Entries for February 2026
The Torment of Saint Anthony is the earliest surviving work attributed to Michelangelo, painted by him in 1487 or 1488 when he was 12 or 13 years old. This is an intense painting, the kind of thing that would have resulted in Michelangelo’s parents visiting the principal’s office had the young man painted this in a contemporary 7th grade art class.
Until 2009, it was believed the painting was a copy of a documented Michelangelo original, but a restoration and x-ray & infrared scans of the work showed evidence that the painting was done by the future master.
Michelangelo’s work was based on Martin Schongauer’s engraving Saint Anthony Tormented by Demons. This video provides a great overview of the history of the painting:
(via colossal)
“Virginia Oliver, a feisty, salty-tongued lobster boat skipper who fished off the New England coast wearing earrings, hot-pink lipstick and an occasional scowl for more than 80 years, until she was 103, died on Jan. 21 in Rockport, Maine. She was 105.”
Shared Claude is a website anyone can change via LLM chat. “Text the number below to shape this website in real-time.” (Does anyone remember Metababy?)
vintage post from Sep 2013
· gift link
I was poking around on YouTube for “how to” videos (one of my favorite video genres) the other day when I hit a small jackpot: a bunch of How Do They…? videos from the National Film Board of Canada. A favorite shows how chain link fences are made:
You can view all the videos at the NFB site as well. NFB produced one of my favorite “how to” videos ever: how to build an igloo.
From the collection of the Met, an Egyptian artist’s sketch of a sparrow circa 1479–1458 BCE. Much of the art that filters down to us from ancient civilizations was used for official purposes (state, religion, commerce); it’s nice to see something simpler like this drawing. Archaeologist Alison Fisk:
This may have been a practice drawing of the sparrow hieroglyph which was used for words meaning ‘small’, ‘poor’, or ‘bad’
The Egyptian artisans who decorated tombs and temples, drew sketches and jotted down notes on the plentiful limestone flakes which were by-products of temple and rock-cut tomb construction. Egyptologists refer to them as ‘ostraca’ (singular: ostracon). More info: ancientegyptonline.co.uk/ostracon/
From that link about ostracon:
The word “ostracon” is derived from the Greek “ostrakon” (meaning a piece of pottery used as a voting ballot). When a vote was held on whether to banish a person from society these shards were used to cast votes. This is the origin of the word “ostracism” (literally meaning “to be voted out”).
The Evolutionary Brilliance of the Baby Giggle. “Laughter and humor are fundamental to how babies learn about and participate in the world.” *Highly recommend* watching the laughing baby videos to brighten up your day.
Only 7 gasoline cars were sold in Norway last month. Seven! 98 diesel cars & 29 hybrids were also sold, but the rest were EVs. And this comes after Norway cut EV incentives.
Roxane Gay: “Humanity is, always, enough. We have a right to protest, legally carry a firearm, drive while Black, walk in a neighborhood at night, play in a park, sleep in a bed or do anything else whether we are wonderful people, and beloved or not.”
Good god, this story: Mother Says Asking 13-Year-Old Son to Swim Four Hours to Save Family ‘One of the Hardest Decisions’. “I knew he was the strongest and he could do it.” Australia: a nation of athletes.
This Github project from Ankur Gupta allows you to “generate beautiful, minimalist map posters for any city in the world”. There are a variety of different themes you can choose from and the resulting images are big enough to print out actual posters (20-inch height maximum).
You can install the Python scripts on your computer or use this website (which seems quite slow). Also, I wonder if the height/width minimums can be changed to output bigger posters?
The full trailer for The Devil Wears Prada 2. The pitch perfection of Miranda completely forgetting Andy gives me hope that this will be a worthy sequel.
Been thinking a lot about this Ted Chiang quote recently: “I tend to think that most fears about A.I. are best understood as fears about capitalism. And I think that this is actually true of most fears of technology, too.”
Vibe-coding gone wild. “Stories of family groceries delivered to data centers, and “world burnt bacon day” became memes — and resulted in class-action lawsuits against kitchen appliance manufacturers like Breville, Viking, and Cusinart.”
A collection of thousands of photographs of NYC restaurants (2002-2008) taken by Noah Kalina. Quite an archive of interior design from that era.
A couple of weeks ago, AI company Anthropic published the constitution that they use to train their Claude LLM (“under a Creative Commons CC0 1.0 Deed, meaning it can be freely used by anyone for any purpose without asking for permission”). From the company’s news release:
We’re publishing a new constitution for our AI model, Claude. It’s a detailed description of Anthropic’s vision for Claude’s values and behavior; a holistic document that explains the context in which Claude operates and the kind of entity we would like Claude to be.
The constitution is a crucial part of our model training process, and its content directly shapes Claude’s behavior. Training models is a difficult task, and Claude’s outputs might not always adhere to the constitution’s ideals. But we think that the way the new constitution is written — with a thorough explanation of our intentions and the reasons behind them — makes it more likely to cultivate good values during training.
