbeus Woods about his work, starting with an image he made of Manhattan with dams on the Hudson and East Rivers, which reveals a deep canyon between lower Manhattan and Brooklyn.
Hitotoki, short stories about New York…”short narratives describing pivotal moments of elation, confusion, absurdity, love or grief — or anything in between — inseparably tied to a specific place”. Also available in the original Tokyo flavor.
I’m no Yankees fan, but I got a little sad reading this article about Joe Torre’s possible departure from the team after 12 years. It seems like the individual leader gets too much credit for successes and is assigned too much blame for failures these days. Surely the team’s poor hitting and pitching was a big contributing factor that Torre couldn’t do much about?
(Last night’s game was great, BTW. The way those fans almost willed the Yankees back into the game while Cleveland held fast was fascinating to watch.)
As part of this weekend’s New Yorker Festival, a parkour demonstration was held at Javits Plaza. Before the demonstration, Alex Wilkinson talked with David Belle, the inventor of parkour and the subject of Wilkinson’s NYer article about parkour from April. In the interview and the Q&A that followed the demonstration, Belle explained that parkour is not about competition or showing off or being reckless. It’s a test of self, of control, of deliberate practice. The journey is the point, not the sometimes spectacular results.
The demonstration consisted of a group of about 20-30 parkour practitioners, beginners and experts alike from all over the country. It seemed as though they included anyone with parkour experience who showed up and wanted to participate, and instead of a highly polished display of high skill (which is what I think the audience might have been expecting), we were treated to a more authenic look at the sport. The first five minutes were taken up with calisthenics and stretching in preparation of the jumps and vaults to come. After warming up properly, they began running through the course, each participant picking his way through the course according to desire and ability.
Experimentation was the rule of the day, not performance. With each pass, you could see the group learning the particulars of the course, where the good holds were, finding smoother combinations, and, much of the time, trying and failing. And then trying again until they got it. There was a single woman participant, one of several beginners in the group. When she had some trouble with an obstacle, Belle and his “lieutenant” stopped to show her some moves, a moment that revealed more about parkour than Belle’s jump across a ten-foot gap twenty feet off the ground. Belle himself didn’t do too much during the performance — a couple of high jumps — and had to be coaxed during the Q&A to perform one last big move for the audience. He shrugged off the applause and attention as he back-flipped down to the concrete, knowing that the true parkour had taken place earlier.
A reader of New York’s Grub Street blog recenty wrote in, saying that he was about to have surgery that might permanently impair his sense of taste and he was looking for recommendations of places to go for his potential last few meals. Hearing of his plight, Eric Ripert agreed to cook the fellow a special Doomsday Menu at his 4-star restaurant, Le Bernardin.
This past weekend, Tobias Frere-Jones led a typography tour of lower Manhattan for the AIGA, which I’m sad I missed (out of town guests + didn’t get a ticket in time). Luckily several people have uploaded photos from the tour (set 1, set 2, set 3, set 4), including a shot of one of my favorite lunchtime destinations, the Cup & Saucer. Love that sign (see close up).
Not sure why Mas warranted so many negative comments on this Chowhound thread about the worst nice restaurants in NYC. We were there last night for my birthday and everything was great: service, wine, and food. It was our 5th or 6th visit over the past 3 years and nothing’s ever been amiss.
Dr. Jay Parkinson M.D. emailed in to tell me about his new medical practice in Williamsburg. He’s got no office (housecalls only), takes appointment requests via SMS, email, or IM, handles some follow-ups over video chat, and specializes in the 18-40 age group without traditional health insurance. The goal, states Parkinson, is to “mix the service of an old-time, small town doctor with the latest technology to keep you and your bank account healthy”.
To give you an idea of how the practice operates, here’s a recap of his first day on the job:
Yesterday went quite well and I was very happy with the amount of money I kept out of the hands of companies that attempt to take advantage of how difficult it is to find prices for medications and healthcare services. For example, the first patient I saw needed a medication that Walgreens offered for $60. I called my tried and true Williamsburg mom-and-pop pharmacy only a few blocks from Walgreens and talked to Arthur the Pharmacist who said he sells it for $15. “Thanks Arthur.” “No thank you Jay.” The way it should be done.
My second patient was getting a certain medication for years every month by mail from Walgreens that costs $63 per month. I knew where she could get the same medication for $42 a month. I just saved her $252 per year. After she made her $200 down payment on my services via PayPal, her monthly fee for my services is now only $17 a month. But I just saved her $21 a month on her monthly mail order medication. She’s essentially getting the rest of the year of my services for free. Not bad.
Sounds fantastic. If only every doctor was this much of an advocate for his patients.
P.S. Parkinson also happens to be a heck of a photographer (@ Flickr). Some photos NSFW. I linked to this interview about his photography between him and Joerg Colberg last May.
Update: The WSJ Health blog has a short interview with Parkinson, followed by a lengthy comment thread.
A neat comparison of butcher’s diagram of cuts of beef and a map of Manhattan. It looks like I live in Chuck Shortribs or maybe Brisket. See also the front cover of Rats by Robert Sullivan.
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