The full document is 80+ pages, but the news release does a decent job in summarizing what’s in it.
Claude’s constitution is the foundational document that both expresses and shapes who Claude is. It contains detailed explanations of the values we would like Claude to embody and the reasons why. In it, we explain what we think it means for Claude to be helpful while remaining broadly safe, ethical, and compliant with our guidelines. The constitution gives Claude information about its situation and offers advice for how to deal with difficult situations and tradeoffs, like balancing honesty with compassion and the protection of sensitive information. Although it might sound surprising, the constitution is written primarily for Claude. It is intended to give Claude the knowledge and understanding it needs to act well in the world.
We treat the constitution as the final authority on how we want Claude to be and to behave — that is, any other training or instruction given to Claude should be consistent with both its letter and its underlying spirit. This makes publishing the constitution particularly important from a transparency perspective: it lets people understand which of Claude’s behaviors are intended versus unintended, to make informed choices, and to provide useful feedback. We think transparency of this kind will become ever more important as AIs start to exert more influence in society.
Casey Newton and Kevin Roose recently interviewed the primary author of the constitution, philosopher Amanda Askell, for the Hard Fork podcast (the segment starts at ~25min).
Newton says the document reads like “a letter from a parent to a child maybe who’s leaving for college”:
And it’s like, we hope that you take with you the values that you grew up with. And we know we’re not going to be there to help you through every little thing, but we trust you. And good luck.
Both the constitution and the conversation with Askell are fascinating, no matter where you lie on the AI debate continuum. You might also be interested in this video of Askell answering questions from Claude users about her work:
The Case of the Green Covers is a risograph-printed zine that documents the history of the “Green Penguins”, “a series of hundreds of crime novels published with green covers by the UK publisher Penguin in the 1960s”.
Podcast interview with two photojournalists who have been covering ICE in Minnesota. “It’s a conversation about what they’ve seen, the vital role of photojournalism at this moment, and the personal toll of doing this work.”
Haven’t watched this 90-minute video yet, but I’ve seen so many recommendations for it that I’m posting it as a to-do list item for myself: You are being misled about renewable energy technology.
A group of 50 Chileans recently spent several hours powering a human-operated chatbot. Some questions were answered quickly but “when they didn’t know the answer, they walked around the room to see if someone else did”.
Late last week, Rage Against the Machine’s Tom Morello led a crowd gathered at the iconic First Avenue music venue in a spirited rendition of the band’s Killing In the Name. The band handled the music while the crowd, in the absence of Rage frontman Zack De La Rocha, sang the lyrics.
Some of those that work forces, are the same that burn crosses
Some of those that work forces, are the same that burn crosses
Some of those that work forces, are the same that burn crosses
Some of those that work forces, are the same that burn crosses
How many ICE/BPD/DHS officers marched in Charlottesville, assaulted Congress on Jan 6, and/or are Proud Boy/Stormfront members, I wonder? (They’re the same picture.)
Morello spoke briefly before the performance:
Brothers and sisters, thank you for welcoming us to the Battle of Minneapolis. My friends, if it looks like fascism, sounds like fascism, acts like fascism, dresses like fascism, talks like fascism, kills like fascism and lies like fascism, brothers and sisters, it’s fucking fascism. It’s here, it’s now, it’s in my city, it’s in your city and it must be resisted, protested, defended against, stood up to, exposed, ousted, overthrown and driven out. By who? By you. By me.
Minneapolis is an inspiration to the entire nation. You have heroically stood up against ICE, stood up against Trump, stood up against this terrible rising tide of state terror. You’ve stood up for your neighbors and for yourselves and for democracy and for justice. Ain’t nobody coming to save us, except us. And brothers and sisters, you are showing the way.
To that end, we would like to begin our program with an old Native American war chant. We encourage you to singalong, in this very room Prince created a revolution, now it’s our turn.
Here’s the official video for Killing In The Name:
PS. Bruce Springsteen was there as well and performed his song Streets of Minneapolis.
The Border Patrol Is the Problem. It Always Has Been. “If you are uncomfortable with what the Border Patrol is doing in Minneapolis, you are uncomfortable with the Border Patrol, full stop.”
Elon Musk and other internet racists started an internet war over Christopher Nolan’s casting of Lupita Nyong’o as Helen of Troy, thereby immediately disproving their point.
Early this month, a wily coyote swam across San Francisco Bay to Alcatraz. He was in such rough shape, observers thought he’d probably die, but he’s been snacking on birds and rodents and was recently observed fat as a pickle.
For his 2004 film The Life Aquatic with Steve Zissou, Wes Anderson enlisted Brazilian musical artist Seu Jorge to perform several of David Bowie’s songs in Portuguese. Jorge released an album of the songs about a year or so later.
A few weeks ago, to mark the 10th anniversary of Bowie’s death, Jorge released a hour-long set of him performing those songs:
Just an acoustic guitar, a microphone, and the beautiful coastline of São Paulo.
The Accidental Winners of the War on Higher Ed. “Well-resourced and prestigious small colleges are less exposed in almost every way to the crises that higher ed faces.” (My kid goes to a liberal arts school & anecdotally can confirm.)
A recent paper in Nature details what scientists found at the Huayuan biota:
Here we report the Huayuan biota — a lower Cambrian (Stage 4, approximately 512 million years ago) BST Lagerstätte from an outer shelf, deep-water setting of the Yangtze Block in Hunan, South China. The Huayuan biota yields remarkable taxonomic richness, comprising 153 animal species of 16 phylum-level clades dominated by arthropods, poriferans and cnidarians, among which 59% of species are new. The biota is comprised overwhelmingly of soft-bodied forms that include preserved cellular tissues.
They have identified more than 50,000 individual fossil specimens that existed during what’s referred to as the Cambrian explosion, “when a sudden radiation of complex life occurred and practically all major animal phyla started appearing in the fossil record”. The fossils at the site are unusually intact:
Not only is this ecosystem notably diverse, but the fossils have remained unusually intact in the ancient mudstone, allowing for the preservation of soft tissues like tentacles, guts, and a nearly-complete nervous system found in one arthropod.
I’ve been interested in this period in paleontology since reading Stephen Jay Gould’s Wonderful Life: The Burgess Shale and the Nature of History in college. The Burgess Shale was a significant discovery that shed much light on the Cambrian explosion and surprisingly, paleontologists found fossils that appeared in both places.
The Burgess Shale animals date to about 508 million years ago, further removed from the Sinsk event than the Huayuan biota. Despite the vast distance separating the two sites, fossils of several of the same animals were found in the two locations.
“It surprised us when we found the Huayuan biota shared various animals with the Burgess Shale, including the arthropods Helmetia and Surusicaris that were previously only known from the Burgess Shale,” Zeng said.
“As larval stages are common in extant marine invertebrates, the best explanation of these shared taxa shall be that the larvae of early animals were capable of spreading by ocean currents since the early days of animals in the Cambrian,” Zeng said.
For those looking for more info on this discovery and its significance, paleontologist Dr. Joe Botting’s video on the Huayuan biota, which he calls “a stunning new Burgess Shale-type fauna”, might be a good place to start.
During an exhibition, Japanese volleyball player Yuji Nishida hit a courtside judge in the back with an errant serve. He immediately sprinted across the court and dove prostrate in apology. The gesture was a sort of sliding dogeza:
Even in a country where a sincere apology can go a long way, Nishida’s mea culpa was an extreme example. The most extravagant form in Japanese culture is the dogeza, which can also be used to express deep respect.
When used as an apology, the person in the wrong prostrates themselves and bows so that their forehead touches the floor between their hands. While the dogeza is rarely seen in public, scandal-hit politicians have used equally theatrical gestures to communicate their remorse.
Nishida followed up his slide with several more bows.
The Schoolchildren of Minneapolis. “As thousands of ICE agents arrived, kids started staying home from school. A local principal, teachers, and parent volunteers have banded together to keep the families safe.”
Autocratic backfire: when dictators construct echo chambers, overestimate their abilities, and dismiss their adversaries’ capabilities, leading to weakening or ruin. Examples: Mussolini, Putin, and now (hopefully) Trump.
Darren Aronofsky’s AI Studio Used Artificial Intelligence Tools for Revolutionary War Animated Series. Interesting use of “animated” to mean “AI-generated photorealism”. I watched the trailer…everything looks vaguely plastic.
Tim Burton on Catherine O’Hara: “Catherine’s so good, maybe too good. She works on levels that people don’t even know. I think she scares people because she operates at such high levels.” Loved her. RIP.
ProPublica: “The two federal immigration agents who fired on Minneapolis protester Alex Pretti are identified in government records as Border Patrol agent Jesus Ochoa and CBP officer Raymundo Gutierrez.”
Another brutal Melania pan: “First Lady is a preening, scowling void of pure nothingness in this ghastly bit of propaganda” and “the vulgar, gilded lifestyle of the Trumps makes them look like…Hermann Göring’s staring up at his looted Monet”.
When horrible people make bad art, the reviews are fun to read. Melania doc review: “Trump film is a gilded trash remake of The Zone of Interest” and “it’s one of those rare, unicorn films that doesn’t have a single redeeming quality”.
“The end of Temporary Protected Status has Holocaust survivors offering to hide Haitian staffers, according to the CEO of a senior-living center in Florida.” The CEO of the center: “That reminds me of Anne Frank.”
On his Filatelia Grafica Instagram account, graphic designer Diego Bucciero shares some of his favorite postage stamps, with an emphasis on “iconography, form, typography and branding”. (via it’s nice that)
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